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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D7EC6 it is the complementary color #928139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D7EC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D7EC6 shade: #727EC1, #8390D4, #94A2E7, #A5B4FA and #B6C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D7EC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D7EC6 shade: #6D7EC6, #5C6CB3, #4B5AA0, #3A488D and #29367A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D7EC6 shade: #6C7DC5, #736CC5, #8B6CC5, #A36CC5 and #BB6CC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D7EC6 shade: #6C7DC5 and #6C6CC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D7EC6 shade matches the following richer shades: #6C7DC5, #5B73D6, #4B68E6 and #3A5EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D7EC6 shade: #6C7DC5, #7C87B5, #8D91A4, #9D9B94 and #AEA683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D7EC6 shade: #6CADC5, #6C96C5, #6C7EC5, #726CC5 and #8A6CC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D7EC6 shade: #3E51A0, #4E63BA, #6C7DC5, #8997D1 and #A7B1DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D7EC6 shade: #6D7EC6, #C56CC5 and #A1C56C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D7EC6 shade: #6D7EC6, #C56C7E and #7EC56C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D7EC6 shade: #6D7EC6, #C56CC5, #C5B36C and #6CC56C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D7EC6 shade: #6D7EC6, #C56CAA, #C5B36C and #6CC587

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 36 / 0 / 22

HEX #6D7EC6

RGB 109 126 198

HSL 228.54, 0.44%, 0.6%

LAB 54.29, 12.88, -39.48

 

Complementary color

CMYK 0 / 12 / 61 / 43

HEX #928139

RGB 146 129 57

HSL 48.54, 0.44%, 0.4%

LAB 54.14, -2.75, 40.58

 

CMYK 41 / 35 / 0 / 24

HEX #727EC1

RGB 114 126 193

HSL 230.89, 0.39%, 0.6%

LAB 54.4, 12.71, -36.45

 

CMYK 38 / 32 / 0 / 17

HEX #8390D4

RGB 131 144 212

HSL 230.37, 0.49%, 0.67%

LAB 61.24, 12.03, -36.38

 

CMYK 36 / 30 / 0 / 9

HEX #94A2E7

RGB 148 162 231

HSL 229.88, 0.63%, 0.74%

LAB 67.95, 11.45, -36.35

 

CMYK 34 / 28 / 0 / 2

HEX #A5B4FA

RGB 165 180 250

HSL 229.41, 0.89%, 0.81%

LAB 74.54, 10.93, -36.37

 

CMYK 29 / 22 / 0 / 0

HEX #B6C6FF

RGB 182 198 255

HSL 226.85, 1%, 0.86%

LAB 80.49, 7.06, -29.77

 

CMYK 45 / 36 / 0 / 22

HEX #6D7EC6

RGB 109 126 198

HSL 228.54, 0.44%, 0.6%

LAB 54.29, 12.88, -39.48

 

CMYK 49 / 40 / 0 / 30

HEX #5C6CB3

RGB 92 108 179

HSL 228.97, 0.36%, 0.53%

LAB 47.31, 13.79, -39.65

 

CMYK 53 / 44 / 0 / 37

HEX #4B5AA0

RGB 75 90 160

HSL 229.41, 0.36%, 0.46%

LAB 40.16, 14.91, -39.88

 

CMYK 59 / 49 / 0 / 45

HEX #3A488D

RGB 58 72 141

HSL 229.88, 0.42%, 0.39%

LAB 32.83, 16.34, -40.17

 

CMYK 66 / 56 / 0 / 52

HEX #29367A

RGB 41 54 122

HSL 230.37, 0.5%, 0.32%

LAB 25.31, 18.2, -40.51

 

CMYK 45 / 37 / 0 / 23

HEX #6C7DC5

RGB 108 125 197

HSL 228.54, 0.43%, 0.6%

LAB 53.91, 12.93, -39.53

 

