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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C5184 it is the complementary color #93AE7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C5184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C5184 shade: #71517F, #826392, #9375A5, #A487B8 and #B599CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C5184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C5184 shade: #6C5184, #5B3F71, #4A2D5E, #391B4B and #280938

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C5184 shade: #6C5184, #7A5184, #845181, #845173 and #845165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C5184 shade: #6C5184, #5E5184 and #515184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C5184 shade matches the following richer shades: #6C5184, #6D4096, #6E2EA7, #6F1DB8 and #700CCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C5184 shade: #6C5184, #6B6273, #6A7462, #698550 and #68963F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C5184 shade: #515284, #5E5184, #6B5184, #795184 and #845182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C5184 shade: #423251, #57416B, #6C5184, #81619E and #957AAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C5184 shade: #6C5184, #84515F and #518457

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C5184 shade: #6C5184, #846B51 and #51846B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C5184 shade: #6C5184, #84515F, #6A8451 and #518476

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C5184 shade: #6C5184, #845251, #6A8451 and #518384

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 39 / 0 / 48

HEX #6C5184

RGB 108 81 132

HSL 271.76, 0.24%, 0.42%

LAB 39.14, 21.87, -24.39

 

Complementary color

CMYK 16 / 0 / 29 / 32

HEX #93AE7B

RGB 147 174 123

HSL 91.76, 0.24%, 0.58%

LAB 67.95, -18.63, 23.2

 

CMYK 11 / 36 / 0 / 50

HEX #71517F

RGB 113 81 127

HSL 281.74, 0.22%, 0.41%

LAB 39.46, 22.37, -20.79

 

CMYK 11 / 32 / 0 / 43

HEX #826392

RGB 130 99 146

HSL 279.57, 0.19%, 0.48%

LAB 46.64, 21.62, -21.04

 

CMYK 11 / 29 / 0 / 35

HEX #9375A5

RGB 147 117 165

HSL 277.5, 0.21%, 0.55%

LAB 53.65, 20.95, -21.28

 

CMYK 11 / 27 / 0 / 28

HEX #A487B8

RGB 164 135 184

HSL 275.51, 0.26%, 0.63%

LAB 60.5, 20.35, -21.54

 

CMYK 11 / 25 / 0 / 20

HEX #B599CB

RGB 181 153 203

HSL 273.6, 0.32%, 0.7%

LAB 67.22, 19.8, -21.81

 

CMYK 18 / 39 / 0 / 48

HEX #6C5184

RGB 108 81 132

HSL 271.76, 0.24%, 0.42%

LAB 39.14, 21.87, -24.39

 

CMYK 19 / 44 / 0 / 56

HEX #5B3F71

RGB 91 63 113

HSL 273.6, 0.28%, 0.35%

LAB 31.74, 22.72, -24.29

 

CMYK 21 / 52 / 0 / 63

HEX #4A2D5E

RGB 74 45 94

HSL 275.51, 0.35%, 0.27%

LAB 24.13, 23.67, -24.19

 

CMYK 24 / 64 / 0 / 71

HEX #391B4B

RGB 57 27 75

HSL 277.5, 0.47%, 0.2%

LAB 16.31, 24.64, -24.01

 

CMYK 29 / 84 / 0 / 78

HEX #280938

RGB 40 9 56

HSL 279.57, 0.72%, 0.13%

LAB 8.41, 25.19, -23.45

 

CMYK 18 / 39 / 0 / 48

HEX #6C5184

RGB 108 81 132

HSL 271.76, 0.24%, 0.42%

LAB 39.14, 21.87, -24.39

 

CMYK 8 / 39 / 0 / 48

HEX #7A5184

RGB 122 81 132

HSL 288.24, 0.24%, 0.42%

LAB 40.72, 26.53, -21.82

 

CMYK 0 / 39 / 2 / 48

HEX #845181

RGB 132 81 129

HSL 303.53, 0.24%, 0.42%

LAB 41.81, 29.31, -18.21

 

