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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96A6BA it is the complementary color #695945. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96A6BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96A6BA shade: #9BA6B5, #ACB8C8, #BDCADB, #CEDCEE and #DFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96A6BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96A6BA shade: #96A6BA, #8594A7, #748294, #637081 and #525E6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96A6BA shade: #96A6BA, #969CBA, #9996BA, #A396BA and #AD96BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96A6BA shade: #96A6BA, #969CBA and #9696BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96A6BA shade matches the following richer shades: #96A6BA, #88A4C8, #7AA3D6, #6CA1E4 and #5DA0F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96A6BA shade: #96A6BA, #A4A7AC, #B2A99E, #C0AA90 and #CEAC82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96A6BA shade: #96B9BA, #96B0BA, #96A6BA, #969CBA and #9996BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96A6BA shade: #647C99, #7D91AA, #96A6BA, #AFBBCA and #C8D0DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96A6BA shade: #96A6BA, #B196BA and #B5BA96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96A6BA shade: #96A6BA, #BA96A6 and #A6BA96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96A6BA shade: #96A6BA, #B196BA, #BAAA96 and #9FBA96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96A6BA shade: #96A6BA, #BA96B8, #BAAA96 and #96BA97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

Complementary color

CMYK 0 / 15 / 34 / 59

HEX #695945

RGB 105 89 69

HSL 33.33, 0.21%, 0.34%

LAB 38.86, 3.24, 14.01

 

CMYK 14 / 8 / 0 / 29

HEX #9BA6B5

RGB 155 166 181

HSL 214.62, 0.15%, 0.66%

LAB 67.71, -0.75, -9.04

 

CMYK 14 / 8 / 0 / 22

HEX #ACB8C8

RGB 172 184 200

HSL 214.29, 0.2%, 0.73%

LAB 74.33, -0.88, -9.5

 

CMYK 14 / 8 / 0 / 14

HEX #BDCADB

RGB 189 202 219

HSL 214, 0.29%, 0.8%

LAB 80.84, -1.01, -9.95

 

CMYK 13 / 8 / 0 / 7

HEX #CEDCEE

RGB 206 220 238

HSL 213.75, 0.48%, 0.87%

LAB 87.23, -1.13, -10.4

 

CMYK 13 / 7 / 0 / 0

HEX #DFEEFF

RGB 223 238 255

HSL 211.88, 1%, 0.94%

LAB 93.48, -1.66, -9.88

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 20 / 11 / 0 / 35

HEX #8594A7

RGB 133 148 167

HSL 213.53, 0.16%, 0.59%

LAB 60.74, -1.14, -11.77

 

CMYK 22 / 12 / 0 / 42

HEX #748294

RGB 116 130 148

HSL 213.75, 0.13%, 0.52%

LAB 53.83, -1, -11.38

 

CMYK 23 / 13 / 0 / 49

HEX #637081

RGB 99 112 129

HSL 214, 0.13%, 0.45%

LAB 46.75, -0.84, -11

 

CMYK 25 / 15 / 0 / 57

HEX #525E6E

RGB 82 94 110

HSL 214.29, 0.15%, 0.38%

LAB 39.45, -0.67, -10.62

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 19 / 16 / 0 / 27

HEX #969CBA

RGB 150 156 186

HSL 230, 0.21%, 0.66%

LAB 64.81, 4.27, -16.22

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 12 / 19 / 0 / 27

HEX #A396BA

RGB 163 150 186

HSL 261.67, 0.21%, 0.66%

LAB 64.28, 11.93, -16.93

 

CMYK 7 / 19 / 0 / 27

HEX #AD96BA

RGB 173 150 186

HSL 278.33, 0.21%, 0.66%

LAB 65.15, 15.29, -15.52

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 19 / 16 / 0 / 27

HEX #969CBA

RGB 150 156 186

HSL 230, 0.21%, 0.66%

LAB 64.81, 4.27, -16.22

 

CMYK 19 / 19 / 0 / 27

HEX #9696BA

RGB 150 150 186

HSL 240, 0.21%, 0.66%

LAB 63.21, 7.66, -18.64

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 32 / 18 / 0 / 22

HEX #88A4C8

RGB 136 164 200

HSL 213.75, 0.37%, 0.66%

LAB 66.49, -1.11, -21.57

 

CMYK 43 / 24 / 0 / 16

HEX #7AA3D6

RGB 122 163 214

HSL 213.26, 0.53%, 0.66%

LAB 65.89, -0.65, -30.31

 

