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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #687419 it is the complementary color #978BE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #687419. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #687419 shade: #6D7414, #7E8627, #8F983A, #A0AA4D and #B1BC60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #687419. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #687419 shade: #687419, #576206, #465000, #353E00 and #242C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #687419 shade: #697518, #756918, #754F18, #753618 and #751D18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #687419 shade: #697518, #507518, #377518, #1E7518 and #18752C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #687419 shade matches the following richer shades: #697518, #72810D and #7A8C01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #687419 shade: #697518, #616A24, #585E30, #50533B and #474747

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #687419 shade: #754F18, #756718, #6A7518, #527518 and #397518

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #687419 shade: #2C310A, #4B5311, #697518, #889720 and #A6B927

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #687419 shade: #687419, #187536 and #5B1875

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #687419 shade: #687419, #186A75 and #75186A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #687419 shade: #687419, #187536, #231875 and #751858

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #687419 shade: #687419, #187552, #231875 and #75183C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 78 / 55

HEX #687419

RGB 104 116 25

HSL 67.91, 0.65%, 0.28%

LAB 46.32, -16.87, 45.26

 

Complementary color

CMYK 34 / 40 / 0 / 10

HEX #978BE6

RGB 151 139 230

HSL 247.91, 0.65%, 0.72%

LAB 62.3, 25.18, -44.63

 

CMYK 6 / 0 / 83 / 55

HEX #6D7414

RGB 109 116 20

HSL 64.38, 0.71%, 0.27%

LAB 46.7, -14.79, 47.42

 

CMYK 6 / 0 / 71 / 47

HEX #7E8627

RGB 126 134 39

HSL 65.05, 0.55%, 0.34%

LAB 53.63, -15.73, 47.62

 

CMYK 6 / 0 / 62 / 40

HEX #8F983A

RGB 143 152 58

HSL 65.74, 0.45%, 0.41%

LAB 60.43, -16.42, 46.99

 

CMYK 6 / 0 / 55 / 33

HEX #A0AA4D

RGB 160 170 77

HSL 66.45, 0.38%, 0.48%

LAB 67.1, -16.94, 46

 

CMYK 6 / 0 / 49 / 26

HEX #B1BC60

RGB 177 188 96

HSL 67.17, 0.41%, 0.56%

LAB 73.65, -17.34, 44.88

 

CMYK 10 / 0 / 78 / 55

HEX #687419

RGB 104 116 25

HSL 67.91, 0.65%, 0.28%

LAB 46.32, -16.87, 45.26

 

CMYK 11 / 0 / 94 / 62

HEX #576206

RGB 87 98 6

HSL 67.17, 0.88%, 0.2%

LAB 39.2, -15.82, 44.1

 

CMYK 13 / 0 / 100 / 69

HEX #465000

RGB 70 80 0

HSL 67.5, 1%, 0.16%

LAB 31.9, -14.3, 39.68

 

CMYK 15 / 0 / 100 / 76

HEX #353E00

RGB 53 62 0

HSL 68.71, 1%, 0.12%

LAB 24.33, -12.53, 32.75

 

CMYK 18 / 0 / 100 / 83

HEX #242C00

RGB 36 44 0

HSL 70.91, 1%, 0.09%

LAB 16.39, -10.71, 23.47

 

CMYK 10 / 0 / 79 / 54

HEX #697518

RGB 105 117 24

HSL 67.74, 0.66%, 0.28%

LAB 46.7, -17, 45.99

 

CMYK 0 / 10 / 79 / 54

HEX #756918

RGB 117 105 24

HSL 52.26, 0.66%, 0.28%

LAB 44.16, -4.7, 44.03

 

CMYK 0 / 32 / 79 / 54

HEX #754F18

RGB 117 79 24

HSL 35.48, 0.66%, 0.28%

LAB 36.82, 10.69, 37.06

 

CMYK 0 / 54 / 79 / 54

HEX #753618

RGB 117 54 24

HSL 19.35, 0.66%, 0.28%

LAB 30.61, 25.47, 30.85

 

CMYK 0 / 75 / 79 / 54

HEX #751D18

RGB 117 29 24

HSL 3.23, 0.66%, 0.28%

LAB 25.94, 37.8, 25.93

 

CMYK 10 / 0 / 79 / 54

HEX #697518

RGB 105 117 24

HSL 67.74, 0.66%, 0.28%

LAB 46.7, -17, 45.99

 

CMYK 32 / 0 / 79 / 54

HEX #507518

RGB 80 117 24

HSL 83.87, 0.66%, 0.28%

LAB 44.93, -27.91, 43.7

 

CMYK 53 / 0 / 79 / 54

HEX #377518

RGB 55 117 24

HSL 100, 0.66%, 0.28%

LAB 43.65, -37.09, 42.03

 

CMYK 74 / 0 / 79 / 54

HEX #1E7518

RGB 30 117 24

HSL 116.13, 0.66%, 0.28%

LAB 42.86, -43.51, 40.99

 

CMYK 79 / 0 / 62 / 54

HEX #18752C

RGB 24 117 44

HSL 132.9, 0.66%, 0.28%

LAB 42.91, -42.44, 32.26

 

CMYK 10 / 0 / 79 / 54

HEX #697518

RGB 105 117 24

HSL 67.74, 0.66%, 0.28%

LAB 46.7, -17, 45.99

 

CMYK 12 / 0 / 90 / 49

HEX #72810D

RGB 114 129 13

HSL 67.76, 0.82%, 0.28%

LAB 51.04, -19.61, 53.09

 

CMYK 13 / 0 / 99 / 45

HEX #7A8C01

RGB 122 140 1

HSL 67.77, 0.99%, 0.28%

LAB 54.96, -21.93, 58.58

 

