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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #685616 it is the complementary color #97A9E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #685616. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #685616 shade: #6D5611, #7E6824, #8F7A37, #A08C4A and #B19E5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #685616. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #685616 shade: #685616, #574403, #463200, #352000 and #240E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #685616 shade: #695616, #694016, #692A16 and #691616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #685616 shade: #695616, #656916, #4E6916, #386916 and #216916

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #685616 shade matches the following richer shades: #695616, #735C0B and #7D6201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #685616 shade: #695616, #5E5120, #544B2A, #4A4535 and #3F3F3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #685616 shade: #692916, #693F16, #695516, #666916 and #506916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #685616 shade: #251E07, #473A0F, #695616, #8B731D and #AD8F24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #685616 shade: #685616, #196916 and #341669

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #685616 shade: #685616, #166955 and #551669

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #685616 shade: #685616, #196916, #162969 and #661669

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #685616 shade: #685616, #16692C, #162969 and #691653

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 79 / 59

HEX #685616

RGB 104 86 22

HSL 46.83, 0.65%, 0.25%

LAB 37.22, 0.03, 37.79

 

Complementary color

CMYK 35 / 27 / 0 / 9

HEX #97A9E9

RGB 151 169 233

HSL 226.83, 0.65%, 0.75%

LAB 70.06, 8.84, -34.15

 

CMYK 0 / 21 / 84 / 57

HEX #6D5611

RGB 109 86 17

HSL 45, 0.73%, 0.25%

LAB 37.75, 2.27, 40.46

 

CMYK 0 / 17 / 71 / 51

HEX #7E6824

RGB 126 104 36

HSL 45.33, 0.56%, 0.32%

LAB 44.89, 0.8, 40.03

 

CMYK 0 / 15 / 62 / 44

HEX #8F7A37

RGB 143 122 55

HSL 45.68, 0.44%, 0.39%

LAB 51.88, -0.34, 38.94

 

CMYK 0 / 13 / 54 / 37

HEX #A08C4A

RGB 160 140 74

HSL 46.05, 0.37%, 0.46%

LAB 58.72, -1.23, 37.66

 

CMYK 0 / 11 / 47 / 31

HEX #B19E5D

RGB 177 158 93

HSL 46.43, 0.35%, 0.53%

LAB 65.43, -1.95, 36.35

 

CMYK 0 / 17 / 79 / 59

HEX #685616

RGB 104 86 22

HSL 46.83, 0.65%, 0.25%

LAB 37.22, 0.03, 37.79

 

CMYK 0 / 22 / 97 / 66

HEX #574403

RGB 87 68 3

HSL 46.43, 0.93%, 0.18%

LAB 29.83, 1.7, 37.71

 

CMYK 0 / 29 / 100 / 73

HEX #463200

RGB 70 50 0

HSL 42.86, 1%, 0.14%

LAB 22.24, 4.1, 31.22

 

CMYK 0 / 40 / 100 / 79

HEX #352000

RGB 53 32 0

HSL 36.23, 1%, 0.1%

LAB 14.34, 6.89, 21.29

 

CMYK 0 / 61 / 100 / 86

HEX #240E00

RGB 36 14 0

HSL 23.33, 1%, 0.07%

LAB 6.22, 9.38, 9.5

 

CMYK 0 / 18 / 79 / 59

HEX #695616

RGB 105 86 22

HSL 46.27, 0.65%, 0.25%

LAB 37.33, 0.52, 37.94

 

CMYK 0 / 39 / 79 / 59

HEX #694016

RGB 105 64 22

HSL 30.36, 0.65%, 0.25%

LAB 31.18, 13.96, 31.89

 

CMYK 0 / 60 / 79 / 59

HEX #692A16

RGB 105 42 22

HSL 14.46, 0.65%, 0.25%

LAB 25.91, 26.89, 26.42

 

CMYK 0 / 79 / 79 / 59

HEX #691616

RGB 105 22 22

HSL 0, 0.65%, 0.25%

LAB 22.43, 36.26, 22.62

 

CMYK 0 / 18 / 79 / 59

HEX #695616

RGB 105 86 22

HSL 46.27, 0.65%, 0.25%

LAB 37.33, 0.52, 37.94

 

CMYK 4 / 0 / 79 / 59

HEX #656916

RGB 101 105 22

HSL 62.89, 0.65%, 0.25%

LAB 42.65, -12.43, 42.82

 

CMYK 26 / 0 / 79 / 59

HEX #4E6916

RGB 78 105 22

HSL 79.52, 0.65%, 0.25%

LAB 40.87, -22.94, 40.5

 

CMYK 47 / 0 / 79 / 59

HEX #386916

RGB 56 105 22

HSL 95.42, 0.65%, 0.25%

LAB 39.58, -31.74, 38.82

 

CMYK 69 / 0 / 79 / 59

HEX #216916

RGB 33 105 22

HSL 112.05, 0.65%, 0.25%

LAB 38.7, -38.65, 37.65

 

CMYK 0 / 18 / 79 / 59

HEX #695616

RGB 105 86 22

HSL 46.27, 0.65%, 0.25%

LAB 37.33, 0.52, 37.94

 

CMYK 0 / 20 / 90 / 55

HEX #735C0B

RGB 115 92 11

HSL 46.73, 0.83%, 0.25%

LAB 40.12, 1.45, 44.66

 

CMYK 0 / 22 / 99 / 51

HEX #7D6201

RGB 125 98 1

HSL 46.94, 0.98%, 0.25%

LAB 42.91, 2.57, 49.87

 

