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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6625DE it is the complementary color #99DA21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6625DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6625DE shade: #6B25D9, #7C37EC, #8D49FF, #9E5BFF and #AF6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6625DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6625DE shade: #6625DE, #5513CB, #4401B8, #3300A5 and #220092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6625DE shade: #6625DE, #9825DE, #CA25DE, #DE25C0 and #DE258E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6625DE shade: #6625DE, #3425DE and #2525DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6625DE shade matches the following richer shades: #6625DE and #6011F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6625DE shade: #6625DE, #6C39CA, #724EB6, #7862A1 and #7E768D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6625DE shade: #2547DE, #3425DE, #6625DE, #9725DE and #C825DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6625DE shade: #45179A, #551CBE, #6625DE, #7F49E3 and #986DE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6625DE shade: #6625DE, #DE2578 and #2EDE25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6625DE shade: #6625DE, #DE6625 and #25DE66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6625DE shade: #6625DE, #DE2578, #9DDE25 and #25DE8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6625DE shade: #6625DE, #DE2541, #9DDE25 and #25DEC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 83 / 0 / 13

HEX #6625DE

RGB 102 37 222

HSL 261.08, 0.74%, 0.51%

LAB 36.78, 66.5, -81.53

 

Complementary color

CMYK 30 / 0 / 85 / 15

HEX #99DA21

RGB 153 218 33

HSL 81.08, 0.74%, 0.49%

LAB 80.19, -44.73, 74.38

 

CMYK 51 / 83 / 0 / 15

HEX #6B25D9

RGB 107 37 217

HSL 263.33, 0.71%, 0.5%

LAB 36.85, 65.81, -78.53

 

CMYK 47 / 77 / 0 / 7

HEX #7C37EC

RGB 124 55 236

HSL 262.87, 0.83%, 0.57%

LAB 42.87, 65.82, -79.39

 

CMYK 45 / 71 / 0 / 0

HEX #8D49FF

RGB 141 73 255

HSL 262.42, 1%, 0.64%

LAB 49.07, 65.25, -79.83

 

CMYK 38 / 64 / 0 / 0

HEX #9E5BFF

RGB 158 91 255

HSL 264.51, 1%, 0.68%

LAB 54, 59.69, -71.73

 

CMYK 31 / 57 / 0 / 0

HEX #AF6DFF

RGB 175 109 255

HSL 267.12, 1%, 0.71%

LAB 59.22, 54.15, -63.21

 

CMYK 54 / 83 / 0 / 13

HEX #6625DE

RGB 102 37 222

HSL 261.08, 0.74%, 0.51%

LAB 36.78, 66.5, -81.53

 

CMYK 58 / 91 / 0 / 20

HEX #5513CB

RGB 85 19 203

HSL 261.52, 0.83%, 0.44%

LAB 31.13, 65.58, -79.94

 

CMYK 63 / 99 / 0 / 28

HEX #4401B8

RGB 68 1 184

HSL 261.97, 0.99%, 0.36%

LAB 25.9, 63.42, -77.48

 

CMYK 69 / 100 / 0 / 35

HEX #3300A5

RGB 51 0 165

HSL 258.55, 1%, 0.32%

LAB 21.65, 58.24, -73.15

 

CMYK 77 / 100 / 0 / 43

HEX #220092

RGB 34 0 146

HSL 253.97, 1%, 0.29%

LAB 17.53, 52.86, -68.38

 

CMYK 54 / 83 / 0 / 13

HEX #6625DE

RGB 102 37 222

HSL 261.08, 0.74%, 0.51%

LAB 36.78, 66.5, -81.53

 

CMYK 32 / 83 / 0 / 13

HEX #9825DE

RGB 152 37 222

HSL 277.3, 0.74%, 0.51%

LAB 43.17, 72.8, -70.81

 

CMYK 9 / 83 / 0 / 13

HEX #CA25DE

RGB 202 37 222

HSL 293.51, 0.74%, 0.51%

LAB 50.87, 80.78, -57.97

 

CMYK 0 / 83 / 14 / 13

HEX #DE25C0

RGB 222 37 192

HSL 309.73, 0.74%, 0.51%

LAB 52.57, 80.05, -37.83

 

CMYK 0 / 83 / 36 / 13

HEX #DE258E

RGB 222 37 142

HSL 325.95, 0.74%, 0.51%

LAB 50.46, 74.19, -11.59

 

CMYK 54 / 83 / 0 / 13

HEX #6625DE

RGB 102 37 222

HSL 261.08, 0.74%, 0.51%

LAB 36.78, 66.5, -81.53

 

CMYK 77 / 83 / 0 / 13

HEX #3425DE

RGB 52 37 222

HSL 244.86, 0.74%, 0.51%

LAB 32.54, 62.54, -88.69

 

CMYK 83 / 83 / 0 / 13

HEX #2525DE

RGB 37 37 222

HSL 240, 0.74%, 0.51%

LAB 31.78, 61.87, -89.97

 

CMYK 54 / 83 / 0 / 13

HEX #6625DE

RGB 102 37 222

HSL 261.08, 0.74%, 0.51%

LAB 36.78, 66.5, -81.53

 

CMYK 60 / 93 / 0 / 5

HEX #6011F2

RGB 96 17 242

HSL 261.07, 0.9%, 0.51%

LAB 36.55, 76, -93.32

 

CMYK 54 / 83 / 0 / 13

HEX #6625DE

RGB 102 37 222

HSL 261.08, 0.74%, 0.51%

LAB 36.78, 66.5, -81.53

 

