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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82559F it is the complementary color #7DAA60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82559F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82559F shade: #87559A, #9867AD, #A979C0, #BA8BD3 and #CB9DE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82559F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82559F shade: #82559F, #71438C, #603179, #4F1F66 and #3E0D53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82559F shade: #82559F, #96559F, #9F5594, #9F5580 and #9F556C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82559F shade: #82559F, #6E559F, #5A559F and #55559F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82559F shade matches the following richer shades: #82559F, #8641B2, #8A2EC6, #8F1ADA and #9306EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82559F shade: #82559F, #7E698B, #797D77, #759163 and #71A44F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82559F shade: #5A559F, #6E559F, #81559F, #95559F and #9F5595

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82559F shade: #563869, #6C4784, #82559F, #966DB0 and #A988BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82559F shade: #82559F, #9F5564 and #559F64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82559F shade: #82559F, #9F8155 and #559F81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82559F shade: #82559F, #9F5564, #739F55 and #559F90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82559F shade: #82559F, #9F5D55, #739F55 and #55979F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 47 / 0 / 38

HEX #82559F

RGB 130 85 159

HSL 276.49, 0.3%, 0.48%

LAB 43.87, 32.83, -33.09

 

Complementary color

CMYK 26 / 0 / 44 / 33

HEX #7DAA60

RGB 125 170 96

HSL 96.49, 0.3%, 0.52%

LAB 64.93, -28.7, 33.32

 

CMYK 12 / 45 / 0 / 40

HEX #87559A

RGB 135 85 154

HSL 283.48, 0.29%, 0.47%

LAB 44.21, 33.22, -29.54

 

CMYK 12 / 40 / 0 / 32

HEX #9867AD

RGB 152 103 173

HSL 282, 0.3%, 0.54%

LAB 51.14, 32.4, -29.76

 

CMYK 12 / 37 / 0 / 25

HEX #A979C0

RGB 169 121 192

HSL 280.56, 0.36%, 0.61%

LAB 57.96, 31.62, -29.96

 

CMYK 12 / 34 / 0 / 17

HEX #BA8BD3

RGB 186 139 211

HSL 279.17, 0.45%, 0.69%

LAB 64.65, 30.9, -30.16

 

CMYK 12 / 32 / 0 / 10

HEX #CB9DE6

RGB 203 157 230

HSL 277.81, 0.59%, 0.76%

LAB 71.23, 30.22, -30.36

 

CMYK 18 / 47 / 0 / 38

HEX #82559F

RGB 130 85 159

HSL 276.49, 0.3%, 0.48%

LAB 43.87, 32.83, -33.09

 

CMYK 19 / 52 / 0 / 45

HEX #71438C

RGB 113 67 140

HSL 277.81, 0.35%, 0.41%

LAB 36.78, 33.71, -32.95

 

CMYK 21 / 60 / 0 / 53

HEX #603179

RGB 96 49 121

HSL 279.17, 0.42%, 0.33%

LAB 29.57, 34.57, -32.73

 

CMYK 23 / 70 / 0 / 60

HEX #4F1F66

RGB 79 31 102

HSL 280.56, 0.53%, 0.26%

LAB 22.31, 35.2, -32.29

 

CMYK 25 / 84 / 0 / 67

HEX #3E0D53

RGB 62 13 83

HSL 282, 0.73%, 0.19%

LAB 15.15, 35.06, -31.31

 

CMYK 18 / 47 / 0 / 38

HEX #82559F

RGB 130 85 159

HSL 276.49, 0.3%, 0.48%

LAB 43.87, 32.83, -33.09

 

CMYK 6 / 47 / 0 / 38

HEX #96559F

RGB 150 85 159

HSL 292.7, 0.3%, 0.48%

LAB 46.29, 38.89, -29.12

 

CMYK 0 / 47 / 7 / 38

HEX #9F5594

RGB 159 85 148

HSL 308.92, 0.3%, 0.48%

LAB 46.98, 39.61, -21.41

 

