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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C4784 it is the complementary color #93B87B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C4784. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C4784 shade: #71477F, #825992, #936BA5, #A47DB8 and #B58FCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C4784. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C4784 shade: #6C4784, #5B3571, #4A235E, #39114B and #280038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C4784 shade: #6C4784, #7D4784, #84477B, #84476B and #84475A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C4784 shade: #6C4784, #5C4784, #4B4784 and #474784

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C4784 shade matches the following richer shades: #6C4784, #703695, #7326A5, #7715B6 and #7A05C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C4784 shade: #6C4784, #695774, #656863, #617853 and #5E8942

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C4784 shade: #4B4784, #5B4784, #6C4784, #7C4784 and #84477C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C4784 shade: #402A4E, #563869, #6C4784, #82559F and #966DB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C4784 shade: #6C4784, #844753 and #478453

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C4784 shade: #6C4784, #846C47 and #47846C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C4784 shade: #6C4784, #844753, #5F8447 and #478478

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C4784 shade: #6C4784, #844D47, #5F8447 and #477E84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

Complementary color

CMYK 20 / 0 / 33 / 28

HEX #93B87B

RGB 147 184 123

HSL 96.39, 0.3%, 0.6%

LAB 70.81, -23.66, 27.04

 

CMYK 11 / 44 / 0 / 50

HEX #71477F

RGB 113 71 127

HSL 285, 0.28%, 0.39%

LAB 37.02, 28.37, -24.58

 

CMYK 11 / 39 / 0 / 43

HEX #825992

RGB 130 89 146

HSL 283.16, 0.24%, 0.46%

LAB 44.18, 27.54, -24.83

 

CMYK 11 / 35 / 0 / 35

HEX #936BA5

RGB 147 107 165

HSL 281.38, 0.24%, 0.53%

LAB 51.19, 26.77, -25.06

 

CMYK 11 / 32 / 0 / 28

HEX #A47DB8

RGB 164 125 184

HSL 279.66, 0.29%, 0.61%

LAB 58.06, 26.05, -25.29

 

CMYK 11 / 30 / 0 / 20

HEX #B58FCB

RGB 181 143 203

HSL 278, 0.37%, 0.68%

LAB 64.79, 25.4, -25.52

 

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

CMYK 19 / 53 / 0 / 56

HEX #5B3571

RGB 91 53 113

HSL 278, 0.36%, 0.33%

LAB 29.32, 28.86, -28.11

 

CMYK 21 / 63 / 0 / 63

HEX #4A235E

RGB 74 35 94

HSL 279.66, 0.46%, 0.25%

LAB 21.82, 29.73, -27.86

 

CMYK 24 / 77 / 0 / 71

HEX #39114B

RGB 57 17 75

HSL 281.38, 0.63%, 0.18%

LAB 14.28, 30.22, -27.27

 

CMYK 29 / 100 / 0 / 78

HEX #280038

RGB 40 0 56

HSL 282.86, 1%, 0.11%

LAB 6.65, 30.2, -26.3

 

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

CMYK 5 / 46 / 0 / 48

HEX #7D4784

RGB 125 71 132

HSL 293.11, 0.3%, 0.4%

LAB 38.78, 33.33, -24.8

 

CMYK 0 / 46 / 7 / 48

HEX #84477B

RGB 132 71 123

HSL 308.85, 0.3%, 0.4%

LAB 39.31, 33.83, -18.37

 

CMYK 0 / 46 / 19 / 48

HEX #84476B

RGB 132 71 107

HSL 324.59, 0.3%, 0.4%

LAB 38.68, 31, -9.41

 

CMYK 0 / 46 / 32 / 48

HEX #84475A

RGB 132 71 90

HSL 341.31, 0.3%, 0.4%

LAB 38.11, 28.38, 0.39

 

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

CMYK 30 / 46 / 0 / 48

HEX #5C4784

RGB 92 71 132

HSL 260.66, 0.3%, 0.4%

LAB 34.9, 23.02, -31.16

 

CMYK 43 / 46 / 0 / 48

HEX #4B4784

RGB 75 71 132

HSL 243.93, 0.3%, 0.4%

LAB 33.28, 18.14, -33.83

 

CMYK 46 / 46 / 0 / 48

HEX #474784

RGB 71 71 132

HSL 240, 0.3%, 0.4%

LAB 32.95, 17.07, -34.38

 

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

CMYK 25 / 64 / 0 / 42

HEX #703695

RGB 112 54 149

HSL 276.63, 0.47%, 0.4%

LAB 34.5, 42.71, -42.07

 

CMYK 30 / 77 / 0 / 35

HEX #7326A5

RGB 115 38 165

HSL 276.38, 0.63%, 0.4%

LAB 33.45, 54.35, -53.45

 

