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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9996BA it is the complementary color #666945. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9996BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9996BA shade: #9E96B5, #AFA8C8, #C0BADB, #D1CCEE and #E2DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9996BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9996BA shade: #9996BA, #8884A7, #777294, #666081 and #554E6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9996BA shade: #9996BA, #A296BA, #AC96BA, #B696BA and #BA96B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9996BA shade: #9996BA and #9696BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9996BA shade matches the following richer shades: #9996BA, #8D88C8, #817AD6, #766CE4 and #6A5DF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9996BA shade: #9996BA, #A4A4AC, #B0B29E, #BCC090 and #C7CE82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9996BA shade: #96A6BA, #969CBA, #9996BA, #A296BA and #AC96BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9996BA shade: #686499, #807DAA, #9996BA, #B1AFCA and #C9C8DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9996BA shade: #9996BA, #BA96B0 and #A1BA96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9996BA shade: #9996BA, #BA9996 and #96BA99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9996BA shade: #9996BA, #BA96B0, #B7BA96 and #96BAA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9996BA shade: #9996BA, #BA96A5, #B7BA96 and #96BAAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

Complementary color

CMYK 3 / 0 / 34 / 59

HEX #666945

RGB 102 105 69

HSL 65, 0.21%, 0.34%

LAB 43.3, -7.54, 19.9

 

CMYK 13 / 17 / 0 / 29

HEX #9E96B5

RGB 158 150 181

HSL 255.48, 0.17%, 0.65%

LAB 63.69, 9.17, -15.05

 

CMYK 13 / 16 / 0 / 22

HEX #AFA8C8

RGB 175 168 200

HSL 253.13, 0.23%, 0.72%

LAB 70.38, 8.84, -15.4

 

CMYK 12 / 15 / 0 / 14

HEX #C0BADB

RGB 192 186 219

HSL 250.91, 0.31%, 0.79%

LAB 76.94, 8.54, -15.75

 

CMYK 12 / 14 / 0 / 7

HEX #D1CCEE

RGB 209 204 238

HSL 248.82, 0.5%, 0.87%

LAB 83.4, 8.25, -16.11

 

CMYK 11 / 13 / 0 / 0

HEX #E2DEFF

RGB 226 222 255

HSL 247.27, 1%, 0.94%

LAB 89.69, 7.58, -15.51

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 19 / 21 / 0 / 35

HEX #8884A7

RGB 136 132 167

HSL 246.86, 0.17%, 0.59%

LAB 56.61, 8.99, -17.99

 

CMYK 20 / 23 / 0 / 42

HEX #777294

RGB 119 114 148

HSL 248.82, 0.14%, 0.51%

LAB 49.61, 9.4, -17.75

 

CMYK 21 / 26 / 0 / 49

HEX #666081

RGB 102 96 129

HSL 250.91, 0.15%, 0.44%

LAB 42.42, 9.85, -17.54

 

CMYK 23 / 29 / 0 / 57

HEX #554E6E

RGB 85 78 110

HSL 253.13, 0.17%, 0.37%

LAB 35.01, 10.39, -17.37

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 13 / 19 / 0 / 27

HEX #A296BA

RGB 162 150 186

HSL 260, 0.21%, 0.66%

LAB 64.19, 11.59, -17.06

 

CMYK 8 / 19 / 0 / 27

HEX #AC96BA

RGB 172 150 186

HSL 276.67, 0.21%, 0.66%

LAB 65.06, 14.95, -15.66

 

CMYK 2 / 19 / 0 / 27

HEX #B696BA

RGB 182 150 186

HSL 293.33, 0.21%, 0.66%

LAB 65.98, 18.36, -14.18

 

CMYK 0 / 19 / 3 / 27

HEX #BA96B4

RGB 186 150 180

HSL 310, 0.21%, 0.66%

LAB 66.17, 18.6, -10.5

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 19 / 19 / 0 / 27

HEX #9696BA

RGB 150 150 186

HSL 240, 0.21%, 0.66%

LAB 63.21, 7.66, -18.64

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 30 / 32 / 0 / 22

HEX #8D88C8

RGB 141 136 200

HSL 244.69, 0.37%, 0.66%

LAB 59.38, 16.32, -32.48

 

CMYK 40 / 43 / 0 / 16

HEX #817AD6

RGB 129 122 214

HSL 244.57, 0.53%, 0.66%

LAB 55.52, 24.99, -46.51

 

CMYK 48 / 53 / 0 / 11

HEX #766CE4

RGB 118 108 228

HSL 245, 0.69%, 0.66%

LAB 52.04, 34.76, -60.01

 

