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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69FC6C it is the complementary color #960393. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69FC6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69FC6C shade: #6EFC67, #7FFF7A, #90FF8D, #A1FFA0 and #B2FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69FC6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69FC6C shade: #69FC6C, #58EA59, #47D846, #36C633 and #25B420

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69FC6C shade: #69FB6C, #8DFB69, #B5FB69, #DCFB69 and #FBF369

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69FC6C shade: #69FB6C, #69FB93, #69FBBB, #69FBE2 and #69EDFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69FC6C shade matches the following richer shades: #69FB6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69FC6C shade: #69FB6C, #75EF77, #81E383, #8ED68F and #9ACA9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69FC6C shade: #B4FB69, #8DFB69, #69FB6B, #69FB92 and #69FBB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69FC6C shade: #18FA1C, #40FB44, #69FB6C, #91FC93 and #B9FDBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69FC6C shade: #69FC6C, #69DCFB and #FB69A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69FC6C shade: #69FC6C, #6B69FB and #FB6B69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69FC6C shade: #69FC6C, #69DCFB, #FB69F9 and #FB8869

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69FC6C shade: #69FC6C, #69B0FB, #FB69F9 and #FBB469

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 57 / 1

HEX #69FC6C

RGB 105 252 108

HSL 121.22, 0.96%, 0.7%

LAB 88.78, -66.8, 56.38

 

Complementary color

CMYK 0 / 98 / 2 / 41

HEX #960393

RGB 150 3 147

HSL 301.22, 0.96%, 0.3%

LAB 35.31, 65.3, -39.21

 

CMYK 56 / 0 / 59 / 1

HEX #6EFC67

RGB 110 252 103

HSL 117.18, 0.96%, 0.7%

LAB 88.88, -66.2, 58.7

 

CMYK 50 / 0 / 52 / 0

HEX #7FFF7A

RGB 127 255 122

HSL 117.74, 1%, 0.74%

LAB 90.52, -60.91, 52.33

 

CMYK 44 / 0 / 45 / 0

HEX #90FF8D

RGB 144 255 141

HSL 118.42, 1%, 0.78%

LAB 91.4, -53.82, 44.64

 

CMYK 37 / 0 / 37 / 0

HEX #A1FFA0

RGB 161 255 160

HSL 119.37, 1%, 0.81%

LAB 92.41, -46.14, 36.83

 

CMYK 30 / 0 / 30 / 0

HEX #B2FFB3

RGB 178 255 179

HSL 120.78, 1%, 0.85%

LAB 93.55, -37.99, 29

 

CMYK 58 / 0 / 57 / 1

HEX #69FC6C

RGB 105 252 108

HSL 121.22, 0.96%, 0.7%

LAB 88.78, -66.8, 56.38

 

CMYK 62 / 0 / 62 / 8

HEX #58EA59

RGB 88 234 89

HSL 120.41, 0.78%, 0.63%

LAB 82.72, -66.29, 57.49

 

CMYK 67 / 0 / 68 / 15

HEX #47D846

RGB 71 216 70

HSL 119.59, 0.65%, 0.56%

LAB 76.61, -65.48, 58.43

 

CMYK 73 / 0 / 74 / 22

HEX #36C633

RGB 54 198 51

HSL 118.78, 0.59%, 0.49%

LAB 70.46, -64.24, 58.99

 

CMYK 79 / 0 / 82 / 29

HEX #25B420

RGB 37 180 32

HSL 117.97, 0.7%, 0.42%

LAB 64.27, -62.4, 58.86

 

CMYK 58 / 0 / 57 / 2

HEX #69FB6C

RGB 105 251 108

HSL 121.23, 0.95%, 0.7%

LAB 88.49, -66.45, 56.03

 

CMYK 44 / 0 / 58 / 2

HEX #8DFB69

RGB 141 251 105

HSL 105.21, 0.95%, 0.7%

LAB 89.71, -57.38, 59.07

 

CMYK 28 / 0 / 58 / 2

HEX #B5FB69

RGB 181 251 105

HSL 88.77, 0.95%, 0.7%

LAB 91.61, -44.42, 61.75

 

CMYK 12 / 0 / 58 / 2

HEX #DCFB69

RGB 220 251 105

HSL 72.74, 0.95%, 0.7%

LAB 93.98, -30.04, 65.06

 

CMYK 0 / 3 / 58 / 2

HEX #FBF369

RGB 251 243 105

HSL 56.71, 0.95%, 0.7%

LAB 94.15, -14.03, 65.88

 

CMYK 58 / 0 / 57 / 2

HEX #69FB6C

RGB 105 251 108

HSL 121.23, 0.95%, 0.7%

LAB 88.49, -66.45, 56.03

 

CMYK 58 / 0 / 41 / 2

HEX #69FB93

RGB 105 251 147

HSL 137.26, 0.95%, 0.7%

LAB 88.97, -61.07, 38.34

 

CMYK 58 / 0 / 25 / 2

HEX #69FBBB

RGB 105 251 187

HSL 153.7, 0.95%, 0.7%

LAB 89.67, -53.74, 19.13

 

CMYK 58 / 0 / 10 / 2

HEX #69FBE2

RGB 105 251 226

HSL 169.73, 0.95%, 0.7%

LAB 90.55, -45.01, 0.23

 

CMYK 58 / 6 / 0 / 2

HEX #69EDFB

RGB 105 237 251

HSL 185.75, 0.95%, 0.7%

LAB 87.26, -32.19, -17.7

 

CMYK 58 / 0 / 57 / 2

HEX #69FB6C

RGB 105 251 108

HSL 121.23, 0.95%, 0.7%

LAB 88.49, -66.45, 56.03

 