CMYK 0 / 47 / 19 / 38

HEX #9F5580

RGB 159 85 128

HSL 325.14, 0.3%, 0.48%

LAB 46.21, 36.22, -10.57

 

CMYK 0 / 47 / 32 / 38

HEX #9F556C

RGB 159 85 108

HSL 341.35, 0.3%, 0.48%

LAB 45.57, 33.27, 0.6

 

CMYK 18 / 47 / 0 / 38

HEX #82559F

RGB 130 85 159

HSL 276.49, 0.3%, 0.48%

LAB 43.87, 32.83, -33.09

 

CMYK 31 / 47 / 0 / 38

HEX #6E559F

RGB 110 85 159

HSL 260.27, 0.3%, 0.48%

LAB 41.71, 26.95, -36.63

 

CMYK 43 / 47 / 0 / 38

HEX #5A559F

RGB 90 85 159

HSL 244.05, 0.3%, 0.48%

LAB 39.87, 21.48, -39.67

 

CMYK 47 / 47 / 0 / 38

HEX #55559F

RGB 85 85 159

HSL 240, 0.3%, 0.48%

LAB 39.46, 20.2, -40.34

 

CMYK 18 / 47 / 0 / 38

HEX #82559F

RGB 130 85 159

HSL 276.49, 0.3%, 0.48%

LAB 43.87, 32.83, -33.09

 

CMYK 25 / 63 / 0 / 30

HEX #8641B2

RGB 134 65 178

HSL 276.64, 0.47%, 0.48%

LAB 41.32, 49.14, -48.37

 

CMYK 30 / 77 / 0 / 22

HEX #8A2EC6

RGB 138 46 198

HSL 276.32, 0.62%, 0.48%

LAB 40.3, 62.68, -61.72

 

CMYK 34 / 88 / 0 / 15

HEX #8F1ADA

RGB 143 26 218

HSL 276.56, 0.79%, 0.48%

LAB 40.64, 73.43, -72.71

 

CMYK 38 / 97 / 0 / 7

HEX #9306EE

RGB 147 6 238

HSL 276.47, 0.95%, 0.48%

LAB 42.01, 80.78, -81.84

 

CMYK 18 / 47 / 0 / 38

HEX #82559F

RGB 130 85 159

HSL 276.49, 0.3%, 0.48%

LAB 43.87, 32.83, -33.09

 

CMYK 9 / 24 / 0 / 45

HEX #7E698B

RGB 126 105 139

HSL 277.06, 0.14%, 0.48%

LAB 47.5, 15.1, -15.59

 

CMYK 3 / 0 / 5 / 51

HEX #797D77

RGB 121 125 119

HSL 100, 0.02%, 0.48%

LAB 51.91, -2.69, 2.74

 

CMYK 19 / 0 / 32 / 43

HEX #759163

RGB 117 145 99

HSL 96.52, 0.19%, 0.48%

LAB 57.01, -18.73, 21.28

 

CMYK 31 / 0 / 52 / 36

HEX #71A44F

RGB 113 164 79

HSL 96, 0.35%, 0.48%

LAB 62.19, -32.39, 38.46

 

CMYK 43 / 47 / 0 / 38

HEX #5A559F

RGB 90 85 159

HSL 244.05, 0.3%, 0.48%

LAB 39.87, 21.48, -39.67

 

CMYK 31 / 47 / 0 / 38

HEX #6E559F

RGB 110 85 159

HSL 260.27, 0.3%, 0.48%

LAB 41.71, 26.95, -36.63

 

CMYK 19 / 47 / 0 / 38

HEX #81559F

RGB 129 85 159

HSL 275.68, 0.3%, 0.48%

LAB 43.75, 32.53, -33.28

 

CMYK 6 / 47 / 0 / 38

HEX #95559F

RGB 149 85 159

HSL 291.89, 0.3%, 0.48%

LAB 46.16, 38.59, -29.32

 

