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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B762D it is the complementary color #9489D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B762D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B762D shade: #707628, #81883B, #929A4E, #A3AC61 and #B4BE74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B762D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B762D shade: #6B762D, #5A641A, #495207, #384000 and #272E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B762D shade: #6B762C, #766D2C, #76592C, #76452C and #76322C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B762D shade: #6B762C, #57762C, #43762C, #2F762C and #2C763D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B762D shade matches the following richer shades: #6B762C, #74831F, #7D9012 and #869D05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B762D shade: #6B762C, #62693A, #585B47, #4F4E54 and #464161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B762D shade: #765A2C, #766D2C, #6B762C, #57762C and #44762C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B762D shade: #353A16, #505821, #6B762C, #869438 and #A1B243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B762D shade: #6B762D, #2C7646 and #632C76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B762D shade: #6B762D, #2C6B76 and #762C6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B762D shade: #6B762D, #2C7646, #372C76 and #762C5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B762D shade: #6B762D, #2C765C, #372C76 and #762C46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 62 / 54

HEX #6B762D

RGB 107 118 45

HSL 69.04, 0.45%, 0.32%

LAB 47.33, -15.25, 37.87

 

Complementary color

CMYK 30 / 35 / 0 / 18

HEX #9489D2

RGB 148 137 210

HSL 249.04, 0.45%, 0.68%

LAB 60.64, 20.33, -36.1

 

CMYK 5 / 0 / 66 / 54

HEX #707628

RGB 112 118 40

HSL 64.62, 0.49%, 0.31%

LAB 47.69, -13.39, 40.73

 

CMYK 5 / 0 / 57 / 47

HEX #81883B

RGB 129 136 59

HSL 65.45, 0.39%, 0.38%

LAB 54.65, -13.99, 39.77

 

CMYK 5 / 0 / 49 / 40

HEX #929A4E

RGB 146 154 78

HSL 66.32, 0.33%, 0.45%

LAB 61.46, -14.43, 38.6

 

CMYK 5 / 0 / 44 / 33

HEX #A3AC61

RGB 163 172 97

HSL 67.2, 0.31%, 0.53%

LAB 68.13, -14.76, 37.39

 

CMYK 5 / 0 / 39 / 25

HEX #B4BE74

RGB 180 190 116

HSL 68.11, 0.36%, 0.6%

LAB 74.69, -15.02, 36.2

 

CMYK 9 / 0 / 62 / 54

HEX #6B762D

RGB 107 118 45

HSL 69.04, 0.45%, 0.32%

LAB 47.33, -15.25, 37.87

 

CMYK 10 / 0 / 74 / 61

HEX #5A641A

RGB 90 100 26

HSL 68.11, 0.59%, 0.25%

LAB 40.18, -14.62, 38.56

 

CMYK 11 / 0 / 91 / 68

HEX #495207

RGB 73 82 7

HSL 67.2, 0.84%, 0.17%

LAB 32.85, -13.66, 38.08

 

CMYK 13 / 0 / 100 / 75

HEX #384000

RGB 56 64 0

HSL 67.5, 1%, 0.13%

LAB 25.28, -12.17, 33.76

 

CMYK 15 / 0 / 100 / 82

HEX #272E00

RGB 39 46 0

HSL 69.13, 1%, 0.09%

LAB 17.39, -10.32, 24.77

 

CMYK 9 / 0 / 63 / 54

HEX #6B762C

RGB 107 118 44

HSL 68.92, 0.46%, 0.32%

LAB 47.32, -15.34, 38.34

 

CMYK 0 / 8 / 63 / 54

HEX #766D2C

RGB 118 109 44

HSL 52.7, 0.46%, 0.32%

LAB 45.59, -5.3, 36.71

 

CMYK 0 / 25 / 63 / 54

HEX #76592C

RGB 118 89 44

HSL 36.49, 0.46%, 0.32%

LAB 39.88, 6.43, 30.22

 

