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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D75B4 it is the complementary color #928A4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D75B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D75B4 shade: #7275AF, #8387C2, #9499D5, #A5ABE8 and #B6BDFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D75B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D75B4 shade: #6D75B4, #5C63A1, #4B518E, #3A3F7B and #292D68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D75B4 shade: #6E76B4, #796EB4, #8C6EB4, #9F6EB4 and #B26EB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D75B4 shade: #6E76B4 and #6E6EB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D75B4 shade matches the following richer shades: #6E76B4, #5C68C6, #4A5AD7, #394CE9 and #273FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D75B4 shade: #6E76B4, #8083A2, #919190, #A39F7F and #B5AD6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D75B4 shade: #6E9BB4, #6E89B4, #6E76B4, #786EB4 and #8B6EB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D75B4 shade: #464E89, #545DA4, #6E76B4, #898FC2 and #A4A9D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D75B4 shade: #6D75B4, #B46EAE and #92B46E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D75B4 shade: #6D75B4, #B46E76 and #76B46E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D75B4 shade: #6D75B4, #B46EAE, #B4AC6E and #6EB474

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D75B4 shade: #6D75B4, #B46E99, #B4AC6E and #6EB489

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 35 / 0 / 29

HEX #6D75B4

RGB 109 117 180

HSL 233.24, 0.32%, 0.57%

LAB 51, 13.03, -34.33

 

Complementary color

CMYK 0 / 5 / 49 / 43

HEX #928A4B

RGB 146 138 75

HSL 53.24, 0.32%, 0.43%

LAB 56.88, -6.14, 34.6

 

CMYK 35 / 33 / 0 / 31

HEX #7275AF

RGB 114 117 175

HSL 237.05, 0.28%, 0.57%

LAB 51.15, 13.03, -31.18

 

CMYK 32 / 30 / 0 / 24

HEX #8387C2

RGB 131 135 194

HSL 236.19, 0.34%, 0.64%

LAB 58.08, 12.42, -31.17

 

CMYK 31 / 28 / 0 / 16

HEX #9499D5

RGB 148 153 213

HSL 235.38, 0.44%, 0.71%

LAB 64.87, 11.89, -31.2

 

CMYK 29 / 26 / 0 / 9

HEX #A5ABE8

RGB 165 171 232

HSL 234.63, 0.59%, 0.78%

LAB 71.52, 11.42, -31.27

 

CMYK 27 / 25 / 0 / 2

HEX #B6BDFB

RGB 182 189 251

HSL 233.91, 0.9%, 0.85%

LAB 78.05, 11, -31.37

 

CMYK 39 / 35 / 0 / 29

HEX #6D75B4

RGB 109 117 180

HSL 233.24, 0.32%, 0.57%

LAB 51, 13.03, -34.33

 

CMYK 43 / 39 / 0 / 37

HEX #5C63A1

RGB 92 99 161

HSL 233.91, 0.27%, 0.5%

LAB 43.9, 13.83, -34.46

 

CMYK 47 / 43 / 0 / 44

HEX #4B518E

RGB 75 81 142

HSL 234.63, 0.31%, 0.43%

LAB 36.62, 14.82, -34.66

 

CMYK 53 / 49 / 0 / 52

HEX #3A3F7B

RGB 58 63 123

HSL 235.38, 0.36%, 0.35%

LAB 29.12, 16.07, -34.94

 

CMYK 61 / 57 / 0 / 59

HEX #292D68

RGB 41 45 104

HSL 236.19, 0.43%, 0.28%

LAB 21.39, 17.72, -35.3

 

CMYK 39 / 34 / 0 / 29

HEX #6E76B4

RGB 110 118 180

HSL 233.14, 0.32%, 0.57%

LAB 51.34, 12.7, -33.79

 

CMYK 33 / 39 / 0 / 29

HEX #796EB4

RGB 121 110 180

HSL 249.43, 0.32%, 0.57%

LAB 50.11, 20.63, -35.66

 

