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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6711E0 it is the complementary color #98EE1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6711E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6711E0 shade: #6C11DB, #7D23EE, #8E35FF, #9F47FF and #B059FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6711E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6711E0 shade: #6711E0, #5600CD, #4500BA, #3400A7 and #230094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6711E0 shade: #6610DE, #9E10DE, #D510DE, #DE10B0 and #DE1079

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6711E0 shade: #6610DE, #2E10DE and #1010DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6711E0 shade matches the following richer shades: #6610DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6711E0 shade: #6610DE, #6924CB, #6C37B8, #704AA4 and #735E91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6711E0 shade: #102CDE, #2C10DE, #6310DE, #9A10DE and #D110DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6711E0 shade: #430B92, #540DB8, #6610DE, #7B29EE and #9350F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6711E0 shade: #6711E0, #DE1063 and #10DE10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6711E0 shade: #6711E0, #DE6310 and #10DE63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6711E0 shade: #6711E0, #DE1063, #8CDE10 and #10DE8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6711E0 shade: #6711E0, #DE1025, #8CDE10 and #10DECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 92 / 0 / 12

HEX #6711E0

RGB 103 17 224

HSL 264.93, 0.86%, 0.47%

LAB 35.33, 72.36, -85.07

 

Complementary color

CMYK 36 / 0 / 87 / 7

HEX #98EE1F

RGB 152 238 31

HSL 84.93, 0.86%, 0.53%

LAB 85.97, -53.4, 79.65

 

CMYK 51 / 92 / 0 / 14

HEX #6C11DB

RGB 108 17 219

HSL 267.03, 0.86%, 0.46%

LAB 35.41, 71.65, -82.06

 

CMYK 47 / 85 / 0 / 7

HEX #7D23EE

RGB 125 35 238

HSL 266.6, 0.86%, 0.54%

LAB 40.79, 73.38, -83.94

 

CMYK 44 / 79 / 0 / 0

HEX #8E35FF

RGB 142 53 255

HSL 266.44, 1%, 0.6%

LAB 46.33, 73.55, -84.3

 

CMYK 38 / 72 / 0 / 0

HEX #9F47FF

RGB 159 71 255

HSL 268.7, 1%, 0.64%

LAB 50.8, 69.08, -76.92

 

CMYK 31 / 65 / 0 / 0

HEX #B059FF

RGB 176 89 255

HSL 271.45, 1%, 0.67%

LAB 55.68, 64.25, -68.91

 

CMYK 54 / 92 / 0 / 12

HEX #6711E0

RGB 103 17 224

HSL 264.93, 0.86%, 0.47%

LAB 35.33, 72.36, -85.07

 

CMYK 58 / 100 / 0 / 20

HEX #5600CD

RGB 86 0 205

HSL 265.17, 1%, 0.4%

LAB 30.37, 69.48, -82.38

 

CMYK 63 / 100 / 0 / 27

HEX #4500BA

RGB 69 0 186

HSL 262.26, 1%, 0.36%

LAB 26.19, 64.14, -78.18

 

CMYK 69 / 100 / 0 / 35

HEX #3400A7

RGB 52 0 167

HSL 258.68, 1%, 0.33%

LAB 22.02, 58.77, -73.76

 

CMYK 76 / 100 / 0 / 42

HEX #230094

RGB 35 0 148

HSL 254.19, 1%, 0.29%

LAB 17.9, 53.4, -69.01

 

CMYK 54 / 93 / 0 / 13

HEX #6610DE

RGB 102 16 222

HSL 265.05, 0.87%, 0.47%

LAB 34.94, 72, -84.58

 

CMYK 29 / 93 / 0 / 13

HEX #9E10DE

RGB 158 16 222

HSL 281.36, 0.87%, 0.47%

LAB 42.63, 77.86, -71.65

 

CMYK 4 / 93 / 0 / 13

HEX #D510DE

RGB 213 16 222

HSL 297.38, 0.87%, 0.47%

LAB 51.6, 85.83, -56.7

 

CMYK 0 / 93 / 21 / 13

HEX #DE10B0

RGB 222 16 176

HSL 313.4, 0.87%, 0.47%

LAB 50.73, 81.19, -31.39

 

CMYK 0 / 93 / 45 / 13

HEX #DE1079

RGB 222 16 121

HSL 329.42, 0.87%, 0.47%

LAB 48.61, 75.6, -1.61

 

CMYK 54 / 93 / 0 / 13

HEX #6610DE

RGB 102 16 222

HSL 265.05, 0.87%, 0.47%

LAB 34.94, 72, -84.58

 

CMYK 79 / 93 / 0 / 13

HEX #2E10DE

RGB 46 16 222

HSL 248.74, 0.87%, 0.47%

LAB 29.97, 68.98, -92.97

 

CMYK 93 / 93 / 0 / 13

HEX #1010DE

RGB 16 16 222

HSL 240, 0.87%, 0.47%

LAB 28.78, 68.38, -94.99

 

CMYK 54 / 93 / 0 / 13

HEX #6610DE

RGB 102 16 222

HSL 265.05, 0.87%, 0.47%

LAB 34.94, 72, -84.58

 

CMYK 54 / 93 / 0 / 13

HEX #6610DE

RGB 102 16 222

HSL 265.05, 0.87%, 0.47%

LAB 34.94, 72, -84.58

 

CMYK 48 / 82 / 0 / 20

HEX #6924CB

RGB 105 36 203

HSL 264.79, 0.7%, 0.47%

LAB 35.16, 62.51, -73.22

 

