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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E1EA3 it is the complementary color #91E15C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E1EA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E1EA3 shade: #731E9E, #8430B1, #9542C4, #A654D7 and #B766EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E1EA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E1EA3 shade: #6E1EA3, #5D0C90, #4C007D, #3B006A and #2A0057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E1EA3 shade: #6E1EA3, #921EA3, #A31E90, #A31E6C and #A31E48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E1EA3 shade: #6E1EA3, #4A1EA3, #261EA3 and #1E1EA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E1EA3 shade matches the following richer shades: #6E1EA3 and #710EB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E1EA3 shade: #6E1EA3, #6B2D94, #683D84, #644D74 and #615C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E1EA3 shade: #261EA3, #4A1EA3, #6E1EA3, #911EA3 and #A31E91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E1EA3 shade: #3F115E, #561780, #6E1EA3, #8524C6 and #9A39DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E1EA3 shade: #6E1EA3, #A31E38 and #1EA338

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E1EA3 shade: #6E1EA3, #A36E1E and #1EA36E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E1EA3 shade: #6E1EA3, #A31E38, #53A31E and #1EA389

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E1EA3 shade: #6E1EA3, #A32B1E, #53A31E and #1E96A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

Complementary color

CMYK 36 / 0 / 59 / 12

HEX #91E15C

RGB 145 225 92

HSL 96.09, 0.69%, 0.62%

LAB 82.19, -46.86, 56.18

 

CMYK 27 / 81 / 0 / 38

HEX #731E9E

RGB 115 30 158

HSL 279.84, 0.68%, 0.37%

LAB 31.9, 55.72, -51.73

 

CMYK 25 / 73 / 0 / 31

HEX #8430B1

RGB 132 48 177

HSL 279.07, 0.57%, 0.44%

LAB 38.19, 56.24, -52.84

 

CMYK 24 / 66 / 0 / 23

HEX #9542C4

RGB 149 66 196

HSL 278.31, 0.52%, 0.51%

LAB 44.62, 56.08, -53.5

 

CMYK 23 / 61 / 0 / 16

HEX #A654D7

RGB 166 84 215

HSL 277.56, 0.62%, 0.59%

LAB 51.1, 55.55, -53.9

 

CMYK 22 / 56 / 0 / 8

HEX #B766EA

RGB 183 102 234

HSL 276.82, 0.76%, 0.66%

LAB 57.57, 54.85, -54.15

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 35 / 92 / 0 / 44

HEX #5D0C90

RGB 93 12 144

HSL 276.82, 0.85%, 0.31%

LAB 25.57, 54.29, -53.6

 

CMYK 39 / 100 / 0 / 51

HEX #4C007D

RGB 76 0 125

HSL 276.48, 1%, 0.25%

LAB 20.11, 50.7, -50.73

 

CMYK 44 / 100 / 0 / 58

HEX #3B006A

RGB 59 0 106

HSL 273.4, 1%, 0.21%

LAB 15.33, 44.55, -46.4

 

CMYK 52 / 100 / 0 / 66

HEX #2A0057

RGB 42 0 87

HSL 268.97, 1%, 0.17%

LAB 10.41, 38.25, -41.92

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 10 / 82 / 0 / 36

HEX #921EA3

RGB 146 30 163

HSL 292.33, 0.69%, 0.38%

LAB 37.27, 62.38, -45.84

 

CMYK 0 / 82 / 12 / 36

HEX #A31E90

RGB 163 30 144

HSL 308.57, 0.69%, 0.38%

LAB 39.12, 62.77, -31.19

 

CMYK 0 / 82 / 34 / 36

HEX #A31E6C

RGB 163 30 108

HSL 324.81, 0.69%, 0.38%

LAB 37.48, 58.08, -11.36

 

CMYK 0 / 82 / 56 / 36

HEX #A31E48

RGB 163 30 72

HSL 341.05, 0.69%, 0.38%

LAB 36.33, 54.68, 10.03

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 55 / 82 / 0 / 36

HEX #4A1EA3

RGB 74 30 163

HSL 259.85, 0.69%, 0.38%

LAB 26.82, 50.69, -63.31

 

CMYK 77 / 82 / 0 / 36

HEX #261EA3

RGB 38 30 163

HSL 243.61, 0.69%, 0.38%

LAB 23.62, 47.19, -68.7

 