CMYK 58 / 0 / 57 / 2

HEX #69FB6C

RGB 105 251 108

HSL 121.23, 0.95%, 0.7%

LAB 88.49, -66.45, 56.03

 

CMYK 51 / 0 / 50 / 6

HEX #75EF77

RGB 117 239 119

HSL 120.98, 0.79%, 0.7%

LAB 85.43, -57.76, 47.44

 

CMYK 43 / 0 / 42 / 11

HEX #81E383

RGB 129 227 131

HSL 121.22, 0.64%, 0.7%

LAB 82.51, -47.99, 38.06

 

CMYK 34 / 0 / 33 / 16

HEX #8ED68F

RGB 142 214 143

HSL 120.83, 0.47%, 0.7%

LAB 79.52, -36.51, 28.14

 

CMYK 24 / 0 / 23 / 21

HEX #9ACA9B

RGB 154 202 155

HSL 121.25, 0.31%, 0.7%

LAB 76.97, -24.9, 18.47

 

CMYK 28 / 0 / 58 / 2

HEX #B4FB69

RGB 180 251 105

HSL 89.18, 0.95%, 0.7%

LAB 91.56, -44.77, 61.67

 

CMYK 44 / 0 / 58 / 2

HEX #8DFB69

RGB 141 251 105

HSL 105.21, 0.95%, 0.7%

LAB 89.71, -57.38, 59.07

 

CMYK 58 / 0 / 57 / 2

HEX #69FB6B

RGB 105 251 107

HSL 120.82, 0.95%, 0.7%

LAB 88.48, -66.56, 56.46

 

CMYK 58 / 0 / 42 / 2

HEX #69FB92

RGB 105 251 146

HSL 136.85, 0.95%, 0.7%

LAB 88.96, -61.23, 38.81

 

CMYK 58 / 0 / 26 / 2

HEX #69FBB9

RGB 105 251 185

HSL 152.88, 0.95%, 0.7%

LAB 89.63, -54.15, 20.1

 

CMYK 90 / 0 / 89 / 2

HEX #18FA1C

RGB 24 250 28

HSL 121.06, 0.96%, 0.54%

LAB 86.33, -83.48, 79.19

 

CMYK 75 / 0 / 73 / 2

HEX #40FB44

RGB 64 251 68

HSL 121.28, 0.96%, 0.62%

LAB 87.24, -77.79, 70.11

 

CMYK 58 / 0 / 57 / 2

HEX #69FB6C

RGB 105 251 108

HSL 121.23, 0.95%, 0.7%

LAB 88.49, -66.45, 56.03

 

CMYK 42 / 0 / 42 / 1

HEX #91FC93

RGB 145 252 147

HSL 121.12, 0.95%, 0.78%

LAB 90.66, -51.47, 40.8

 

CMYK 27 / 0 / 26 / 1

HEX #B9FDBB

RGB 185 253 187

HSL 121.76, 0.94%, 0.86%

LAB 93.52, -33.58, 24.96

 

CMYK 58 / 0 / 57 / 1

HEX #69FC6C

RGB 105 252 108

HSL 121.22, 0.96%, 0.7%

LAB 88.78, -66.8, 56.38

 

CMYK 58 / 12 / 0 / 2

HEX #69DCFB

RGB 105 220 251

HSL 192.74, 0.95%, 0.7%

LAB 82.46, -23.95, -24.97

 

CMYK 0 / 58 / 36 / 2

HEX #FB69A1

RGB 251 105 161

HSL 336.99, 0.95%, 0.7%

LAB 64.31, 60.84, -1.63

 

CMYK 58 / 0 / 57 / 1

HEX #69FC6C

RGB 105 252 108

HSL 121.22, 0.96%, 0.7%

LAB 88.78, -66.8, 56.38

 

CMYK 57 / 58 / 0 / 2

HEX #6B69FB

RGB 107 105 251

HSL 240.82, 0.95%, 0.7%

LAB 52.06, 41.43, -72.87

 

CMYK 0 / 57 / 58 / 2

HEX #FB6B69

RGB 251 107 105

HSL 0.82, 0.95%, 0.7%

LAB 63.38, 54.88, 29.08

 

CMYK 58 / 0 / 57 / 1

HEX #69FC6C

RGB 105 252 108

HSL 121.22, 0.96%, 0.7%

LAB 88.78, -66.8, 56.38

 

CMYK 58 / 12 / 0 / 2

HEX #69DCFB

RGB 105 220 251

HSL 192.74, 0.95%, 0.7%

LAB 82.46, -23.95, -24.97

 

CMYK 0 / 58 / 1 / 2

HEX #FB69F9

RGB 251 105 249

HSL 300.82, 0.95%, 0.7%

LAB 67.61, 73.07, -46

 

CMYK 0 / 46 / 58 / 2

HEX #FB8869

RGB 251 136 105

HSL 12.74, 0.95%, 0.7%

LAB 68.85, 40.93, 36.08

 

CMYK 58 / 0 / 57 / 1

HEX #69FC6C

RGB 105 252 108

HSL 121.22, 0.96%, 0.7%

LAB 88.78, -66.8, 56.38

 

CMYK 58 / 30 / 0 / 2

HEX #69B0FB

RGB 105 176 251

HSL 210.82, 0.95%, 0.7%

LAB 70.19, -0.71, -43.93

 

CMYK 0 / 58 / 1 / 2

HEX #FB69F9

RGB 251 105 249

HSL 300.82, 0.95%, 0.7%

LAB 67.61, 73.07, -46

 

CMYK 0 / 28 / 58 / 2

HEX #FBB469

RGB 251 180 105

HSL 30.82, 0.95%, 0.7%

LAB 78.56, 18.09, 47.98

 

Description

Color code: HEX #69FC6C | qconv.com Color code: HEX #69FC6C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 252 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 252 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 57 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 57% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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