CMYK 47 / 72 / 0 / 21

HEX #6C39CA

RGB 108 57 202

HSL 261.1, 0.58%, 0.51%

LAB 38.51, 53.79, -67.12

 

CMYK 37 / 57 / 0 / 29

HEX #724EB6

RGB 114 78 182

HSL 260.77, 0.42%, 0.51%

LAB 41.85, 38.35, -50

 

CMYK 25 / 39 / 0 / 37

HEX #7862A1

RGB 120 98 161

HSL 260.95, 0.25%, 0.51%

LAB 46.04, 22.57, -30.93

 

CMYK 11 / 16 / 0 / 45

HEX #7E768D

RGB 126 118 141

HSL 260.87, 0.09%, 0.51%

LAB 51.05, 7.82, -11.39

 

CMYK 83 / 68 / 0 / 13

HEX #2547DE

RGB 37 71 222

HSL 228.97, 0.74%, 0.51%

LAB 38.15, 43.81, -79.43

 

CMYK 77 / 83 / 0 / 13

HEX #3425DE

RGB 52 37 222

HSL 244.86, 0.74%, 0.51%

LAB 32.54, 62.54, -88.69

 

CMYK 54 / 83 / 0 / 13

HEX #6625DE

RGB 102 37 222

HSL 261.08, 0.74%, 0.51%

LAB 36.78, 66.5, -81.53

 

CMYK 32 / 83 / 0 / 13

HEX #9725DE

RGB 151 37 222

HSL 276.97, 0.74%, 0.51%

LAB 43.03, 72.66, -71.05

 

CMYK 10 / 83 / 0 / 13

HEX #C825DE

RGB 200 37 222

HSL 292.86, 0.74%, 0.51%

LAB 50.54, 80.44, -58.51

 

CMYK 55 / 85 / 0 / 40

HEX #45179A

RGB 69 23 154

HSL 261.07, 0.74%, 0.35%

LAB 24.36, 50.46, -61.89

 

CMYK 55 / 85 / 0 / 25

HEX #551CBE

RGB 85 28 190

HSL 261.11, 0.74%, 0.43%

LAB 30.59, 59.77, -73.2

 

CMYK 54 / 83 / 0 / 13

HEX #6625DE

RGB 102 37 222

HSL 261.08, 0.74%, 0.51%

LAB 36.78, 66.5, -81.53

 

CMYK 44 / 68 / 0 / 11

HEX #7F49E3

RGB 127 73 227

HSL 261.04, 0.73%, 0.59%

LAB 45.39, 55.74, -70.17

 

CMYK 35 / 53 / 0 / 9

HEX #986DE9

RGB 152 109 233

HSL 260.81, 0.74%, 0.67%

LAB 55.58, 43.33, -56.97

 

CMYK 54 / 83 / 0 / 13

HEX #6625DE

RGB 102 37 222

HSL 261.08, 0.74%, 0.51%

LAB 36.78, 66.5, -81.53

 

CMYK 0 / 83 / 46 / 13

HEX #DE2578

RGB 222 37 120

HSL 333.08, 0.74%, 0.51%

LAB 49.75, 72.15, 0.66

 

CMYK 79 / 0 / 83 / 13

HEX #2EDE25

RGB 46 222 37

HSL 117.08, 0.74%, 0.51%

LAB 77.85, -73.5, 70.04

 

CMYK 54 / 83 / 0 / 13

HEX #6625DE

RGB 102 37 222

HSL 261.08, 0.74%, 0.51%

LAB 36.78, 66.5, -81.53

 

CMYK 0 / 54 / 83 / 13

HEX #DE6625

RGB 222 102 37

HSL 21.08, 0.74%, 0.51%

LAB 57.24, 43.42, 55.85

 

CMYK 83 / 0 / 54 / 13

HEX #25DE66

RGB 37 222 102

HSL 141.08, 0.74%, 0.51%

LAB 78.23, -68.45, 46.23

 

CMYK 54 / 83 / 0 / 13

HEX #6625DE

RGB 102 37 222

HSL 261.08, 0.74%, 0.51%

LAB 36.78, 66.5, -81.53

 

CMYK 0 / 83 / 46 / 13

HEX #DE2578

RGB 222 37 120

HSL 333.08, 0.74%, 0.51%

LAB 49.75, 72.15, 0.66

 

CMYK 29 / 0 / 83 / 13

HEX #9DDE25

RGB 157 222 37

HSL 81.08, 0.74%, 0.51%

LAB 81.59, -44.83, 74.78

 

CMYK 83 / 0 / 37 / 13

HEX #25DE8B

RGB 37 222 139

HSL 153.08, 0.74%, 0.51%

LAB 78.75, -62.24, 28.64

 

CMYK 54 / 83 / 0 / 13

HEX #6625DE

RGB 102 37 222

HSL 261.08, 0.74%, 0.51%

LAB 36.78, 66.5, -81.53

 

CMYK 0 / 83 / 71 / 13

HEX #DE2541

RGB 222 37 65

HSL 350.92, 0.74%, 0.51%

LAB 48.55, 68.64, 32.52

 

CMYK 29 / 0 / 83 / 13

HEX #9DDE25

RGB 157 222 37

HSL 81.08, 0.74%, 0.51%

LAB 81.59, -44.83, 74.78

 

CMYK 83 / 0 / 13 / 13

HEX #25DEC2

RGB 37 222 194

HSL 170.92, 0.74%, 0.51%

LAB 79.92, -49.59, 1.38

 

Description

Color code: HEX #6625DE | qconv.com Color code: HEX #6625DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 37 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 37 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 83 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 83% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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