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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98EE1F it is the complementary color #6711E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98EE1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98EE1F shade: #9DEE1A, #AEFF2D, #BFFF40, #D0FF53 and #E1FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98EE1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98EE1F shade: #98EE1F, #87DC0C, #76CA00, #65B800 and #54A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98EE1F shade: #98EE20, #D0EE20, #EED420, #EE9D20 and #EE6520

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98EE1F shade: #98EE20, #60EE20, #29EE20, #20EE4E and #20EE85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98EE1F shade matches the following richer shades: #98EE20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98EE1F shade: #98EE20, #95DA33, #92C746, #8EB45A and #8BA06D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98EE1F shade: #EED220, #D2EE20, #9BEE20, #64EE20 and #2DEE20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98EE1F shade: #6BAE0D, #83D510, #98EE20, #AAF146 and #BBF36C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98EE1F shade: #98EE1F, #20EE9B and #EE20EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98EE1F shade: #98EE1F, #209BEE and #EE209B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98EE1F shade: #98EE1F, #20EE9B, #7220EE and #EE2072

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98EE1F shade: #98EE1F, #20EED9, #7220EE and #EE2034

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 87 / 7

HEX #98EE1F

RGB 152 238 31

HSL 84.93, 0.86%, 0.53%

LAB 85.97, -53.4, 79.65

 

Complementary color

CMYK 54 / 92 / 0 / 12

HEX #6711E0

RGB 103 17 224

HSL 264.93, 0.86%, 0.47%

LAB 35.33, 72.36, -85.07

 

CMYK 34 / 0 / 89 / 7

HEX #9DEE1A

RGB 157 238 26

HSL 82.92, 0.86%, 0.52%

LAB 86.2, -51.8, 80.79

 

CMYK 32 / 0 / 82 / 0

HEX #AEFF2D

RGB 174 255 45

HSL 83.14, 1%, 0.59%

LAB 92, -52.2, 82.39

 

CMYK 25 / 0 / 75 / 0

HEX #BFFF40

RGB 191 255 64

HSL 80.1, 1%, 0.63%

LAB 93, -45.31, 78.58

 

CMYK 18 / 0 / 67 / 0

HEX #D0FF53

RGB 208 255 83

HSL 76.4, 1%, 0.66%

LAB 94.12, -37.94, 73.66

 

CMYK 12 / 0 / 60 / 0

HEX #E1FF66

RGB 225 255 102

HSL 71.76, 1%, 0.7%

LAB 95.37, -30.2, 67.93

 

CMYK 36 / 0 / 87 / 7

HEX #98EE1F

RGB 152 238 31

HSL 84.93, 0.86%, 0.53%

LAB 85.97, -53.4, 79.65

 

CMYK 39 / 0 / 95 / 14

HEX #87DC0C

RGB 135 220 12

HSL 84.52, 0.9%, 0.45%

LAB 79.82, -52.43, 76.98

 

CMYK 42 / 0 / 100 / 21

HEX #76CA00

RGB 118 202 0

HSL 84.95, 1%, 0.4%

LAB 73.61, -51.21, 72.91

 

CMYK 45 / 0 / 100 / 28

HEX #65B800

RGB 101 184 0

HSL 87.07, 1%, 0.36%

LAB 67.31, -49.77, 67.69

 

CMYK 49 / 0 / 100 / 35

HEX #54A600

RGB 84 166 0

HSL 89.64, 1%, 0.33%

LAB 60.92, -48.23, 62.38

 

CMYK 36 / 0 / 87 / 7

HEX #98EE20

RGB 152 238 32

HSL 85.05, 0.86%, 0.53%

LAB 85.97, -53.37, 79.47

 

CMYK 13 / 0 / 87 / 7

HEX #D0EE20

RGB 208 238 32

HSL 68.74, 0.86%, 0.53%

LAB 89.24, -32.33, 83.51

 

CMYK 0 / 11 / 87 / 7

HEX #EED420

RGB 238 212 32

HSL 52.43, 0.86%, 0.53%

LAB 84.67, -7.26, 80.79

 

CMYK 0 / 34 / 87 / 7

HEX #EE9D20

RGB 238 157 32

HSL 36.41, 0.86%, 0.53%

LAB 71.14, 21.39, 69.97

 

CMYK 0 / 58 / 87 / 7

HEX #EE6520

RGB 238 101 32

HSL 20.1, 0.86%, 0.53%

LAB 59.52, 49.74, 60.67

 

CMYK 36 / 0 / 87 / 7

HEX #98EE20

RGB 152 238 32

HSL 85.05, 0.86%, 0.53%

LAB 85.97, -53.37, 79.47

 

CMYK 60 / 0 / 87 / 7

HEX #60EE20

RGB 96 238 32

HSL 101.36, 0.86%, 0.53%

LAB 83.83, -69.68, 76.79

 

CMYK 83 / 0 / 87 / 7

HEX #29EE20

RGB 41 238 32

HSL 117.38, 0.86%, 0.53%

LAB 82.77, -78.79, 75.46

 

CMYK 87 / 0 / 67 / 7

HEX #20EE4E

RGB 32 238 78

HSL 133.4, 0.86%, 0.53%

LAB 82.92, -76.56, 61.89

 

CMYK 87 / 0 / 44 / 7

HEX #20EE85

RGB 32 238 133

HSL 149.42, 0.86%, 0.53%

LAB 83.52, -69.21, 37.91

 

CMYK 36 / 0 / 87 / 7

HEX #98EE20

RGB 152 238 32

HSL 85.05, 0.86%, 0.53%

LAB 85.97, -53.37, 79.47

 

CMYK 36 / 0 / 87 / 7

HEX #98EE20

RGB 152 238 32

HSL 85.05, 0.86%, 0.53%

LAB 85.97, -53.37, 79.47

 

