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Color name
HEX #66DD2C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66DD2C it is the complementary color #9922D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66DD2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66DD2C shade: #6BDD27, #7CEF3A, #8DFF4D, #9EFF60 and #AFFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66DD2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66DD2C shade: #66DD2C, #55CB19, #44B906, #33A700 and #229500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66DD2C shade: #66DC2C, #95DC2C, #C5DC2C, #DCC42C and #DC952C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66DD2C shade: #66DC2C, #36DC2C, #2CDC51, #2CDC81 and #2CDCB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66DD2C shade matches the following richer shades: #66DC2C and #5FF018

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66DD2C shade: #66DC2C, #6DC840, #73B554, #7AA167 and #818D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66DD2C shade: #C5DC2C, #96DC2C, #67DC2C, #38DC2C and #2CDC4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66DD2C shade: #449D19, #54C01F, #66DC2C, #7FE24F and #99E873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66DD2C shade: #66DD2C, #2CDCC5 and #DC2CAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66DD2C shade: #66DD2C, #2C67DC and #DC2C67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66DD2C shade: #66DD2C, #2CDCC5, #A12CDC and #DC2C43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66DD2C shade: #66DD2C, #2CBFDC, #A12CDC and #DC492C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 80 / 13

HEX #66DD2C

RGB 102 221 44

HSL 100.34, 0.72%, 0.52%

LAB 78.88, -61.89, 69.68

 

Complementary color

CMYK 27 / 84 / 0 / 17

HEX #9922D3

RGB 153 34 211

HSL 280.34, 0.72%, 0.48%

LAB 42.18, 71.55, -66.09

 

CMYK 52 / 0 / 82 / 13

HEX #6BDD27

RGB 107 221 39

HSL 97.58, 0.73%, 0.51%

LAB 79.03, -60.75, 71.18

 

CMYK 48 / 0 / 76 / 6

HEX #7CEF3A

RGB 124 239 58

HSL 98.12, 0.85%, 0.58%

LAB 85.16, -61.53, 71.82

 

CMYK 45 / 0 / 70 / 0

HEX #8DFF4D

RGB 141 255 77

HSL 98.43, 1%, 0.65%

LAB 90.65, -61.3, 71.17

 

CMYK 38 / 0 / 62 / 0

HEX #9EFF60

RGB 158 255 96

HSL 96.6, 1%, 0.69%

LAB 91.52, -54.58, 65.08

 

CMYK 31 / 0 / 55 / 0

HEX #AFFF73

RGB 175 255 115

HSL 94.29, 1%, 0.73%

LAB 92.52, -47.26, 58.36

 

CMYK 54 / 0 / 80 / 13

HEX #66DD2C

RGB 102 221 44

HSL 100.34, 0.72%, 0.52%

LAB 78.88, -61.89, 69.68

 

CMYK 58 / 0 / 88 / 20

HEX #55CB19

RGB 85 203 25

HSL 99.78, 0.78%, 0.45%

LAB 72.7, -60.8, 68.41

 

CMYK 63 / 0 / 97 / 27

HEX #44B906

RGB 68 185 6

HSL 99.22, 0.94%, 0.37%

LAB 66.47, -59.26, 65.8

 

CMYK 69 / 0 / 100 / 35

HEX #33A700

RGB 51 167 0

HSL 101.68, 1%, 0.33%

LAB 60.2, -57.13, 61.36

 

CMYK 77 / 0 / 100 / 42

HEX #229500

RGB 34 149 0

HSL 106.31, 1%, 0.29%

LAB 53.85, -54.45, 56.16

 

CMYK 54 / 0 / 80 / 14

HEX #66DC2C

RGB 102 220 44

HSL 100.23, 0.72%, 0.52%

LAB 78.57, -61.53, 69.4

 

CMYK 32 / 0 / 80 / 14

HEX #95DC2C

RGB 149 220 44

HSL 84.2, 0.72%, 0.52%

LAB 80.6, -46.63, 72.01

 

