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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CEF6A it is the complementary color #931095. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CEF6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CEF6A shade: #71EF65, #82FF78, #93FF8B, #A4FF9E and #B5FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CEF6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CEF6A shade: #6CEF6A, #5BDD57, #4ACB44, #39B931 and #28A71E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CEF6A shade: #6DEF6B, #90EF6B, #B4EF6B, #D8EF6B and #EFE36B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CEF6A shade: #6DEF6B, #6BEF8C, #6BEFB0, #6BEFD4 and #6BE7EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CEF6A shade matches the following richer shades: #6DEF6B and #60FC5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CEF6A shade: #6DEF6B, #7AE278, #86D585, #93C792 and #A0BAA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CEF6A shade: #B4EF6B, #90EF6B, #6DEF6B, #6BEF8C and #6BEFAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CEF6A shade: #23E720, #48EB45, #6DEF6B, #92F390 and #B6F7B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CEF6A shade: #6CEF6A, #6BD7EF and #EF6BA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CEF6A shade: #6CEF6A, #6B6DEF and #EF6B6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CEF6A shade: #6CEF6A, #6BD7EF, #ED6BEF and #EF836B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CEF6A shade: #6CEF6A, #6BAFEF, #ED6BEF and #EFAB6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 56 / 6

HEX #6CEF6A

RGB 108 239 106

HSL 119.1, 0.81%, 0.68%

LAB 84.98, -61.64, 52.82

 

Complementary color

CMYK 1 / 89 / 0 / 42

HEX #931095

RGB 147 16 149

HSL 299.1, 0.81%, 0.32%

LAB 35.49, 63.3, -40.19

 

CMYK 53 / 0 / 58 / 6

HEX #71EF65

RGB 113 239 101

HSL 114.78, 0.81%, 0.67%

LAB 85.09, -60.96, 55.22

 

CMYK 49 / 0 / 53 / 0

HEX #82FF78

RGB 130 255 120

HSL 115.56, 1%, 0.74%

LAB 90.61, -60.36, 53.37

 

CMYK 42 / 0 / 45 / 0

HEX #93FF8B

RGB 147 255 139

HSL 115.86, 1%, 0.77%

LAB 91.5, -53.24, 45.75

 

CMYK 36 / 0 / 38 / 0

HEX #A4FF9E

RGB 164 255 158

HSL 116.29, 1%, 0.81%

LAB 92.52, -45.53, 37.98

 

CMYK 29 / 0 / 31 / 0

HEX #B5FFB1

RGB 181 255 177

HSL 116.92, 1%, 0.85%

LAB 93.68, -37.36, 30.2

 

CMYK 55 / 0 / 56 / 6

HEX #6CEF6A

RGB 108 239 106

HSL 119.1, 0.81%, 0.68%

LAB 84.98, -61.64, 52.82

 

CMYK 59 / 0 / 61 / 13

HEX #5BDD57

RGB 91 221 87

HSL 118.21, 0.66%, 0.6%

LAB 78.82, -61.29, 53.97

 

CMYK 64 / 0 / 67 / 20

HEX #4ACB44

RGB 74 203 68

HSL 117.33, 0.56%, 0.53%

LAB 72.62, -60.66, 54.95

 

CMYK 69 / 0 / 74 / 27

HEX #39B931

RGB 57 185 49

HSL 116.47, 0.58%, 0.46%

LAB 66.36, -59.64, 55.59

 

CMYK 76 / 0 / 82 / 35

HEX #28A71E

RGB 40 167 30

HSL 115.62, 0.7%, 0.39%

LAB 60.05, -58.05, 55.52

 

CMYK 54 / 0 / 55 / 6

HEX #6DEF6B

RGB 109 239 107

HSL 119.09, 0.8%, 0.68%

LAB 85.02, -61.28, 52.43

 

CMYK 40 / 0 / 55 / 6

HEX #90EF6B

RGB 144 239 107

HSL 103.18, 0.8%, 0.68%

LAB 86.37, -51.48, 54.35

 

