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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 81 129 it is the complementary color RGB 123 174 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 81 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 81 129 shade: RGB 137 81 124, RGB 154 99 143, RGB 171 117 162, RGB 188 135 181 and RGB 205 153 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 81 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 81 129 shade: RGB 132 81 129, RGB 115 63 110, RGB 98 45 91, RGB 81 27 72 and RGB 64 9 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 81 129 shade: RGB 132 81 129, RGB 132 81 115, RGB 132 81 102, RGB 132 81 88 and RGB 132 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 81 129 shade: RGB 132 81 129, RGB 121 81 132, RGB 108 81 132, RGB 94 81 132 and RGB 81 81 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 81 129 shade matches the following richer shades: RGB 132 81 129, RGB 150 64 145, RGB 167 46 160, RGB 184 29 175 and RGB 202 12 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 81 129 shade: RGB 132 81 129, RGB 115 98 114, RGB 98 116 99, RGB 80 133 83 and RGB 63 150 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 81 129 shade: RGB 107 81 132, RGB 121 81 132, RGB 132 81 130, RGB 132 81 116 and RGB 132 81 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 81 129 shade: RGB 81 50 79, RGB 107 65 104, RGB 132 81 129, RGB 158 97 154 and RGB 173 122 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 81 129 shade: RGB 132 81 129, RGB 132 94 81 and RGB 81 132 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 81 129 shade: RGB 132 81 129, RGB 130 132 81 and RGB 81 130 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 81 129 shade: RGB 132 81 129, RGB 132 94 81, RGB 81 132 83 and RGB 81 119 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 81 129 shade: RGB 132 81 129, RGB 132 109 81, RGB 81 132 83 and RGB 81 104 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 2 / 48

HEX #845181

RGB 132 81 129

HSL 303.53, 0.24%, 0.42%

LAB 41.81, 29.31, -18.21

 

Complementary color

CMYK 29 / 0 / 28 / 32

HEX #7BAE7E

RGB 123 174 126

HSL 123.53, 0.24%, 0.58%

LAB 66.51, -26.69, 19.37

 

CMYK 0 / 41 / 9 / 46

HEX #89517C

RGB 137 81 124

HSL 313.93, 0.26%, 0.43%

LAB 42.24, 30.09, -14.43

 

CMYK 0 / 36 / 7 / 40

HEX #9A638F

RGB 154 99 143

HSL 312, 0.22%, 0.5%

LAB 49.22, 29.29, -15.06

 

CMYK 0 / 32 / 5 / 33

HEX #AB75A2

RGB 171 117 162

HSL 310, 0.24%, 0.56%

LAB 56.08, 28.53, -15.61

 

CMYK 0 / 28 / 4 / 26

HEX #BC87B5

RGB 188 135 181

HSL 307.92, 0.28%, 0.63%

LAB 62.81, 27.83, -16.11

 

CMYK 0 / 25 / 2 / 20

HEX #CD99C8

RGB 205 153 200

HSL 305.77, 0.34%, 0.7%

LAB 69.42, 27.18, -16.58

 

CMYK 0 / 39 / 2 / 48

HEX #845181

RGB 132 81 129

HSL 303.53, 0.24%, 0.42%

LAB 41.81, 29.31, -18.21

 

CMYK 0 / 45 / 4 / 55

HEX #733F6E

RGB 115 63 110

HSL 305.77, 0.29%, 0.35%

LAB 34.65, 30.13, -17.64

 

CMYK 0 / 54 / 7 / 62

HEX #622D5B

RGB 98 45 91

HSL 307.92, 0.37%, 0.28%

LAB 27.38, 30.9, -16.9

 

CMYK 0 / 67 / 11 / 68

HEX #511B48

RGB 81 27 72

HSL 310, 0.5%, 0.21%

LAB 20.05, 31.4, -15.81

 

CMYK 0 / 86 / 17 / 75

HEX #400935

RGB 64 9 53

HSL 312, 0.75%, 0.14%

LAB 12.88, 30.96, -13.9

 

CMYK 0 / 39 / 2 / 48

HEX #845181

RGB 132 81 129

HSL 303.53, 0.24%, 0.42%

LAB 41.81, 29.31, -18.21

 

