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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6757CB it is the complementary color #98A834. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6757CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6757CB shade: #6C57C6, #7D69D9, #8E7BEC, #9F8DFF and #B09FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6757CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6757CB shade: #6757CB, #5645B8, #4533A5, #342192 and #230F7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6757CB shade: #6757CB, #8657CB, #A557CB, #C557CB and #CB57B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6757CB shade: #6757CB and #5757CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6757CB shade matches the following richer shades: #6757CB, #5A45DD and #4D33EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6757CB shade: #6757CB, #7468B9, #807AA7, #8D8C96 and #9A9E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6757CB shade: #5785CB, #5766CB, #6657CB, #8557CB and #A457CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6757CB shade: #40309F, #4C3ABE, #6757CB, #8376D5 and #A096DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6757CB shade: #6757CB, #CB57A4 and #76CB57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6757CB shade: #6757CB, #CB6657 and #57CB66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6757CB shade: #6757CB, #CB57A4, #BBCB57 and #57CB7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6757CB shade: #6757CB, #CB5781, #BBCB57 and #57CBA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 57 / 0 / 20

HEX #6757CB

RGB 103 87 203

HSL 248.28, 0.53%, 0.57%

LAB 44.25, 36.61, -58.4

 

Complementary color

CMYK 10 / 0 / 69 / 34

HEX #98A834

RGB 152 168 52

HSL 68.28, 0.53%, 0.43%

LAB 65.69, -21.14, 55.25

 

CMYK 45 / 56 / 0 / 22

HEX #6C57C6

RGB 108 87 198

HSL 251.35, 0.49%, 0.56%

LAB 44.35, 36.2, -55.33

 

CMYK 42 / 52 / 0 / 15

HEX #7D69D9

RGB 125 105 217

HSL 250.71, 0.6%, 0.63%

LAB 51.24, 34.9, -55.06

 

CMYK 40 / 48 / 0 / 7

HEX #8E7BEC

RGB 142 123 236

HSL 250.09, 0.75%, 0.7%

LAB 58.01, 33.75, -54.81

 

CMYK 38 / 45 / 0 / 0

HEX #9F8DFF

RGB 159 141 255

HSL 249.47, 1%, 0.78%

LAB 64.68, 32.71, -54.59

 

CMYK 31 / 38 / 0 / 0

HEX #B09FFF

RGB 176 159 255

HSL 250.63, 1%, 0.81%

LAB 70.35, 26.95, -45.54

 

CMYK 49 / 57 / 0 / 20

HEX #6757CB

RGB 103 87 203

HSL 248.28, 0.53%, 0.57%

LAB 44.25, 36.61, -58.4

 

CMYK 53 / 63 / 0 / 28

HEX #5645B8

RGB 86 69 184

HSL 248.87, 0.45%, 0.5%

LAB 37.29, 38.19, -58.68

 

CMYK 58 / 69 / 0 / 35

HEX #4533A5

RGB 69 51 165

HSL 249.47, 0.53%, 0.42%

LAB 30.28, 39.9, -58.86

 

CMYK 64 / 77 / 0 / 43

HEX #342192

RGB 52 33 146

HSL 250.09, 0.63%, 0.35%

LAB 23.31, 41.59, -58.74

 

CMYK 72 / 88 / 0 / 50

HEX #230F7F

RGB 35 15 127

HSL 250.71, 0.79%, 0.28%

LAB 16.66, 42.69, -57.88

 

CMYK 49 / 57 / 0 / 20

HEX #6757CB

RGB 103 87 203

HSL 248.28, 0.53%, 0.57%

LAB 44.25, 36.61, -58.4

 

CMYK 34 / 57 / 0 / 20

HEX #8657CB

RGB 134 87 203

HSL 264.31, 0.53%, 0.57%

LAB 47.23, 43.57, -53.44

 

CMYK 19 / 57 / 0 / 20

HEX #A557CB

RGB 165 87 203

HSL 280.34, 0.53%, 0.57%

LAB 50.84, 51.23, -47.47

 

CMYK 3 / 57 / 0 / 20

HEX #C557CB

RGB 197 87 203

HSL 296.9, 0.53%, 0.57%

LAB 55.07, 59.44, -40.5

 

CMYK 0 / 57 / 12 / 20

HEX #CB57B2

RGB 203 87 178

HSL 312.93, 0.53%, 0.57%

LAB 54.79, 56.88, -26.49

 

CMYK 49 / 57 / 0 / 20

HEX #6757CB

RGB 103 87 203

HSL 248.28, 0.53%, 0.57%

LAB 44.25, 36.61, -58.4

 

CMYK 57 / 57 / 0 / 20

HEX #5757CB

RGB 87 87 203

HSL 240, 0.53%, 0.57%

LAB 43, 33.47, -60.49

 

CMYK 49 / 57 / 0 / 20

HEX #6757CB

RGB 103 87 203

HSL 248.28, 0.53%, 0.57%

LAB 44.25, 36.61, -58.4

 

CMYK 59 / 69 / 0 / 13

HEX #5A45DD

RGB 90 69 221

HSL 248.29, 0.69%, 0.57%

LAB 40.65, 50.17, -74.63

 

CMYK 68 / 79 / 0 / 7

HEX #4D33EE

RGB 77 51 238

HSL 248.34, 0.85%, 0.57%

LAB 38.05, 62.79, -88.62

 

CMYK 49 / 57 / 0 / 20

HEX #6757CB

RGB 103 87 203

HSL 248.28, 0.53%, 0.57%

LAB 44.25, 36.61, -58.4

 

