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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68B543 it is the complementary color #974ABC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68B543. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68B543 shade: #6DB53E, #7EC751, #8FD964, #A0EB77 and #B1FD8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68B543. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68B543 shade: #68B543, #57A330, #46911D, #357F0A and #246D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68B543 shade: #68B643, #87B643, #A6B643, #B6A743 and #B68843

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68B543 shade: #68B643, #49B643, #43B65C, #43B67B and #43B69A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68B543 shade matches the following richer shades: #68B643, #61CA2F, #5ADE1B and #53F306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68B543 shade: #68B643, #6FA257, #768D6B, #7E7980 and #856594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68B543 shade: #A7B643, #88B643, #69B643, #4BB643 and #43B65A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68B543 shade: #467A2D, #579838, #68B643, #7FC35F and #97CF7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68B543 shade: #68B543, #43B6A7 and #B64397

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68B543 shade: #68B543, #4369B6 and #B64369

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68B543 shade: #68B543, #43B6A7, #9043B6 and #B64352

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68B543 shade: #68B543, #43A3B6, #9043B6 and #B65643

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 63 / 29

HEX #68B543

RGB 104 181 67

HSL 100.53, 0.46%, 0.49%

LAB 66.82, -44.3, 49.34

 

Complementary color

CMYK 20 / 61 / 0 / 26

HEX #974ABC

RGB 151 74 188

HSL 280.53, 0.46%, 0.51%

LAB 45.78, 50.99, -46.97

 

CMYK 40 / 0 / 66 / 29

HEX #6DB53E

RGB 109 181 62

HSL 96.3, 0.49%, 0.48%

LAB 67.01, -43.1, 51.75

 

CMYK 37 / 0 / 59 / 22

HEX #7EC751

RGB 126 199 81

HSL 97.12, 0.51%, 0.55%

LAB 73.47, -43.27, 50.88

 

CMYK 34 / 0 / 54 / 15

HEX #8FD964

RGB 143 217 100

HSL 97.95, 0.61%, 0.62%

LAB 79.83, -43.31, 49.83

 

CMYK 32 / 0 / 49 / 8

HEX #A0EB77

RGB 160 235 119

HSL 98.79, 0.74%, 0.69%

LAB 86.12, -43.28, 48.71

 

CMYK 30 / 0 / 45 / 1

HEX #B1FD8A

RGB 177 253 138

HSL 99.65, 0.97%, 0.77%

LAB 92.32, -43.2, 47.56

 

CMYK 43 / 0 / 63 / 29

HEX #68B543

RGB 104 181 67

HSL 100.53, 0.46%, 0.49%

LAB 66.82, -44.3, 49.34

 

CMYK 47 / 0 / 71 / 36

HEX #57A330

RGB 87 163 48

HSL 99.65, 0.55%, 0.41%

LAB 60.28, -44.01, 50.05

 

CMYK 52 / 0 / 80 / 43

HEX #46911D

RGB 70 145 29

HSL 98.79, 0.67%, 0.34%

LAB 53.64, -43.42, 50.11

 

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

CMYK 67 / 0 / 100 / 57

HEX #246D00

RGB 36 109 0

HSL 100.18, 1%, 0.21%

LAB 40.1, -40.58, 45.25

 

CMYK 43 / 0 / 63 / 29

HEX #68B643

RGB 104 182 67

HSL 100.7, 0.46%, 0.49%

LAB 67.13, -44.72, 49.68

 

CMYK 26 / 0 / 63 / 29

HEX #87B643

RGB 135 182 67

HSL 84.52, 0.46%, 0.49%

LAB 68.76, -33.71, 51.93

 

CMYK 9 / 0 / 63 / 29

HEX #A6B643

RGB 166 182 67

HSL 68.35, 0.46%, 0.49%

LAB 70.85, -21.28, 54.8

 