CMYK 0 / 39 / 13 / 48

HEX #845173

RGB 132 81 115

HSL 320, 0.24%, 0.42%

LAB 41.26, 26.67, -10.47

 

CMYK 0 / 39 / 23 / 48

HEX #845166

RGB 132 81 102

HSL 335.29, 0.24%, 0.42%

LAB 40.82, 24.44, -3.12

 

CMYK 0 / 39 / 33 / 48

HEX #845158

RGB 132 81 88

HSL 351.76, 0.24%, 0.42%

LAB 40.4, 22.32, 4.95

 

CMYK 0 / 39 / 39 / 48

HEX #845151

RGB 132 81 81

HSL 0, 0.24%, 0.42%

LAB 40.22, 21.37, 9.02

 

CMYK 0 / 39 / 2 / 48

HEX #845181

RGB 132 81 129

HSL 303.53, 0.24%, 0.42%

LAB 41.81, 29.31, -18.21

 

CMYK 8 / 39 / 0 / 48

HEX #795184

RGB 121 81 132

HSL 287.06, 0.24%, 0.42%

LAB 40.6, 26.2, -22.01

 

CMYK 18 / 39 / 0 / 48

HEX #6C5184

RGB 108 81 132

HSL 271.76, 0.24%, 0.42%

LAB 39.14, 21.87, -24.39

 

CMYK 29 / 39 / 0 / 48

HEX #5E5184

RGB 94 81 132

HSL 255.29, 0.24%, 0.42%

LAB 37.72, 17.35, -26.72

 

CMYK 39 / 39 / 0 / 48

HEX #515184

RGB 81 81 132

HSL 240, 0.24%, 0.42%

LAB 36.56, 13.38, -28.62

 

CMYK 0 / 39 / 2 / 48

HEX #845181

RGB 132 81 129

HSL 303.53, 0.24%, 0.42%

LAB 41.81, 29.31, -18.21

 

CMYK 0 / 57 / 3 / 41

HEX #964091

RGB 150 64 145

HSL 303.49, 0.4%, 0.42%

LAB 41.52, 47.06, -28.17

 

CMYK 0 / 72 / 4 / 35

HEX #A72EA0

RGB 167 46 160

HSL 303.47, 0.57%, 0.42%

LAB 42.32, 61.36, -35.78

 

CMYK 0 / 84 / 5 / 28

HEX #B81DAF

RGB 184 29 175

HSL 303.48, 0.73%, 0.42%

LAB 44.47, 71.84, -41.12

 

CMYK 0 / 94 / 6 / 21

HEX #CA0CBE

RGB 202 12 190

HSL 303.79, 0.89%, 0.42%

LAB 47.67, 79.73, -44.65

 

CMYK 0 / 39 / 2 / 48

HEX #845181

RGB 132 81 129

HSL 303.53, 0.24%, 0.42%

LAB 41.81, 29.31, -18.21

 

CMYK 0 / 15 / 1 / 55

HEX #736272

RGB 115 98 114

HSL 303.53, 0.08%, 0.42%

LAB 43.65, 9.92, -6.48

 

CMYK 16 / 0 / 15 / 55

HEX #627463

RGB 98 116 99

HSL 123.33, 0.08%, 0.42%

LAB 46.96, -10.28, 7.18

 

CMYK 40 / 0 / 38 / 48

HEX #508553

RGB 80 133 83

HSL 123.4, 0.25%, 0.42%

LAB 50.81, -28.67, 21.56

 

CMYK 58 / 0 / 55 / 41

HEX #3F9644

RGB 63 150 68

HSL 123.45, 0.41%, 0.42%

LAB 55.37, -43.56, 35.2

 

CMYK 19 / 39 / 0 / 48

HEX #6B5184

RGB 107 81 132

HSL 270.59, 0.24%, 0.42%

LAB 39.03, 21.54, -24.57

 

CMYK 8 / 39 / 0 / 48

HEX #795184

RGB 121 81 132

HSL 287.06, 0.24%, 0.42%

LAB 40.6, 26.2, -22.01

 

CMYK 0 / 39 / 2 / 48

HEX #845182

RGB 132 81 130

HSL 302.35, 0.24%, 0.42%

LAB 41.85, 29.51, -18.76

 