CMYK 0 / 39 / 13 / 48

HEX #845173

RGB 132 81 115

HSL 320, 0.24%, 0.42%

LAB 41.26, 26.67, -10.47

 

CMYK 0 / 39 / 23 / 48

HEX #845165

RGB 132 81 101

HSL 336.47, 0.24%, 0.42%

LAB 40.78, 24.28, -2.55

 

CMYK 18 / 39 / 0 / 48

HEX #6C5184

RGB 108 81 132

HSL 271.76, 0.24%, 0.42%

LAB 39.14, 21.87, -24.39

 

CMYK 29 / 39 / 0 / 48

HEX #5E5184

RGB 94 81 132

HSL 255.29, 0.24%, 0.42%

LAB 37.72, 17.35, -26.72

 

CMYK 39 / 39 / 0 / 48

HEX #515184

RGB 81 81 132

HSL 240, 0.24%, 0.42%

LAB 36.56, 13.38, -28.62

 

CMYK 18 / 39 / 0 / 48

HEX #6C5184

RGB 108 81 132

HSL 271.76, 0.24%, 0.42%

LAB 39.14, 21.87, -24.39

 

CMYK 27 / 57 / 0 / 41

HEX #6D4096

RGB 109 64 150

HSL 271.4, 0.4%, 0.42%

LAB 36.21, 36.75, -39.97

 

CMYK 34 / 72 / 0 / 35

HEX #6E2EA7

RGB 110 46 167

HSL 271.74, 0.57%, 0.42%

LAB 34.11, 50.47, -53.62

 

CMYK 40 / 84 / 0 / 28

HEX #6F1DB8

RGB 111 29 184

HSL 271.74, 0.73%, 0.42%

LAB 33.39, 61.14, -64.93

 

CMYK 45 / 94 / 0 / 21

HEX #700CCA

RGB 112 12 202

HSL 271.58, 0.89%, 0.42%

LAB 33.92, 69.12, -74.63

 

CMYK 18 / 39 / 0 / 48

HEX #6C5184

RGB 108 81 132

HSL 271.76, 0.24%, 0.42%

LAB 39.14, 21.87, -24.39

 

CMYK 7 / 15 / 0 / 55

HEX #6B6273

RGB 107 98 115

HSL 271.76, 0.08%, 0.42%

LAB 42.91, 7.11, -8.26

 

CMYK 9 / 0 / 16 / 55

HEX #6A7462

RGB 106 116 98

HSL 93.33, 0.08%, 0.42%

LAB 47.54, -7.38, 8.68

 

CMYK 21 / 0 / 40 / 48

HEX #698550

RGB 105 133 80

HSL 91.7, 0.25%, 0.42%

LAB 52.24, -20.02, 25.38

 

CMYK 31 / 0 / 58 / 41

HEX #68963F

RGB 104 150 63

HSL 91.72, 0.41%, 0.42%

LAB 57.19, -30.95, 40.28

 

CMYK 39 / 38 / 0 / 48

HEX #515284

RGB 81 82 132

HSL 238.82, 0.24%, 0.42%

LAB 36.84, 12.74, -28.18

 

CMYK 29 / 39 / 0 / 48

HEX #5E5184

RGB 94 81 132

HSL 255.29, 0.24%, 0.42%

LAB 37.72, 17.35, -26.72

 

CMYK 19 / 39 / 0 / 48

HEX #6B5184

RGB 107 81 132

HSL 270.59, 0.24%, 0.42%

LAB 39.03, 21.54, -24.57

 

CMYK 8 / 39 / 0 / 48

HEX #795184

RGB 121 81 132

HSL 287.06, 0.24%, 0.42%

LAB 40.6, 26.2, -22.01

 

CMYK 0 / 39 / 2 / 48

HEX #845182

RGB 132 81 130

HSL 302.35, 0.24%, 0.42%

LAB 41.85, 29.51, -18.76

 

