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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #694C23 it is the complementary color #96B3DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #694C23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #694C23 shade: #6E4C1E, #7F5E31, #907044, #A18257 and #B2946A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #694C23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #694C23 shade: #694C23, #583A10, #472800, #361600 and #250400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #694C23 shade: #674A22, #673822, #672522 and #672222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #694C23 shade: #674A22, #675D22, #5E6722, #4C6722 and #396722

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #694C23 shade matches the following richer shades: #674A22, #724C17, #7D4E0C and #885001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #694C23 shade: #674A22, #5C482D, #504638, #454543 and #3A434E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #694C23 shade: #672522, #673822, #674A22, #675C22 and #5F6722

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #694C23 shade: #291D0D, #483418, #674A22, #86612C and #A57737

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #694C23 shade: #694C23, #316722 and #2F2267

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #694C23 shade: #694C23, #22674A and #4A2267

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #694C23 shade: #694C23, #316722, #223F67 and #582267

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #694C23 shade: #694C23, #226728, #223F67 and #672261

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 67 / 59

HEX #694C23

RGB 105 76 35

HSL 35.14, 0.5%, 0.27%

LAB 34.59, 7.41, 28.67

 

Complementary color

CMYK 32 / 19 / 0 / 14

HEX #96B3DC

RGB 150 179 220

HSL 215.14, 0.5%, 0.73%

LAB 72.16, -0.31, -23.84

 

CMYK 0 / 31 / 73 / 57

HEX #6E4C1E

RGB 110 76 30

HSL 34.5, 0.57%, 0.27%

LAB 35.16, 9.47, 32.15

HEX #6E4C1E

CMYK 0 / 26 / 61 / 50

HEX #7F5E31

RGB 127 94 49

HSL 34.62, 0.44%, 0.35%

LAB 42.37, 8.06, 30.66

HEX #7F5E31

CMYK 0 / 22 / 53 / 44

HEX #907044

RGB 144 112 68

HSL 34.74, 0.36%, 0.42%

LAB 49.42, 6.95, 29.15

HEX #907044

CMYK 0 / 19 / 46 / 37

HEX #A18257

RGB 161 130 87

HSL 34.86, 0.3%, 0.49%

LAB 56.32, 6.06, 27.72

HEX #A18257

CMYK 0 / 17 / 40 / 30

HEX #B2946A

RGB 178 148 106

HSL 35, 0.32%, 0.56%

LAB 63.08, 5.33, 26.4

HEX #B2946A

CMYK 0 / 28 / 67 / 59

HEX #694C23

RGB 105 76 35

HSL 35.14, 0.5%, 0.27%

LAB 34.59, 7.41, 28.67

 

CMYK 0 / 34 / 82 / 65

HEX #583A10

RGB 88 58 16

HSL 35, 0.69%, 0.2%

LAB 27.13, 9.04, 30.03

 

CMYK 0 / 44 / 100 / 72

HEX #472800

RGB 71 40 0

HSL 33.8, 1%, 0.14%

LAB 19.46, 11.2, 28.2

 

CMYK 0 / 59 / 100 / 79

HEX #361600

RGB 54 22 0

HSL 24.44, 1%, 0.11%

LAB 11.68, 14.19, 17.74

 

CMYK 0 / 89 / 100 / 85

HEX #250400

RGB 37 4 0

HSL 6.49, 1%, 0.07%

LAB 4.34, 14.34, 6.76

 

CMYK 0 / 28 / 67 / 60

HEX #674A22

RGB 103 74 34

HSL 34.78, 0.5%, 0.27%

LAB 33.77, 7.59, 28.22

 

CMYK 0 / 46 / 67 / 60

HEX #673822

RGB 103 56 34

HSL 19.13, 0.5%, 0.27%

LAB 28.97, 18.65, 22.63

 