CMYK 0 / 39 / 12 / 48

HEX #845174

RGB 132 81 116

HSL 318.82, 0.24%, 0.42%

LAB 41.3, 26.85, -11.03

 

CMYK 0 / 39 / 23 / 48

HEX #845166

RGB 132 81 102

HSL 335.29, 0.24%, 0.42%

LAB 40.82, 24.44, -3.12

 

CMYK 0 / 38 / 2 / 68

HEX #51324F

RGB 81 50 79

HSL 303.87, 0.24%, 0.26%

LAB 25.55, 19.39, -12.03

 

CMYK 0 / 39 / 3 / 58

HEX #6B4168

RGB 107 65 104

HSL 304.29, 0.24%, 0.34%

LAB 33.79, 24.95, -15.28

 

CMYK 0 / 39 / 2 / 48

HEX #845181

RGB 132 81 129

HSL 303.53, 0.24%, 0.42%

LAB 41.81, 29.31, -18.21

 

CMYK 0 / 39 / 3 / 38

HEX #9E619A

RGB 158 97 154

HSL 303.93, 0.24%, 0.5%

LAB 49.68, 33.84, -20.83

 

CMYK 0 / 29 / 2 / 32

HEX #AD7AAA

RGB 173 122 170

HSL 303.53, 0.24%, 0.58%

LAB 57.76, 27.91, -17.65

 

CMYK 0 / 39 / 2 / 48

HEX #845181

RGB 132 81 129

HSL 303.53, 0.24%, 0.42%

LAB 41.81, 29.31, -18.21

 

CMYK 0 / 29 / 39 / 48

HEX #845E51

RGB 132 94 81

HSL 15.29, 0.24%, 0.42%

LAB 43.51, 13.69, 13.59

 

CMYK 39 / 0 / 14 / 48

HEX #518472

RGB 81 132 114

HSL 158.82, 0.24%, 0.42%

LAB 51.23, -21.5, 4.34

 

CMYK 0 / 39 / 2 / 48

HEX #845181

RGB 132 81 129

HSL 303.53, 0.24%, 0.42%

LAB 41.81, 29.31, -18.21

 

CMYK 2 / 0 / 39 / 48

HEX #828451

RGB 130 132 81

HSL 62.35, 0.24%, 0.42%

LAB 53.86, -9.06, 27.29

 

CMYK 39 / 2 / 0 / 48

HEX #518284

RGB 81 130 132

HSL 182.35, 0.24%, 0.42%

LAB 51.13, -15.94, -6.32

 

CMYK 0 / 39 / 2 / 48

HEX #845181

RGB 132 81 129

HSL 303.53, 0.24%, 0.42%

LAB 41.81, 29.31, -18.21

 

CMYK 0 / 29 / 39 / 48

HEX #845E51

RGB 132 94 81

HSL 15.29, 0.24%, 0.42%

LAB 43.51, 13.69, 13.59

 

CMYK 39 / 0 / 37 / 48

HEX #518453

RGB 81 132 83

HSL 122.35, 0.24%, 0.42%

LAB 50.54, -27.85, 21.21

 

CMYK 39 / 10 / 0 / 48

HEX #517784

RGB 81 119 132

HSL 195.29, 0.24%, 0.42%

LAB 47.76, -9.81, -11.36

 

CMYK 0 / 39 / 2 / 48

HEX #845181

RGB 132 81 129

HSL 303.53, 0.24%, 0.42%

LAB 41.81, 29.31, -18.21

 

CMYK 0 / 17 / 39 / 48

HEX #846D51

RGB 132 109 81

HSL 32.94, 0.24%, 0.42%

LAB 47.54, 4.86, 19.05

 

CMYK 39 / 0 / 37 / 48

HEX #518453

RGB 81 132 83

HSL 122.35, 0.24%, 0.42%

LAB 50.54, -27.85, 21.21

 

CMYK 39 / 21 / 0 / 48

HEX #516884

RGB 81 104 132

HSL 212.94, 0.24%, 0.42%

LAB 43.24, -1, -18.25

 

Description

Color code: RGB 132 81 129 | qconv.com Color code: RGB 132 81 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 81 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 81 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 2 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 2% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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