CMYK 35 / 88 / 0 / 29

HEX #7715B6

RGB 119 21 182

HSL 276.52, 0.79%, 0.4%

LAB 33.64, 63.94, -63.29

 

CMYK 38 / 97 / 0 / 22

HEX #7A05C6

RGB 122 5 198

HSL 276.37, 0.95%, 0.4%

LAB 34.65, 70.27, -71.05

 

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

CMYK 9 / 25 / 0 / 55

HEX #695774

RGB 105 87 116

HSL 277.24, 0.14%, 0.4%

LAB 39.72, 13.34, -13.72

 

CMYK 3 / 0 / 5 / 59

HEX #656863

RGB 101 104 99

HSL 96, 0.02%, 0.4%

LAB 43.61, -2.19, 2.4

 

CMYK 19 / 0 / 31 / 53

HEX #617853

RGB 97 120 83

HSL 97.3, 0.18%, 0.4%

LAB 47.75, -15.81, 17.65

 

CMYK 31 / 0 / 52 / 46

HEX #5E8942

RGB 94 137 66

HSL 96.34, 0.35%, 0.4%

LAB 52.58, -28.16, 33.18

 

CMYK 43 / 46 / 0 / 48

HEX #4B4784

RGB 75 71 132

HSL 243.93, 0.3%, 0.4%

LAB 33.28, 18.14, -33.83

 

CMYK 31 / 46 / 0 / 48

HEX #5B4784

RGB 91 71 132

HSL 259.67, 0.3%, 0.4%

LAB 34.8, 22.72, -31.33

 

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

CMYK 6 / 46 / 0 / 48

HEX #7C4784

RGB 124 71 132

HSL 292.13, 0.3%, 0.4%

LAB 38.65, 33.01, -25.01

 

CMYK 0 / 46 / 6 / 48

HEX #84477C

RGB 132 71 124

HSL 307.87, 0.3%, 0.4%

LAB 39.36, 34.02, -18.92

 

CMYK 18 / 46 / 0 / 69

HEX #402A4E

RGB 64 42 78

HSL 276.67, 0.3%, 0.24%

LAB 21.19, 18.09, -18.28

 

CMYK 18 / 47 / 0 / 59

HEX #563869

RGB 86 56 105

HSL 276.73, 0.3%, 0.32%

LAB 28.97, 23.46, -23.6

 

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

CMYK 18 / 47 / 0 / 38

HEX #82559F

RGB 130 85 159

HSL 276.49, 0.3%, 0.48%

LAB 43.87, 32.83, -33.09

 

CMYK 15 / 38 / 0 / 31

HEX #966DB0

RGB 150 109 176

HSL 276.72, 0.3%, 0.56%

LAB 52.46, 29, -29.47

 

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

CMYK 0 / 46 / 37 / 48

HEX #844753

RGB 132 71 83

HSL 348.2, 0.3%, 0.4%

LAB 37.91, 27.42, 4.49

 

CMYK 46 / 0 / 37 / 48

HEX #478453

RGB 71 132 83

HSL 131.8, 0.3%, 0.4%

LAB 50.06, -31.06, 20.48

 

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

CMYK 0 / 18 / 46 / 48

HEX #846C47

RGB 132 108 71

HSL 36.39, 0.3%, 0.4%

LAB 47.09, 4.24, 24.24

 

CMYK 46 / 0 / 18 / 48

HEX #47846C

RGB 71 132 108

HSL 156.39, 0.3%, 0.4%

LAB 50.6, -25.82, 6.87

 

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

CMYK 0 / 46 / 37 / 48

HEX #844753

RGB 132 71 83

HSL 348.2, 0.3%, 0.4%

LAB 37.91, 27.42, 4.49

 

CMYK 28 / 0 / 46 / 48

HEX #5F8447

RGB 95 132 71

HSL 96.39, 0.3%, 0.4%

LAB 51.14, -24.67, 28.77

 

CMYK 46 / 0 / 9 / 48

HEX #478478

RGB 71 132 120

HSL 168.2, 0.3%, 0.4%

LAB 50.92, -22.88, 0.33

 

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

CMYK 0 / 42 / 46 / 48

HEX #844D47

RGB 132 77 71

HSL 5.9, 0.3%, 0.4%

LAB 39.02, 22.49, 13.54

 

CMYK 28 / 0 / 46 / 48

HEX #5F8447

RGB 95 132 71

HSL 96.39, 0.3%, 0.4%

LAB 51.14, -24.67, 28.77

 

CMYK 46 / 5 / 0 / 48

HEX #477E84

RGB 71 126 132

HSL 185.9, 0.3%, 0.4%

LAB 49.41, -16.47, -8.94

 

Description

Color code: HEX #6C4784 | qconv.com Color code: HEX #6C4784 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 71 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 71 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 46 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 46% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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