CMYK 0 / 64 / 67 / 60

HEX #672522

RGB 103 37 34

HSL 2.61, 0.5%, 0.27%

LAB 24.71, 29.46, 17.39

 

CMYK 0 / 67 / 67 / 60

HEX #672222

RGB 103 34 34

HSL 0, 0.5%, 0.27%

LAB 24.14, 30.98, 16.67

 

CMYK 0 / 28 / 67 / 60

HEX #674A22

RGB 103 74 34

HSL 34.78, 0.5%, 0.27%

LAB 33.77, 7.59, 28.22

 

CMYK 0 / 10 / 67 / 60

HEX #675D22

RGB 103 93 34

HSL 51.3, 0.5%, 0.27%

LAB 39.29, -3.88, 34.34

 

CMYK 9 / 0 / 67 / 60

HEX #5E6722

RGB 94 103 34

HSL 67.83, 0.5%, 0.27%

LAB 41.53, -13.85, 36.49

 

CMYK 26 / 0 / 67 / 60

HEX #4C6722

RGB 76 103 34

HSL 83.48, 0.5%, 0.27%

LAB 40.17, -21.9, 34.63

 

CMYK 45 / 0 / 67 / 60

HEX #396722

RGB 57 103 34

HSL 100, 0.5%, 0.27%

LAB 39.05, -29.43, 33.08

 

CMYK 0 / 28 / 67 / 60

HEX #674A22

RGB 103 74 34

HSL 34.78, 0.5%, 0.27%

LAB 33.77, 7.59, 28.22

 

CMYK 0 / 33 / 80 / 55

HEX #724C17

RGB 114 76 23

HSL 34.95, 0.66%, 0.27%

LAB 35.61, 11.02, 36.21

 

CMYK 0 / 38 / 90 / 51

HEX #7D4E0C

RGB 125 78 12

HSL 35.04, 0.82%, 0.27%

LAB 37.55, 14.68, 42.79

 

CMYK 0 / 41 / 99 / 47

HEX #885001

RGB 136 80 1

HSL 35.11, 0.99%, 0.27%

LAB 39.54, 18.42, 48.23

 

CMYK 0 / 28 / 67 / 60

HEX #674A22

RGB 103 74 34

HSL 34.78, 0.5%, 0.27%

LAB 33.77, 7.59, 28.22

 

CMYK 0 / 22 / 51 / 64

HEX #5C482D

RGB 92 72 45

HSL 34.47, 0.34%, 0.27%

LAB 32.03, 4.57, 19.39

 

CMYK 0 / 13 / 30 / 69

HEX #504638

RGB 80 70 56

HSL 35, 0.18%, 0.27%

LAB 30.33, 1.71, 10

 

CMYK 0 / 0 / 3 / 73

HEX #454543

RGB 69 69 67

HSL 60, 0.01%, 0.27%

LAB 29.23, -0.44, 1.2

 

CMYK 26 / 14 / 0 / 69

HEX #3A434E

RGB 58 67 78

HSL 213, 0.15%, 0.27%

LAB 28.02, -0.81, -7.85

 

CMYK 0 / 64 / 67 / 60

HEX #672522

RGB 103 37 34

HSL 2.61, 0.5%, 0.27%

LAB 24.71, 29.46, 17.39

 

CMYK 0 / 46 / 67 / 60

HEX #673822

RGB 103 56 34

HSL 19.13, 0.5%, 0.27%

LAB 28.97, 18.65, 22.63

 

CMYK 0 / 28 / 67 / 60

HEX #674A22

RGB 103 74 34

HSL 34.78, 0.5%, 0.27%

LAB 33.77, 7.59, 28.22

 

CMYK 0 / 11 / 67 / 60

HEX #675C22

RGB 103 92 34

HSL 50.43, 0.5%, 0.27%

LAB 38.99, -3.29, 34.02

 

CMYK 8 / 0 / 67 / 60

HEX #5F6722

RGB 95 103 34

HSL 66.96, 0.5%, 0.27%

LAB 41.61, -13.39, 36.61

 

