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Color name
HEX #688C1B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #688C1B it is the complementary color #9773E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #688C1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #688C1B shade: #6D8C16, #7E9E29, #8FB03C, #A0C24F and #B1D462

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #688C1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #688C1B shade: #688C1B, #577A08, #466800, #355600 and #244400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #688C1B shade: #688D1A, #878D1A, #8D741A, #8D551A and #8D361A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #688C1B shade: #688D1A, #4A8D1A, #2B8D1A, #1A8D29 and #1A8D48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #688C1B shade matches the following richer shades: #688D1A and #6D9A0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #688C1B shade: #688D1A, #637F28, #5F7236, #5A6443 and #555651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #688C1B shade: #8D741A, #878D1A, #698D1A, #4A8D1A and #2C8D1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #688C1B shade: #35480D, #4F6A14, #688D1A, #82B021 and #9CD228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #688C1B shade: #688C1B, #1A8D56 and #831A8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #688C1B shade: #688C1B, #1A698D and #8D1A69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #688C1B shade: #688C1B, #1A8D56, #3F1A8D and #8D1A52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #688C1B shade: #688C1B, #1A8D78, #3F1A8D and #8D1A2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 81 / 45

HEX #688C1B

RGB 104 140 27

HSL 79.12, 0.68%, 0.33%

LAB 53.79, -28.92, 51.52

 

Complementary color

CMYK 34 / 50 / 0 / 11

HEX #9773E4

RGB 151 115 228

HSL 259.12, 0.68%, 0.67%

LAB 56.53, 38.43, -52.66

 

CMYK 22 / 0 / 84 / 45

HEX #6D8C16

RGB 109 140 22

HSL 75.76, 0.73%, 0.32%

LAB 54.1, -27.05, 53.37

 

CMYK 20 / 0 / 74 / 38

HEX #7E9E29

RGB 126 158 41

HSL 76.41, 0.59%, 0.39%

LAB 60.83, -27.77, 53.95

 

CMYK 19 / 0 / 66 / 31

HEX #8FB03C

RGB 143 176 60

HSL 77.07, 0.49%, 0.46%

LAB 67.44, -28.28, 53.62

 

CMYK 18 / 0 / 59 / 24

HEX #A0C24F

RGB 160 194 79

HSL 77.74, 0.49%, 0.54%

LAB 73.95, -28.64, 52.85

 

CMYK 17 / 0 / 54 / 17

HEX #B1D462

RGB 177 212 98

HSL 78.42, 0.57%, 0.61%

LAB 80.36, -28.9, 51.87

 

CMYK 26 / 0 / 81 / 45

HEX #688C1B

RGB 104 140 27

HSL 79.12, 0.68%, 0.33%

LAB 53.79, -28.92, 51.52

 

CMYK 29 / 0 / 93 / 52

HEX #577A08

RGB 87 122 8

HSL 78.42, 0.88%, 0.25%

LAB 46.93, -28.06, 49.92

 

CMYK 33 / 0 / 100 / 59

HEX #466800

RGB 70 104 0

HSL 79.62, 1%, 0.2%

LAB 39.92, -26.8, 45.77

 

CMYK 38 / 0 / 100 / 66

HEX #355600

RGB 53 86 0

HSL 83.02, 1%, 0.17%

LAB 32.73, -25.27, 39.78

 

CMYK 47 / 0 / 100 / 73

HEX #244400

RGB 36 68 0

HSL 88.24, 1%, 0.13%

LAB 25.29, -23.64, 33.26

 

CMYK 26 / 0 / 82 / 45

HEX #688D1A

RGB 104 141 26

HSL 79.3, 0.69%, 0.33%

LAB 54.1, -29.45, 52.1

 

CMYK 4 / 0 / 82 / 45

HEX #878D1A

RGB 135 141 26

HSL 63.13, 0.69%, 0.33%

LAB 56.36, -15.99, 54.98

 

