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Color name
HEX #69CDA3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69CDA3 it is the complementary color #96325C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69CDA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69CDA3 shade: #6ECD9E, #7FDFB1, #90F1C4, #A1FFD7 and #B2FFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69CDA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69CDA3 shade: #69CDA3, #58BB90, #47A97D, #36976A and #258557

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69CDA3 shade: #69CDA3, #69CD88, #69CD6D, #80CD69 and #9BCD69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69CDA3 shade: #69CDA3, #69CDBE, #69C1CD, #69A6CD and #698BCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69CDA3 shade matches the following richer shades: #69CDA3, #59DDA6, #49EDA8 and #39FDAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69CDA3 shade: #69CDA3, #79BDA0, #8AAD9E, #9A9D9B and #AA8C99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69CDA3 shade: #69CD6D, #69CD87, #69CDA2, #69CDBC and #69C3CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69CDA3 shade: #39AB7B, #4AC290, #69CDA3, #88D7B6 and #A7E1C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69CDA3 shade: #69CDA3, #6981CD and #CD7A69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69CDA3 shade: #69CDA3, #A269CD and #CDA269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69CDA3 shade: #69CDA3, #6981CD, #CD6994 and #CDB669

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69CDA3 shade: #69CDA3, #7069CD, #CD6994 and #C6CD69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

Complementary color

CMYK 0 / 67 / 39 / 41

HEX #96325C

RGB 150 50 92

HSL 334.8, 0.5%, 0.39%

LAB 37, 45.6, -2.17

 

CMYK 46 / 0 / 23 / 20

HEX #6ECD9E

RGB 110 205 158

HSL 150.32, 0.49%, 0.62%

LAB 75.73, -38.94, 14.82

 

CMYK 43 / 0 / 21 / 13

HEX #7FDFB1

RGB 127 223 177

HSL 151.25, 0.6%, 0.69%

LAB 82.09, -38.73, 13.8

 

CMYK 40 / 0 / 19 / 5

HEX #90F1C4

RGB 144 241 196

HSL 152.16, 0.78%, 0.75%

LAB 88.36, -38.51, 12.85

 

CMYK 37 / 0 / 16 / 0

HEX #A1FFD7

RGB 161 255 215

HSL 154.47, 1%, 0.82%

LAB 93.45, -36.46, 10.37

 

CMYK 30 / 0 / 8 / 0

HEX #B2FFEA

RGB 178 255 234

HSL 163.64, 1%, 0.85%

LAB 94.71, -27.87, 2.49

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

CMYK 53 / 0 / 23 / 27

HEX #58BB90

RGB 88 187 144

HSL 153.94, 0.42%, 0.54%

LAB 69.2, -39.27, 13.08

 

CMYK 58 / 0 / 26 / 34

HEX #47A97D

RGB 71 169 125

HSL 153.06, 0.41%, 0.47%

LAB 62.67, -39.31, 14.26

 

CMYK 64 / 0 / 30 / 41

HEX #36976A

RGB 54 151 106

HSL 152.16, 0.47%, 0.4%

LAB 56.05, -39.21, 15.56

 

CMYK 72 / 0 / 35 / 48

HEX #258557

RGB 37 133 87

HSL 151.25, 0.56%, 0.33%

LAB 49.32, -38.85, 17.03

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

CMYK 49 / 0 / 34 / 20

HEX #69CD88

RGB 105 205 136

HSL 138.6, 0.5%, 0.61%

LAB 75.1, -44.49, 25.57

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 38 / 0 / 49 / 20

HEX #80CD69

RGB 128 205 105

HSL 106.2, 0.5%, 0.61%

LAB 75.62, -42.49, 42.19

 

CMYK 24 / 0 / 49 / 20

HEX #9BCD69

RGB 155 205 105

HSL 90, 0.5%, 0.61%

LAB 77.07, -33.16, 44.3

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

CMYK 49 / 0 / 7 / 20

HEX #69CDBE

RGB 105 205 190

HSL 171, 0.5%, 0.61%

LAB 76.3, -32.94, -1.56

 

CMYK 49 / 6 / 0 / 20

HEX #69C1CD

RGB 105 193 205

HSL 187.2, 0.5%, 0.61%

LAB 73.25, -23.23, -14.22

 

CMYK 49 / 19 / 0 / 20

HEX #69A6CD

RGB 105 166 205

HSL 203.4, 0.5%, 0.61%

LAB 65.5, -9.06, -26

 

CMYK 49 / 32 / 0 / 20

HEX #698BCD

RGB 105 139 205

HSL 219.6, 0.5%, 0.61%

LAB 57.92, 6.28, -37.77

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

CMYK 60 / 0 / 25 / 13

HEX #59DDA6

RGB 89 221 166

HSL 155, 0.66%, 0.61%

LAB 79.95, -48.95, 16.39

 