CMYK 0 / 18 / 79 / 59

HEX #695616

RGB 105 86 22

HSL 46.27, 0.65%, 0.25%

LAB 37.33, 0.52, 37.94

 

CMYK 0 / 14 / 66 / 63

HEX #5E5120

RGB 94 81 32

HSL 47.42, 0.49%, 0.25%

LAB 34.74, -1.25, 30.11

 

CMYK 0 / 11 / 50 / 67

HEX #544B2A

RGB 84 75 42

HSL 47.14, 0.33%, 0.25%

LAB 32, -1.48, 20.97

 

CMYK 0 / 7 / 28 / 71

HEX #4A4535

RGB 74 69 53

HSL 45.71, 0.17%, 0.25%

LAB 29.33, -0.91, 10.45

 

CMYK 0 / 0 / 0 / 75

HEX #3F3F3F

RGB 63 63 63

HSL 0, 0%, 0.25%

LAB 26.65, 0, -0

 

CMYK 0 / 61 / 79 / 59

HEX #692916

RGB 105 41 22

HSL 13.73, 0.65%, 0.25%

LAB 25.7, 27.43, 26.2

 

CMYK 0 / 40 / 79 / 59

HEX #693F16

RGB 105 63 22

HSL 29.64, 0.65%, 0.25%

LAB 30.92, 14.57, 31.62

 

CMYK 0 / 19 / 79 / 59

HEX #695516

RGB 105 85 22

HSL 45.54, 0.65%, 0.25%

LAB 37.04, 1.12, 37.66

 

CMYK 3 / 0 / 79 / 59

HEX #666916

RGB 102 105 22

HSL 62.17, 0.65%, 0.25%

LAB 42.74, -11.95, 42.94

 

CMYK 24 / 0 / 79 / 59

HEX #506916

RGB 80 105 22

HSL 78.07, 0.65%, 0.25%

LAB 41, -22.07, 40.68

 

CMYK 0 / 19 / 81 / 85

HEX #251E07

RGB 37 30 7

HSL 46, 0.68%, 0.09%

LAB 11.53, -0.17, 14.27

 

CMYK 0 / 18 / 79 / 72

HEX #473A0F

RGB 71 58 15

HSL 46.07, 0.65%, 0.17%

LAB 24.95, 0.22, 27.64

 

CMYK 0 / 18 / 79 / 59

HEX #695616

RGB 105 86 22

HSL 46.27, 0.65%, 0.25%

LAB 37.33, 0.52, 37.94

 

CMYK 0 / 17 / 79 / 45

HEX #8B731D

RGB 139 115 29

HSL 46.91, 0.65%, 0.33%

LAB 49.3, 0.25, 47.75

 

CMYK 0 / 17 / 79 / 32

HEX #AD8F24

RGB 173 143 36

HSL 46.86, 0.66%, 0.41%

LAB 60.48, 0.55, 56.79

 

CMYK 0 / 17 / 79 / 59

HEX #685616

RGB 104 86 22

HSL 46.83, 0.65%, 0.25%

LAB 37.22, 0.03, 37.79

 

CMYK 76 / 0 / 79 / 59

HEX #196916

RGB 25 105 22

HSL 117.83, 0.65%, 0.25%

LAB 38.49, -40.36, 37.38

 

CMYK 50 / 79 / 0 / 59

HEX #341669

RGB 52 22 105

HSL 261.69, 0.65%, 0.25%

LAB 17.1, 34.83, -42.87

 

CMYK 0 / 17 / 79 / 59

HEX #685616

RGB 104 86 22

HSL 46.83, 0.65%, 0.25%

LAB 37.22, 0.03, 37.79

 

CMYK 79 / 0 / 19 / 59

HEX #166955

RGB 22 105 85

HSL 165.54, 0.65%, 0.25%

LAB 39.46, -29.25, 4.4

 

CMYK 19 / 79 / 0 / 59

HEX #551669

RGB 85 22 105

HSL 285.54, 0.65%, 0.25%

LAB 22.03, 41.39, -34.64

 

CMYK 0 / 17 / 79 / 59

HEX #685616

RGB 104 86 22

HSL 46.83, 0.65%, 0.25%

LAB 37.22, 0.03, 37.79

 

CMYK 76 / 0 / 79 / 59

HEX #196916

RGB 25 105 22

HSL 117.83, 0.65%, 0.25%

LAB 38.49, -40.36, 37.38

 

CMYK 79 / 61 / 0 / 59

HEX #162969

RGB 22 41 105

HSL 226.27, 0.65%, 0.25%

LAB 19.13, 17.65, -39.68

 

CMYK 3 / 79 / 0 / 59

HEX #661669

RGB 102 22 105

HSL 297.83, 0.65%, 0.25%

LAB 25.01, 45.21, -29.71

 

CMYK 0 / 17 / 79 / 59

HEX #685616

RGB 104 86 22

HSL 46.83, 0.65%, 0.25%

LAB 37.22, 0.03, 37.79

 

CMYK 79 / 0 / 58 / 59

HEX #16692C

RGB 22 105 44

HSL 135.9, 0.65%, 0.25%

LAB 38.65, -38.28, 27.22

 

CMYK 79 / 61 / 0 / 59

HEX #162969

RGB 22 41 105

HSL 226.27, 0.65%, 0.25%

LAB 19.13, 17.65, -39.68

 

CMYK 0 / 79 / 21 / 59

HEX #691653

RGB 105 22 83

HSL 315.9, 0.65%, 0.25%

LAB 24.33, 42.28, -16.25

 

Description

Color code: HEX #685616 | qconv.com Color code: HEX #685616 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 86 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 86 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 79 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 79% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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