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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D99C4 it is the complementary color #92663B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D99C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D99C4 shade: #7299BF, #83ABD2, #94BDE5, #A5CFF8 and #B6E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D99C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D99C4 shade: #6D99C4, #5C87B1, #4B759E, #3A638B and #295178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D99C4 shade: #6E99C3, #6E82C3, #716EC3, #886EC3 and #9F6EC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D99C4 shade: #6E99C3, #6E82C3 and #6E6EC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D99C4 shade matches the following richer shades: #6E99C3, #5D99D4, #4D99E4 and #3C9AF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D99C4 shade: #6E99C3, #7E99B3, #8F99A2, #9F9892 and #B09881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D99C4 shade: #6EC3BF, #6EB1C3, #6E9AC3, #6E83C3 and #6F6EC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D99C4 shade: #40709E, #5084B7, #6E99C3, #8BAECF and #A8C2DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D99C4 shade: #6D99C4, #A86EC3 and #BCC36E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D99C4 shade: #6D99C4, #C36E9A and #9AC36E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D99C4 shade: #6D99C4, #A86EC3, #C3976E and #89C36E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D99C4 shade: #6D99C4, #C26EC3, #C3976E and #6FC36E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 22 / 0 / 23

HEX #6D99C4

RGB 109 153 196

HSL 209.66, 0.42%, 0.6%

LAB 61.67, -3.44, -26.86

 

Complementary color

CMYK 0 / 30 / 60 / 43

HEX #92663B

RGB 146 102 59

HSL 29.66, 0.42%, 0.4%

LAB 46.88, 12.83, 31.08

 

CMYK 40 / 20 / 0 / 25

HEX #7299BF

RGB 114 153 191

HSL 209.61, 0.38%, 0.6%

LAB 61.76, -3.53, -23.89

 

CMYK 38 / 19 / 0 / 18

HEX #83ABD2

RGB 131 171 210

HSL 209.62, 0.47%, 0.67%

LAB 68.46, -3.8, -24.1

 

CMYK 35 / 17 / 0 / 10

HEX #94BDE5

RGB 148 189 229

HSL 209.63, 0.61%, 0.74%

LAB 75.04, -4.03, -24.33

 

CMYK 33 / 17 / 0 / 3

HEX #A5CFF8

RGB 165 207 248

HSL 209.64, 0.86%, 0.81%

LAB 81.51, -4.23, -24.57

 

CMYK 29 / 12 / 0 / 0

HEX #B6E1FF

RGB 182 225 255

HSL 204.66, 1%, 0.86%

LAB 87.49, -7.24, -19.11

 

CMYK 44 / 22 / 0 / 23

HEX #6D99C4

RGB 109 153 196

HSL 209.66, 0.42%, 0.6%

LAB 61.67, -3.44, -26.86

 

CMYK 48 / 24 / 0 / 31

HEX #5C87B1

RGB 92 135 177

HSL 209.65, 0.35%, 0.53%

LAB 54.84, -3.02, -26.7

 

CMYK 53 / 26 / 0 / 38

HEX #4B759E

RGB 75 117 158

HSL 209.64, 0.36%, 0.46%

LAB 47.86, -2.49, -26.57

 

CMYK 58 / 29 / 0 / 45

HEX #3A638B

RGB 58 99 139

HSL 209.63, 0.41%, 0.39%

LAB 40.71, -1.78, -26.47

 

CMYK 66 / 33 / 0 / 53

HEX #295178

RGB 41 81 120

HSL 209.62, 0.49%, 0.32%

LAB 33.38, -0.81, -26.39

 

CMYK 44 / 22 / 0 / 24

HEX #6E99C3

RGB 110 153 195

HSL 209.65, 0.41%, 0.6%

LAB 61.69, -3.47, -26.27

 

CMYK 44 / 33 / 0 / 24

HEX #6E82C3

RGB 110 130 195

HSL 225.88, 0.41%, 0.6%

LAB 55.3, 9.86, -36.19

 

