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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BA3E4 it is the complementary color #945C1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BA3E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BA3E4 shade: #70A3DF, #81B5F2, #92C7FF, #A3D9FF and #B4EBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BA3E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BA3E4 shade: #6BA3E4, #5A91D1, #497FBE, #386DAB and #275B98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BA3E4 shade: #6CA3E4, #6C83E4, #756CE4, #956CE4 and #B66CE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BA3E4 shade: #6CA3E4, #6C83E4 and #6C6CE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BA3E4 shade matches the following richer shades: #6CA3E4 and #5EA2F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BA3E4 shade: #6CA3E4, #7AA4D6, #88A5C8, #96A6BA and #A4A8AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BA3E4 shade: #6CE4E4, #6CC4E4, #6CA4E4, #6C84E4 and #746CE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BA3E4 shade: #2778D6, #498EDD, #6CA3E4, #8FB9EA and #B2CFF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BA3E4 shade: #6BA3E4, #C46CE4 and #D4E46C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BA3E4 shade: #6BA3E4, #E46CA4 and #A4E46C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BA3E4 shade: #6BA3E4, #C46CE4, #E4AC6C and #8CE46C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BA3E4 shade: #6BA3E4, #E46CE0, #E4AC6C and #6CE470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 29 / 0 / 11

HEX #6BA3E4

RGB 107 163 228

HSL 212.23, 0.69%, 0.66%

LAB 65.69, -0.1, -38.41

 

Complementary color

CMYK 0 / 38 / 82 / 42

HEX #945C1B

RGB 148 92 27

HSL 32.23, 0.69%, 0.34%

LAB 44.27, 17.63, 44.27

 

CMYK 50 / 27 / 0 / 13

HEX #70A3DF

RGB 112 163 223

HSL 212.43, 0.63%, 0.66%

LAB 65.72, -0.48, -35.58

 

CMYK 47 / 25 / 0 / 5

HEX #81B5F2

RGB 129 181 242

HSL 212.39, 0.81%, 0.73%

LAB 72.31, -1.02, -35.66

 

CMYK 43 / 22 / 0 / 0

HEX #92C7FF

RGB 146 199 255

HSL 210.83, 1%, 0.79%

LAB 78.57, -3.1, -32.91

 

CMYK 36 / 15 / 0 / 0

HEX #A3D9FF

RGB 163 217 255

HSL 204.78, 1%, 0.82%

LAB 84.29, -8.28, -24.06

 

CMYK 29 / 8 / 0 / 0

HEX #B4EBFF

RGB 180 235 255

HSL 196, 1%, 0.85%

LAB 90.02, -12.91, -15.33

 

CMYK 53 / 29 / 0 / 11

HEX #6BA3E4

RGB 107 163 228

HSL 212.23, 0.69%, 0.66%

LAB 65.69, -0.1, -38.41

 

CMYK 57 / 31 / 0 / 18

HEX #5A91D1

RGB 90 145 209

HSL 212.27, 0.56%, 0.59%

LAB 59, 0.68, -38.38

 

CMYK 62 / 33 / 0 / 25

HEX #497FBE

RGB 73 127 190

HSL 212.31, 0.47%, 0.52%

LAB 52.19, 1.64, -38.36

 

CMYK 67 / 36 / 0 / 33

HEX #386DAB

RGB 56 109 171

HSL 212.35, 0.51%, 0.45%

LAB 45.25, 2.87, -38.36

 

CMYK 74 / 40 / 0 / 40

HEX #275B98

RGB 39 91 152

HSL 212.39, 0.59%, 0.37%

LAB 38.16, 4.49, -38.37

 

CMYK 53 / 29 / 0 / 11

HEX #6CA3E4

RGB 108 163 228

HSL 212.5, 0.69%, 0.66%

LAB 65.74, 0.12, -38.33

 

CMYK 53 / 43 / 0 / 11

HEX #6C83E4

RGB 108 131 228

HSL 228.5, 0.69%, 0.66%

LAB 57.1, 18.82, -51.95

 

CMYK 49 / 53 / 0 / 11

HEX #756CE4

RGB 117 108 228

HSL 244.5, 0.69%, 0.66%

LAB 51.96, 34.54, -60.14

 

CMYK 35 / 53 / 0 / 11

HEX #956CE4

RGB 149 108 228

HSL 260.5, 0.69%, 0.66%

LAB 54.78, 41.89, -55.46

 

CMYK 20 / 53 / 0 / 11

HEX #B66CE4

RGB 182 108 228

HSL 277, 0.69%, 0.66%

LAB 58.29, 50.22, -49.65

 

CMYK 53 / 29 / 0 / 11

HEX #6CA3E4

RGB 108 163 228

HSL 212.5, 0.69%, 0.66%

LAB 65.74, 0.12, -38.33

 

CMYK 53 / 43 / 0 / 11

HEX #6C83E4

RGB 108 131 228

HSL 228.5, 0.69%, 0.66%

LAB 57.1, 18.82, -51.95

 

CMYK 53 / 53 / 0 / 11

HEX #6C6CE4

RGB 108 108 228

HSL 240, 0.69%, 0.66%

LAB 51.28, 32.68, -61.26

 

CMYK 53 / 29 / 0 / 11

HEX #6CA3E4

RGB 108 163 228

HSL 212.5, 0.69%, 0.66%

LAB 65.74, 0.12, -38.33

 

CMYK 61 / 33 / 0 / 5

HEX #5EA2F2

RGB 94 162 242

HSL 212.43, 0.85%, 0.66%

LAB 65.46, 2.29, -46.49

 