CMYK 0 / 18 / 82 / 45

HEX #8D741A

RGB 141 116 26

HSL 46.96, 0.69%, 0.33%

LAB 49.77, 0.5, 49.34

 

CMYK 0 / 40 / 82 / 45

HEX #8D551A

RGB 141 85 26

HSL 30.78, 0.69%, 0.33%

LAB 41.59, 18.45, 41.85

 

CMYK 0 / 62 / 82 / 45

HEX #8D361A

RGB 141 54 26

HSL 14.61, 0.69%, 0.33%

LAB 34.75, 35.44, 35.31

 

CMYK 26 / 0 / 82 / 45

HEX #688D1A

RGB 104 141 26

HSL 79.3, 0.69%, 0.33%

LAB 54.1, -29.45, 52.1

 

CMYK 48 / 0 / 82 / 45

HEX #4A8D1A

RGB 74 141 26

HSL 94.96, 0.69%, 0.33%

LAB 52.49, -40.69, 50.03

 

CMYK 70 / 0 / 82 / 45

HEX #2B8D1A

RGB 43 141 26

HSL 111.13, 0.69%, 0.33%

LAB 51.43, -49.14, 48.66

 

CMYK 82 / 0 / 71 / 45

HEX #1A8D29

RGB 26 141 41

HSL 127.83, 0.69%, 0.33%

LAB 51.19, -50.82, 42.8

 

CMYK 82 / 0 / 49 / 45

HEX #1A8D48

RGB 26 141 72

HSL 144, 0.69%, 0.33%

LAB 51.54, -46.57, 28.2

 

CMYK 26 / 0 / 82 / 45

HEX #688D1A

RGB 104 141 26

HSL 79.3, 0.69%, 0.33%

LAB 54.1, -29.45, 52.1

 

CMYK 29 / 0 / 92 / 40

HEX #6D9A0D

RGB 109 154 13

HSL 79.15, 0.84%, 0.33%

LAB 58.41, -33.93, 58.99

 

CMYK 26 / 0 / 82 / 45

HEX #688D1A

RGB 104 141 26

HSL 79.3, 0.69%, 0.33%

LAB 54.1, -29.45, 52.1

 

CMYK 22 / 0 / 69 / 50

HEX #637F28

RGB 99 127 40

HSL 79.31, 0.52%, 0.33%

LAB 49.48, -23.84, 42.3

 

CMYK 17 / 0 / 53 / 55

HEX #5F7236

RGB 95 114 54

HSL 79, 0.36%, 0.33%

LAB 45.27, -17.49, 30.67

 

CMYK 10 / 0 / 33 / 61

HEX #5A6443

RGB 90 100 67

HSL 78.18, 0.2%, 0.33%

LAB 40.72, -10.15, 17.48

 

CMYK 1 / 0 / 6 / 66

HEX #555651

RGB 85 86 81

HSL 72, 0.03%, 0.33%

LAB 36.33, -1.45, 2.76

 

CMYK 0 / 18 / 82 / 45

HEX #8D741A

RGB 141 116 26

HSL 46.96, 0.69%, 0.33%

LAB 49.77, 0.5, 49.34

 

CMYK 4 / 0 / 82 / 45

HEX #878D1A

RGB 135 141 26

HSL 63.13, 0.69%, 0.33%

LAB 56.36, -15.99, 54.98

 

CMYK 26 / 0 / 82 / 45

HEX #698D1A

RGB 105 141 26

HSL 78.78, 0.69%, 0.33%

LAB 54.16, -29.03, 52.18

 

CMYK 48 / 0 / 82 / 45

HEX #4A8D1A

RGB 74 141 26

HSL 94.96, 0.69%, 0.33%

LAB 52.49, -40.69, 50.03

 

CMYK 69 / 0 / 82 / 45

HEX #2C8D1A

RGB 44 141 26

HSL 110.61, 0.69%, 0.33%

LAB 51.45, -48.93, 48.69

 

