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Color name
HEX #6D4B3F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D4B3F it is the complementary color #92B4C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D4B3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D4B3F shade: #724B3A, #835D4D, #946F60, #A58173 and #B69386

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D4B3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D4B3F shade: #6D4B3F, #5C392C, #4B2719, #3A1506 and #290300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D4B3F shade: #6E4B3F and #6E3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D4B3F shade: #6E4B3F, #6E583F, #6E643F, #6A6E3F and #5E6E3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D4B3F shade matches the following richer shades: #6E4B3F, #7C4431, #8A3E23, #983715 and #A63007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D4B3F shade: #6E4B3F, #60524D, #52585B, #445F69 and #356677

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D4B3F shade: #6E3F4C, #6E3F40, #6E4A3F, #6E573F and #6E633F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D4B3F shade: #392721, #533930, #6E4B3F, #885D4E and #A26F5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D4B3F shade: #6D4B3F, #596E3F and #3F466E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D4B3F shade: #6D4B3F, #3F6E4A and #4A3F6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D4B3F shade: #6D4B3F, #596E3F, #3F626E and #543F6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D4B3F shade: #6D4B3F, #4A6E3F, #3F626E and #623F6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 42 / 57

HEX #6D4B3F

RGB 109 75 63

HSL 15.65, 0.27%, 0.34%

LAB 35.29, 12.76, 12.92

 

Complementary color

CMYK 24 / 6 / 0 / 25

HEX #92B4C0

RGB 146 180 192

HSL 195.65, 0.27%, 0.66%

LAB 71.25, -8.76, -9.89

 

CMYK 0 / 34 / 49 / 55

HEX #724B3A

RGB 114 75 58

HSL 18.21, 0.33%, 0.34%

LAB 35.82, 14.39, 16.85

 

CMYK 0 / 29 / 41 / 49

HEX #835D4D

RGB 131 93 77

HSL 17.78, 0.26%, 0.41%

LAB 43.05, 13.35, 15.35

 

CMYK 0 / 25 / 35 / 42

HEX #946F60

RGB 148 111 96

HSL 17.31, 0.21%, 0.48%

LAB 50.11, 12.49, 14.04

 

CMYK 0 / 22 / 30 / 35

HEX #A58173

RGB 165 129 115

HSL 16.8, 0.22%, 0.55%

LAB 57.01, 11.77, 12.89

 

CMYK 0 / 19 / 26 / 29

HEX #B69386

RGB 182 147 134

HSL 16.25, 0.25%, 0.62%

LAB 63.78, 11.15, 11.84

 

CMYK 0 / 31 / 42 / 57

HEX #6D4B3F

RGB 109 75 63

HSL 15.65, 0.27%, 0.34%

LAB 35.29, 12.76, 12.92

 

CMYK 0 / 38 / 52 / 64

HEX #5C392C

RGB 92 57 44

HSL 16.25, 0.35%, 0.27%

LAB 27.8, 13.89, 14.52

 

CMYK 0 / 48 / 67 / 71

HEX #4B2719

RGB 75 39 25

HSL 16.8, 0.5%, 0.2%

LAB 20.11, 15.35, 16.53

 

CMYK 0 / 64 / 90 / 77

HEX #3A1506

RGB 58 21 6

HSL 17.31, 0.81%, 0.13%

LAB 12.28, 17.19, 16.25

 

CMYK 0 / 93 / 100 / 84

HEX #290300

RGB 41 3 0

HSL 4.39, 1%, 0.08%

LAB 4.85, 17.74, 7.59

 

CMYK 0 / 32 / 43 / 57

HEX #6E4B3F

RGB 110 75 63

HSL 15.32, 0.27%, 0.34%

LAB 35.41, 13.2, 13.11

 

CMYK 0 / 43 / 43 / 57

HEX #6E3F3F

RGB 110 63 63

HSL 0, 0.27%, 0.34%

LAB 32.32, 20.49, 8.86

 