CMYK 53 / 29 / 0 / 11

HEX #6CA3E4

RGB 108 163 228

HSL 212.5, 0.69%, 0.66%

LAB 65.74, 0.12, -38.33

 

CMYK 43 / 23 / 0 / 16

HEX #7AA4D6

RGB 122 164 214

HSL 212.61, 0.53%, 0.66%

LAB 66.17, -1.21, -29.88

 

CMYK 32 / 18 / 0 / 22

HEX #88A5C8

RGB 136 165 200

HSL 212.81, 0.37%, 0.66%

LAB 66.76, -1.67, -21.15

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 5 / 2 / 0 / 33

HEX #A4A8AC

RGB 164 168 172

HSL 210, 0.05%, 0.66%

LAB 68.66, -0.63, -2.56

 

CMYK 53 / 0 / 0 / 11

HEX #6CE4E4

RGB 108 228 228

HSL 180, 0.69%, 0.66%

LAB 84.11, -33.52, -10.3

 

CMYK 53 / 14 / 0 / 11

HEX #6CC4E4

RGB 108 196 228

HSL 196, 0.69%, 0.66%

LAB 74.99, -17.75, -24.04

 

CMYK 53 / 28 / 0 / 11

HEX #6CA4E4

RGB 108 164 228

HSL 212, 0.69%, 0.66%

LAB 66.01, -0.45, -37.9

 

CMYK 53 / 42 / 0 / 11

HEX #6C84E4

RGB 108 132 228

HSL 228, 0.69%, 0.66%

LAB 57.36, 18.22, -51.54

 

CMYK 49 / 53 / 0 / 11

HEX #746CE4

RGB 116 108 228

HSL 244, 0.69%, 0.66%

LAB 51.88, 34.33, -60.27

 

CMYK 82 / 44 / 0 / 16

HEX #2778D6

RGB 39 120 214

HSL 212.23, 0.69%, 0.5%

LAB 50.36, 9.83, -55.02

 

CMYK 67 / 36 / 0 / 13

HEX #498EDD

RGB 73 142 221

HSL 212.03, 0.69%, 0.58%

LAB 58.02, 3.31, -46.68

 

CMYK 53 / 29 / 0 / 11

HEX #6CA3E4

RGB 108 163 228

HSL 212.5, 0.69%, 0.66%

LAB 65.74, 0.12, -38.33

 

CMYK 39 / 21 / 0 / 8

HEX #8FB9EA

RGB 143 185 234

HSL 212.31, 0.68%, 0.74%

LAB 73.85, -1.9, -28.88

 

CMYK 26 / 14 / 0 / 6

HEX #B2CFF0

RGB 178 207 240

HSL 211.94, 0.67%, 0.82%

LAB 82.05, -2.44, -19.43

 

CMYK 53 / 29 / 0 / 11

HEX #6BA3E4

RGB 107 163 228

HSL 212.23, 0.69%, 0.66%

LAB 65.69, -0.1, -38.41

 

CMYK 14 / 53 / 0 / 11

HEX #C46CE4

RGB 196 108 228

HSL 284, 0.69%, 0.66%

LAB 59.95, 53.88, -46.93

 

CMYK 7 / 0 / 53 / 11

HEX #D4E46C

RGB 212 228 108

HSL 68, 0.69%, 0.66%

LAB 87.27, -22.02, 55.96

 

CMYK 53 / 29 / 0 / 11

HEX #6BA3E4

RGB 107 163 228

HSL 212.23, 0.69%, 0.66%

LAB 65.69, -0.1, -38.41

 

CMYK 0 / 53 / 28 / 11

HEX #E46CA4

RGB 228 108 164

HSL 332, 0.69%, 0.66%

LAB 61.57, 52.62, -7.78

 

CMYK 28 / 0 / 53 / 11

HEX #A4E46C

RGB 164 228 108

HSL 92, 0.69%, 0.66%

LAB 84.21, -40.04, 51.59

 

CMYK 53 / 29 / 0 / 11

HEX #6BA3E4

RGB 107 163 228

HSL 212.23, 0.69%, 0.66%

LAB 65.69, -0.1, -38.41

 

CMYK 14 / 53 / 0 / 11

HEX #C46CE4

RGB 196 108 228

HSL 284, 0.69%, 0.66%

LAB 59.95, 53.88, -46.93

 

CMYK 0 / 25 / 53 / 11

HEX #E4AC6C

RGB 228 172 108

HSL 32, 0.69%, 0.66%

LAB 74.24, 13.18, 40.65

 

CMYK 39 / 0 / 53 / 11

HEX #8CE46C

RGB 140 228 108

HSL 104, 0.69%, 0.66%

LAB 82.99, -48.08, 49.85

 

CMYK 53 / 29 / 0 / 11

HEX #6BA3E4

RGB 107 163 228

HSL 212.23, 0.69%, 0.66%

LAB 65.69, -0.1, -38.41

 

CMYK 0 / 53 / 2 / 11

HEX #E46CE0

RGB 228 108 224

HSL 302, 0.69%, 0.66%

LAB 63.84, 61.68, -38.3

 

CMYK 0 / 25 / 53 / 11

HEX #E4AC6C

RGB 228 172 108

HSL 32, 0.69%, 0.66%

LAB 74.24, 13.18, 40.65

 

CMYK 53 / 0 / 51 / 11

HEX #6CE470

RGB 108 228 112

HSL 122, 0.69%, 0.66%

LAB 81.75, -56.76, 46.17

 

Description

Color code: HEX #6BA3E4 | qconv.com Color code: HEX #6BA3E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 163 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 163 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 29 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 29% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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