CMYK 37 / 44 / 0 / 27

HEX #7468B9

RGB 116 104 185

HSL 248.89, 0.37%, 0.57%

LAB 48.41, 24.22, -41.28

 

CMYK 23 / 27 / 0 / 35

HEX #807AA7

RGB 128 122 167

HSL 248, 0.2%, 0.57%

LAB 53.27, 12.24, -23.16

 

CMYK 6 / 7 / 0 / 41

HEX #8D8C96

RGB 141 140 150

HSL 246, 0.05%, 0.57%

LAB 58.62, 2.38, -5.18

 

CMYK 3 / 0 / 16 / 38

HEX #9A9E84

RGB 154 158 132

HSL 69.23, 0.12%, 0.57%

LAB 64.15, -6.12, 13.12

 

CMYK 57 / 34 / 0 / 20

HEX #5785CB

RGB 87 133 203

HSL 216.21, 0.53%, 0.57%

LAB 55.19, 5.17, -41

 

CMYK 57 / 50 / 0 / 20

HEX #5766CB

RGB 87 102 203

HSL 232.24, 0.53%, 0.57%

LAB 46.76, 24.16, -54.4

 

CMYK 50 / 57 / 0 / 20

HEX #6657CB

RGB 102 87 203

HSL 247.76, 0.53%, 0.57%

LAB 44.17, 36.4, -58.54

 

CMYK 34 / 57 / 0 / 20

HEX #8557CB

RGB 133 87 203

HSL 263.79, 0.53%, 0.57%

LAB 47.12, 43.33, -53.62

 

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

CMYK 60 / 70 / 0 / 38

HEX #40309F

RGB 64 48 159

HSL 248.65, 0.54%, 0.41%

LAB 28.66, 38.96, -57.89

 

CMYK 60 / 69 / 0 / 25

HEX #4C3ABE

RGB 76 58 190

HSL 248.18, 0.53%, 0.49%

LAB 34.56, 44.79, -66.7

 

CMYK 49 / 57 / 0 / 20

HEX #6757CB

RGB 103 87 203

HSL 248.28, 0.53%, 0.57%

LAB 44.25, 36.61, -58.4

 

CMYK 38 / 45 / 0 / 16

HEX #8376D5

RGB 131 118 213

HSL 248.21, 0.53%, 0.65%

LAB 54.64, 27.59, -47.33

 

CMYK 28 / 32 / 0 / 13

HEX #A096DE

RGB 160 150 222

HSL 248.33, 0.52%, 0.73%

LAB 65.4, 19.35, -35.29

 

CMYK 49 / 57 / 0 / 20

HEX #6757CB

RGB 103 87 203

HSL 248.28, 0.53%, 0.57%

LAB 44.25, 36.61, -58.4

 

CMYK 0 / 57 / 19 / 20

HEX #CB57A4

RGB 203 87 164

HSL 320.17, 0.53%, 0.57%

LAB 54.23, 54.76, -19.2

 

CMYK 42 / 0 / 57 / 20

HEX #76CB57

RGB 118 203 87

HSL 103.97, 0.53%, 0.57%

LAB 74.35, -46.95, 49.09

 

CMYK 49 / 57 / 0 / 20

HEX #6757CB

RGB 103 87 203

HSL 248.28, 0.53%, 0.57%

LAB 44.25, 36.61, -58.4

 

CMYK 0 / 50 / 57 / 20

HEX #CB6657

RGB 203 102 87

HSL 7.76, 0.53%, 0.57%

LAB 54.96, 38.7, 27

 

CMYK 57 / 0 / 50 / 20

HEX #57CB66

RGB 87 203 102

HSL 127.76, 0.53%, 0.57%

LAB 73.35, -53.68, 40.49

 

CMYK 49 / 57 / 0 / 20

HEX #6757CB

RGB 103 87 203

HSL 248.28, 0.53%, 0.57%

LAB 44.25, 36.61, -58.4

 

CMYK 0 / 57 / 19 / 20

HEX #CB57A4

RGB 203 87 164

HSL 320.17, 0.53%, 0.57%

LAB 54.23, 54.76, -19.2

 

CMYK 8 / 0 / 57 / 20

HEX #BBCB57

RGB 187 203 87

HSL 68.28, 0.53%, 0.57%

LAB 78.44, -21.55, 54.85

 

CMYK 57 / 0 / 38 / 20

HEX #57CB7D

RGB 87 203 125

HSL 139.66, 0.53%, 0.57%

LAB 73.69, -50.02, 29.3

 

CMYK 49 / 57 / 0 / 20

HEX #6757CB

RGB 103 87 203

HSL 248.28, 0.53%, 0.57%

LAB 44.25, 36.61, -58.4

 

CMYK 0 / 57 / 36 / 20

HEX #CB5781

RGB 203 87 129

HSL 338.28, 0.53%, 0.57%

LAB 53.06, 50.18, -0.31

 

CMYK 8 / 0 / 57 / 20

HEX #BBCB57

RGB 187 203 87

HSL 68.28, 0.53%, 0.57%

LAB 78.44, -21.55, 54.85

 

CMYK 57 / 0 / 21 / 20

HEX #57CBA0

RGB 87 203 160

HSL 157.76, 0.53%, 0.57%

LAB 74.37, -43.01, 11.71

 

Description

Color code: HEX #6757CB | qconv.com Color code: HEX #6757CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 87 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 87 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 57 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 57% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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