CMYK 0 / 8 / 63 / 29

HEX #B6A743

RGB 182 167 67

HSL 52.17, 0.46%, 0.49%

LAB 68.01, -6.75, 52.14

 

CMYK 0 / 25 / 63 / 29

HEX #B68843

RGB 182 136 67

HSL 36, 0.46%, 0.49%

LAB 59.85, 10.08, 43.1

 

CMYK 43 / 0 / 63 / 29

HEX #68B643

RGB 104 182 67

HSL 100.7, 0.46%, 0.49%

LAB 67.13, -44.72, 49.68

 

CMYK 60 / 0 / 63 / 29

HEX #49B643

RGB 73 182 67

HSL 116.87, 0.46%, 0.49%

LAB 65.96, -53.5, 48.06

 

CMYK 63 / 0 / 49 / 29

HEX #43B65C

RGB 67 182 92

HSL 133.04, 0.46%, 0.49%

LAB 66.08, -51.63, 36.29

 

CMYK 63 / 0 / 32 / 29

HEX #43B67B

RGB 67 182 123

HSL 149.22, 0.46%, 0.49%

LAB 66.58, -46.11, 20.72

 

CMYK 63 / 0 / 15 / 29

HEX #43B69A

RGB 67 182 154

HSL 165.39, 0.46%, 0.49%

LAB 67.26, -39.07, 4.75

 

CMYK 43 / 0 / 63 / 29

HEX #68B643

RGB 104 182 67

HSL 100.7, 0.46%, 0.49%

LAB 67.13, -44.72, 49.68

 

CMYK 52 / 0 / 77 / 21

HEX #61CA2F

RGB 97 202 47

HSL 100.65, 0.62%, 0.49%

LAB 72.88, -56.22, 63.09

 

CMYK 59 / 0 / 88 / 13

HEX #5ADE1B

RGB 90 222 27

HSL 100.62, 0.78%, 0.49%

LAB 78.75, -65.96, 73.29

 

CMYK 66 / 0 / 98 / 5

HEX #53F306

RGB 83 243 6

HSL 100.51, 0.95%, 0.49%

LAB 84.97, -74.64, 80.88

 

CMYK 43 / 0 / 63 / 29

HEX #68B643

RGB 104 182 67

HSL 100.7, 0.46%, 0.49%

LAB 67.13, -44.72, 49.68

 

CMYK 31 / 0 / 46 / 36

HEX #6FA257

RGB 111 162 87

HSL 100.8, 0.3%, 0.49%

LAB 61.58, -31.17, 33.6

 

CMYK 16 / 0 / 24 / 45

HEX #768D6B

RGB 118 141 107

HSL 100.59, 0.14%, 0.49%

LAB 56.05, -14.91, 15.49

 

CMYK 2 / 5 / 0 / 50

HEX #7E7980

RGB 126 121 128

HSL 282.86, 0.03%, 0.49%

LAB 51.46, 3.3, -3.14

 

CMYK 10 / 32 / 0 / 42

HEX #856594

RGB 133 101 148

HSL 280.85, 0.19%, 0.49%

LAB 47.54, 21.9, -20.82

 

CMYK 8 / 0 / 63 / 29

HEX #A7B643

RGB 167 182 67

HSL 67.83, 0.46%, 0.49%

LAB 70.92, -20.86, 54.9

 

CMYK 25 / 0 / 63 / 29

HEX #88B643

RGB 136 182 67

HSL 84, 0.46%, 0.49%

LAB 68.82, -33.33, 52.02

 

CMYK 42 / 0 / 63 / 29

HEX #69B643

RGB 105 182 67

HSL 100.17, 0.46%, 0.49%

LAB 67.18, -44.4, 49.74

 

CMYK 59 / 0 / 63 / 29

HEX #4BB643

RGB 75 182 67

HSL 115.83, 0.46%, 0.49%

LAB 66.03, -53.01, 48.14

 

CMYK 63 / 0 / 51 / 29

HEX #43B65A

RGB 67 182 90

HSL 132, 0.46%, 0.49%

LAB 66.05, -51.93, 37.25

 