CMYK 25 / 0 / 55 / 6

HEX #B4EF6B

RGB 180 239 107

HSL 86.82, 0.8%, 0.68%

LAB 88.21, -39.34, 56.96

 

CMYK 10 / 0 / 55 / 6

HEX #D8EF6B

RGB 216 239 107

HSL 70.45, 0.8%, 0.68%

LAB 90.5, -25.81, 60.2

 

CMYK 0 / 5 / 55 / 6

HEX #EFE36B

RGB 239 227 107

HSL 54.55, 0.8%, 0.68%

LAB 89.09, -10.83, 59.05

 

CMYK 54 / 0 / 55 / 6

HEX #6DEF6B

RGB 109 239 107

HSL 119.09, 0.8%, 0.68%

LAB 85.02, -61.28, 52.43

 

CMYK 55 / 0 / 41 / 6

HEX #6BEF8C

RGB 107 239 140

HSL 135, 0.8%, 0.68%

LAB 85.38, -57.16, 37.14

 

CMYK 55 / 0 / 26 / 6

HEX #6BEFB0

RGB 107 239 176

HSL 151.36, 0.8%, 0.68%

LAB 86, -50.65, 19.7

 

CMYK 55 / 0 / 11 / 6

HEX #6BEFD4

RGB 107 239 212

HSL 167.73, 0.8%, 0.68%

LAB 86.81, -42.72, 2.09

 

CMYK 55 / 3 / 0 / 6

HEX #6BE7EF

RGB 107 231 239

HSL 183.64, 0.8%, 0.68%

LAB 85.26, -32.23, -14.4

 

CMYK 54 / 0 / 55 / 6

HEX #6DEF6B

RGB 109 239 107

HSL 119.09, 0.8%, 0.68%

LAB 85.02, -61.28, 52.43

 

CMYK 62 / 0 / 63 / 1

HEX #60FC5E

RGB 96 252 94

HSL 119.24, 0.96%, 0.68%

LAB 88.41, -70.24, 61.83

 

CMYK 54 / 0 / 55 / 6

HEX #6DEF6B

RGB 109 239 107

HSL 119.09, 0.8%, 0.68%

LAB 85.02, -61.28, 52.43

 

CMYK 46 / 0 / 47 / 11

HEX #7AE278

RGB 122 226 120

HSL 118.87, 0.65%, 0.68%

LAB 81.78, -51.14, 42.48

 

CMYK 37 / 0 / 38 / 16

HEX #86D585

RGB 134 213 133

HSL 119.25, 0.49%, 0.68%

LAB 78.67, -40.15, 32.09

 

CMYK 26 / 0 / 27 / 22

HEX #93C792

RGB 147 199 146

HSL 118.87, 0.32%, 0.68%

LAB 75.53, -27.33, 21.21

 

CMYK 14 / 0 / 14 / 27

HEX #A0BAA0

RGB 160 186 160

HSL 120, 0.16%, 0.68%

LAB 72.98, -13.89, 10.24

 

CMYK 25 / 0 / 55 / 6

HEX #B4EF6B

RGB 180 239 107

HSL 86.82, 0.8%, 0.68%

LAB 88.21, -39.34, 56.96

 

CMYK 40 / 0 / 55 / 6

HEX #90EF6B

RGB 144 239 107

HSL 103.18, 0.8%, 0.68%

LAB 86.37, -51.48, 54.35

 

CMYK 54 / 0 / 55 / 6

HEX #6DEF6B

RGB 109 239 107

HSL 119.09, 0.8%, 0.68%

LAB 85.02, -61.28, 52.43

 

CMYK 55 / 0 / 41 / 6

HEX #6BEF8C

RGB 107 239 140

HSL 135, 0.8%, 0.68%

LAB 85.38, -57.16, 37.14

 

CMYK 55 / 0 / 27 / 6

HEX #6BEFAF

RGB 107 239 175

HSL 150.91, 0.8%, 0.68%

LAB 85.98, -50.85, 20.19

 