CMYK 42 / 44 / 0 / 24

HEX #716EC3

RGB 113 110 195

HSL 242.12, 0.41%, 0.6%

LAB 50.22, 22.66, -44.19

 

CMYK 30 / 44 / 0 / 24

HEX #886EC3

RGB 136 110 195

HSL 258.35, 0.41%, 0.6%

LAB 52.2, 28.83, -40.92

 

CMYK 18 / 44 / 0 / 24

HEX #9F6EC3

RGB 159 110 195

HSL 274.59, 0.41%, 0.6%

LAB 54.51, 35.44, -37.12

 

CMYK 44 / 22 / 0 / 24

HEX #6E99C3

RGB 110 153 195

HSL 209.65, 0.41%, 0.6%

LAB 61.69, -3.47, -26.27

 

CMYK 44 / 33 / 0 / 24

HEX #6E82C3

RGB 110 130 195

HSL 225.88, 0.41%, 0.6%

LAB 55.3, 9.86, -36.19

 

CMYK 44 / 44 / 0 / 24

HEX #6E6EC3

RGB 110 110 195

HSL 240, 0.41%, 0.6%

LAB 49.99, 21.9, -44.57

 

CMYK 44 / 22 / 0 / 24

HEX #6E99C3

RGB 110 153 195

HSL 209.65, 0.41%, 0.6%

LAB 61.69, -3.47, -26.27

 

CMYK 56 / 28 / 0 / 17

HEX #5D99D4

RGB 93 153 212

HSL 209.75, 0.58%, 0.6%

LAB 61.54, -2.35, -36.08

 

CMYK 66 / 33 / 0 / 11

HEX #4D99E4

RGB 77 153 228

HSL 209.8, 0.74%, 0.6%

LAB 61.62, -0.09, -44.88

 

CMYK 76 / 37 / 0 / 4

HEX #3C9AF5

RGB 60 154 245

HSL 209.51, 0.9%, 0.6%

LAB 62.22, 2.89, -53.33

 

CMYK 44 / 22 / 0 / 24

HEX #6E99C3

RGB 110 153 195

HSL 209.65, 0.41%, 0.6%

LAB 61.69, -3.47, -26.27

 

CMYK 30 / 15 / 0 / 30

HEX #7E99B3

RGB 126 153 179

HSL 209.43, 0.26%, 0.6%

LAB 62.06, -3.25, -16.61

 

CMYK 12 / 6 / 0 / 36

HEX #8F99A2

RGB 143 153 162

HSL 208.42, 0.09%, 0.6%

LAB 62.7, -1.7, -5.94

 

CMYK 0 / 4 / 8 / 38

HEX #9F9892

RGB 159 152 146

HSL 27.69, 0.06%, 0.6%

LAB 63.26, 1.47, 4.06

 

CMYK 0 / 14 / 27 / 31

HEX #B09881

RGB 176 152 129

HSL 29.36, 0.23%, 0.6%

LAB 64.38, 5.29, 15.39

 

CMYK 44 / 0 / 2 / 24

HEX #6EC3BF

RGB 110 195 191

HSL 177.18, 0.41%, 0.6%

LAB 73.61, -26.7, -6.04

 

CMYK 44 / 9 / 0 / 24

HEX #6EB1C3

RGB 110 177 195

HSL 192.71, 0.41%, 0.6%

LAB 68.53, -16.52, -15.83

 

CMYK 44 / 21 / 0 / 24

HEX #6E9AC3

RGB 110 154 195

HSL 208.94, 0.41%, 0.6%

LAB 61.97, -4.03, -25.83

 

CMYK 44 / 33 / 0 / 24

HEX #6E83C3

RGB 110 131 195

HSL 225.18, 0.41%, 0.6%

LAB 55.57, 9.27, -35.76

 

CMYK 43 / 44 / 0 / 24

HEX #6F6EC3

RGB 111 110 195

HSL 240.71, 0.41%, 0.6%

LAB 50.06, 22.16, -44.44

 