CMYK 26 / 0 / 82 / 72

HEX #35480D

RGB 53 72 13

HSL 79.32, 0.69%, 0.17%

LAB 27.9, -17.39, 30.89

 

CMYK 25 / 0 / 81 / 58

HEX #4F6A14

RGB 79 106 20

HSL 78.84, 0.68%, 0.25%

LAB 41.25, -23.13, 41.61

 

CMYK 26 / 0 / 82 / 45

HEX #688D1A

RGB 104 141 26

HSL 79.3, 0.69%, 0.33%

LAB 54.1, -29.45, 52.1

 

CMYK 26 / 0 / 81 / 31

HEX #82B021

RGB 130 176 33

HSL 79.3, 0.68%, 0.41%

LAB 66.45, -35, 61.84

 

CMYK 26 / 0 / 81 / 18

HEX #9CD228

RGB 156 210 40

HSL 79.06, 0.68%, 0.49%

LAB 78.06, -39.89, 70.92

 

CMYK 26 / 0 / 81 / 45

HEX #688C1B

RGB 104 140 27

HSL 79.12, 0.68%, 0.33%

LAB 53.79, -28.92, 51.52

 

CMYK 82 / 0 / 39 / 45

HEX #1A8D56

RGB 26 141 86

HSL 151.3, 0.69%, 0.33%

LAB 51.77, -43.88, 20.85

 

CMYK 7 / 82 / 0 / 45

HEX #831A8D

RGB 131 26 141

HSL 294.78, 0.69%, 0.33%

LAB 32.89, 56.66, -39.59

 

CMYK 26 / 0 / 81 / 45

HEX #688C1B

RGB 104 140 27

HSL 79.12, 0.68%, 0.33%

LAB 53.79, -28.92, 51.52

 

CMYK 82 / 26 / 0 / 45

HEX #1A698D

RGB 26 105 141

HSL 198.78, 0.69%, 0.33%

LAB 41.6, -10.03, -26.37

 

CMYK 0 / 82 / 26 / 45

HEX #8D1A69

RGB 141 26 105

HSL 318.78, 0.69%, 0.33%

LAB 32.75, 53.33, -17.05

 

CMYK 26 / 0 / 81 / 45

HEX #688C1B

RGB 104 140 27

HSL 79.12, 0.68%, 0.33%

LAB 53.79, -28.92, 51.52

 

CMYK 82 / 0 / 39 / 45

HEX #1A8D56

RGB 26 141 86

HSL 151.3, 0.69%, 0.33%

LAB 51.77, -43.88, 20.85

 

CMYK 55 / 82 / 0 / 45

HEX #3F1A8D

RGB 63 26 141

HSL 259.3, 0.69%, 0.33%

LAB 22.72, 44.93, -56.58

 

CMYK 0 / 82 / 42 / 45

HEX #8D1A52

RGB 141 26 82

HSL 330.78, 0.69%, 0.33%

LAB 31.83, 50.63, -3.53

 

CMYK 26 / 0 / 81 / 45

HEX #688C1B

RGB 104 140 27

HSL 79.12, 0.68%, 0.33%

LAB 53.79, -28.92, 51.52

 

CMYK 82 / 0 / 15 / 45

HEX #1A8D78

RGB 26 141 120

HSL 169.04, 0.69%, 0.33%

LAB 52.54, -35.57, 2.53

 

CMYK 55 / 82 / 0 / 45

HEX #3F1A8D

RGB 63 26 141

HSL 259.3, 0.69%, 0.33%

LAB 22.72, 44.93, -56.58

 

CMYK 0 / 82 / 67 / 45

HEX #8D1A2F

RGB 141 26 47

HSL 349.04, 0.69%, 0.33%

LAB 30.89, 47.77, 18.25

 

Description

Color code: HEX #688C1B | qconv.com Color code: HEX #688C1B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 140 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 140 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 81 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 81% 45% C M Y K

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Provide designers and agencies with accurate color values.

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