CMYK 42 / 45 / 0 / 23

HEX #736CC5

RGB 115 108 197

HSL 244.72, 0.43%, 0.6%

LAB 49.98, 24.96, -45.71

 

CMYK 29 / 45 / 0 / 23

HEX #8B6CC5

RGB 139 108 197

HSL 260.9, 0.43%, 0.6%

LAB 52.11, 31.35, -42.19

 

CMYK 17 / 45 / 0 / 23

HEX #A36CC5

RGB 163 108 197

HSL 277.08, 0.43%, 0.6%

LAB 54.6, 38.18, -38.1

 

CMYK 5 / 45 / 0 / 23

HEX #BB6CC5

RGB 187 108 197

HSL 293.26, 0.43%, 0.6%

LAB 57.39, 45.22, -33.54

 

CMYK 45 / 37 / 0 / 23

HEX #6C7DC5

RGB 108 125 197

HSL 228.54, 0.43%, 0.6%

LAB 53.91, 12.93, -39.53

 

CMYK 45 / 45 / 0 / 23

HEX #6C6CC5

RGB 108 108 197

HSL 240, 0.43%, 0.6%

LAB 49.43, 23.22, -46.61

 

CMYK 45 / 37 / 0 / 23

HEX #6C7DC5

RGB 108 125 197

HSL 228.54, 0.43%, 0.6%

LAB 53.91, 12.93, -39.53

 

CMYK 57 / 46 / 0 / 16

HEX #5B73D6

RGB 91 115 214

HSL 228.29, 0.6%, 0.6%

LAB 51.08, 20.53, -53.74

 

CMYK 67 / 55 / 0 / 10

HEX #4B68E6

RGB 75 104 230

HSL 228.77, 0.76%, 0.6%

LAB 48.4, 30.04, -67.15

 

CMYK 77 / 62 / 0 / 3

HEX #3A5EF7

RGB 58 94 247

HSL 228.57, 0.92%, 0.6%

LAB 46.47, 40.19, -79.86

 

CMYK 45 / 37 / 0 / 23

HEX #6C7DC5

RGB 108 125 197

HSL 228.54, 0.43%, 0.6%

LAB 53.91, 12.93, -39.53

 

CMYK 31 / 25 / 0 / 29

HEX #7C87B5

RGB 124 135 181

HSL 228.42, 0.28%, 0.6%

LAB 57.03, 6.94, -25.45

 

CMYK 14 / 12 / 0 / 36

HEX #8D91A4

RGB 141 145 164

HSL 229.57, 0.11%, 0.6%

LAB 60.42, 2.54, -10.49

 

CMYK 0 / 1 / 6 / 38

HEX #9D9B94

RGB 157 155 148

HSL 46.67, 0.04%, 0.6%

LAB 63.96, -0.58, 3.91

 

CMYK 0 / 5 / 25 / 32

HEX #AEA683

RGB 174 166 131

HSL 48.84, 0.21%, 0.6%

LAB 67.95, -2.85, 19.2

 

CMYK 45 / 12 / 0 / 23

HEX #6CADC5

RGB 108 173 197

HSL 196.18, 0.43%, 0.6%

LAB 67.36, -14.36, -18.72

 

CMYK 45 / 24 / 0 / 23

HEX #6C96C5

RGB 108 150 197

HSL 211.69, 0.43%, 0.6%

LAB 60.81, -1.71, -28.75

 

CMYK 45 / 36 / 0 / 23

HEX #6C7EC5

RGB 108 126 197

HSL 227.87, 0.43%, 0.6%

LAB 54.18, 12.33, -39.1

 

CMYK 42 / 45 / 0 / 23

HEX #726CC5

RGB 114 108 197

HSL 244.04, 0.43%, 0.6%

LAB 49.9, 24.71, -45.84

 

CMYK 30 / 45 / 0 / 23

HEX #8A6CC5

RGB 138 108 197

HSL 260.22, 0.43%, 0.6%

LAB 52.02, 31.07, -42.35

 