CMYK 0 / 42 / 63 / 54

HEX #76452C

RGB 118 69 44

HSL 20.27, 0.46%, 0.32%

LAB 34.58, 18.45, 23.9

 

CMYK 0 / 58 / 63 / 54

HEX #76322C

RGB 118 50 44

HSL 4.86, 0.46%, 0.32%

LAB 30.19, 29.35, 18.42

 

CMYK 9 / 0 / 63 / 54

HEX #6B762C

RGB 107 118 44

HSL 68.92, 0.46%, 0.32%

LAB 47.32, -15.34, 38.34

 

CMYK 26 / 0 / 63 / 54

HEX #57762C

RGB 87 118 44

HSL 85.14, 0.46%, 0.32%

LAB 45.86, -23.98, 36.31

 

CMYK 43 / 0 / 63 / 54

HEX #43762C

RGB 67 118 44

HSL 101.35, 0.46%, 0.32%

LAB 44.71, -31.69, 34.7

 

CMYK 60 / 0 / 63 / 54

HEX #2F762C

RGB 47 118 44

HSL 117.57, 0.46%, 0.32%

LAB 43.86, -37.95, 33.51

 

CMYK 63 / 0 / 48 / 54

HEX #2C763D

RGB 44 118 61

HSL 133.78, 0.46%, 0.32%

LAB 43.99, -36.21, 24.69

 

CMYK 9 / 0 / 63 / 54

HEX #6B762C

RGB 107 118 44

HSL 68.92, 0.46%, 0.32%

LAB 47.32, -15.34, 38.34

 

CMYK 11 / 0 / 76 / 49

HEX #74831F

RGB 116 131 31

HSL 69, 0.62%, 0.32%

LAB 51.89, -19.06, 48.7

 

CMYK 13 / 0 / 88 / 44

HEX #7D9012

RGB 125 144 18

HSL 69.05, 0.78%, 0.32%

LAB 56.44, -22.25, 56.81

 

CMYK 15 / 0 / 97 / 38

HEX #869D05

RGB 134 157 5

HSL 69.08, 0.94%, 0.32%

LAB 60.95, -25.09, 62.9

 

CMYK 9 / 0 / 63 / 54

HEX #6B762C

RGB 107 118 44

HSL 68.92, 0.46%, 0.32%

LAB 47.32, -15.34, 38.34

 

CMYK 7 / 0 / 45 / 59

HEX #62693A

RGB 98 105 58

HSL 68.94, 0.29%, 0.32%

LAB 42.77, -10.76, 25.47

 

CMYK 3 / 0 / 22 / 64

HEX #585B47

RGB 88 91 71

HSL 69, 0.12%, 0.32%

LAB 37.86, -5.1, 11.16

 

CMYK 6 / 7 / 0 / 67

HEX #4F4E54

RGB 79 78 84

HSL 250, 0.04%, 0.32%

LAB 33.46, 1.74, -3.39

 

CMYK 28 / 33 / 0 / 62

HEX #464161

RGB 70 65 97

HSL 249.38, 0.2%, 0.32%

LAB 29.28, 10.09, -18.12

 

CMYK 0 / 24 / 63 / 54

HEX #765A2C

RGB 118 90 44

HSL 37.3, 0.46%, 0.32%

LAB 40.16, 5.83, 30.55

 

CMYK 0 / 8 / 63 / 54

HEX #766D2C

RGB 118 109 44

HSL 52.7, 0.46%, 0.32%

LAB 45.59, -5.3, 36.71

 

CMYK 9 / 0 / 63 / 54

HEX #6B762C

RGB 107 118 44

HSL 68.92, 0.46%, 0.32%

LAB 47.32, -15.34, 38.34

 

CMYK 26 / 0 / 63 / 54

HEX #57762C

RGB 87 118 44

HSL 85.14, 0.46%, 0.32%

LAB 45.86, -23.98, 36.31

 