CMYK 43 / 0 / 63 / 52

HEX #467A2D

RGB 70 122 45

HSL 100.52, 0.46%, 0.33%

LAB 46.19, -32.35, 35.93

 

CMYK 43 / 0 / 63 / 40

HEX #579838

RGB 87 152 56

HSL 100.63, 0.46%, 0.41%

LAB 56.85, -38.66, 42.95

 

CMYK 43 / 0 / 63 / 29

HEX #68B643

RGB 104 182 67

HSL 100.7, 0.46%, 0.49%

LAB 67.13, -44.72, 49.68

 

CMYK 35 / 0 / 51 / 24

HEX #7FC35F

RGB 127 195 95

HSL 100.8, 0.45%, 0.57%

LAB 72.47, -39.67, 43.2

 

CMYK 27 / 0 / 40 / 19

HEX #97CF7D

RGB 151 207 125

HSL 100.98, 0.46%, 0.65%

LAB 77.69, -33, 35.07

 

CMYK 43 / 0 / 63 / 29

HEX #68B543

RGB 104 181 67

HSL 100.53, 0.46%, 0.49%

LAB 66.82, -44.3, 49.34

 

CMYK 63 / 0 / 8 / 29

HEX #43B6A7

RGB 67 182 167

HSL 172.17, 0.46%, 0.49%

LAB 67.61, -35.72, -1.92

 

CMYK 0 / 63 / 17 / 29

HEX #B64397

RGB 182 67 151

HSL 316.17, 0.46%, 0.49%

LAB 47.23, 55.68, -22.54

 

CMYK 43 / 0 / 63 / 29

HEX #68B543

RGB 104 181 67

HSL 100.53, 0.46%, 0.49%

LAB 66.82, -44.3, 49.34

 

CMYK 63 / 42 / 0 / 29

HEX #4369B6

RGB 67 105 182

HSL 220.17, 0.46%, 0.49%

LAB 45.18, 11.25, -44.86

 

CMYK 0 / 63 / 42 / 29

HEX #B64369

RGB 182 67 105

HSL 340.17, 0.46%, 0.49%

LAB 45.61, 49.82, 2.93

 

CMYK 43 / 0 / 63 / 29

HEX #68B543

RGB 104 181 67

HSL 100.53, 0.46%, 0.49%

LAB 66.82, -44.3, 49.34

 

CMYK 63 / 0 / 8 / 29

HEX #43B6A7

RGB 67 182 167

HSL 172.17, 0.46%, 0.49%

LAB 67.61, -35.72, -1.92

 

CMYK 21 / 63 / 0 / 29

HEX #9043B6

RGB 144 67 182

HSL 280.17, 0.46%, 0.49%

LAB 43.24, 51.42, -47.57

 

CMYK 0 / 63 / 55 / 29

HEX #B64352

RGB 182 67 82

HSL 352.17, 0.46%, 0.49%

LAB 45.04, 47.68, 16.25

 

CMYK 43 / 0 / 63 / 29

HEX #68B543

RGB 104 181 67

HSL 100.53, 0.46%, 0.49%

LAB 66.82, -44.3, 49.34

 

CMYK 63 / 10 / 0 / 29

HEX #43A3B6

RGB 67 163 182

HSL 189.91, 0.46%, 0.49%

LAB 62.31, -22.14, -18.18

 

CMYK 21 / 63 / 0 / 29

HEX #9043B6

RGB 144 67 182

HSL 280.17, 0.46%, 0.49%

LAB 43.24, 51.42, -47.57

 

CMYK 0 / 53 / 63 / 29

HEX #B65643

RGB 182 86 67

HSL 9.91, 0.46%, 0.49%

LAB 48.27, 37.39, 29.38

 

Description

Color code: HEX #68B543 | qconv.com Color code: HEX #68B543 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 181 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 181 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 63 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 63% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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