CMYK 85 / 0 / 86 / 9

HEX #23E720

RGB 35 231 32

HSL 119.1, 0.81%, 0.52%

LAB 80.52, -77.4, 73.47

 

CMYK 69 / 0 / 71 / 8

HEX #48EB45

RGB 72 235 69

HSL 118.92, 0.81%, 0.6%

LAB 82.5, -71.54, 64.98

 

CMYK 54 / 0 / 55 / 6

HEX #6DEF6B

RGB 109 239 107

HSL 119.09, 0.8%, 0.68%

LAB 85.02, -61.28, 52.43

 

CMYK 40 / 0 / 41 / 5

HEX #92F390

RGB 146 243 144

HSL 118.79, 0.8%, 0.76%

LAB 88.08, -47.86, 38.94

 

CMYK 26 / 0 / 27 / 3

HEX #B6F7B5

RGB 182 247 181

HSL 119.09, 0.8%, 0.84%

LAB 91.6, -32.74, 25.36

 

CMYK 55 / 0 / 56 / 6

HEX #6CEF6A

RGB 108 239 106

HSL 119.1, 0.81%, 0.68%

LAB 84.98, -61.64, 52.82

 

CMYK 55 / 10 / 0 / 6

HEX #6BD7EF

RGB 107 215 239

HSL 190.91, 0.8%, 0.68%

LAB 80.72, -24.47, -21.24

 

CMYK 0 / 55 / 32 / 6

HEX #EF6BA2

RGB 239 107 162

HSL 335, 0.8%, 0.68%

LAB 62.91, 56.33, -4.47

 

CMYK 55 / 0 / 56 / 6

HEX #6CEF6A

RGB 108 239 106

HSL 119.1, 0.81%, 0.68%

LAB 84.98, -61.64, 52.82

 

CMYK 55 / 54 / 0 / 6

HEX #6B6DEF

RGB 107 109 239

HSL 239.09, 0.8%, 0.68%

LAB 52.17, 35.31, -66.01

 

CMYK 0 / 55 / 54 / 6

HEX #EF6B6D

RGB 239 107 109

HSL 359.09, 0.8%, 0.68%

LAB 61.63, 51.05, 24.17

 

CMYK 55 / 0 / 56 / 6

HEX #6CEF6A

RGB 108 239 106

HSL 119.1, 0.81%, 0.68%

LAB 84.98, -61.64, 52.82

 

CMYK 55 / 10 / 0 / 6

HEX #6BD7EF

RGB 107 215 239

HSL 190.91, 0.8%, 0.68%

LAB 80.72, -24.47, -21.24

 

CMYK 1 / 55 / 0 / 6

HEX #ED6BEF

RGB 237 107 239

HSL 299.09, 0.8%, 0.68%

LAB 65.56, 67.04, -43.85

 

CMYK 0 / 45 / 55 / 6

HEX #EF836B

RGB 239 131 107

HSL 10.91, 0.8%, 0.68%

LAB 66.25, 39.09, 31.34

 

CMYK 55 / 0 / 56 / 6

HEX #6CEF6A

RGB 108 239 106

HSL 119.1, 0.81%, 0.68%

LAB 84.98, -61.64, 52.82

 

CMYK 55 / 27 / 0 / 6

HEX #6BAFEF

RGB 107 175 239

HSL 209.09, 0.8%, 0.68%

LAB 69.48, -3.46, -38.51

 

CMYK 1 / 55 / 0 / 6

HEX #ED6BEF

RGB 237 107 239

HSL 299.09, 0.8%, 0.68%

LAB 65.56, 67.04, -43.85

 

CMYK 0 / 28 / 55 / 6

HEX #EFAB6B

RGB 239 171 107

HSL 29.09, 0.8%, 0.68%

LAB 75.16, 18.12, 42.56

 

Description

Color code: HEX #6CEF6A | qconv.com Color code: HEX #6CEF6A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 239 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 239 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 56 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 56% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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