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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6999B9 it is the complementary color #966646. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6999B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6999B9 shade: #6E99B4, #7FABC7, #90BDDA, #A1CFED and #B2E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6999B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6999B9 shade: #6999B9, #5887A6, #477593, #366380 and #25516D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6999B9 shade: #6999B8, #6983B8, #696EB8, #7A69B8 and #8F69B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6999B9 shade: #6999B8, #6983B8, #696EB8 and #6969B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6999B9 shade matches the following richer shades: #6999B8, #589CCA, #46A0DC and #34A3EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6999B9 shade: #6999B8, #7B95A7, #8D9295, #9F8E83 and #B08B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6999B9 shade: #69B8AE, #69AEB8, #6999B8, #6984B8 and #696FB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6999B9 shade: #426F8D, #4F85A9, #6999B8, #85ACC6 and #A1BFD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6999B9 shade: #6999B9, #9969B8 and #B8B869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6999B9 shade: #6999B9, #B86999 and #99B869

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6999B9 shade: #6999B9, #9969B8, #B88969 and #89B869

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6999B9 shade: #6999B9, #B069B8, #B88969 and #71B869

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 17 / 0 / 27

HEX #6999B9

RGB 105 153 185

HSL 204, 0.36%, 0.57%

LAB 61.04, -7.58, -21.67

 

Complementary color

CMYK 0 / 32 / 53 / 41

HEX #966646

RGB 150 102 70

HSL 24, 0.36%, 0.43%

LAB 47.53, 15.58, 25.79

 

CMYK 39 / 15 / 0 / 29

HEX #6E99B4

RGB 110 153 180

HSL 203.14, 0.32%, 0.57%

LAB 61.13, -7.62, -18.69

 

CMYK 36 / 14 / 0 / 22

HEX #7FABC7

RGB 127 171 199

HSL 203.33, 0.39%, 0.64%

LAB 67.84, -7.77, -19

 

CMYK 34 / 13 / 0 / 15

HEX #90BDDA

RGB 144 189 218

HSL 203.51, 0.5%, 0.71%

LAB 74.44, -7.91, -19.32

 

CMYK 32 / 13 / 0 / 7

HEX #A1CFED

RGB 161 207 237

HSL 203.68, 0.68%, 0.78%

LAB 80.91, -8.02, -19.64

 

CMYK 30 / 12 / 0 / 0

HEX #B2E1FF

RGB 178 225 255

HSL 203.38, 1%, 0.85%

LAB 87.26, -8.36, -19.49

 

CMYK 43 / 17 / 0 / 27

HEX #6999B9

RGB 105 153 185

HSL 204, 0.36%, 0.57%

LAB 61.04, -7.58, -21.67

 

CMYK 47 / 19 / 0 / 35

HEX #5887A6

RGB 88 135 166

HSL 203.85, 0.31%, 0.5%

LAB 54.19, -7.3, -21.4

 

CMYK 52 / 20 / 0 / 42

HEX #477593

RGB 71 117 147

HSL 203.68, 0.35%, 0.43%

LAB 47.2, -6.92, -21.15

 

CMYK 58 / 23 / 0 / 50

HEX #366380

RGB 54 99 128

HSL 203.51, 0.41%, 0.36%

LAB 40.03, -6.4, -20.9

 

CMYK 66 / 26 / 0 / 57

HEX #25516D

RGB 37 81 109

HSL 203.33, 0.49%, 0.29%

LAB 32.66, -5.64, -20.65

 

CMYK 43 / 17 / 0 / 28

HEX #6999B8

RGB 105 153 184

HSL 203.54, 0.36%, 0.57%

LAB 61, -7.86, -21.16

 

CMYK 43 / 29 / 0 / 28

HEX #6983B8

RGB 105 131 184

HSL 220.25, 0.36%, 0.57%

LAB 54.76, 4.74, -30.78

 

CMYK 43 / 40 / 0 / 28

HEX #696EB8

RGB 105 110 184

HSL 236.2, 0.36%, 0.57%

LAB 49.03, 17.37, -39.77

 

CMYK 34 / 43 / 0 / 28

HEX #7A69B8

RGB 122 105 184

HSL 252.91, 0.36%, 0.57%

LAB 49.13, 24.99, -39.51

 

CMYK 22 / 43 / 0 / 28

HEX #8F69B8

RGB 143 105 184

HSL 268.86, 0.36%, 0.57%

LAB 51.16, 31.03, -36.19

 

CMYK 43 / 17 / 0 / 28

HEX #6999B8

RGB 105 153 184

HSL 203.54, 0.36%, 0.57%

LAB 61, -7.86, -21.16

 

CMYK 43 / 29 / 0 / 28

HEX #6983B8

RGB 105 131 184

HSL 220.25, 0.36%, 0.57%

LAB 54.76, 4.74, -30.78

 

CMYK 43 / 40 / 0 / 28

HEX #696EB8

RGB 105 110 184

HSL 236.2, 0.36%, 0.57%

LAB 49.03, 17.37, -39.77

 

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

CMYK 43 / 17 / 0 / 28

HEX #6999B8

RGB 105 153 184

HSL 203.54, 0.36%, 0.57%

LAB 61, -7.86, -21.16

 

CMYK 56 / 23 / 0 / 21

HEX #589CCA

RGB 88 156 202

HSL 204.21, 0.52%, 0.57%

LAB 61.75, -8.2, -30.17

 

CMYK 68 / 27 / 0 / 14

HEX #46A0DC

RGB 70 160 220

HSL 204, 0.68%, 0.57%

LAB 63.02, -7.85, -38.27

 

CMYK 78 / 32 / 0 / 7

HEX #34A3EE

RGB 52 163 238

HSL 204.19, 0.85%, 0.57%

LAB 64.24, -5.63, -46.31

 

