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Color name
HEX #69F23A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69F23A it is the complementary color #960DC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69F23A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69F23A shade: #6EF235, #7FFF48, #90FF5B, #A1FF6E and #B2FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69F23A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69F23A shade: #69F23A, #58E027, #47CE14, #36BC01 and #25AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69F23A shade: #69F23A, #9BF23A, #CCF23A, #F2E63A and #F2B43A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69F23A shade: #69F23A, #3AF23D, #3AF26E, #3AF2A0 and #3AF2D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69F23A shade matches the following richer shades: #69F23A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69F23A shade: #69F23A, #71E14B, #7AD05C, #82BF6D and #8AAE7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69F23A shade: #CDF23A, #9CF23A, #6BF23A, #3AF23A and #3AF26B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69F23A shade: #3ECD0D, #4BEF13, #69F23A, #86F461 and #A4F788

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69F23A shade: #69F23A, #3AF2E6 and #F23AB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69F23A shade: #69F23A, #3A6BF2 and #F23A6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69F23A shade: #69F23A, #3AF2E6, #C13AF2 and #F23A46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69F23A shade: #69F23A, #3AC7F2, #C13AF2 and #F2653A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 76 / 5

HEX #69F23A

RGB 105 242 58

HSL 104.67, 0.88%, 0.59%

LAB 85.41, -67.67, 71.83

 

Complementary color

CMYK 24 / 93 / 0 / 23

HEX #960DC5

RGB 150 13 197

HSL 284.67, 0.88%, 0.41%

LAB 39.25, 72.54, -62.77

 

CMYK 55 / 0 / 78 / 5

HEX #6EF235

RGB 110 242 53

HSL 101.9, 0.88%, 0.58%

LAB 85.54, -66.69, 73.49

 

CMYK 50 / 0 / 72 / 0

HEX #7FFF48

RGB 127 255 72

HSL 101.97, 1%, 0.64%

LAB 90.09, -65.63, 72.16

 

CMYK 44 / 0 / 64 / 0

HEX #90FF5B

RGB 144 255 91

HSL 100.61, 1%, 0.68%

LAB 90.87, -59.33, 66.19

 

CMYK 37 / 0 / 57 / 0

HEX #A1FF6E

RGB 161 255 110

HSL 98.9, 1%, 0.72%

LAB 91.78, -52.34, 59.52

 

CMYK 30 / 0 / 49 / 0

HEX #B2FF81

RGB 178 255 129

HSL 96.67, 1%, 0.75%

LAB 92.83, -44.78, 52.42

 

CMYK 57 / 0 / 76 / 5

HEX #69F23A

RGB 105 242 58

HSL 104.67, 0.88%, 0.59%

LAB 85.41, -67.67, 71.83

 

CMYK 61 / 0 / 83 / 12

HEX #58E027

RGB 88 224 39

HSL 104.11, 0.75%, 0.52%

LAB 79.35, -66.63, 71.24

 

CMYK 66 / 0 / 90 / 19

HEX #47CE14

RGB 71 206 20

HSL 103.55, 0.82%, 0.44%

LAB 73.24, -65.17, 69.6

 

CMYK 71 / 0 / 99 / 26

HEX #36BC01

RGB 54 188 1

HSL 102.99, 0.99%, 0.37%

LAB 67.09, -63.21, 66.76

 

CMYK 78 / 0 / 100 / 33

HEX #25AA00

RGB 37 170 0

HSL 106.94, 1%, 0.33%

LAB 60.91, -60.47, 61.81

 

CMYK 57 / 0 / 76 / 5

HEX #69F23A

RGB 105 242 58

HSL 104.67, 0.88%, 0.59%

LAB 85.41, -67.67, 71.83

 

CMYK 36 / 0 / 76 / 5

HEX #9BF23A

RGB 155 242 58

HSL 88.37, 0.88%, 0.59%

LAB 87.38, -52.93, 74.4

 

CMYK 16 / 0 / 76 / 5

HEX #CCF23A

RGB 204 242 58

HSL 72.39, 0.88%, 0.59%

LAB 90.16, -34.91, 78

 

CMYK 0 / 5 / 76 / 5

HEX #F2E63A

RGB 242 230 58

HSL 56.09, 0.88%, 0.59%

LAB 89.76, -13.8, 78.66

 

CMYK 0 / 26 / 76 / 5

HEX #F2B43A

RGB 242 180 58

HSL 39.78, 0.88%, 0.59%

LAB 77.18, 11.73, 67.01

 

CMYK 57 / 0 / 76 / 5

HEX #69F23A

RGB 105 242 58

HSL 104.67, 0.88%, 0.59%

LAB 85.41, -67.67, 71.83

 

CMYK 76 / 0 / 75 / 5

HEX #3AF23D

RGB 58 242 61

HSL 120.98, 0.88%, 0.59%

LAB 84.35, -76.43, 69.49

 

CMYK 76 / 0 / 55 / 5

HEX #3AF26E

RGB 58 242 110

HSL 136.96, 0.88%, 0.59%

LAB 84.76, -71.49, 50.46

 

CMYK 76 / 0 / 34 / 5

HEX #3AF2A0

RGB 58 242 160

HSL 153.26, 0.88%, 0.59%

LAB 85.47, -63.19, 27

 

CMYK 76 / 0 / 14 / 5

HEX #3AF2D1

RGB 58 242 209

HSL 169.24, 0.88%, 0.59%

LAB 86.51, -52.13, 3.09

 

CMYK 57 / 0 / 76 / 5

HEX #69F23A

RGB 105 242 58

HSL 104.67, 0.88%, 0.59%

LAB 85.41, -67.67, 71.83

 

