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Color name
HEX #6D592A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D592A it is the complementary color #92A6D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D592A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D592A shade: #725925, #836B38, #947D4B, #A58F5E and #B6A171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D592A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D592A shade: #6D592A, #5C4717, #4B3504, #3A2300 and #291100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D592A shade: #6E5A2A, #6E472A, #6E352A and #6E2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D592A shade: #6E5A2A, #6E6C2A, #5D6E2A, #4B6E2A and #396E2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D592A shade matches the following richer shades: #6E5A2A, #7A5F1E, #866412 and #936905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D592A shade: #6E5A2A, #615537, #555043, #494B4F and #3C465C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D592A shade: #6E362A, #6E482A, #6E592A, #6E6B2A and #5E6E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D592A shade: #322913, #50411F, #6E5A2A, #8B7236 and #A98A41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D592A shade: #6D592A, #316E2A and #3F2A6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D592A shade: #6D592A, #2A6E59 and #592A6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D592A shade: #6D592A, #316E2A, #2A3F6E and #672A6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D592A shade: #6D592A, #2A6E38, #2A3F6E and #6E2A60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 61 / 57

HEX #6D592A

RGB 109 89 42

HSL 42.09, 0.44%, 0.3%

LAB 38.83, 2, 29.84

 

Complementary color

CMYK 31 / 22 / 0 / 16

HEX #92A6D5

RGB 146 166 213

HSL 222.09, 0.44%, 0.7%

LAB 68.16, 3.97, -26.14

 

CMYK 0 / 22 / 68 / 55

HEX #725925

RGB 114 89 37

HSL 40.52, 0.51%, 0.3%

LAB 39.34, 4, 33.22

 

CMYK 0 / 18 / 57 / 49

HEX #836B38

RGB 131 107 56

HSL 40.8, 0.4%, 0.37%

LAB 46.48, 2.87, 31.83

 

CMYK 0 / 16 / 49 / 42

HEX #947D4B

RGB 148 125 75

HSL 41.1, 0.33%, 0.44%

LAB 53.46, 1.99, 30.43

 

CMYK 0 / 13 / 43 / 35

HEX #A58F5E

RGB 165 143 94

HSL 41.41, 0.28%, 0.51%

LAB 60.3, 1.28, 29.08

 

CMYK 0 / 12 / 38 / 29

HEX #B6A171

RGB 182 161 113

HSL 41.74, 0.32%, 0.58%

LAB 67, 0.7, 27.83

 

CMYK 0 / 18 / 61 / 57

HEX #6D592A

RGB 109 89 42

HSL 42.09, 0.44%, 0.3%

LAB 38.83, 2, 29.84

 

CMYK 0 / 23 / 75 / 64

HEX #5C4717

RGB 92 71 23

HSL 41.74, 0.6%, 0.23%

LAB 31.45, 3.27, 31.12

 

CMYK 0 / 29 / 95 / 71

HEX #4B3504

RGB 75 53 4

HSL 41.41, 0.9%, 0.15%

LAB 23.84, 5, 31.44

 

CMYK 0 / 40 / 100 / 77

HEX #3A2300

RGB 58 35 0

HSL 36.21, 1%, 0.11%

LAB 16.01, 7.6, 23.57

 

CMYK 0 / 59 / 100 / 84

HEX #291100

RGB 41 17 0

HSL 24.88, 1%, 0.08%

LAB 7.88, 10.68, 12.02

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 0 / 35 / 62 / 57

HEX #6E472A

RGB 110 71 42

HSL 25.59, 0.45%, 0.3%

LAB 33.96, 13.41, 24.08

 

CMYK 0 / 52 / 62 / 57

HEX #6E352A

RGB 110 53 42

HSL 9.71, 0.45%, 0.3%

LAB 29.48, 24.17, 18.51

 

CMYK 0 / 62 / 62 / 57

HEX #6E2A2A

RGB 110 42 42

HSL 0, 0.45%, 0.3%

LAB 27.12, 30.24, 15.48

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 0 / 2 / 62 / 57

HEX #6E6C2A

RGB 110 108 42

HSL 58.24, 0.45%, 0.3%

LAB 44.53, -8.61, 36.31

 

CMYK 15 / 0 / 62 / 57

HEX #5D6E2A

RGB 93 110 42

HSL 75, 0.45%, 0.3%

LAB 43.72, -17.44, 35.01

 

CMYK 32 / 0 / 62 / 57

HEX #4B6E2A

RGB 75 110 42

HSL 90.88, 0.45%, 0.3%

LAB 42.48, -25.07, 33.28

 

CMYK 48 / 0 / 62 / 57

HEX #396E2A

RGB 57 110 42

HSL 106.76, 0.45%, 0.3%

LAB 41.51, -31.74, 31.92

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 0 / 22 / 75 / 52

HEX #7A5F1E

RGB 122 95 30

HSL 42.39, 0.61%, 0.3%

LAB 41.87, 3.83, 39.55

 

CMYK 0 / 25 / 87 / 47

HEX #866412

RGB 134 100 18

HSL 42.41, 0.76%, 0.3%

LAB 44.56, 6.14, 47.15

 

CMYK 0 / 29 / 97 / 42

HEX #936905

RGB 147 105 5

HSL 42.25, 0.93%, 0.3%

LAB 47.39, 9.1, 53.28

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 0 / 12 / 43 / 62

HEX #615537

RGB 97 85 55

HSL 42.86, 0.28%, 0.3%

LAB 36.58, 0.13, 19.3

 