CMYK 10 / 0 / 80 / 14

HEX #C5DC2C

RGB 197 220 44

HSL 67.84, 0.72%, 0.52%

LAB 83.57, -28.05, 75.77

 

CMYK 0 / 11 / 80 / 14

HEX #DCC42C

RGB 220 196 44

HSL 51.82, 0.72%, 0.52%

LAB 78.97, -6.51, 72.45

 

CMYK 0 / 32 / 80 / 14

HEX #DC952C

RGB 220 149 44

HSL 35.8, 0.72%, 0.52%

LAB 67.2, 18.32, 61.98

 

CMYK 54 / 0 / 80 / 14

HEX #66DC2C

RGB 102 220 44

HSL 100.23, 0.72%, 0.52%

LAB 78.57, -61.53, 69.4

 

CMYK 75 / 0 / 80 / 14

HEX #36DC2C

RGB 54 220 44

HSL 116.59, 0.72%, 0.52%

LAB 77.37, -71.49, 67.85

 

CMYK 80 / 0 / 63 / 14

HEX #2CDC51

RGB 44 220 81

HSL 132.61, 0.72%, 0.52%

LAB 77.47, -69.73, 54.74

 

CMYK 80 / 0 / 41 / 14

HEX #2CDC81

RGB 44 220 129

HSL 148.98, 0.72%, 0.52%

LAB 78.06, -62.75, 32.83

 

CMYK 80 / 0 / 20 / 14

HEX #2CDCB0

RGB 44 220 176

HSL 165, 0.72%, 0.52%

LAB 78.96, -52.75, 9.58

 

CMYK 54 / 0 / 80 / 14

HEX #66DC2C

RGB 102 220 44

HSL 100.23, 0.72%, 0.52%

LAB 78.57, -61.53, 69.4

 

CMYK 60 / 0 / 90 / 6

HEX #5FF018

RGB 95 240 24

HSL 100.28, 0.88%, 0.52%

LAB 84.39, -70.81, 78.61

 

CMYK 54 / 0 / 80 / 14

HEX #66DC2C

RGB 102 220 44

HSL 100.23, 0.72%, 0.52%

LAB 78.57, -61.53, 69.4

 

CMYK 46 / 0 / 68 / 22

HEX #6DC840

RGB 109 200 64

HSL 100.15, 0.55%, 0.52%

LAB 72.85, -50.71, 57.15

 

CMYK 36 / 0 / 54 / 29

HEX #73B554

RGB 115 181 84

HSL 100.82, 0.4%, 0.52%

LAB 67.53, -38.84, 42.43

 

CMYK 24 / 0 / 36 / 37

HEX #7AA167

RGB 122 161 103

HSL 100.34, 0.24%, 0.52%

LAB 62.17, -24.39, 26.01

 

CMYK 9 / 0 / 13 / 45

HEX #818D7B

RGB 129 141 123

HSL 100, 0.07%, 0.52%

LAB 57.22, -7.89, 8.13

 

CMYK 10 / 0 / 80 / 14

HEX #C5DC2C

RGB 197 220 44

HSL 67.84, 0.72%, 0.52%

LAB 83.57, -28.05, 75.77

 

CMYK 32 / 0 / 80 / 14

HEX #96DC2C

RGB 150 220 44

HSL 83.86, 0.72%, 0.52%

LAB 80.66, -46.27, 72.07

 

CMYK 53 / 0 / 80 / 14

HEX #67DC2C

RGB 103 220 44

HSL 99.89, 0.72%, 0.52%

LAB 78.61, -61.26, 69.45

 

CMYK 75 / 0 / 80 / 14

HEX #38DC2C

RGB 56 220 44

HSL 115.91, 0.72%, 0.52%

LAB 77.41, -71.2, 67.89

 

CMYK 80 / 0 / 64 / 14

HEX #2CDC4F

RGB 44 220 79

HSL 131.93, 0.72%, 0.52%

LAB 77.45, -69.95, 55.56

 

