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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EA36E it is the complementary color #E15C91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EA36E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EA36E shade: #23A369, #34B57C, #45C78F, #56D9A2 and #67EBB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EA36E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EA36E shade: #1EA36E, #0D915B, #007F48, #006D35 and #005B22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EA36E shade: #1EA36E, #1EA34A, #1EA326, #39A31E and #5DA31E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EA36E shade: #1EA36E, #1EA392, #1E90A3, #1E6CA3 and #1E48A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EA36E shade matches the following richer shades: #1EA36E and #0EB371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EA36E shade: #1EA36E, #2D946B, #3D8468, #4D7464 and #5C6561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EA36E shade: #1EA326, #1EA34A, #1EA36E, #1EA391 and #1E91A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EA36E shade: #115E3F, #178056, #1EA36E, #24C685 and #39DA9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EA36E shade: #1EA36E, #1E38A3 and #A3381E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EA36E shade: #1EA36E, #6E1EA3 and #A36E1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EA36E shade: #1EA36E, #1E38A3, #A31E53 and #A3891E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EA36E shade: #1EA36E, #2B1EA3, #A31E53 and #96A31E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

Complementary color

CMYK 0 / 59 / 36 / 12

HEX #E15C91

RGB 225 92 145

HSL 336.09, 0.69%, 0.62%

LAB 57.76, 56.74, -2.45

 

CMYK 79 / 0 / 36 / 36

HEX #23A369

RGB 35 163 105

HSL 152.81, 0.65%, 0.39%

LAB 59.5, -47.41, 20.76

 

CMYK 71 / 0 / 31 / 29

HEX #34B57C

RGB 52 181 124

HSL 153.49, 0.55%, 0.46%

LAB 65.93, -48.13, 19.23

 

CMYK 65 / 0 / 28 / 22

HEX #45C78F

RGB 69 199 143

HSL 154.15, 0.54%, 0.53%

LAB 72.29, -48.53, 17.84

 

CMYK 60 / 0 / 25 / 15

HEX #56D9A2

RGB 86 217 162

HSL 154.81, 0.63%, 0.59%

LAB 78.59, -48.73, 16.58

 

CMYK 56 / 0 / 23 / 8

HEX #67EBB5

RGB 103 235 181

HSL 155.45, 0.77%, 0.66%

LAB 84.81, -48.79, 15.42

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 91 / 0 / 37 / 43

HEX #0D915B

RGB 13 145 91

HSL 155.45, 0.84%, 0.31%

LAB 53.05, -45.55, 19.75

 

CMYK 100 / 0 / 43 / 50

HEX #007F48

RGB 0 127 72

HSL 154.02, 1%, 0.25%

LAB 46.51, -43.58, 21.66

 

CMYK 100 / 0 / 51 / 57

HEX #006D35

RGB 0 109 53

HSL 149.17, 1%, 0.21%

LAB 39.91, -40.66, 23.8

 

CMYK 100 / 0 / 63 / 64

HEX #005B22

RGB 0 91 34

HSL 142.42, 1%, 0.18%

LAB 33.13, -37.42, 25.9

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 82 / 0 / 55 / 36

HEX #1EA34A

RGB 30 163 74

HSL 139.85, 0.69%, 0.38%

LAB 58.94, -53.61, 36.35

 

CMYK 82 / 0 / 77 / 36

HEX #1EA326

RGB 30 163 38

HSL 123.61, 0.69%, 0.38%

LAB 58.61, -57.66, 51.56

 

CMYK 65 / 0 / 82 / 36

HEX #39A31E

RGB 57 163 30

HSL 107.82, 0.69%, 0.38%

LAB 59.12, -53.48, 54.79

 

CMYK 43 / 0 / 82 / 36

HEX #5DA31E

RGB 93 163 30

HSL 91.58, 0.69%, 0.38%

LAB 60.44, -43.18, 56.49

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 82 / 0 / 10 / 36

HEX #1EA392

RGB 30 163 146

HSL 172.33, 0.69%, 0.38%

LAB 60.38, -37.79, -0.88

 

CMYK 82 / 12 / 0 / 36

HEX #1E90A3

RGB 30 144 163

HSL 188.57, 0.69%, 0.38%

LAB 54.93, -23.38, -18.71

 