CMYK 59 / 29 / 0 / 38

HEX #40709E

RGB 64 112 158

HSL 209.36, 0.42%, 0.44%

LAB 45.83, -1.97, -29.78

 

CMYK 56 / 28 / 0 / 28

HEX #5084B7

RGB 80 132 183

HSL 209.71, 0.42%, 0.52%

LAB 53.63, -2.2, -32.07

 

CMYK 44 / 22 / 0 / 24

HEX #6E99C3

RGB 110 153 195

HSL 209.65, 0.41%, 0.6%

LAB 61.69, -3.47, -26.27

 

CMYK 33 / 16 / 0 / 19

HEX #8BAECF

RGB 139 174 207

HSL 209.12, 0.41%, 0.68%

LAB 69.66, -3.98, -20.59

 

CMYK 23 / 11 / 0 / 14

HEX #A8C2DB

RGB 168 194 219

HSL 209.41, 0.41%, 0.76%

LAB 77.29, -3.33, -15.4

 

CMYK 44 / 22 / 0 / 23

HEX #6D99C4

RGB 109 153 196

HSL 209.66, 0.42%, 0.6%

LAB 61.67, -3.44, -26.86

 

CMYK 14 / 44 / 0 / 24

HEX #A86EC3

RGB 168 110 195

HSL 280.94, 0.41%, 0.6%

LAB 55.5, 38.1, -35.51

 

CMYK 4 / 0 / 44 / 24

HEX #BCC36E

RGB 188 195 110

HSL 64.94, 0.41%, 0.6%

LAB 76.59, -15.04, 41.75

 

CMYK 44 / 22 / 0 / 23

HEX #6D99C4

RGB 109 153 196

HSL 209.66, 0.42%, 0.6%

LAB 61.67, -3.44, -26.86

 

CMYK 0 / 44 / 21 / 24

HEX #C36E9A

RGB 195 110 154

HSL 328.94, 0.41%, 0.6%

LAB 57.16, 39.29, -9.05

 

CMYK 21 / 0 / 44 / 24

HEX #9AC36E

RGB 154 195 110

HSL 88.94, 0.41%, 0.6%

LAB 74.21, -28.21, 38.26

 

CMYK 44 / 22 / 0 / 23

HEX #6D99C4

RGB 109 153 196

HSL 209.66, 0.42%, 0.6%

LAB 61.67, -3.44, -26.86

 

CMYK 14 / 44 / 0 / 24

HEX #A86EC3

RGB 168 110 195

HSL 280.94, 0.41%, 0.6%

LAB 55.5, 38.1, -35.51

 

CMYK 0 / 23 / 44 / 24

HEX #C3976E

RGB 195 151 110

HSL 28.94, 0.41%, 0.6%

LAB 65.64, 11.16, 27.9

 

CMYK 30 / 0 / 44 / 24

HEX #89C36E

RGB 137 195 110

HSL 100.94, 0.41%, 0.6%

LAB 73.2, -34.34, 36.78

 

CMYK 44 / 22 / 0 / 23

HEX #6D99C4

RGB 109 153 196

HSL 209.66, 0.42%, 0.6%

LAB 61.67, -3.44, -26.86

 

CMYK 1 / 44 / 0 / 24

HEX #C26EC3

RGB 194 110 195

HSL 299.29, 0.41%, 0.6%

LAB 58.57, 45.88, -30.5

 

CMYK 0 / 23 / 44 / 24

HEX #C3976E

RGB 195 151 110

HSL 28.94, 0.41%, 0.6%

LAB 65.64, 11.16, 27.9

 

CMYK 43 / 0 / 44 / 24

HEX #6FC36E

RGB 111 195 110

HSL 119.29, 0.41%, 0.6%

LAB 71.92, -42.79, 34.88

 

Description

Color code: HEX #6D99C4 | qconv.com Color code: HEX #6D99C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 153 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 153 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 22 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 22% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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