CMYK 53 / 29 / 0 / 11

HEX #6CA1E4

RGB 108 161 228

HSL 213.5, 0.69%, 0.66%

LAB 65.18, 1.25, -39.2

 

CMYK 62 / 34 / 0 / 5

HEX #5DA0F2

RGB 93 160 242

HSL 213.02, 0.85%, 0.66%

LAB 64.87, 3.25, -47.43

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 5 / 3 / 0 / 33

HEX #A4A7AC

RGB 164 167 172

HSL 217.5, 0.05%, 0.66%

LAB 68.39, -0.09, -2.95

 

CMYK 0 / 5 / 11 / 30

HEX #B2A99E

RGB 178 169 158

HSL 33, 0.11%, 0.66%

LAB 69.69, 1.3, 6.82

 

CMYK 0 / 11 / 25 / 25

HEX #C0AA90

RGB 192 170 144

HSL 32.5, 0.28%, 0.66%

LAB 70.85, 3.89, 16.33

 

CMYK 0 / 17 / 37 / 19

HEX #CEAC82

RGB 206 172 130

HSL 33.16, 0.44%, 0.66%

LAB 72.39, 6.5, 26.24

 

CMYK 19 / 1 / 0 / 27

HEX #96B9BA

RGB 150 185 186

HSL 181.67, 0.21%, 0.66%

LAB 72.71, -11.5, -4.42

 

CMYK 19 / 5 / 0 / 27

HEX #96B0BA

RGB 150 176 186

HSL 196.67, 0.21%, 0.66%

LAB 70.23, -6.72, -8.09

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 19 / 16 / 0 / 27

HEX #969CBA

RGB 150 156 186

HSL 230, 0.21%, 0.66%

LAB 64.81, 4.27, -16.22

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 35 / 19 / 0 / 40

HEX #647C99

RGB 100 124 153

HSL 212.83, 0.21%, 0.5%

LAB 51.18, -1.31, -18.41

 

CMYK 26 / 15 / 0 / 33

HEX #7D91AA

RGB 125 145 170

HSL 213.33, 0.21%, 0.58%

LAB 59.45, -1.3, -15.48

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 13 / 7 / 0 / 21

HEX #AFBBCA

RGB 175 187 202

HSL 213.33, 0.2%, 0.74%

LAB 75.4, -1.09, -8.97

 

CMYK 9 / 5 / 0 / 14

HEX #C8D0DB

RGB 200 208 219

HSL 214.74, 0.21%, 0.82%

LAB 83.18, -0.6, -6.38

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 5 / 19 / 0 / 27

HEX #B196BA

RGB 177 150 186

HSL 285, 0.21%, 0.66%

LAB 65.52, 16.65, -14.93

 

CMYK 3 / 0 / 19 / 27

HEX #B5BA96

RGB 181 186 150

HSL 68.33, 0.21%, 0.66%

LAB 74.28, -7.94, 17.7

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 0 / 19 / 11 / 27

HEX #BA96A6

RGB 186 150 166

HSL 333.33, 0.21%, 0.66%

LAB 65.75, 16.09, -3.27

 

CMYK 11 / 0 / 19 / 27

HEX #A6BA96

RGB 166 186 150

HSL 93.33, 0.21%, 0.66%

LAB 73.17, -13.49, 15.99

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 5 / 19 / 0 / 27

HEX #B196BA

RGB 177 150 186

HSL 285, 0.21%, 0.66%

LAB 65.52, 16.65, -14.93

 

CMYK 0 / 9 / 19 / 27

HEX #BAAA96

RGB 186 170 150

HSL 33.33, 0.21%, 0.66%

LAB 70.45, 2.47, 12.4

 

CMYK 15 / 0 / 19 / 27

HEX #9FBA96

RGB 159 186 150

HSL 105, 0.21%, 0.66%

LAB 72.69, -16.01, 15.24

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 0 / 19 / 1 / 27

HEX #BA96B8

RGB 186 150 184

HSL 303.33, 0.21%, 0.66%

LAB 66.3, 19.35, -12.55

 

CMYK 0 / 9 / 19 / 27

HEX #BAAA96

RGB 186 170 150

HSL 33.33, 0.21%, 0.66%

LAB 70.45, 2.47, 12.4

 

CMYK 19 / 0 / 19 / 27

HEX #96BA97

RGB 150 186 151

HSL 121.67, 0.21%, 0.66%

LAB 72.12, -18.99, 13.82

 

Description

Color code: HEX #96A6BA | qconv.com Color code: HEX #96A6BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 166 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 166 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 11 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 11% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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