CMYK 0 / 32 / 43 / 57

HEX #6E4B3F

RGB 110 75 63

HSL 15.32, 0.27%, 0.34%

LAB 35.41, 13.2, 13.11

 

CMYK 0 / 20 / 43 / 57

HEX #6E583F

RGB 110 88 63

HSL 31.91, 0.27%, 0.34%

LAB 38.99, 5.28, 17.91

 

CMYK 0 / 9 / 43 / 57

HEX #6E643F

RGB 110 100 63

HSL 47.23, 0.27%, 0.34%

LAB 42.44, -1.88, 22.42

 

CMYK 4 / 0 / 43 / 57

HEX #6A6E3F

RGB 106 110 63

HSL 65.11, 0.27%, 0.34%

LAB 45.05, -9.43, 25.66

 

CMYK 15 / 0 / 43 / 57

HEX #5E6E3F

RGB 94 110 63

HSL 80.43, 0.27%, 0.34%

LAB 44.08, -14.63, 24.23

 

CMYK 0 / 32 / 43 / 57

HEX #6E4B3F

RGB 110 75 63

HSL 15.32, 0.27%, 0.34%

LAB 35.41, 13.2, 13.11

 

CMYK 0 / 45 / 60 / 51

HEX #7C4431

RGB 124 68 49

HSL 15.2, 0.43%, 0.34%

LAB 35.28, 22.12, 21.95

 

CMYK 0 / 55 / 75 / 46

HEX #8A3E23

RGB 138 62 35

HSL 15.73, 0.6%, 0.34%

LAB 35.93, 30.5, 31.48

 

CMYK 0 / 64 / 86 / 40

HEX #983715

RGB 152 55 21

HSL 15.57, 0.76%, 0.34%

LAB 36.86, 39.02, 40.43

 

CMYK 0 / 71 / 96 / 35

HEX #A63007

RGB 166 48 7

HSL 15.47, 0.92%, 0.34%

LAB 38.26, 46.83, 47.96

 

CMYK 0 / 32 / 43 / 57

HEX #6E4B3F

RGB 110 75 63

HSL 15.32, 0.27%, 0.34%

LAB 35.41, 13.2, 13.11

 

CMYK 0 / 15 / 20 / 62

HEX #60524D

RGB 96 82 77

HSL 15.79, 0.11%, 0.34%

LAB 36.09, 4.87, 5.07

 

CMYK 10 / 3 / 0 / 64

HEX #52585B

RGB 82 88 91

HSL 200, 0.05%, 0.34%

LAB 36.98, -1.68, -2.55

 

CMYK 35 / 10 / 0 / 59

HEX #445F69

RGB 68 95 105

HSL 196.22, 0.21%, 0.34%

LAB 38.61, -7.27, -8.92

 

CMYK 55 / 14 / 0 / 53

HEX #356677

RGB 53 102 119

HSL 195.45, 0.38%, 0.34%

LAB 40.56, -11.35, -14.61

 

CMYK 0 / 43 / 31 / 57

HEX #6E3F4C

RGB 110 63 76

HSL 343.4, 0.27%, 0.34%

LAB 32.68, 22.3, 1

 

CMYK 0 / 43 / 42 / 57

HEX #6E3F40

RGB 110 63 64

HSL 358.72, 0.27%, 0.34%

LAB 32.35, 20.62, 8.25

 

CMYK 0 / 33 / 43 / 57

HEX #6E4A3F

RGB 110 74 63

HSL 14.04, 0.27%, 0.34%

LAB 35.15, 13.81, 12.75

 

CMYK 0 / 21 / 43 / 57

HEX #6E573F

RGB 110 87 63

HSL 30.64, 0.27%, 0.34%

LAB 38.71, 5.88, 17.54

 

CMYK 0 / 10 / 43 / 57

HEX #6E633F

RGB 110 99 63

HSL 45.96, 0.27%, 0.34%

LAB 42.15, -1.29, 22.04

 