CMYK 22 / 39 / 0 / 29

HEX #8C6EB4

RGB 140 110 180

HSL 265.71, 0.32%, 0.57%

LAB 51.86, 26.26, -32.79

 

CMYK 12 / 39 / 0 / 29

HEX #9F6EB4

RGB 159 110 180

HSL 282, 0.32%, 0.57%

LAB 53.83, 32.13, -29.57

 

CMYK 1 / 39 / 0 / 29

HEX #B26EB4

RGB 178 110 180

HSL 298.29, 0.32%, 0.57%

LAB 56, 38.12, -26.04

 

CMYK 39 / 34 / 0 / 29

HEX #6E76B4

RGB 110 118 180

HSL 233.14, 0.32%, 0.57%

LAB 51.34, 12.7, -33.79

 

CMYK 39 / 39 / 0 / 29

HEX #6E6EB4

RGB 110 110 180

HSL 240, 0.32%, 0.57%

LAB 49.21, 17.54, -37.15

 

CMYK 39 / 34 / 0 / 29

HEX #6E76B4

RGB 110 118 180

HSL 233.14, 0.32%, 0.57%

LAB 51.34, 12.7, -33.79

 

CMYK 54 / 47 / 0 / 22

HEX #5C68C6

RGB 92 104 198

HSL 233.21, 0.48%, 0.57%

LAB 47.3, 22.32, -50.65

 

CMYK 66 / 58 / 0 / 16

HEX #4A5AD7

RGB 74 90 215

HSL 233.19, 0.64%, 0.57%

LAB 43.76, 33.45, -66.17

 

CMYK 76 / 67 / 0 / 9

HEX #394CE9

RGB 57 76 233

HSL 233.52, 0.8%, 0.57%

LAB 41.09, 46.16, -80.82

 

CMYK 84 / 75 / 0 / 2

HEX #273FFB

RGB 39 63 251

HSL 233.21, 0.96%, 0.57%

LAB 39.5, 58.31, -93.61

 

CMYK 39 / 34 / 0 / 29

HEX #6E76B4

RGB 110 118 180

HSL 233.14, 0.32%, 0.57%

LAB 51.34, 12.7, -33.79

 

CMYK 21 / 19 / 0 / 36

HEX #8083A2

RGB 128 131 162

HSL 234.71, 0.15%, 0.57%

LAB 55.51, 5.75, -16.85

 

CMYK 0 / 0 / 1 / 43

HEX #919190

RGB 145 145 144

HSL 60, 0%, 0.57%

LAB 60.14, -0.19, 0.52

 

CMYK 0 / 2 / 22 / 36

HEX #A39F7F

RGB 163 159 127

HSL 53.33, 0.16%, 0.57%

LAB 65.05, -3.97, 17.26

 

CMYK 0 / 4 / 40 / 29

HEX #B5AD6D

RGB 181 173 109

HSL 53.33, 0.33%, 0.57%

LAB 70.05, -6.6, 33.9

 

CMYK 39 / 14 / 0 / 29

HEX #6E9BB4

RGB 110 155 180

HSL 201.43, 0.32%, 0.57%

LAB 61.7, -8.72, -17.81

 

CMYK 39 / 24 / 0 / 29

HEX #6E89B4

RGB 110 137 180

HSL 216.86, 0.32%, 0.57%

LAB 56.59, 1.45, -25.64

 

CMYK 39 / 34 / 0 / 29

HEX #6E76B4

RGB 110 118 180

HSL 233.14, 0.32%, 0.57%

LAB 51.34, 12.7, -33.79

 

CMYK 33 / 39 / 0 / 29

HEX #786EB4

RGB 120 110 180

HSL 248.57, 0.32%, 0.57%

LAB 50.03, 20.34, -35.8

 

CMYK 23 / 39 / 0 / 29

HEX #8B6EB4

RGB 139 110 180

HSL 264.86, 0.32%, 0.57%

LAB 51.76, 25.95, -32.95

 