CMYK 19 / 38 / 0 / 68

HEX #423251

RGB 66 50 81

HSL 270.97, 0.24%, 0.26%

LAB 23.78, 14.27, -16.23

 

CMYK 19 / 39 / 0 / 58

HEX #57416B

RGB 87 65 107

HSL 271.43, 0.24%, 0.34%

LAB 31.51, 18.61, -20.9

 

CMYK 18 / 39 / 0 / 48

HEX #6C5184

RGB 108 81 132

HSL 271.76, 0.24%, 0.42%

LAB 39.14, 21.87, -24.39

 

CMYK 18 / 39 / 0 / 38

HEX #81619E

RGB 129 97 158

HSL 271.48, 0.24%, 0.5%

LAB 46.56, 25.24, -28.29

 

CMYK 14 / 29 / 0 / 32

HEX #957AAD

RGB 149 122 173

HSL 271.76, 0.24%, 0.58%

LAB 55.41, 20.48, -23.19

 

CMYK 18 / 39 / 0 / 48

HEX #6C5184

RGB 108 81 132

HSL 271.76, 0.24%, 0.42%

LAB 39.14, 21.87, -24.39

 

CMYK 0 / 39 / 28 / 48

HEX #84515F

RGB 132 81 95

HSL 343.53, 0.24%, 0.42%

LAB 40.6, 23.34, 0.9

 

CMYK 39 / 0 / 34 / 48

HEX #518457

RGB 81 132 87

HSL 127.06, 0.24%, 0.42%

LAB 50.62, -27.14, 19.05

 

CMYK 18 / 39 / 0 / 48

HEX #6C5184

RGB 108 81 132

HSL 271.76, 0.24%, 0.42%

LAB 39.14, 21.87, -24.39

 

CMYK 0 / 19 / 39 / 48

HEX #846B51

RGB 132 107 81

HSL 30.59, 0.24%, 0.42%

LAB 46.99, 6.03, 18.32

 

CMYK 39 / 0 / 19 / 48

HEX #51846B

RGB 81 132 107

HSL 150.59, 0.24%, 0.42%

LAB 51.05, -23.1, 8.16

 

CMYK 18 / 39 / 0 / 48

HEX #6C5184

RGB 108 81 132

HSL 271.76, 0.24%, 0.42%

LAB 39.14, 21.87, -24.39

 

CMYK 0 / 39 / 28 / 48

HEX #84515F

RGB 132 81 95

HSL 343.53, 0.24%, 0.42%

LAB 40.6, 23.34, 0.9

 

CMYK 20 / 0 / 39 / 48

HEX #6A8451

RGB 106 132 81

HSL 90.59, 0.24%, 0.42%

LAB 52.02, -18.96, 24.55

 

CMYK 39 / 0 / 11 / 48

HEX #518476

RGB 81 132 118

HSL 163.53, 0.24%, 0.42%

LAB 51.34, -20.55, 2.16

 

CMYK 18 / 39 / 0 / 48

HEX #6C5184

RGB 108 81 132

HSL 271.76, 0.24%, 0.42%

LAB 39.14, 21.87, -24.39

 

CMYK 0 / 38 / 39 / 48

HEX #845251

RGB 132 82 81

HSL 1.18, 0.24%, 0.42%

LAB 40.47, 20.78, 9.36

 

CMYK 20 / 0 / 39 / 48

HEX #6A8451

RGB 106 132 81

HSL 90.59, 0.24%, 0.42%

LAB 52.02, -18.96, 24.55

 

CMYK 39 / 1 / 0 / 48

HEX #518384

RGB 81 131 132

HSL 181.18, 0.24%, 0.42%

LAB 51.44, -16.48, -5.86

 

Description

Color code: HEX #6C5184 | qconv.com Color code: HEX #6C5184 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 81 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 81 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 39 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 39% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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