CMYK 43 / 17 / 0 / 28

HEX #6999B8

RGB 105 153 184

HSL 203.54, 0.36%, 0.57%

LAB 61, -7.86, -21.16

 

CMYK 26 / 11 / 0 / 35

HEX #7B95A7

RGB 123 149 167

HSL 204.55, 0.2%, 0.57%

LAB 60.33, -4.91, -12.45

 

CMYK 5 / 2 / 0 / 42

HEX #8D9295

RGB 141 146 149

HSL 202.5, 0.04%, 0.57%

LAB 60.24, -1.21, -2.22

 

CMYK 0 / 11 / 18 / 38

HEX #9F8E83

RGB 159 142 131

HSL 23.57, 0.13%, 0.57%

LAB 60.21, 4.48, 8.17

 

CMYK 0 / 21 / 36 / 31

HEX #B08B71

RGB 176 139 113

HSL 24.76, 0.29%, 0.57%

LAB 60.68, 10.35, 19.26

 

CMYK 43 / 0 / 5 / 28

HEX #69B8AE

RGB 105 184 174

HSL 172.41, 0.36%, 0.57%

LAB 69.71, -26.73, -2.53

 

CMYK 43 / 5 / 0 / 28

HEX #69AEB8

RGB 105 174 184

HSL 187.59, 0.36%, 0.57%

LAB 67.08, -19.13, -11.96

 

CMYK 43 / 17 / 0 / 28

HEX #6999B8

RGB 105 153 184

HSL 203.54, 0.36%, 0.57%

LAB 61, -7.86, -21.16

 

CMYK 43 / 28 / 0 / 28

HEX #6984B8

RGB 105 132 184

HSL 219.49, 0.36%, 0.57%

LAB 55.04, 4.15, -30.35

 

CMYK 43 / 40 / 0 / 28

HEX #696FB8

RGB 105 111 184

HSL 235.44, 0.36%, 0.57%

LAB 49.29, 16.76, -39.35

 

CMYK 53 / 21 / 0 / 45

HEX #426F8D

RGB 66 111 141

HSL 204, 0.36%, 0.41%

LAB 44.87, -6.5, -21.19

 

CMYK 53 / 21 / 0 / 34

HEX #4F85A9

RGB 79 133 169

HSL 204, 0.36%, 0.49%

LAB 53.28, -7.43, -24.58

 

CMYK 43 / 17 / 0 / 28

HEX #6999B8

RGB 105 153 184

HSL 203.54, 0.36%, 0.57%

LAB 61, -7.86, -21.16

 

CMYK 33 / 13 / 0 / 22

HEX #85ACC6

RGB 133 172 198

HSL 204, 0.36%, 0.65%

LAB 68.44, -6.88, -17.51

 

CMYK 24 / 9 / 0 / 17

HEX #A1BFD3

RGB 161 191 211

HSL 204, 0.36%, 0.73%

LAB 75.79, -5.69, -13.38

 

CMYK 43 / 17 / 0 / 27

HEX #6999B9

RGB 105 153 185

HSL 204, 0.36%, 0.57%

LAB 61.04, -7.58, -21.67

 

CMYK 17 / 43 / 0 / 28

HEX #9969B8

RGB 153 105 184

HSL 276.46, 0.36%, 0.57%

LAB 52.22, 34, -34.45

 

CMYK 0 / 0 / 43 / 28

HEX #B8B869

RGB 184 184 105

HSL 60, 0.36%, 0.57%

LAB 73.21, -11.55, 40

 

CMYK 43 / 17 / 0 / 27

HEX #6999B9

RGB 105 153 185

HSL 204, 0.36%, 0.57%

LAB 61.04, -7.58, -21.67

 

CMYK 0 / 43 / 17 / 28

HEX #B86999

RGB 184 105 153

HSL 323.54, 0.36%, 0.57%

LAB 54.65, 38.04, -12.38

 

CMYK 17 / 0 / 43 / 28

HEX #99B869

RGB 153 184 105

HSL 83.54, 0.36%, 0.57%

LAB 70.92, -23.85, 36.64

 

CMYK 43 / 17 / 0 / 27

HEX #6999B9

RGB 105 153 185

HSL 204, 0.36%, 0.57%

LAB 61.04, -7.58, -21.67

 

CMYK 17 / 43 / 0 / 28

HEX #9969B8

RGB 153 105 184

HSL 276.46, 0.36%, 0.57%

LAB 52.22, 34, -34.45

 

CMYK 0 / 26 / 43 / 28

HEX #B88969

RGB 184 137 105

HSL 24.3, 0.36%, 0.57%

LAB 60.87, 13.8, 24.14

 

CMYK 26 / 0 / 43 / 28

HEX #89B869

RGB 137 184 105

HSL 95.7, 0.36%, 0.57%

LAB 69.91, -29.84, 35.15

 

CMYK 43 / 17 / 0 / 27

HEX #6999B9

RGB 105 153 185

HSL 204, 0.36%, 0.57%

LAB 61.04, -7.58, -21.67

 

CMYK 4 / 43 / 0 / 28

HEX #B069B8

RGB 176 105 184

HSL 293.92, 0.36%, 0.57%

LAB 54.86, 40.98, -30.13

 

CMYK 0 / 26 / 43 / 28

HEX #B88969

RGB 184 137 105

HSL 24.3, 0.36%, 0.57%

LAB 60.87, 13.8, 24.14

 

CMYK 39 / 0 / 43 / 28

HEX #71B869

RGB 113 184 105

HSL 113.92, 0.36%, 0.57%

LAB 68.61, -38.07, 33.23

 

Description

Color code: HEX #6999B9 | qconv.com Color code: HEX #6999B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 153 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 153 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 17 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 17% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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