CMYK 57 / 0 / 84 / 38

HEX #449D19

RGB 68 157 25

HSL 100.45, 0.73%, 0.36%

LAB 57.48, -48.83, 54.8

 

CMYK 56 / 0 / 84 / 25

HEX #54C01F

RGB 84 192 31

HSL 100.25, 0.72%, 0.44%

LAB 69.24, -56.97, 64.06

 

CMYK 54 / 0 / 80 / 14

HEX #66DC2C

RGB 102 220 44

HSL 100.23, 0.72%, 0.52%

LAB 78.57, -61.53, 69.4

 

CMYK 44 / 0 / 65 / 11

HEX #7FE24F

RGB 127 226 79

HSL 100.41, 0.72%, 0.6%

LAB 81.55, -54.21, 60.69

 

CMYK 34 / 0 / 50 / 9

HEX #99E873

RGB 153 232 115

HSL 100.51, 0.72%, 0.68%

LAB 84.86, -44.77, 48.97

 

CMYK 54 / 0 / 80 / 13

HEX #66DD2C

RGB 102 221 44

HSL 100.34, 0.72%, 0.52%

LAB 78.88, -61.89, 69.68

 

CMYK 80 / 0 / 10 / 14

HEX #2CDCC5

RGB 44 220 197

HSL 172.16, 0.72%, 0.52%

LAB 79.47, -47.4, -0.85

 

CMYK 0 / 80 / 21 / 14

HEX #DC2CAD

RGB 220 44 173

HSL 316.02, 0.72%, 0.52%

LAB 51.88, 75.64, -27.87

 

CMYK 54 / 0 / 80 / 13

HEX #66DD2C

RGB 102 221 44

HSL 100.34, 0.72%, 0.52%

LAB 78.88, -61.89, 69.68

 

CMYK 80 / 53 / 0 / 14

HEX #2C67DC

RGB 44 103 220

HSL 219.89, 0.72%, 0.52%

LAB 46.18, 23.34, -65.15

 

CMYK 0 / 80 / 53 / 14

HEX #DC2C67

RGB 220 44 103

HSL 339.89, 0.72%, 0.52%

LAB 49.49, 68.65, 10.61

 

CMYK 54 / 0 / 80 / 13

HEX #66DD2C

RGB 102 221 44

HSL 100.34, 0.72%, 0.52%

LAB 78.88, -61.89, 69.68

 

CMYK 80 / 0 / 10 / 14

HEX #2CDCC5

RGB 44 220 197

HSL 172.16, 0.72%, 0.52%

LAB 79.47, -47.4, -0.85

 

CMYK 27 / 80 / 0 / 14

HEX #A12CDC

RGB 161 44 220

HSL 279.89, 0.72%, 0.52%

LAB 45.01, 71.77, -66.62

 

CMYK 0 / 80 / 70 / 14

HEX #DC2C43

RGB 220 44 67

HSL 352.16, 0.72%, 0.52%

LAB 48.79, 66.5, 31.52

 

CMYK 54 / 0 / 80 / 13

HEX #66DD2C

RGB 102 221 44

HSL 100.34, 0.72%, 0.52%

LAB 78.88, -61.89, 69.68

 

CMYK 80 / 13 / 0 / 14

HEX #2CBFDC

RGB 44 191 220

HSL 189.89, 0.72%, 0.52%

LAB 71.53, -27.34, -25.15

 

CMYK 27 / 80 / 0 / 14

HEX #A12CDC

RGB 161 44 220

HSL 279.89, 0.72%, 0.52%

LAB 45.01, 71.77, -66.62

 

CMYK 0 / 67 / 80 / 14

HEX #DC492C

RGB 220 73 44

HSL 9.89, 0.72%, 0.52%

LAB 52.02, 55.92, 47.77

 

Description

Color code: HEX #66DD2C | qconv.com Color code: HEX #66DD2C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 221 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 221 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 80% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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