CMYK 0 / 47 / 6 / 38

HEX #9F5595

RGB 159 85 149

HSL 308.11, 0.3%, 0.48%

LAB 47.02, 39.79, -21.94

 

CMYK 18 / 47 / 0 / 59

HEX #563869

RGB 86 56 105

HSL 276.73, 0.3%, 0.32%

LAB 28.97, 23.46, -23.6

 

CMYK 18 / 46 / 0 / 48

HEX #6C4784

RGB 108 71 132

HSL 276.39, 0.3%, 0.4%

LAB 36.67, 27.94, -28.25

 

CMYK 18 / 47 / 0 / 38

HEX #82559F

RGB 130 85 159

HSL 276.49, 0.3%, 0.48%

LAB 43.87, 32.83, -33.09

 

CMYK 15 / 38 / 0 / 31

HEX #966DB0

RGB 150 109 176

HSL 276.72, 0.3%, 0.56%

LAB 52.46, 29, -29.47

 

CMYK 12 / 29 / 0 / 25

HEX #A988BF

RGB 169 136 191

HSL 276, 0.3%, 0.64%

LAB 61.49, 22.92, -23.95

 

CMYK 18 / 47 / 0 / 38

HEX #82559F

RGB 130 85 159

HSL 276.49, 0.3%, 0.48%

LAB 43.87, 32.83, -33.09

 

CMYK 0 / 47 / 37 / 38

HEX #9F5564

RGB 159 85 100

HSL 347.84, 0.3%, 0.48%

LAB 45.34, 32.23, 5.14

 

CMYK 47 / 0 / 37 / 38

HEX #559F64

RGB 85 159 100

HSL 132.16, 0.3%, 0.48%

LAB 59.57, -36.25, 23.83

 

CMYK 18 / 47 / 0 / 38

HEX #82559F

RGB 130 85 159

HSL 276.49, 0.3%, 0.48%

LAB 43.87, 32.83, -33.09

 

CMYK 0 / 19 / 47 / 38

HEX #9F8155

RGB 159 129 85

HSL 35.68, 0.3%, 0.48%

LAB 55.81, 5.55, 28.14

 

CMYK 47 / 0 / 19 / 38

HEX #559F81

RGB 85 159 129

HSL 155.68, 0.3%, 0.48%

LAB 60.17, -30.4, 8.58

 

CMYK 18 / 47 / 0 / 38

HEX #82559F

RGB 130 85 159

HSL 276.49, 0.3%, 0.48%

LAB 43.87, 32.83, -33.09

 

CMYK 0 / 47 / 37 / 38

HEX #9F5564

RGB 159 85 100

HSL 347.84, 0.3%, 0.48%

LAB 45.34, 32.23, 5.14

 

CMYK 28 / 0 / 47 / 38

HEX #739F55

RGB 115 159 85

HSL 95.68, 0.3%, 0.48%

LAB 60.87, -28.53, 33.8

 

CMYK 47 / 0 / 9 / 38

HEX #559F90

RGB 85 159 144

HSL 167.84, 0.3%, 0.48%

LAB 60.55, -26.84, 0.67

 

CMYK 18 / 47 / 0 / 38

HEX #82559F

RGB 130 85 159

HSL 276.49, 0.3%, 0.48%

LAB 43.87, 32.83, -33.09

 

CMYK 0 / 42 / 47 / 38

HEX #9F5D55

RGB 159 93 85

HSL 6.49, 0.3%, 0.48%

LAB 46.78, 26.04, 16.22

 

CMYK 28 / 0 / 47 / 38

HEX #739F55

RGB 115 159 85

HSL 95.68, 0.3%, 0.48%

LAB 60.87, -28.53, 33.8

 

CMYK 47 / 5 / 0 / 38

HEX #55979F

RGB 85 151 159

HSL 186.49, 0.3%, 0.48%

LAB 58.57, -18.82, -10.76

 

Description

Color code: HEX #82559F | qconv.com Color code: HEX #82559F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 85 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 85 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 47 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 47% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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