CMYK 0 / 29 / 68 / 84

HEX #291D0D

RGB 41 29 13

HSL 34.29, 0.52%, 0.11%

LAB 11.82, 3.42, 12.2

 

CMYK 0 / 28 / 67 / 72

HEX #483418

RGB 72 52 24

HSL 35, 0.5%, 0.19%

LAB 23.34, 5.3, 20.94

 

CMYK 0 / 28 / 67 / 60

HEX #674A22

RGB 103 74 34

HSL 34.78, 0.5%, 0.27%

LAB 33.77, 7.59, 28.22

 

CMYK 0 / 28 / 67 / 47

HEX #86612C

RGB 134 97 44

HSL 35.33, 0.51%, 0.35%

LAB 43.94, 9.16, 35.35

 

CMYK 0 / 28 / 67 / 35

HEX #A57737

RGB 165 119 55

HSL 34.91, 0.5%, 0.43%

LAB 53.46, 11.3, 41.37

 

CMYK 0 / 28 / 67 / 59

HEX #694C23

RGB 105 76 35

HSL 35.14, 0.5%, 0.27%

LAB 34.59, 7.41, 28.67

 

CMYK 52 / 0 / 67 / 60

HEX #316722

RGB 49 103 34

HSL 106.96, 0.5%, 0.27%

LAB 38.67, -32.18, 32.56

 

CMYK 54 / 67 / 0 / 60

HEX #2F2267

RGB 47 34 103

HSL 251.3, 0.5%, 0.27%

LAB 18.92, 26.15, -38.62

 

CMYK 0 / 28 / 67 / 59

HEX #694C23

RGB 105 76 35

HSL 35.14, 0.5%, 0.27%

LAB 34.59, 7.41, 28.67

 

CMYK 67 / 0 / 28 / 60

HEX #22674A

RGB 34 103 74

HSL 154.78, 0.5%, 0.27%

LAB 38.79, -29.13, 10.15

 

CMYK 28 / 67 / 0 / 60

HEX #4A2267

RGB 74 34 103

HSL 274.78, 0.5%, 0.27%

LAB 22.23, 32.57, -33.11

 

CMYK 0 / 28 / 67 / 59

HEX #694C23

RGB 105 76 35

HSL 35.14, 0.5%, 0.27%

LAB 34.59, 7.41, 28.67

 

CMYK 52 / 0 / 67 / 60

HEX #316722

RGB 49 103 34

HSL 106.96, 0.5%, 0.27%

LAB 38.67, -32.18, 32.56

 

CMYK 67 / 39 / 0 / 60

HEX #223F67

RGB 34 63 103

HSL 214.78, 0.5%, 0.27%

LAB 26.37, 3.26, -26.71

 

CMYK 15 / 67 / 0 / 60

HEX #582267

RGB 88 34 103

HSL 286.96, 0.5%, 0.27%

LAB 24.32, 36.25, -29.65

 

CMYK 0 / 28 / 67 / 59

HEX #694C23

RGB 105 76 35

HSL 35.14, 0.5%, 0.27%

LAB 34.59, 7.41, 28.67

 

CMYK 67 / 0 / 61 / 60

HEX #226728

RGB 34 103 40

HSL 125.22, 0.5%, 0.27%

LAB 38.19, -35.67, 28.86

 

CMYK 67 / 39 / 0 / 60

HEX #223F67

RGB 34 63 103

HSL 214.78, 0.5%, 0.27%

LAB 26.37, 3.26, -26.71

 

CMYK 0 / 67 / 6 / 60

HEX #672261

RGB 103 34 97

HSL 305.22, 0.5%, 0.27%

LAB 26.42, 39.19, -22.25

 

Description

Color code: HEX #694C23 | qconv.com Color code: HEX #694C23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 76 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 76 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 67 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 67% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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