CMYK 0 / 6 / 21 / 67

HEX #555043

RGB 85 80 67

HSL 43.33, 0.12%, 0.3%

LAB 34.14, -0.43, 8.41

 

CMYK 8 / 5 / 0 / 69

HEX #494B4F

RGB 73 75 79

HSL 220, 0.04%, 0.3%

LAB 31.84, 0.1, -2.66

 

CMYK 35 / 24 / 0 / 64

HEX #3C465C

RGB 60 70 92

HSL 221.25, 0.21%, 0.3%

LAB 29.7, 1.95, -14.33

 

CMYK 0 / 51 / 62 / 57

HEX #6E362A

RGB 110 54 42

HSL 10.59, 0.45%, 0.3%

LAB 29.71, 23.6, 18.81

 

CMYK 0 / 35 / 62 / 57

HEX #6E482A

RGB 110 72 42

HSL 26.47, 0.45%, 0.3%

LAB 34.23, 12.8, 24.4

 

CMYK 0 / 19 / 62 / 57

HEX #6E592A

RGB 110 89 42

HSL 41.47, 0.45%, 0.3%

LAB 38.94, 2.48, 30

 

CMYK 0 / 3 / 62 / 57

HEX #6E6B2A

RGB 110 107 42

HSL 57.35, 0.45%, 0.3%

LAB 44.23, -8.04, 35.98

 

CMYK 15 / 0 / 62 / 57

HEX #5E6E2A

RGB 94 110 42

HSL 74.12, 0.45%, 0.3%

LAB 43.8, -17, 35.12

 

CMYK 0 / 18 / 62 / 80

HEX #322913

RGB 50 41 19

HSL 42.58, 0.45%, 0.14%

LAB 17.04, 0.63, 15.87

 

CMYK 0 / 19 / 61 / 69

HEX #50411F

RGB 80 65 31

HSL 41.63, 0.44%, 0.22%

LAB 28.34, 1.64, 22.92

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 0 / 18 / 61 / 45

HEX #8B7236

RGB 139 114 54

HSL 42.35, 0.44%, 0.38%

LAB 49.24, 2.32, 36.33

 

CMYK 0 / 18 / 62 / 34

HEX #A98A41

RGB 169 138 65

HSL 42.12, 0.44%, 0.46%

LAB 58.97, 3.11, 42.72

 

CMYK 0 / 18 / 61 / 57

HEX #6D592A

RGB 109 89 42

HSL 42.09, 0.44%, 0.3%

LAB 38.83, 2, 29.84

 

CMYK 55 / 0 / 62 / 57

HEX #316E2A

RGB 49 110 42

HSL 113.82, 0.45%, 0.3%

LAB 41.17, -34.28, 31.43

 

CMYK 43 / 62 / 0 / 57

HEX #3F2A6E

RGB 63 42 110

HSL 258.53, 0.45%, 0.3%

LAB 23.13, 26.96, -36.27

 

CMYK 0 / 18 / 61 / 57

HEX #6D592A

RGB 109 89 42

HSL 42.09, 0.44%, 0.3%

LAB 38.83, 2, 29.84

 

CMYK 62 / 0 / 19 / 57

HEX #2A6E59

RGB 42 110 89

HSL 161.47, 0.45%, 0.3%

LAB 41.79, -26.97, 5.38

 

CMYK 19 / 62 / 0 / 57

HEX #592A6E

RGB 89 42 110

HSL 281.47, 0.45%, 0.3%

LAB 26.46, 33.9, -30.74

 

CMYK 0 / 18 / 61 / 57

HEX #6D592A

RGB 109 89 42

HSL 42.09, 0.44%, 0.3%

LAB 38.83, 2, 29.84

 

CMYK 55 / 0 / 62 / 57

HEX #316E2A

RGB 49 110 42

HSL 113.82, 0.45%, 0.3%

LAB 41.17, -34.28, 31.43

 

CMYK 62 / 43 / 0 / 57

HEX #2A3F6E

RGB 42 63 110

HSL 221.47, 0.45%, 0.3%

LAB 27.22, 7.64, -29.81

 

CMYK 6 / 62 / 0 / 57

HEX #672A6E

RGB 103 42 110

HSL 293.82, 0.45%, 0.3%

LAB 28.55, 37.84, -27.3

 

CMYK 0 / 18 / 61 / 57

HEX #6D592A

RGB 109 89 42

HSL 42.09, 0.44%, 0.3%

LAB 38.83, 2, 29.84

 

CMYK 62 / 0 / 49 / 57

HEX #2A6E38

RGB 42 110 56

HSL 132.35, 0.45%, 0.3%

LAB 41.1, -34.14, 23.8

 

CMYK 62 / 43 / 0 / 57

HEX #2A3F6E

RGB 42 63 110

HSL 221.47, 0.45%, 0.3%

LAB 27.22, 7.64, -29.81

 

CMYK 0 / 62 / 13 / 57

HEX #6E2A60

RGB 110 42 96

HSL 312.35, 0.45%, 0.3%

LAB 28.94, 37.26, -17.58

 

Description

Color code: HEX #6D592A | qconv.com Color code: HEX #6D592A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 89 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 89 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 61 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 61% 57% C M Y K

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Provide designers and agencies with accurate color values.

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