CMYK 82 / 82 / 0 / 36

HEX #1E1EA3

RGB 30 30 163

HSL 240, 0.69%, 0.38%

LAB 23.17, 46.69, -69.47

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 37 / 92 / 0 / 30

HEX #710EB3

RGB 113 14 179

HSL 276, 0.85%, 0.38%

LAB 31.99, 63.98, -64.25

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 28 / 70 / 0 / 42

HEX #6B2D94

RGB 107 45 148

HSL 276.12, 0.53%, 0.38%

LAB 32.13, 45.79, -45.33

 

CMYK 21 / 54 / 0 / 48

HEX #683D84

RGB 104 61 132

HSL 276.34, 0.37%, 0.38%

LAB 33.87, 32.64, -32.7

 

CMYK 14 / 34 / 0 / 55

HEX #644D74

RGB 100 77 116

HSL 275.38, 0.2%, 0.38%

LAB 36.51, 17.76, -18.67

 

CMYK 4 / 9 / 0 / 60

HEX #615C65

RGB 97 92 101

HSL 273.33, 0.05%, 0.38%

LAB 39.81, 3.89, -4.43

 

CMYK 77 / 82 / 0 / 36

HEX #261EA3

RGB 38 30 163

HSL 243.61, 0.69%, 0.38%

LAB 23.62, 47.19, -68.7

 

CMYK 55 / 82 / 0 / 36

HEX #4A1EA3

RGB 74 30 163

HSL 259.85, 0.69%, 0.38%

LAB 26.82, 50.69, -63.31

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 11 / 82 / 0 / 36

HEX #911EA3

RGB 145 30 163

HSL 291.88, 0.69%, 0.38%

LAB 37.1, 62.19, -46.12

 

CMYK 0 / 82 / 11 / 36

HEX #A31E91

RGB 163 30 145

HSL 308.12, 0.69%, 0.38%

LAB 39.17, 62.91, -31.72

 

CMYK 33 / 82 / 0 / 63

HEX #3F115E

RGB 63 17 94

HSL 275.84, 0.69%, 0.22%

LAB 16.82, 36.27, -35.99

 

CMYK 33 / 82 / 0 / 50

HEX #561780

RGB 86 23 128

HSL 276, 0.7%, 0.3%

LAB 24.16, 46.39, -45.94

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 33 / 82 / 0 / 22

HEX #8524C6

RGB 133 36 198

HSL 275.93, 0.69%, 0.46%

LAB 38.42, 65.27, -64.81

 

CMYK 29 / 74 / 0 / 15

HEX #9A39DA

RGB 154 57 218

HSL 276.15, 0.69%, 0.54%

LAB 45.44, 65.65, -64.82

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 0 / 82 / 66 / 36

HEX #A31E38

RGB 163 30 56

HSL 348.27, 0.69%, 0.38%

LAB 35.99, 53.62, 19.87

 

CMYK 82 / 0 / 66 / 36

HEX #1EA338

RGB 30 163 56

HSL 131.73, 0.69%, 0.38%

LAB 58.75, -55.97, 44.59

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 0 / 33 / 82 / 36

HEX #A36E1E

RGB 163 110 30

HSL 36.09, 0.69%, 0.38%

LAB 50.72, 14.25, 49.69

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 0 / 82 / 66 / 36

HEX #A31E38

RGB 163 30 56

HSL 348.27, 0.69%, 0.38%

LAB 35.99, 53.62, 19.87

 

CMYK 49 / 0 / 82 / 36

HEX #53A31E

RGB 83 163 30

HSL 96.09, 0.69%, 0.38%

LAB 60, -46.45, 55.93

 

CMYK 82 / 0 / 16 / 36

HEX #1EA389

RGB 30 163 137

HSL 168.27, 0.69%, 0.38%

LAB 60.14, -40.26, 3.83

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 0 / 74 / 82 / 36

HEX #A32B1E

RGB 163 43 30

HSL 5.86, 0.69%, 0.38%

LAB 37.13, 48.23, 36.89

 

CMYK 49 / 0 / 82 / 36

HEX #53A31E

RGB 83 163 30

HSL 96.09, 0.69%, 0.38%

LAB 60, -46.45, 55.93

 

CMYK 82 / 8 / 0 / 36

HEX #1E96A3

RGB 30 150 163

HSL 185.86, 0.69%, 0.38%

LAB 56.81, -26.44, -15.85

 

Description

Color code: HEX #6E1EA3 | qconv.com Color code: HEX #6E1EA3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 30 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 30 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 82 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 82% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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