CMYK 49 / 43 / 0 / 46

HEX #464E89

RGB 70 78 137

HSL 232.84, 0.32%, 0.41%

LAB 35.12, 13.85, -34.01

 

CMYK 49 / 43 / 0 / 36

HEX #545DA4

RGB 84 93 164

HSL 233.25, 0.32%, 0.49%

LAB 41.84, 16.46, -39.55

 

CMYK 39 / 34 / 0 / 29

HEX #6E76B4

RGB 110 118 180

HSL 233.14, 0.32%, 0.57%

LAB 51.34, 12.7, -33.79

 

CMYK 29 / 26 / 0 / 24

HEX #898FC2

RGB 137 143 194

HSL 233.68, 0.32%, 0.65%

LAB 60.66, 9.55, -27.15

 

CMYK 21 / 19 / 0 / 18

HEX #A4A9D0

RGB 164 169 208

HSL 233.18, 0.32%, 0.73%

LAB 70.05, 6.52, -20.38

 

CMYK 39 / 35 / 0 / 29

HEX #6D75B4

RGB 109 117 180

HSL 233.24, 0.32%, 0.57%

LAB 51, 13.03, -34.33

 

CMYK 0 / 39 / 3 / 29

HEX #B46EAE

RGB 180 110 174

HSL 305.14, 0.32%, 0.57%

LAB 56, 37.63, -22.57

 

CMYK 19 / 0 / 39 / 29

HEX #92B46E

RGB 146 180 110

HSL 89.14, 0.32%, 0.57%

LAB 69.38, -23.9, 32

 

CMYK 39 / 35 / 0 / 29

HEX #6D75B4

RGB 109 117 180

HSL 233.24, 0.32%, 0.57%

LAB 51, 13.03, -34.33

 

CMYK 0 / 39 / 34 / 29

HEX #B46E76

RGB 180 110 118

HSL 353.14, 0.32%, 0.57%

LAB 54.2, 28.79, 7.42

 

CMYK 34 / 0 / 39 / 29

HEX #76B46E

RGB 118 180 110

HSL 113.14, 0.32%, 0.57%

LAB 67.74, -33.86, 29.54

 

CMYK 39 / 35 / 0 / 29

HEX #6D75B4

RGB 109 117 180

HSL 233.24, 0.32%, 0.57%

LAB 51, 13.03, -34.33

 

CMYK 0 / 39 / 3 / 29

HEX #B46EAE

RGB 180 110 174

HSL 305.14, 0.32%, 0.57%

LAB 56, 37.63, -22.57

 

CMYK 0 / 4 / 39 / 29

HEX #B4AC6E

RGB 180 172 110

HSL 53.14, 0.32%, 0.57%

LAB 69.71, -6.36, 32.92

 

CMYK 39 / 0 / 36 / 29

HEX #6EB474

RGB 110 180 116

HSL 125.14, 0.32%, 0.57%

LAB 67.44, -35.48, 25.9

 

CMYK 39 / 35 / 0 / 29

HEX #6D75B4

RGB 109 117 180

HSL 233.24, 0.32%, 0.57%

LAB 51, 13.03, -34.33

 

CMYK 0 / 39 / 15 / 29

HEX #B46E99

RGB 180 110 153

HSL 323.14, 0.32%, 0.57%

LAB 55.23, 33.96, -11.55

 

CMYK 0 / 4 / 39 / 29

HEX #B4AC6E

RGB 180 172 110

HSL 53.14, 0.32%, 0.57%

LAB 69.71, -6.36, 32.92

 

CMYK 39 / 0 / 24 / 29

HEX #6EB489

RGB 110 180 137

HSL 143.14, 0.32%, 0.57%

LAB 67.85, -31.64, 15.12

 

Description

Color code: HEX #6D75B4 | qconv.com Color code: HEX #6D75B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 117 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 117 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 35 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 35% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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