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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68D6A1 it is the complementary color #97295E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68D6A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68D6A1 shade: #6DD69C, #7EE8AF, #8FFAC2, #A0FFD5 and #B1FFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68D6A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68D6A1 shade: #68D6A1, #57C48E, #46B27B, #35A068 and #248E55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68D6A1 shade: #66D5A0, #66D582, #69D566, #86D566 and #A4D566

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68D6A1 shade: #66D5A0, #66D5BD, #66CED5, #66B1D5 and #6693D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68D6A1 shade matches the following richer shades: #66D5A0, #57E5A0 and #47F4A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68D6A1 shade: #66D5A0, #76C59F, #86B59E, #95A69E and #A5969D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68D6A1 shade: #68D566, #66D582, #66D59F, #66D5BD and #66CFD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68D6A1 shade: #32B777, #46CC8B, #66D5A0, #87DEB4 and #A7E7C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68D6A1 shade: #68D6A1, #6686D5 and #D57366

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68D6A1 shade: #68D6A1, #9F66D5 and #D59F66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68D6A1 shade: #68D6A1, #6686D5, #D5669C and #D5B666

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68D6A1 shade: #68D6A1, #6866D5, #D5669C and #D3D566

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 25 / 16

HEX #68D6A1

RGB 104 214 161

HSL 151.09, 0.57%, 0.62%

LAB 78.23, -43.78, 16.7

 

Complementary color

CMYK 0 / 73 / 38 / 41

HEX #97295E

RGB 151 41 94

HSL 331.09, 0.57%, 0.38%

LAB 35.93, 49.77, -5

 

CMYK 49 / 0 / 27 / 16

HEX #6DD69C

RGB 109 214 156

HSL 146.86, 0.56%, 0.63%

LAB 78.31, -43.57, 19.48

 

CMYK 46 / 0 / 25 / 9

HEX #7EE8AF

RGB 126 232 175

HSL 147.74, 0.7%, 0.7%

LAB 84.61, -43.39, 18.38

 

CMYK 43 / 0 / 22 / 2

HEX #8FFAC2

RGB 143 250 194

HSL 148.6, 0.91%, 0.77%

LAB 90.83, -43.18, 17.35

 

CMYK 37 / 0 / 16 / 0

HEX #A0FFD5

RGB 160 255 213

HSL 153.47, 1%, 0.81%

LAB 93.36, -37.14, 11.27

 

CMYK 31 / 0 / 9 / 0

HEX #B1FFE8

RGB 177 255 232

HSL 162.31, 1%, 0.85%

LAB 94.61, -28.57, 3.38

 

CMYK 51 / 0 / 25 / 16

HEX #68D6A1

RGB 104 214 161

HSL 151.09, 0.57%, 0.62%

LAB 78.23, -43.78, 16.7

 

CMYK 56 / 0 / 28 / 23

HEX #57C48E

RGB 87 196 142

HSL 150.28, 0.48%, 0.55%

LAB 71.87, -43.86, 17.87

 

CMYK 61 / 0 / 31 / 30

HEX #46B27B

RGB 70 178 123

HSL 149.44, 0.44%, 0.49%

LAB 65.41, -43.83, 19.14

 

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

CMYK 75 / 0 / 40 / 44

HEX #248E55

RGB 36 142 85

HSL 147.74, 0.6%, 0.35%

LAB 52.26, -43.11, 22.09

 

CMYK 52 / 0 / 25 / 16

HEX #66D5A0

RGB 102 213 160

HSL 151.35, 0.57%, 0.62%

LAB 77.85, -44.03, 16.68

 

CMYK 52 / 0 / 39 / 16

HEX #66D582

RGB 102 213 130

HSL 135.14, 0.57%, 0.62%

LAB 77.3, -49.64, 31.58

 

CMYK 51 / 0 / 52 / 16

HEX #69D566

RGB 105 213 102

HSL 118.38, 0.57%, 0.62%

LAB 77.01, -53.01, 45.12

 

CMYK 37 / 0 / 52 / 16

HEX #86D566

RGB 134 213 102

HSL 102.7, 0.57%, 0.62%

LAB 78.24, -44.35, 46.89

 

CMYK 23 / 0 / 52 / 16

HEX #A4D566

RGB 164 213 102

HSL 86.49, 0.57%, 0.62%

LAB 79.86, -33.88, 49.22

 

CMYK 52 / 0 / 25 / 16

HEX #66D5A0

RGB 102 213 160

HSL 151.35, 0.57%, 0.62%

LAB 77.85, -44.03, 16.68

 

CMYK 52 / 0 / 11 / 16

HEX #66D5BD

RGB 102 213 189

HSL 167.03, 0.57%, 0.62%

LAB 78.51, -37.56, 2.18

 

CMYK 52 / 3 / 0 / 16

HEX #66CED5

RGB 102 206 213

HSL 183.78, 0.57%, 0.62%

LAB 77.14, -28.16, -12.72

 

CMYK 52 / 17 / 0 / 16

HEX #66B1D5

RGB 102 177 213

HSL 199.46, 0.57%, 0.62%

LAB 68.8, -13.36, -25.36

 

CMYK 52 / 31 / 0 / 16

HEX #6693D5

RGB 102 147 213

HSL 215.68, 0.57%, 0.62%

LAB 60.33, 3.36, -38.48

 

CMYK 52 / 0 / 25 / 16

HEX #66D5A0

RGB 102 213 160

HSL 151.35, 0.57%, 0.62%

LAB 77.85, -44.03, 16.68

 

CMYK 62 / 0 / 30 / 10

HEX #57E5A0

RGB 87 229 160

HSL 150.85, 0.73%, 0.62%

LAB 82.16, -53.83, 22.59

 