CMYK 41 / 70 / 0 / 28

HEX #6C37B8

RGB 108 55 184

HSL 264.65, 0.54%, 0.47%

LAB 36.71, 50.05, -59.52

 

CMYK 32 / 55 / 0 / 36

HEX #704AA4

RGB 112 74 164

HSL 265.33, 0.38%, 0.47%

LAB 39.62, 35.37, -42.93

 

CMYK 21 / 35 / 0 / 43

HEX #735E91

RGB 115 94 145

HSL 264.71, 0.21%, 0.47%

LAB 43.79, 19.41, -24.96

 

CMYK 93 / 80 / 0 / 13

HEX #102CDE

RGB 16 44 222

HSL 231.84, 0.87%, 0.47%

LAB 32.23, 58.06, -89.25

 

CMYK 80 / 93 / 0 / 13

HEX #2C10DE

RGB 44 16 222

HSL 248.16, 0.87%, 0.47%

LAB 29.86, 68.92, -93.16

 

CMYK 55 / 93 / 0 / 13

HEX #6310DE

RGB 99 16 222

HSL 264.17, 0.87%, 0.47%

LAB 34.59, 71.77, -85.16

 

CMYK 31 / 93 / 0 / 13

HEX #9A10DE

RGB 154 16 222

HSL 280.19, 0.87%, 0.47%

LAB 42.02, 77.35, -72.67

 

CMYK 6 / 93 / 0 / 13

HEX #D110DE

RGB 209 16 222

HSL 296.21, 0.87%, 0.47%

LAB 50.92, 85.2, -57.83

 

CMYK 54 / 92 / 0 / 43

HEX #430B92

RGB 67 11 146

HSL 264.89, 0.86%, 0.31%

LAB 21.97, 51.95, -60.9

 

CMYK 54 / 93 / 0 / 28

HEX #540DB8

RGB 84 13 184

HSL 264.91, 0.87%, 0.39%

LAB 28.47, 62.27, -73.16

 

CMYK 54 / 93 / 0 / 13

HEX #6610DE

RGB 102 16 222

HSL 265.05, 0.87%, 0.47%

LAB 34.94, 72, -84.58

 

CMYK 48 / 83 / 0 / 7

HEX #7B29EE

RGB 123 41 238

HSL 264.97, 0.85%, 0.55%

LAB 41.17, 71.33, -83.33

 

CMYK 39 / 67 / 0 / 5

HEX #9350F1

RGB 147 80 241

HSL 264.97, 0.85%, 0.63%

LAB 49.85, 59.53, -70.72

 

CMYK 54 / 92 / 0 / 12

HEX #6711E0

RGB 103 17 224

HSL 264.93, 0.86%, 0.47%

LAB 35.33, 72.36, -85.07

 

CMYK 0 / 93 / 55 / 13

HEX #DE1063

RGB 222 16 99

HSL 335.83, 0.87%, 0.47%

LAB 48.01, 73.96, 11.05

 

CMYK 93 / 0 / 93 / 13

HEX #10DE10

RGB 16 222 16

HSL 120, 0.87%, 0.47%

LAB 77.51, -76.73, 73.44

 

CMYK 54 / 92 / 0 / 12

HEX #6711E0

RGB 103 17 224

HSL 264.93, 0.86%, 0.47%

LAB 35.33, 72.36, -85.07

 

CMYK 0 / 55 / 93 / 13

HEX #DE6310

RGB 222 99 16

HSL 24.17, 0.87%, 0.47%

LAB 56.58, 44.46, 62.22

 

CMYK 93 / 0 / 55 / 13

HEX #10DE63

RGB 16 222 99

HSL 144.17, 0.87%, 0.47%

LAB 78.02, -70.28, 47.34

 

CMYK 54 / 92 / 0 / 12

HEX #6711E0

RGB 103 17 224

HSL 264.93, 0.86%, 0.47%

LAB 35.33, 72.36, -85.07

 

CMYK 0 / 93 / 55 / 13

HEX #DE1063

RGB 222 16 99

HSL 335.83, 0.87%, 0.47%

LAB 48.01, 73.96, 11.05

 

CMYK 37 / 0 / 93 / 13

HEX #8CDE10

RGB 140 222 16

HSL 83.88, 0.87%, 0.47%

LAB 80.66, -51.45, 77.31

 

CMYK 93 / 0 / 37 / 13

HEX #10DE8C

RGB 16 222 140

HSL 156.12, 0.87%, 0.47%

LAB 78.61, -63.35, 27.9

 

CMYK 54 / 92 / 0 / 12

HEX #6711E0

RGB 103 17 224

HSL 264.93, 0.86%, 0.47%

LAB 35.33, 72.36, -85.07

 

CMYK 0 / 93 / 83 / 13

HEX #DE1025

RGB 222 16 37

HSL 353.88, 0.87%, 0.47%

LAB 47.02, 71.22, 46.74

 

CMYK 37 / 0 / 93 / 13

HEX #8CDE10

RGB 140 222 16

HSL 83.88, 0.87%, 0.47%

LAB 80.66, -51.45, 77.31

 

CMYK 93 / 0 / 9 / 13

HEX #10DECA

RGB 16 222 202

HSL 174.17, 0.87%, 0.47%

LAB 79.96, -48.57, -2.82

 

Description

Color code: HEX #6711E0 | qconv.com Color code: HEX #6711E0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 17 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 17 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 92 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 92% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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