CMYK 0 / 32 / 42 / 78

HEX #392721

RGB 57 39 33

HSL 15, 0.27%, 0.18%

LAB 17.6, 7.49, 7.31

 

CMYK 0 / 31 / 42 / 67

HEX #533930

RGB 83 57 48

HSL 15.43, 0.27%, 0.26%

LAB 26.67, 10.2, 10.2

 

CMYK 0 / 32 / 43 / 57

HEX #6E4B3F

RGB 110 75 63

HSL 15.32, 0.27%, 0.34%

LAB 35.41, 13.2, 13.11

 

CMYK 0 / 32 / 43 / 47

HEX #885D4E

RGB 136 93 78

HSL 15.52, 0.27%, 0.42%

LAB 43.67, 15.62, 15.69

 

CMYK 0 / 31 / 43 / 36

HEX #A26F5D

RGB 162 111 93

HSL 15.65, 0.27%, 0.5%

LAB 51.66, 17.96, 18.18

 

CMYK 0 / 31 / 42 / 57

HEX #6D4B3F

RGB 109 75 63

HSL 15.65, 0.27%, 0.34%

LAB 35.29, 12.76, 12.92

 

CMYK 19 / 0 / 43 / 57

HEX #596E3F

RGB 89 110 63

HSL 86.81, 0.27%, 0.34%

LAB 43.7, -16.73, 23.68

 

CMYK 43 / 36 / 0 / 57

HEX #3F466E

RGB 63 70 110

HSL 231.06, 0.27%, 0.34%

LAB 30.79, 8.44, -24.08

 

CMYK 0 / 31 / 42 / 57

HEX #6D4B3F

RGB 109 75 63

HSL 15.65, 0.27%, 0.34%

LAB 35.29, 12.76, 12.92

 

CMYK 43 / 0 / 33 / 57

HEX #3F6E4A

RGB 63 110 74

HSL 134.04, 0.27%, 0.34%

LAB 42.31, -24.62, 15.18

 

CMYK 33 / 43 / 0 / 57

HEX #4A3F6E

RGB 74 63 110

HSL 254.04, 0.27%, 0.34%

LAB 29.75, 16.44, -25.64

 

CMYK 0 / 31 / 42 / 57

HEX #6D4B3F

RGB 109 75 63

HSL 15.65, 0.27%, 0.34%

LAB 35.29, 12.76, 12.92

 

CMYK 19 / 0 / 43 / 57

HEX #596E3F

RGB 89 110 63

HSL 86.81, 0.27%, 0.34%

LAB 43.7, -16.73, 23.68

 

CMYK 43 / 11 / 0 / 57

HEX #3F626E

RGB 63 98 110

HSL 195.32, 0.27%, 0.34%

LAB 39.44, -9.13, -10.76

 

CMYK 24 / 43 / 0 / 57

HEX #543F6E

RGB 84 63 110

HSL 266.81, 0.27%, 0.34%

LAB 30.8, 19.65, -23.93

 

CMYK 0 / 31 / 42 / 57

HEX #6D4B3F

RGB 109 75 63

HSL 15.65, 0.27%, 0.34%

LAB 35.29, 12.76, 12.92

 

CMYK 33 / 0 / 43 / 57

HEX #4A6E3F

RGB 74 110 63

HSL 105.96, 0.27%, 0.34%

LAB 42.71, -22.69, 22.21

 

CMYK 43 / 11 / 0 / 57

HEX #3F626E

RGB 63 98 110

HSL 195.32, 0.27%, 0.34%

LAB 39.44, -9.13, -10.76

 

CMYK 11 / 43 / 0 / 57

HEX #623F6E

RGB 98 63 110

HSL 284.68, 0.27%, 0.34%

LAB 32.43, 24.33, -21.26

 

Description

Color code: HEX #6D4B3F | qconv.com Color code: HEX #6D4B3F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 75 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 75 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 42 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 42% 57% C M Y K

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