CMYK 71 / 0 / 34 / 4

HEX #47F4A1

RGB 71 244 161

HSL 151.21, 0.89%, 0.62%

LAB 86.31, -62.04, 27.67

 

CMYK 52 / 0 / 25 / 16

HEX #66D5A0

RGB 102 213 160

HSL 151.35, 0.57%, 0.62%

LAB 77.85, -44.03, 16.68

 

CMYK 40 / 0 / 19 / 23

HEX #76C59F

RGB 118 197 159

HSL 151.14, 0.41%, 0.62%

LAB 73.73, -32.9, 11.52

 

CMYK 26 / 0 / 13 / 29

HEX #86B59E

RGB 134 181 158

HSL 150.64, 0.24%, 0.62%

LAB 69.88, -20.46, 6.69

 

CMYK 10 / 0 / 5 / 35

HEX #95A69E

RGB 149 166 158

HSL 151.76, 0.09%, 0.62%

LAB 66.62, -7.55, 2.1

 

CMYK 0 / 9 / 5 / 35

HEX #A5969D

RGB 165 150 157

HSL 332, 0.08%, 0.62%

LAB 63.55, 6.8, -1.67

 

CMYK 51 / 0 / 52 / 16

HEX #68D566

RGB 104 213 102

HSL 118.92, 0.57%, 0.62%

LAB 76.98, -53.28, 45.07

 

CMYK 52 / 0 / 39 / 16

HEX #66D582

RGB 102 213 130

HSL 135.14, 0.57%, 0.62%

LAB 77.3, -49.64, 31.58

 

CMYK 52 / 0 / 25 / 16

HEX #66D59F

RGB 102 213 159

HSL 150.81, 0.57%, 0.62%

LAB 77.83, -44.23, 17.18

 

CMYK 52 / 0 / 11 / 16

HEX #66D5BD

RGB 102 213 189

HSL 167.03, 0.57%, 0.62%

LAB 78.51, -37.56, 2.18

 

CMYK 52 / 3 / 0 / 16

HEX #66CFD5

RGB 102 207 213

HSL 183.24, 0.57%, 0.62%

LAB 77.43, -28.65, -12.29

 

CMYK 73 / 0 / 35 / 28

HEX #32B777

RGB 50 183 119

HSL 151.13, 0.57%, 0.46%

LAB 66.43, -50.26, 22.59

 

CMYK 66 / 0 / 32 / 20

HEX #46CC8B

RGB 70 204 139

HSL 150.9, 0.57%, 0.54%

LAB 73.77, -51.2, 22.01

 

CMYK 52 / 0 / 25 / 16

HEX #66D5A0

RGB 102 213 160

HSL 151.35, 0.57%, 0.62%

LAB 77.85, -44.03, 16.68

 

CMYK 39 / 0 / 19 / 13

HEX #87DEB4

RGB 135 222 180

HSL 151.03, 0.57%, 0.7%

LAB 82.21, -35.51, 12.44

 

CMYK 28 / 0 / 13 / 9

HEX #A7E7C8

RGB 167 231 200

HSL 150.94, 0.57%, 0.78%

LAB 86.77, -26.47, 8.64

 

CMYK 51 / 0 / 25 / 16

HEX #68D6A1

RGB 104 214 161

HSL 151.09, 0.57%, 0.62%

LAB 78.23, -43.78, 16.7

 

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

CMYK 0 / 46 / 52 / 16

HEX #D57366

RGB 213 115 102

HSL 7.03, 0.57%, 0.62%

LAB 59.31, 37.04, 24.4

 

CMYK 51 / 0 / 25 / 16

HEX #68D6A1

RGB 104 214 161

HSL 151.09, 0.57%, 0.62%

LAB 78.23, -43.78, 16.7

 

CMYK 25 / 52 / 0 / 16

HEX #9F66D5

RGB 159 102 213

HSL 270.81, 0.57%, 0.62%

LAB 53.68, 44.03, -48.69

 

CMYK 0 / 25 / 52 / 16

HEX #D59F66

RGB 213 159 102

HSL 30.81, 0.57%, 0.62%

LAB 69.4, 13.45, 37.38

 

CMYK 51 / 0 / 25 / 16

HEX #68D6A1

RGB 104 214 161

HSL 151.09, 0.57%, 0.62%

LAB 78.23, -43.78, 16.7

 

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

CMYK 0 / 52 / 27 / 16

HEX #D5669C

RGB 213 102 156

HSL 330.81, 0.57%, 0.62%

LAB 58.08, 49.64, -8.57

 

CMYK 0 / 15 / 52 / 16

HEX #D5B666

RGB 213 182 102

HSL 43.24, 0.57%, 0.62%

LAB 75.18, 1.16, 44.49

 

CMYK 51 / 0 / 25 / 16

HEX #68D6A1

RGB 104 214 161

HSL 151.09, 0.57%, 0.62%

LAB 78.23, -43.78, 16.7

 

CMYK 51 / 52 / 0 / 16

HEX #6866D5

RGB 104 102 213

HSL 241.08, 0.57%, 0.62%

LAB 48.57, 30.83, -57.15

 

CMYK 0 / 52 / 27 / 16

HEX #D5669C

RGB 213 102 156

HSL 330.81, 0.57%, 0.62%

LAB 58.08, 49.64, -8.57

 

CMYK 1 / 0 / 52 / 16

HEX #D3D566

RGB 211 213 102

HSL 61.08, 0.57%, 0.62%

LAB 83.12, -15.57, 53.87

 

Description

Color code: HEX #68D6A1 | qconv.com Color code: HEX #68D6A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 214 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 214 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 25 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 25% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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