CMYK 32 / 0 / 77 / 15

HEX #95DA33

RGB 149 218 51

HSL 84.79, 0.69%, 0.53%

LAB 80.05, -45.47, 69.49

 

CMYK 27 / 0 / 65 / 22

HEX #92C746

RGB 146 199 70

HSL 84.65, 0.54%, 0.53%

LAB 74.44, -37.07, 56.99

 

CMYK 21 / 0 / 50 / 29

HEX #8EB45A

RGB 142 180 90

HSL 85.33, 0.38%, 0.53%

LAB 68.85, -27.87, 41.45

 

CMYK 13 / 0 / 32 / 37

HEX #8BA06D

RGB 139 160 109

HSL 84.71, 0.21%, 0.53%

LAB 63.12, -16.56, 24.22

 

CMYK 0 / 12 / 87 / 7

HEX #EED220

RGB 238 210 32

HSL 51.84, 0.86%, 0.53%

LAB 84.16, -6.25, 80.38

 

CMYK 12 / 0 / 87 / 7

HEX #D2EE20

RGB 210 238 32

HSL 68.16, 0.86%, 0.53%

LAB 89.37, -31.53, 83.68

 

CMYK 35 / 0 / 87 / 7

HEX #9BEE20

RGB 155 238 32

HSL 84.17, 0.86%, 0.53%

LAB 86.12, -52.34, 79.65

 

CMYK 58 / 0 / 87 / 7

HEX #64EE20

RGB 100 238 32

HSL 100.19, 0.86%, 0.53%

LAB 83.95, -68.74, 76.94

 

CMYK 81 / 0 / 87 / 7

HEX #2DEE20

RGB 45 238 32

HSL 116.21, 0.86%, 0.53%

LAB 82.81, -78.38, 75.51

 

CMYK 39 / 0 / 93 / 32

HEX #6BAE0D

RGB 107 174 13

HSL 84.97, 0.86%, 0.37%

LAB 64.51, -43.43, 63.93

 

CMYK 38 / 0 / 92 / 16

HEX #83D510

RGB 131 213 16

HSL 84.97, 0.86%, 0.45%

LAB 77.55, -50.93, 74.62

 

CMYK 36 / 0 / 87 / 7

HEX #98EE20

RGB 152 238 32

HSL 85.05, 0.86%, 0.53%

LAB 85.97, -53.37, 79.47

 

CMYK 29 / 0 / 71 / 5

HEX #AAF146

RGB 170 241 70

HSL 84.91, 0.86%, 0.61%

LAB 87.92, -46.64, 71.3

 

CMYK 23 / 0 / 56 / 5

HEX #BBF36C

RGB 187 243 108

HSL 84.89, 0.85%, 0.69%

LAB 89.74, -38.5, 58.4

 

CMYK 36 / 0 / 87 / 7

HEX #98EE1F

RGB 152 238 31

HSL 84.93, 0.86%, 0.53%

LAB 85.97, -53.4, 79.65

 

CMYK 87 / 0 / 35 / 7

HEX #20EE9B

RGB 32 238 155

HSL 155.83, 0.86%, 0.53%

LAB 83.87, -65.12, 27.33

 

CMYK 0 / 87 / 0 / 7

HEX #EE20EE

RGB 238 32 238

HSL 300, 0.86%, 0.53%

LAB 57.45, 90.27, -56.13

 

CMYK 36 / 0 / 87 / 7

HEX #98EE1F

RGB 152 238 31

HSL 84.93, 0.86%, 0.53%

LAB 85.97, -53.4, 79.65

 

CMYK 87 / 35 / 0 / 7

HEX #209BEE

RGB 32 155 238

HSL 204.17, 0.86%, 0.53%

LAB 61.59, -2.73, -50.53

 

CMYK 0 / 87 / 35 / 7

HEX #EE209B

RGB 238 32 155

HSL 324.17, 0.86%, 0.53%

LAB 53.57, 80.02, -14.36

 

CMYK 36 / 0 / 87 / 7

HEX #98EE1F

RGB 152 238 31

HSL 84.93, 0.86%, 0.53%

LAB 85.97, -53.4, 79.65

 

CMYK 87 / 0 / 35 / 7

HEX #20EE9B

RGB 32 238 155

HSL 155.83, 0.86%, 0.53%

LAB 83.87, -65.12, 27.33

 

CMYK 52 / 87 / 0 / 7

HEX #7220EE

RGB 114 32 238

HSL 263.88, 0.86%, 0.53%

LAB 39.21, 73.09, -86.59

 

CMYK 0 / 87 / 52 / 7

HEX #EE2072

RGB 238 32 114

HSL 336.12, 0.86%, 0.53%

LAB 52.31, 76.49, 8.39

 

CMYK 36 / 0 / 87 / 7

HEX #98EE1F

RGB 152 238 31

HSL 84.93, 0.86%, 0.53%

LAB 85.97, -53.4, 79.65

 

CMYK 87 / 0 / 9 / 7

HEX #20EED9

RGB 32 238 217

HSL 173.88, 0.86%, 0.53%

LAB 85.23, -50.46, -3

 

CMYK 52 / 87 / 0 / 7

HEX #7220EE

RGB 114 32 238

HSL 263.88, 0.86%, 0.53%

LAB 39.21, 73.09, -86.59

 

CMYK 0 / 87 / 78 / 7

HEX #EE2034

RGB 238 32 52

HSL 354.17, 0.86%, 0.53%

LAB 51.22, 73.35, 43.87

 

Description

Color code: HEX #98EE1F | qconv.com Color code: HEX #98EE1F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 238 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 238 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 87 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 87% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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