CMYK 57 / 0 / 76 / 5

HEX #69F23A

RGB 105 242 58

HSL 104.67, 0.88%, 0.59%

LAB 85.41, -67.67, 71.83

 

CMYK 50 / 0 / 67 / 12

HEX #71E14B

RGB 113 225 75

HSL 104.8, 0.71%, 0.59%

LAB 80.67, -58.26, 61.17

 

CMYK 41 / 0 / 56 / 18

HEX #7AD05C

RGB 122 208 92

HSL 104.48, 0.55%, 0.59%

LAB 76.08, -47.22, 48.86

 

CMYK 32 / 0 / 43 / 25

HEX #82BF6D

RGB 130 191 109

HSL 104.63, 0.39%, 0.59%

LAB 71.63, -35.04, 35.21

 

CMYK 21 / 0 / 28 / 32

HEX #8AAE7E

RGB 138 174 126

HSL 105, 0.23%, 0.59%

LAB 67.41, -21.46, 20.75

 

CMYK 15 / 0 / 76 / 5

HEX #CDF23A

RGB 205 242 58

HSL 72.07, 0.88%, 0.59%

LAB 90.22, -34.52, 78.08

 

CMYK 36 / 0 / 76 / 5

HEX #9CF23A

RGB 156 242 58

HSL 88.04, 0.88%, 0.59%

LAB 87.43, -52.59, 74.46

 

CMYK 56 / 0 / 76 / 5

HEX #6BF23A

RGB 107 242 58

HSL 104.02, 0.88%, 0.59%

LAB 85.47, -67.17, 71.91

 

CMYK 76 / 0 / 76 / 5

HEX #3AF23A

RGB 58 242 58

HSL 120, 0.88%, 0.59%

LAB 84.33, -76.63, 70.42

 

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

CMYK 70 / 0 / 94 / 20

HEX #3ECD0D

RGB 62 205 13

HSL 104.69, 0.88%, 0.43%

LAB 72.7, -66.8, 70.04

 

CMYK 69 / 0 / 92 / 6

HEX #4BEF13

RGB 75 239 19

HSL 104.73, 0.87%, 0.51%

LAB 83.59, -74.72, 78.43

 

CMYK 57 / 0 / 76 / 5

HEX #69F23A

RGB 105 242 58

HSL 104.67, 0.88%, 0.59%

LAB 85.41, -67.67, 71.83

 

CMYK 45 / 0 / 60 / 4

HEX #86F461

RGB 134 244 97

HSL 104.9, 0.87%, 0.67%

LAB 87.31, -57.5, 59.69

 

CMYK 34 / 0 / 45 / 3

HEX #A4F788

RGB 164 247 136

HSL 104.86, 0.87%, 0.75%

LAB 89.95, -45.09, 45.4

 

CMYK 57 / 0 / 76 / 5

HEX #69F23A

RGB 105 242 58

HSL 104.67, 0.88%, 0.59%

LAB 85.41, -67.67, 71.83

 

CMYK 76 / 0 / 5 / 5

HEX #3AF2E6

RGB 58 242 230

HSL 176.09, 0.88%, 0.59%

LAB 87.05, -46.64, -7.11

 

CMYK 0 / 76 / 25 / 5

HEX #F23AB5

RGB 242 58 181

HSL 319.89, 0.88%, 0.59%

LAB 57.31, 77.92, -23.83

 

CMYK 57 / 0 / 76 / 5

HEX #69F23A

RGB 105 242 58

HSL 104.67, 0.88%, 0.59%

LAB 85.41, -67.67, 71.83

 

CMYK 76 / 56 / 0 / 5

HEX #3A6BF2

RGB 58 107 242

HSL 224.02, 0.88%, 0.59%

LAB 49.28, 30.31, -72.48

 

CMYK 0 / 76 / 56 / 5

HEX #F23A6B

RGB 242 58 107

HSL 344.02, 0.88%, 0.59%

LAB 55.04, 70.94, 16.51

 

CMYK 57 / 0 / 76 / 5

HEX #69F23A

RGB 105 242 58

HSL 104.67, 0.88%, 0.59%

LAB 85.41, -67.67, 71.83

 

CMYK 76 / 0 / 5 / 5

HEX #3AF2E6

RGB 58 242 230

HSL 176.09, 0.88%, 0.59%

LAB 87.05, -46.64, -7.11

 

CMYK 20 / 76 / 0 / 5

HEX #C13AF2

RGB 193 58 242

HSL 284.02, 0.88%, 0.59%

LAB 52.7, 77.1, -66.37

 

CMYK 0 / 76 / 71 / 5

HEX #F23A46

RGB 242 58 70

HSL 356.09, 0.88%, 0.59%

LAB 54.39, 68.88, 37.46

 

CMYK 57 / 0 / 76 / 5

HEX #69F23A

RGB 105 242 58

HSL 104.67, 0.88%, 0.59%

LAB 85.41, -67.67, 71.83

 

CMYK 76 / 18 / 0 / 5

HEX #3AC7F2

RGB 58 199 242

HSL 194.02, 0.88%, 0.59%

LAB 74.92, -22.94, -31.82

 

CMYK 20 / 76 / 0 / 5

HEX #C13AF2

RGB 193 58 242

HSL 284.02, 0.88%, 0.59%

LAB 52.7, 77.1, -66.37

 

CMYK 0 / 58 / 76 / 5

HEX #F2653A

RGB 242 101 58

HSL 14.02, 0.88%, 0.59%

LAB 60.33, 51.94, 50.4

 

Description

Color code: HEX #69F23A | qconv.com Color code: HEX #69F23A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 242 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 242 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 76 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 76% 5% C M Y K

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