CMYK 42 / 0 / 63 / 54

HEX #44762C

RGB 68 118 44

HSL 100.54, 0.46%, 0.32%

LAB 44.76, -31.34, 34.77

 

CMYK 9 / 0 / 62 / 77

HEX #353A16

RGB 53 58 22

HSL 68.33, 0.45%, 0.16%

LAB 23.14, -8.5, 21.35

 

CMYK 9 / 0 / 63 / 65

HEX #505821

RGB 80 88 33

HSL 68.73, 0.45%, 0.24%

LAB 35.59, -12.05, 30.16

 

CMYK 9 / 0 / 63 / 54

HEX #6B762C

RGB 107 118 44

HSL 68.92, 0.46%, 0.32%

LAB 47.32, -15.34, 38.34

 

CMYK 9 / 0 / 62 / 42

HEX #869438

RGB 134 148 56

HSL 69.13, 0.45%, 0.4%

LAB 58.54, -18.38, 45.64

 

CMYK 10 / 0 / 62 / 30

HEX #A1B243

RGB 161 178 67

HSL 69.19, 0.45%, 0.48%

LAB 69.34, -21.36, 53.07

 

CMYK 9 / 0 / 62 / 54

HEX #6B762D

RGB 107 118 45

HSL 69.04, 0.45%, 0.32%

LAB 47.33, -15.25, 37.87

 

CMYK 63 / 0 / 41 / 54

HEX #2C7646

RGB 44 118 70

HSL 141.08, 0.46%, 0.32%

LAB 44.14, -34.55, 19.82

 

CMYK 16 / 63 / 0 / 54

HEX #632C76

RGB 99 44 118

HSL 284.59, 0.46%, 0.32%

LAB 28.8, 37.42, -32.03

 

CMYK 9 / 0 / 62 / 54

HEX #6B762D

RGB 107 118 45

HSL 69.04, 0.45%, 0.32%

LAB 47.33, -15.25, 37.87

 

CMYK 63 / 9 / 0 / 54

HEX #2C6B76

RGB 44 107 118

HSL 188.92, 0.46%, 0.32%

LAB 41.78, -16.47, -12.18

 

CMYK 0 / 63 / 9 / 54

HEX #762C6B

RGB 118 44 107

HSL 308.92, 0.46%, 0.32%

LAB 31.15, 40.63, -21.14

 

CMYK 9 / 0 / 62 / 54

HEX #6B762D

RGB 107 118 45

HSL 69.04, 0.45%, 0.32%

LAB 47.33, -15.25, 37.87

 

CMYK 63 / 0 / 41 / 54

HEX #2C7646

RGB 44 118 70

HSL 141.08, 0.46%, 0.32%

LAB 44.14, -34.55, 19.82

 

CMYK 53 / 63 / 0 / 54

HEX #372C76

RGB 55 44 118

HSL 248.92, 0.46%, 0.32%

LAB 23.41, 26.37, -40.98

 

CMYK 0 / 63 / 22 / 54

HEX #762C5C

RGB 118 44 92

HSL 321.08, 0.46%, 0.32%

LAB 30.46, 38.14, -12.54

 

CMYK 9 / 0 / 62 / 54

HEX #6B762D

RGB 107 118 45

HSL 69.04, 0.45%, 0.32%

LAB 47.33, -15.25, 37.87

 

CMYK 63 / 0 / 22 / 54

HEX #2C765C

RGB 44 118 92

HSL 158.92, 0.46%, 0.32%

LAB 44.61, -29.63, 7.61

 

CMYK 53 / 63 / 0 / 54

HEX #372C76

RGB 55 44 118

HSL 248.92, 0.46%, 0.32%

LAB 23.41, 26.37, -40.98

 

CMYK 0 / 63 / 41 / 54

HEX #762C46

RGB 118 44 70

HSL 338.92, 0.46%, 0.32%

LAB 29.65, 35.08, 0.66

 

Description

Color code: HEX #6B762D | qconv.com Color code: HEX #6B762D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 118 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 118 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 62 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 62% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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