CMYK 10 / 0 / 79 / 54

HEX #697518

RGB 105 117 24

HSL 67.74, 0.66%, 0.28%

LAB 46.7, -17, 45.99

 

CMYK 8 / 0 / 66 / 58

HEX #616A24

RGB 97 106 36

HSL 67.71, 0.49%, 0.28%

LAB 42.73, -13.97, 36.91

 

CMYK 6 / 0 / 49 / 63

HEX #585E30

RGB 88 94 48

HSL 67.83, 0.32%, 0.28%

LAB 38.36, -10.2, 25.45

 

CMYK 4 / 0 / 29 / 67

HEX #50533B

RGB 80 83 59

HSL 67.5, 0.17%, 0.28%

LAB 34.41, -5.82, 13.7

 

CMYK 0 / 0 / 0 / 72

HEX #474747

RGB 71 71 71

HSL 0, 0%, 0.28%

LAB 30.16, 0, -0

 

CMYK 0 / 32 / 79 / 54

HEX #754F18

RGB 117 79 24

HSL 35.48, 0.66%, 0.28%

LAB 36.82, 10.69, 37.06

 

CMYK 0 / 12 / 79 / 54

HEX #756718

RGB 117 103 24

HSL 50.97, 0.66%, 0.28%

LAB 43.58, -3.55, 43.49

 

CMYK 9 / 0 / 79 / 54

HEX #6A7518

RGB 106 117 24

HSL 67.1, 0.66%, 0.28%

LAB 46.78, -16.54, 46.1

 

CMYK 30 / 0 / 79 / 54

HEX #527518

RGB 82 117 24

HSL 82.58, 0.66%, 0.28%

LAB 45.06, -27.09, 43.86

 

CMYK 51 / 0 / 79 / 54

HEX #397518

RGB 57 117 24

HSL 98.71, 0.66%, 0.28%

LAB 43.74, -36.44, 42.14

 

CMYK 10 / 0 / 80 / 81

HEX #2C310A

RGB 44 49 10

HSL 67.69, 0.66%, 0.12%

LAB 19.03, -8.68, 22.75

 

CMYK 10 / 0 / 80 / 67

HEX #4B5311

RGB 75 83 17

HSL 67.27, 0.66%, 0.2%

LAB 33.4, -12.78, 35.19

 

CMYK 10 / 0 / 79 / 54

HEX #697518

RGB 105 117 24

HSL 67.74, 0.66%, 0.28%

LAB 46.7, -17, 45.99

 

CMYK 10 / 0 / 79 / 41

HEX #889720

RGB 136 151 32

HSL 67.56, 0.65%, 0.36%

LAB 59.41, -20.48, 55.92

 

CMYK 10 / 0 / 79 / 27

HEX #A6B927

RGB 166 185 39

HSL 67.81, 0.65%, 0.44%

LAB 71.52, -24.27, 65.6

 

CMYK 10 / 0 / 78 / 55

HEX #687419

RGB 104 116 25

HSL 67.91, 0.65%, 0.28%

LAB 46.32, -16.87, 45.26

 

CMYK 79 / 0 / 54 / 54

HEX #187536

RGB 24 117 54

HSL 139.35, 0.66%, 0.28%

LAB 43.04, -40.94, 27.22

 

CMYK 22 / 79 / 0 / 54

HEX #5B1875

RGB 91 24 117

HSL 283.23, 0.66%, 0.28%

LAB 24.2, 44.49, -38.85

 

CMYK 10 / 0 / 78 / 55

HEX #687419

RGB 104 116 25

HSL 67.91, 0.65%, 0.28%

LAB 46.32, -16.87, 45.26

 

CMYK 79 / 9 / 0 / 54

HEX #186A75

RGB 24 106 117

HSL 187.1, 0.66%, 0.28%

LAB 40.87, -19.46, -13

 

CMYK 0 / 79 / 9 / 54

HEX #75186A

RGB 117 24 106

HSL 307.1, 0.66%, 0.28%

LAB 28.05, 48.24, -25.36

 

CMYK 10 / 0 / 78 / 55

HEX #687419

RGB 104 116 25

HSL 67.91, 0.65%, 0.28%

LAB 46.32, -16.87, 45.26

 

CMYK 79 / 0 / 54 / 54

HEX #187536

RGB 24 117 54

HSL 139.35, 0.66%, 0.28%

LAB 43.04, -40.94, 27.22

 

CMYK 70 / 79 / 0 / 54

HEX #231875

RGB 35 24 117

HSL 247.1, 0.66%, 0.28%

LAB 16.96, 35.11, -50.96

 

CMYK 0 / 79 / 25 / 54

HEX #751858

RGB 117 24 88

HSL 318.71, 0.66%, 0.28%

LAB 27.13, 45.52, -15.05

 

CMYK 10 / 0 / 78 / 55

HEX #687419

RGB 104 116 25

HSL 67.91, 0.65%, 0.28%

LAB 46.32, -16.87, 45.26

 

CMYK 79 / 0 / 30 / 54

HEX #187552

RGB 24 117 82

HSL 157.42, 0.66%, 0.28%

LAB 43.55, -35.18, 11.96

 

CMYK 70 / 79 / 0 / 54

HEX #231875

RGB 35 24 117

HSL 247.1, 0.66%, 0.28%

LAB 16.96, 35.11, -50.96

 

CMYK 0 / 79 / 49 / 54

HEX #75183C

RGB 117 24 60

HSL 336.77, 0.66%, 0.28%

LAB 26.04, 42.18, 2.1

 

Description

Color code: HEX #687419 | qconv.com Color code: HEX #687419 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 116 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 116 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 78 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 78% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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