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Color name
HEX #6916DF

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6916DF it is the complementary color #96E920. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6916DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6916DF shade: #6E16DA, #7F28ED, #903AFF, #A14CFF and #B25EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6916DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6916DF shade: #6916DF, #5804CC, #4700B9, #3600A6 and #250093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6916DF shade: #6816DE, #9F16DE, #D516DE, #DE16B2 and #DE167C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6916DF shade: #6816DE, #3216DE and #1616DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6916DF shade matches the following richer shades: #6816DE and #6502F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6916DF shade: #6816DE, #6C29CA, #6F3DB7, #7351A3 and #76658F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6916DF shade: #1630DE, #3016DE, #6616DE, #9B16DE and #D116DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6916DF shade: #450E93, #5712B9, #6816DE, #7F33EA and #9658EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6916DF shade: #6916DF, #DE1666 and #16DE16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6916DF shade: #6916DF, #DE6616 and #16DE66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6916DF shade: #6916DF, #DE1666, #8EDE16 and #16DE8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6916DF shade: #6916DF, #DE162A, #8EDE16 and #16DECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 90 / 0 / 13

HEX #6916DF

RGB 105 22 223

HSL 264.78, 0.82%, 0.48%

LAB 35.8, 71.27, -83.72

 

Complementary color

CMYK 36 / 0 / 86 / 9

HEX #96E920

RGB 150 233 32

HSL 84.78, 0.82%, 0.52%

LAB 84.41, -52.05, 78.11

 

CMYK 50 / 90 / 0 / 15

HEX #6E16DA

RGB 110 22 218

HSL 266.94, 0.82%, 0.47%

LAB 35.89, 70.59, -80.68

 

CMYK 46 / 83 / 0 / 7

HEX #7F28ED

RGB 127 40 237

HSL 266.5, 0.85%, 0.54%

LAB 41.44, 71.89, -82.3

 

CMYK 44 / 77 / 0 / 0

HEX #903AFF

RGB 144 58 255

HSL 266.19, 1%, 0.61%

LAB 47.2, 71.98, -82.87

 

CMYK 37 / 70 / 0 / 0

HEX #A14CFF

RGB 161 76 255

HSL 268.49, 1%, 0.65%

LAB 51.8, 67.28, -75.28

 

CMYK 30 / 63 / 0 / 0

HEX #B25EFF

RGB 178 94 255

HSL 271.3, 1%, 0.68%

LAB 56.77, 62.3, -67.13

 

CMYK 53 / 90 / 0 / 13

HEX #6916DF

RGB 105 22 223

HSL 264.78, 0.82%, 0.48%

LAB 35.8, 71.27, -83.72

 

CMYK 57 / 98 / 0 / 20

HEX #5804CC

RGB 88 4 204

HSL 265.2, 0.96%, 0.41%

LAB 30.69, 68.75, -81.25

 

CMYK 62 / 100 / 0 / 27

HEX #4700B9

RGB 71 0 185

HSL 263.03, 1%, 0.36%

LAB 26.28, 64.01, -77.43

 

CMYK 67 / 100 / 0 / 35

HEX #3600A6

RGB 54 0 166

HSL 259.52, 1%, 0.33%

LAB 22.08, 58.62, -73.05

 

CMYK 75 / 100 / 0 / 42

HEX #250093

RGB 37 0 147

HSL 255.1, 1%, 0.29%

LAB 17.92, 53.21, -68.35

 

CMYK 53 / 90 / 0 / 13

HEX #6816DE

RGB 104 22 222

HSL 264.6, 0.82%, 0.48%

LAB 35.58, 70.96, -83.52

 

CMYK 28 / 90 / 0 / 13

HEX #9F16DE

RGB 159 22 222

HSL 281.1, 0.82%, 0.48%

LAB 43.09, 77.08, -70.89

 

CMYK 4 / 90 / 0 / 13

HEX #D516DE

RGB 213 22 222

HSL 297.3, 0.82%, 0.48%

LAB 51.83, 85.15, -56.33

 

CMYK 0 / 90 / 20 / 13

HEX #DE16B2

RGB 222 22 178

HSL 313.2, 0.82%, 0.48%

LAB 51.06, 80.74, -32.05

 

CMYK 0 / 90 / 44 / 13

HEX #DE167C

RGB 222 22 124

HSL 329.4, 0.82%, 0.48%

LAB 48.96, 75.12, -2.94

 

CMYK 53 / 90 / 0 / 13

HEX #6816DE

RGB 104 22 222

HSL 264.6, 0.82%, 0.48%

LAB 35.58, 70.96, -83.52

 

CMYK 77 / 90 / 0 / 13

HEX #3216DE

RGB 50 22 222

HSL 248.4, 0.82%, 0.48%

LAB 30.7, 67.61, -91.75

 

CMYK 90 / 90 / 0 / 13

HEX #1616DE

RGB 22 22 222

HSL 240, 0.82%, 0.48%

LAB 29.46, 66.87, -93.86

 

CMYK 53 / 90 / 0 / 13

HEX #6816DE

RGB 104 22 222

HSL 264.6, 0.82%, 0.48%

LAB 35.58, 70.96, -83.52

 

CMYK 58 / 99 / 0 / 5

HEX #6502F2

RGB 101 2 242

HSL 264.75, 0.98%, 0.48%

LAB 36.41, 78.36, -93.55

 

CMYK 53 / 90 / 0 / 13

HEX #6816DE

RGB 104 22 222

HSL 264.6, 0.82%, 0.48%

LAB 35.58, 70.96, -83.52

 