CMYK 69 / 0 / 29 / 7

HEX #49EDA8

RGB 73 237 168

HSL 154.76, 0.82%, 0.61%

LAB 84.39, -57.7, 21.46

 

CMYK 77 / 0 / 32 / 1

HEX #39FDAB

RGB 57 253 171

HSL 154.9, 0.98%, 0.61%

LAB 88.95, -65.11, 26.14

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

CMYK 36 / 0 / 15 / 26

HEX #79BDA0

RGB 121 189 160

HSL 154.41, 0.34%, 0.61%

LAB 71.55, -28.01, 7.9

 

CMYK 20 / 0 / 9 / 32

HEX #8AAD9E

RGB 138 173 158

HSL 154.29, 0.18%, 0.61%

LAB 67.84, -15.02, 3.78

 

CMYK 2 / 0 / 1 / 38

HEX #9A9D9B

RGB 154 157 155

HSL 140, 0.02%, 0.61%

LAB 64.44, -1.46, 0.66

 

CMYK 0 / 18 / 10 / 33

HEX #AA8C99

RGB 170 140 153

HSL 334, 0.15%, 0.61%

LAB 61.31, 13.53, -2.63

 

CMYK 49 / 0 / 47 / 20

HEX #69CD6D

RGB 105 205 109

HSL 122.4, 0.5%, 0.61%

LAB 74.68, -48.86, 38.83

 

CMYK 49 / 0 / 34 / 20

HEX #69CD87

RGB 105 205 135

HSL 138, 0.5%, 0.61%

LAB 75.09, -44.67, 26.07

 

CMYK 49 / 0 / 21 / 20

HEX #69CDA2

RGB 105 205 162

HSL 154.2, 0.5%, 0.61%

LAB 75.62, -39.37, 12.51

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 49 / 5 / 0 / 20

HEX #69C3CD

RGB 105 195 205

HSL 186, 0.5%, 0.61%

LAB 73.83, -24.24, -13.35

 

CMYK 67 / 0 / 28 / 33

HEX #39AB7B

RGB 57 171 123

HSL 154.74, 0.5%, 0.45%

LAB 62.87, -43.41, 15.57

 

CMYK 62 / 0 / 26 / 24

HEX #4AC290

RGB 74 194 144

HSL 155, 0.5%, 0.53%

LAB 70.91, -45.31, 15.4

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

CMYK 37 / 0 / 15 / 16

HEX #88D7B6

RGB 136 215 182

HSL 154.94, 0.5%, 0.69%

LAB 80.3, -31.55, 8.67

 

CMYK 26 / 0 / 11 / 12

HEX #A7E1C9

RGB 167 225 201

HSL 155.17, 0.49%, 0.77%

LAB 85.14, -23.36, 5.77

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

CMYK 49 / 37 / 0 / 20

HEX #6981CD

RGB 105 129 205

HSL 225.6, 0.5%, 0.61%

LAB 55.19, 12.21, -42.06

 

CMYK 0 / 40 / 49 / 20

HEX #CD7A69

RGB 205 122 105

HSL 10.2, 0.5%, 0.61%

LAB 59.81, 30.52, 23.18

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

CMYK 21 / 49 / 0 / 20

HEX #A269CD

RGB 162 105 205

HSL 274.2, 0.5%, 0.61%

LAB 54.23, 41.35, -43.25

 

CMYK 0 / 21 / 49 / 20

HEX #CDA269

RGB 205 162 105

HSL 34.2, 0.5%, 0.61%

LAB 69.36, 8.79, 35.57

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

CMYK 49 / 37 / 0 / 20

HEX #6981CD

RGB 105 129 205

HSL 225.6, 0.5%, 0.61%

LAB 55.19, 12.21, -42.06

 

CMYK 0 / 49 / 28 / 20

HEX #CD6994

RGB 205 105 148

HSL 334.2, 0.5%, 0.61%

LAB 57.29, 44.43, -5.23

 

CMYK 0 / 11 / 49 / 20

HEX #CDB669

RGB 205 182 105

HSL 46.2, 0.5%, 0.61%

LAB 74.48, -1.88, 41.97

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

CMYK 45 / 49 / 0 / 20

HEX #7069CD

RGB 112 105 205

HSL 244.2, 0.5%, 0.61%

LAB 49.44, 28.38, -51.16

 

CMYK 0 / 49 / 28 / 20

HEX #CD6994

RGB 205 105 148

HSL 334.2, 0.5%, 0.61%

LAB 57.29, 44.43, -5.23

 

CMYK 3 / 0 / 49 / 20

HEX #C6CD69

RGB 198 205 105

HSL 64.2, 0.5%, 0.61%

LAB 80, -16.55, 48.53

 

Description

Color code: HEX #69CDA3 | qconv.com Color code: HEX #69CDA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 205 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 205 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 20 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 20% 20% C M Y K

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Provide designers and agencies with accurate color values.

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