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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69CD6D it is the complementary color #963292. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69CD6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69CD6D shade: #6ECD68, #7FDF7B, #90F18E, #A1FFA1 and #B2FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69CD6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69CD6D shade: #69CD6D, #58BB5A, #47A947, #369734 and #258521

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69CD6D shade: #69CD6D, #80CD69, #9BCD69, #B6CD69 and #CDC969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69CD6D shade: #69CD6D, #69CD88, #69CDA3, #69CDBE and #69C1CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69CD6D shade matches the following richer shades: #69CD6D, #59DD5E, #49ED50 and #39FD41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69CD6D shade: #69CD6D, #79BD7C, #8AAD8B, #9A9D9A and #AA8CA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69CD6D shade: #9BCD69, #81CD69, #69CD6D, #69CD87 and #69CDA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69CD6D shade: #39AB3D, #4AC24F, #69CD6D, #88D78B and #A7E1AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69CD6D shade: #69CD6D, #69B6CD and #CD698E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69CD6D shade: #69CD6D, #6D69CD and #CD6D69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69CD6D shade: #69CD6D, #69B6CD, #CD69C9 and #CD8169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69CD6D shade: #69CD6D, #6998CD, #CD69C9 and #CD9E69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

Complementary color

CMYK 0 / 67 / 3 / 41

HEX #963292

RGB 150 50 146

HSL 302.4, 0.5%, 0.39%

LAB 39.31, 53.47, -32.26

 

CMYK 46 / 0 / 49 / 20

HEX #6ECD68

RGB 110 205 104

HSL 116.44, 0.5%, 0.61%

LAB 74.81, -48.14, 41.5

 

CMYK 43 / 0 / 45 / 13

HEX #7FDF7B

RGB 127 223 123

HSL 117.6, 0.61%, 0.68%

LAB 81.14, -48.05, 40.24

 

CMYK 40 / 0 / 41 / 5

HEX #90F18E

RGB 144 241 142

HSL 118.79, 0.78%, 0.75%

LAB 87.38, -47.89, 39.02

 

CMYK 37 / 0 / 37 / 0

HEX #A1FFA1

RGB 161 255 161

HSL 120, 1%, 0.82%

LAB 92.43, -45.99, 36.35

 

CMYK 30 / 0 / 29 / 0

HEX #B2FFB4

RGB 178 255 180

HSL 121.56, 1%, 0.85%

LAB 93.57, -37.83, 28.52

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 53 / 0 / 52 / 27

HEX #58BB5A

RGB 88 187 90

HSL 121.21, 0.42%, 0.54%

LAB 68.28, -48.83, 40.15

 

CMYK 58 / 0 / 58 / 34

HEX #47A947

RGB 71 169 71

HSL 120, 0.41%, 0.47%

LAB 61.8, -48.62, 41.45

 

CMYK 64 / 0 / 66 / 41

HEX #369734

RGB 54 151 52

HSL 118.79, 0.49%, 0.4%

LAB 55.24, -48.1, 42.62

 

CMYK 72 / 0 / 75 / 48

HEX #258521

RGB 37 133 33

HSL 117.6, 0.6%, 0.33%

LAB 48.61, -47.06, 43.41

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 38 / 0 / 49 / 20

HEX #80CD69

RGB 128 205 105

HSL 106.2, 0.5%, 0.61%

LAB 75.62, -42.49, 42.19

 

CMYK 24 / 0 / 49 / 20

HEX #9BCD69

RGB 155 205 105

HSL 90, 0.5%, 0.61%

LAB 77.07, -33.16, 44.3

 

CMYK 11 / 0 / 49 / 20

HEX #B6CD69

RGB 182 205 105

HSL 73.8, 0.5%, 0.61%

LAB 78.83, -22.91, 46.84

 

CMYK 0 / 2 / 49 / 20

HEX #CDC969

RGB 205 201 105

HSL 57.6, 0.5%, 0.61%

LAB 79.48, -11.71, 48.04

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 49 / 0 / 34 / 20

HEX #69CD88

RGB 105 205 136

HSL 138.6, 0.5%, 0.61%

LAB 75.1, -44.49, 25.57

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

CMYK 49 / 0 / 7 / 20

HEX #69CDBE

RGB 105 205 190

HSL 171, 0.5%, 0.61%

LAB 76.3, -32.94, -1.56

 

CMYK 49 / 6 / 0 / 20

HEX #69C1CD

RGB 105 193 205

HSL 187.2, 0.5%, 0.61%

LAB 73.25, -23.23, -14.22

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 60 / 0 / 57 / 13

HEX #59DD5E

RGB 89 221 94

HSL 122.27, 0.66%, 0.61%

LAB 78.84, -60.95, 50.87

 