CMYK 47 / 80 / 0 / 21

HEX #6C29CA

RGB 108 41 202

HSL 264.97, 0.66%, 0.48%

LAB 36.06, 60.81, -71.14

 

CMYK 39 / 67 / 0 / 28

HEX #6F3DB7

RGB 111 61 183

HSL 264.59, 0.5%, 0.48%

LAB 38.09, 47.32, -56.68

 

CMYK 29 / 50 / 0 / 36

HEX #7351A3

RGB 115 81 163

HSL 264.88, 0.34%, 0.48%

LAB 41.49, 31.81, -39.33

 

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

CMYK 90 / 78 / 0 / 13

HEX #1630DE

RGB 22 48 222

HSL 232.2, 0.82%, 0.48%

LAB 33.05, 56.21, -87.89

 

CMYK 78 / 90 / 0 / 13

HEX #3016DE

RGB 48 22 222

HSL 247.8, 0.82%, 0.48%

LAB 30.58, 67.54, -91.95

 

CMYK 54 / 90 / 0 / 13

HEX #6616DE

RGB 102 22 222

HSL 264, 0.82%, 0.48%

LAB 35.35, 70.78, -83.91

 

CMYK 30 / 90 / 0 / 13

HEX #9B16DE

RGB 155 22 222

HSL 279.9, 0.82%, 0.48%

LAB 42.49, 76.55, -71.91

 

CMYK 6 / 90 / 0 / 13

HEX #D116DE

RGB 209 22 222

HSL 296.1, 0.82%, 0.48%

LAB 51.16, 84.5, -57.45

 

CMYK 53 / 90 / 0 / 42

HEX #450E93

RGB 69 14 147

HSL 264.81, 0.83%, 0.32%

LAB 22.6, 51.6, -60.47

 

CMYK 53 / 90 / 0 / 27

HEX #5712B9

RGB 87 18 185

HSL 264.79, 0.82%, 0.4%

LAB 29.32, 61.65, -72.34

 

CMYK 53 / 90 / 0 / 13

HEX #6816DE

RGB 104 22 222

HSL 264.6, 0.82%, 0.48%

LAB 35.58, 70.96, -83.52

 

CMYK 46 / 78 / 0 / 8

HEX #7F33EA

RGB 127 51 234

HSL 264.92, 0.81%, 0.56%

LAB 42.49, 67.33, -78.88

 

CMYK 37 / 63 / 0 / 7

HEX #9658EE

RGB 150 88 238

HSL 264.8, 0.82%, 0.64%

LAB 51.42, 55.39, -66.46

 

CMYK 53 / 90 / 0 / 13

HEX #6916DF

RGB 105 22 223

HSL 264.78, 0.82%, 0.48%

LAB 35.8, 71.27, -83.72

 

CMYK 0 / 90 / 54 / 13

HEX #DE1666

RGB 222 22 102

HSL 336, 0.82%, 0.48%

LAB 48.34, 73.42, 9.66

 

CMYK 90 / 0 / 90 / 13

HEX #16DE16

RGB 22 222 22

HSL 120, 0.82%, 0.48%

LAB 77.56, -76.24, 72.65

 

CMYK 53 / 90 / 0 / 13

HEX #6916DF

RGB 105 22 223

HSL 264.78, 0.82%, 0.48%

LAB 35.8, 71.27, -83.72

 

CMYK 0 / 54 / 90 / 13

HEX #DE6616

RGB 222 102 22

HSL 24, 0.82%, 0.48%

LAB 57.16, 43.09, 61.04

 

CMYK 90 / 0 / 54 / 13

HEX #16DE66

RGB 22 222 102

HSL 144, 0.82%, 0.48%

LAB 78.09, -69.55, 46.04

 

CMYK 53 / 90 / 0 / 13

HEX #6916DF

RGB 105 22 223

HSL 264.78, 0.82%, 0.48%

LAB 35.8, 71.27, -83.72

 

CMYK 0 / 90 / 54 / 13

HEX #DE1666

RGB 222 22 102

HSL 336, 0.82%, 0.48%

LAB 48.34, 73.42, 9.66

 

CMYK 36 / 0 / 90 / 13

HEX #8EDE16

RGB 142 222 22

HSL 84, 0.82%, 0.48%

LAB 80.77, -50.64, 76.63

 

CMYK 90 / 0 / 36 / 13

HEX #16DE8E

RGB 22 222 142

HSL 156, 0.82%, 0.48%

LAB 78.67, -62.67, 26.97

 

CMYK 53 / 90 / 0 / 13

HEX #6916DF

RGB 105 22 223

HSL 264.78, 0.82%, 0.48%

LAB 35.8, 71.27, -83.72

 

CMYK 0 / 90 / 81 / 13

HEX #DE162A

RGB 222 22 42

HSL 354, 0.82%, 0.48%

LAB 47.33, 70.58, 44.37

 

CMYK 36 / 0 / 90 / 13

HEX #8EDE16

RGB 142 222 22

HSL 84, 0.82%, 0.48%

LAB 80.77, -50.64, 76.63

 

CMYK 90 / 0 / 9 / 13

HEX #16DECA

RGB 22 222 202

HSL 174, 0.82%, 0.48%

LAB 80, -48.33, -2.77

 

Description

Color code: HEX #6916DF | qconv.com Color code: HEX #6916DF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 22 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 22 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 90 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 90% 0% 13% C M Y K

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Provide designers and agencies with accurate color values.

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