CMYK 82 / 34 / 0 / 36

HEX #1E6CA3

RGB 30 108 163

HSL 204.81, 0.69%, 0.38%

LAB 43.72, -3.09, -36.13

 

CMYK 82 / 56 / 0 / 36

HEX #1E48A3

RGB 30 72 163

HSL 221.05, 0.69%, 0.38%

LAB 33.04, 20.37, -53.25

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 92 / 0 / 37 / 30

HEX #0EB371

RGB 14 179 113

HSL 156, 0.85%, 0.38%

LAB 64.58, -53.55, 23.24

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 70 / 0 / 28 / 42

HEX #2D946B

RGB 45 148 107

HSL 156.12, 0.53%, 0.38%

LAB 54.86, -39.36, 13.33

 

CMYK 54 / 0 / 21 / 48

HEX #3D8468

RGB 61 132 104

HSL 156.34, 0.37%, 0.38%

LAB 50.09, -29.42, 8.41

 

CMYK 34 / 0 / 14 / 55

HEX #4D7464

RGB 77 116 100

HSL 155.38, 0.2%, 0.38%

LAB 45.62, -17.54, 4.49

 

CMYK 9 / 0 / 4 / 60

HEX #5C6561

RGB 92 101 97

HSL 153.33, 0.05%, 0.38%

LAB 41.92, -4.33, 1.07

 

CMYK 82 / 0 / 77 / 36

HEX #1EA326

RGB 30 163 38

HSL 123.61, 0.69%, 0.38%

LAB 58.61, -57.66, 51.56

 

CMYK 82 / 0 / 55 / 36

HEX #1EA34A

RGB 30 163 74

HSL 139.85, 0.69%, 0.38%

LAB 58.94, -53.61, 36.35

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 82 / 0 / 11 / 36

HEX #1EA391

RGB 30 163 145

HSL 171.88, 0.69%, 0.38%

LAB 60.35, -38.07, -0.36

 

CMYK 82 / 11 / 0 / 36

HEX #1E91A3

RGB 30 145 163

HSL 188.12, 0.69%, 0.38%

LAB 55.25, -23.9, -18.23

 

CMYK 82 / 0 / 33 / 63

HEX #115E3F

RGB 17 94 63

HSL 155.84, 0.69%, 0.22%

LAB 34.97, -30.73, 11.48

 

CMYK 82 / 0 / 33 / 50

HEX #178056

RGB 23 128 86

HSL 156, 0.7%, 0.3%

LAB 47.36, -39.01, 14.87

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 82 / 0 / 33 / 22

HEX #24C685

RGB 36 198 133

HSL 155.93, 0.69%, 0.46%

LAB 71.18, -54.77, 21.55

 

CMYK 74 / 0 / 29 / 15

HEX #39DA9A

RGB 57 218 154

HSL 156.15, 0.69%, 0.54%

LAB 78.08, -55.55, 19.99

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 82 / 66 / 0 / 36

HEX #1E38A3

RGB 30 56 163

HSL 228.27, 0.69%, 0.38%

LAB 28.77, 31.15, -60.22

 

CMYK 0 / 66 / 82 / 36

HEX #A3381E

RGB 163 56 30

HSL 11.73, 0.69%, 0.38%

LAB 39.09, 42.9, 38.8

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 0 / 33 / 82 / 36

HEX #A36E1E

RGB 163 110 30

HSL 36.09, 0.69%, 0.38%

LAB 50.72, 14.25, 49.69

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 82 / 66 / 0 / 36

HEX #1E38A3

RGB 30 56 163

HSL 228.27, 0.69%, 0.38%

LAB 28.77, 31.15, -60.22

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 0 / 16 / 82 / 36

HEX #A3891E

RGB 163 137 30

HSL 48.27, 0.69%, 0.38%

LAB 57.82, -0.92, 56.03

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 74 / 82 / 0 / 36

HEX #2B1EA3

RGB 43 30 163

HSL 245.86, 0.69%, 0.38%

LAB 23.96, 47.55, -68.13

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 8 / 0 / 82 / 36

HEX #96A31E

RGB 150 163 30

HSL 65.86, 0.69%, 0.38%

LAB 63.98, -20.53, 60.99

 

Description

Color code: HEX #1EA36E | qconv.com Color code: HEX #1EA36E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 163 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 163 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 33 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 33% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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