CMYK 69 / 0 / 66 / 7

HEX #49ED50

RGB 73 237 80

HSL 122.56, 0.82%, 0.61%

LAB 83.21, -71.04, 61.6

 

CMYK 77 / 0 / 74 / 1

HEX #39FD41

RGB 57 253 65

HSL 122.45, 0.98%, 0.61%

LAB 87.73, -79.52, 71.55

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 36 / 0 / 34 / 26

HEX #79BD7C

RGB 121 189 124

HSL 122.65, 0.34%, 0.61%

LAB 70.81, -34.82, 26.25

 

CMYK 20 / 0 / 20 / 32

HEX #8AAD8B

RGB 138 173 139

HSL 121.71, 0.18%, 0.61%

LAB 67.39, -18.7, 13.62

 

CMYK 2 / 0 / 2 / 38

HEX #9A9D9A

RGB 154 157 154

HSL 120, 0.02%, 0.61%

LAB 64.42, -1.65, 1.18

 

CMYK 0 / 18 / 1 / 33

HEX #AA8CA9

RGB 170 140 169

HSL 302, 0.15%, 0.61%

LAB 61.8, 16.5, -11.01

 

CMYK 24 / 0 / 49 / 20

HEX #9BCD69

RGB 155 205 105

HSL 90, 0.5%, 0.61%

LAB 77.07, -33.16, 44.3

 

CMYK 37 / 0 / 49 / 20

HEX #81CD69

RGB 129 205 105

HSL 105.6, 0.5%, 0.61%

LAB 75.67, -42.17, 42.26

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 49 / 0 / 34 / 20

HEX #69CD87

RGB 105 205 135

HSL 138, 0.5%, 0.61%

LAB 75.09, -44.67, 26.07

 

CMYK 49 / 0 / 21 / 20

HEX #69CDA2

RGB 105 205 162

HSL 154.2, 0.5%, 0.61%

LAB 75.62, -39.37, 12.51

 

CMYK 67 / 0 / 64 / 33

HEX #39AB3D

RGB 57 171 61

HSL 122.11, 0.5%, 0.45%

LAB 61.94, -53.73, 46.08

 

CMYK 62 / 0 / 59 / 24

HEX #4AC24F

RGB 74 194 79

HSL 122.5, 0.5%, 0.53%

LAB 69.9, -56.31, 47.17

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 37 / 0 / 35 / 16

HEX #88D78B

RGB 136 215 139

HSL 122.28, 0.5%, 0.69%

LAB 79.44, -39.48, 30.06

 

CMYK 26 / 0 / 24 / 12

HEX #A7E1AA

RGB 167 225 170

HSL 123.1, 0.49%, 0.77%

LAB 84.47, -29.11, 21.08

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 49 / 11 / 0 / 20

HEX #69B6CD

RGB 105 182 205

HSL 193.8, 0.5%, 0.61%

LAB 70.08, -17.6, -19.01

 

CMYK 0 / 49 / 31 / 20

HEX #CD698E

RGB 205 105 142

HSL 337.8, 0.5%, 0.61%

LAB 57.11, 43.63, -1.99

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 47 / 49 / 0 / 20

HEX #6D69CD

RGB 109 105 205

HSL 242.4, 0.5%, 0.61%

LAB 49.21, 27.68, -51.55

 

CMYK 0 / 47 / 49 / 20

HEX #CD6D69

RGB 205 109 105

HSL 2.4, 0.5%, 0.61%

LAB 57.01, 37.4, 19.41

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 49 / 11 / 0 / 20

HEX #69B6CD

RGB 105 182 205

HSL 193.8, 0.5%, 0.61%

LAB 70.08, -17.6, -19.01

 

CMYK 0 / 49 / 2 / 20

HEX #CD69C9

RGB 205 105 201

HSL 302.4, 0.5%, 0.61%

LAB 59.25, 52.73, -32.74

 

CMYK 0 / 37 / 49 / 20

HEX #CD8169

RGB 205 129 105

HSL 14.4, 0.5%, 0.61%

LAB 61.39, 26.75, 25.28

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 49 / 26 / 0 / 20

HEX #6998CD

RGB 105 152 205

HSL 211.8, 0.5%, 0.61%

LAB 61.54, -1.24, -32.12

 

CMYK 0 / 49 / 2 / 20

HEX #CD69C9

RGB 205 105 201

HSL 302.4, 0.5%, 0.61%

LAB 59.25, 52.73, -32.74

 

CMYK 0 / 23 / 49 / 20

HEX #CD9E69

RGB 205 158 105

HSL 31.8, 0.5%, 0.61%

LAB 68.35, 10.96, 34.3

 

Description

Color code: HEX #69CD6D | qconv.com Color code: HEX #69CD6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 205 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 205 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 47 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 47% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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