CMYK 61 / 49 / 0 / 37

HEX #3E51A0

RGB 62 81 160

HSL 228.37, 0.44%, 0.44%

LAB 36.83, 17.95, -45.24

 

CMYK 58 / 47 / 0 / 27

HEX #4E63BA

RGB 78 99 186

HSL 228.33, 0.44%, 0.52%

LAB 44.36, 18.56, -48.47

 

CMYK 45 / 37 / 0 / 23

HEX #6C7DC5

RGB 108 125 197

HSL 228.54, 0.43%, 0.6%

LAB 53.91, 12.93, -39.53

 

CMYK 34 / 28 / 0 / 18

HEX #8997D1

RGB 137 151 209

HSL 228.33, 0.44%, 0.68%

LAB 63.39, 8.85, -31.33

 

CMYK 24 / 20 / 0 / 14

HEX #A7B1DC

RGB 167 177 220

HSL 228.68, 0.43%, 0.76%

LAB 72.78, 5.81, -22.79

 

CMYK 45 / 36 / 0 / 22

HEX #6D7EC6

RGB 109 126 198

HSL 228.54, 0.44%, 0.6%

LAB 54.29, 12.88, -39.48

 

CMYK 0 / 45 / 0 / 23

HEX #C56CC5

RGB 197 108 197

HSL 300, 0.43%, 0.6%

LAB 58.63, 48.18, -31.51

 

CMYK 18 / 0 / 45 / 23

HEX #A1C56C

RGB 161 197 108

HSL 84.27, 0.43%, 0.6%

LAB 75.2, -26.79, 40.6

 

CMYK 45 / 36 / 0 / 22

HEX #6D7EC6

RGB 109 126 198

HSL 228.54, 0.44%, 0.6%

LAB 54.29, 12.88, -39.48

 

CMYK 0 / 45 / 36 / 23

HEX #C56C7E

RGB 197 108 126

HSL 347.87, 0.43%, 0.6%

LAB 56.19, 37.23, 5.88

 

CMYK 36 / 0 / 45 / 23

HEX #7EC56C

RGB 126 197 108

HSL 107.87, 0.43%, 0.6%

LAB 73.19, -39.23, 37.65

 

CMYK 45 / 36 / 0 / 22

HEX #6D7EC6

RGB 109 126 198

HSL 228.54, 0.44%, 0.6%

LAB 54.29, 12.88, -39.48

 

CMYK 0 / 45 / 0 / 23

HEX #C56CC5

RGB 197 108 197

HSL 300, 0.43%, 0.6%

LAB 58.63, 48.18, -31.51

 

CMYK 0 / 9 / 45 / 23

HEX #C5B36C

RGB 197 179 108

HSL 47.87, 0.43%, 0.6%

LAB 73.02, -3.31, 38.47

 

CMYK 45 / 0 / 45 / 23

HEX #6CC56C

RGB 108 197 108

HSL 120, 0.43%, 0.6%

LAB 72.36, -44.83, 36.44

 

CMYK 45 / 36 / 0 / 22

HEX #6D7EC6

RGB 109 126 198

HSL 228.54, 0.44%, 0.6%

LAB 54.29, 12.88, -39.48

 

CMYK 0 / 45 / 14 / 23

HEX #C56CAA

RGB 197 108 170

HSL 318.2, 0.43%, 0.6%

LAB 57.56, 43.51, -17.69

 

CMYK 0 / 9 / 45 / 23

HEX #C5B36C

RGB 197 179 108

HSL 47.87, 0.43%, 0.6%

LAB 73.02, -3.31, 38.47

 

CMYK 45 / 0 / 31 / 23

HEX #6CC587

RGB 108 197 135

HSL 138.2, 0.43%, 0.6%

LAB 72.81, -40.38, 23.01

 

Description

Color code: HEX #6D7EC6 | qconv.com Color code: HEX #6D7EC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 126 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 126 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 36 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 36% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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