CMYK 56 / 62 / 0 / 5

HEX #6A5DF2

RGB 106 93 242

HSL 245.23, 0.85%, 0.66%

LAB 48.64, 45.47, -73.41

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 5 / 5 / 0 / 33

HEX #A4A4AC

RGB 164 164 172

HSL 240, 0.05%, 0.66%

LAB 67.59, 1.56, -4.13

 

CMYK 1 / 0 / 11 / 30

HEX #B0B29E

RGB 176 178 158

HSL 66, 0.11%, 0.66%

LAB 71.92, -4.28, 9.98

 

CMYK 2 / 0 / 25 / 25

HEX #BCC090

RGB 188 192 144

HSL 65, 0.28%, 0.66%

LAB 76.32, -9.31, 23.8

 

CMYK 3 / 0 / 37 / 19

HEX #C7CE82

RGB 199 206 130

HSL 65.53, 0.44%, 0.66%

LAB 80.68, -14.04, 37.02

 

CMYK 19 / 11 / 0 / 27

HEX #96A6BA

RGB 150 166 186

HSL 213.33, 0.21%, 0.66%

LAB 67.5, -1.28, -12.17

 

CMYK 19 / 16 / 0 / 27

HEX #969CBA

RGB 150 156 186

HSL 230, 0.21%, 0.66%

LAB 64.81, 4.27, -16.22

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 13 / 19 / 0 / 27

HEX #A296BA

RGB 162 150 186

HSL 260, 0.21%, 0.66%

LAB 64.19, 11.59, -17.06

 

CMYK 8 / 19 / 0 / 27

HEX #AC96BA

RGB 172 150 186

HSL 276.67, 0.21%, 0.66%

LAB 65.06, 14.95, -15.66

 

CMYK 32 / 35 / 0 / 40

HEX #686499

RGB 104 100 153

HSL 244.53, 0.21%, 0.5%

LAB 44.74, 14.35, -28.33

 

CMYK 25 / 26 / 0 / 33

HEX #807DAA

RGB 128 125 170

HSL 244, 0.21%, 0.58%

LAB 54.19, 11.22, -23.48

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 12 / 13 / 0 / 21

HEX #B1AFCA

RGB 177 175 202

HSL 244.44, 0.2%, 0.74%

LAB 72.41, 6.07, -13.43

 

CMYK 8 / 9 / 0 / 14

HEX #C9C8DB

RGB 201 200 219

HSL 243.16, 0.21%, 0.82%

LAB 81.2, 3.96, -9.31

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 0 / 19 / 5 / 27

HEX #BA96B0

RGB 186 150 176

HSL 316.67, 0.21%, 0.66%

LAB 66.05, 17.86, -8.44

 

CMYK 13 / 0 / 19 / 27

HEX #A1BA96

RGB 161 186 150

HSL 101.67, 0.21%, 0.66%

LAB 72.82, -15.29, 15.45

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 0 / 18 / 19 / 27

HEX #BA9996

RGB 186 153 150

HSL 5, 0.21%, 0.66%

LAB 66.08, 11.78, 6.18

 

CMYK 19 / 0 / 18 / 27

HEX #96BA99

RGB 150 186 153

HSL 125, 0.21%, 0.66%

LAB 72.16, -18.63, 12.79

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 0 / 19 / 5 / 27

HEX #BA96B0

RGB 186 150 176

HSL 316.67, 0.21%, 0.66%

LAB 66.05, 17.86, -8.44

 

CMYK 2 / 0 / 19 / 27

HEX #B7BA96

RGB 183 186 150

HSL 65, 0.21%, 0.66%

LAB 74.44, -7.19, 17.94

 

CMYK 19 / 0 / 14 / 27

HEX #96BAA0

RGB 150 186 160

HSL 136.67, 0.21%, 0.66%

LAB 72.32, -17.33, 9.21

 

CMYK 18 / 19 / 0 / 27

HEX #9996BA

RGB 153 150 186

HSL 245, 0.21%, 0.66%

LAB 63.45, 8.63, -18.26

 

CMYK 0 / 19 / 11 / 27

HEX #BA96A5

RGB 186 150 165

HSL 335, 0.21%, 0.66%

LAB 65.72, 15.91, -2.75

 

CMYK 2 / 0 / 19 / 27

HEX #B7BA96

RGB 183 186 150

HSL 65, 0.21%, 0.66%

LAB 74.44, -7.19, 17.94

 

CMYK 19 / 0 / 8 / 27

HEX #96BAAB

RGB 150 186 171

HSL 155, 0.21%, 0.66%

LAB 72.59, -15.17, 3.6

 

Description

Color code: HEX #9996BA | qconv.com Color code: HEX #9996BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 150 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 150 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 19 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 19% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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