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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A31E53 it is the complementary color #5CE1AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A31E53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A31E53 shade: #A81E4E, #B93061, #CA4274, #DB5487 and #EC669A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A31E53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A31E53 shade: #A31E53, #920C40, #81002D, #70001A and #5F0007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A31E53 shade: #A31E53, #A31E2F and #A31E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A31E53 shade: #A31E53, #A31E77, #A31E9B, #881EA3 and #631EA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A31E53 shade matches the following richer shades: #A31E53 and #B30E50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A31E53 shade: #A31E53, #942D56, #843D59, #744D5C and #655C60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A31E53 shade: #A31E9A, #A31E77, #A31E53, #A31E2F and #A32F1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A31E53 shade: #5E112F, #801741, #A31E53, #C62465 and #DA3979

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A31E53 shade: #A31E53, #A3891E and #1E89A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A31E53 shade: #A31E53, #53A31E and #1E53A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A31E53 shade: #A31E53, #A3891E, #1EA36E and #1E38A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A31E53 shade: #A31E53, #96A31E, #1EA36E and #2B1EA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

Complementary color

CMYK 59 / 0 / 24 / 12

HEX #5CE1AC

RGB 92 225 172

HSL 156.09, 0.69%, 0.62%

LAB 81.35, -48.74, 15.21

 

CMYK 0 / 82 / 54 / 34

HEX #A81E4E

RGB 168 30 78

HSL 339.13, 0.7%, 0.39%

LAB 37.49, 56.52, 7.93

 

CMYK 0 / 74 / 48 / 27

HEX #B93061

RGB 185 48 97

HSL 338.54, 0.59%, 0.46%

LAB 43.2, 57.41, 4.47

 

CMYK 0 / 67 / 43 / 21

HEX #CA4274

RGB 202 66 116

HSL 337.94, 0.56%, 0.53%

LAB 49.15, 57.56, 1.77

 

CMYK 0 / 62 / 38 / 14

HEX #DB5487

RGB 219 84 135

HSL 337.33, 0.65%, 0.59%

LAB 55.23, 57.27, -0.4

 

CMYK 0 / 57 / 35 / 7

HEX #EC669A

RGB 236 102 154

HSL 336.72, 0.78%, 0.66%

LAB 61.37, 56.73, -2.18

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 0 / 92 / 56 / 43

HEX #920C40

RGB 146 12 64

HSL 336.72, 0.85%, 0.31%

LAB 31.22, 53.5, 7.6

 

CMYK 0 / 100 / 65 / 49

HEX #81002D

RGB 129 0 45

HSL 339.07, 1%, 0.25%

LAB 26.32, 49.84, 13.12

 

CMYK 0 / 100 / 77 / 56

HEX #70001A

RGB 112 0 26

HSL 346.07, 1%, 0.22%

LAB 22.01, 44.41, 19.89

 

CMYK 0 / 100 / 93 / 63

HEX #5F0007

RGB 95 0 7

HSL 355.58, 1%, 0.19%

LAB 17.68, 39.09, 24.44

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 0 / 82 / 71 / 36

HEX #A31E2F

RGB 163 30 47

HSL 352.33, 0.69%, 0.38%

LAB 35.83, 53.14, 25.39

 

CMYK 0 / 82 / 82 / 36

HEX #A31E1E

RGB 163 30 30

HSL 0, 0.69%, 0.38%

LAB 35.61, 52.47, 35.39

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 0 / 82 / 27 / 36

HEX #A31E77

RGB 163 30 119

HSL 319.85, 0.69%, 0.38%

LAB 37.93, 59.39, -17.59

 

CMYK 0 / 82 / 5 / 36

HEX #A31E9B

RGB 163 30 155

HSL 303.61, 0.69%, 0.38%

LAB 39.72, 64.42, -36.93

 

CMYK 17 / 82 / 0 / 36

HEX #881EA3

RGB 136 30 163

HSL 287.82, 0.69%, 0.38%

LAB 35.61, 60.51, -48.6

 

CMYK 39 / 82 / 0 / 36

HEX #631EA3

RGB 99 30 163

HSL 271.13, 0.69%, 0.38%

LAB 29.97, 54.2, -58.01

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 0 / 92 / 55 / 30

HEX #B30E50

RGB 179 14 80

HSL 336, 0.85%, 0.38%

LAB 38.69, 62.65, 8.65

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 0 / 70 / 42 / 42

HEX #942D56

RGB 148 45 86

HSL 336.12, 0.53%, 0.38%

LAB 35.68, 46.41, -0.31

 

CMYK 0 / 54 / 33 / 48

HEX #843D59

RGB 132 61 89

HSL 336.34, 0.37%, 0.38%

LAB 35.92, 33.76, -2.2

 

CMYK 0 / 34 / 21 / 55

HEX #744D5C

RGB 116 77 92

HSL 336.92, 0.2%, 0.38%

LAB 37.47, 18.88, -2.06

 

CMYK 0 / 9 / 5 / 60

HEX #655C60

RGB 101 92 96

HSL 333.33, 0.05%, 0.38%

LAB 40.02, 4.41, -0.98

 

CMYK 0 / 82 / 6 / 36

HEX #A31E9A

RGB 163 30 154

HSL 304.06, 0.69%, 0.38%

LAB 39.66, 64.26, -36.41

 

CMYK 0 / 82 / 27 / 36

HEX #A31E77

RGB 163 30 119

HSL 319.85, 0.69%, 0.38%

LAB 37.93, 59.39, -17.59

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 0 / 82 / 71 / 36

HEX #A31E2F

RGB 163 30 47

HSL 352.33, 0.69%, 0.38%

LAB 35.83, 53.14, 25.39

 

CMYK 0 / 71 / 82 / 36

HEX #A32F1E

RGB 163 47 30

HSL 7.67, 0.69%, 0.38%

LAB 37.69, 46.7, 37.44

 

CMYK 0 / 82 / 50 / 63

HEX #5E112F

RGB 94 17 47

HSL 336.62, 0.69%, 0.22%

LAB 19.99, 36.26, 1.74

 

CMYK 0 / 82 / 49 / 50

HEX #801741

RGB 128 23 65

HSL 336, 0.7%, 0.3%

LAB 28.34, 46.21, 2.32

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 0 / 82 / 49 / 22

HEX #C62465

RGB 198 36 101

HSL 335.93, 0.69%, 0.46%

LAB 44.53, 64.79, 4.21

 

CMYK 0 / 74 / 44 / 15

HEX #DA3979

RGB 218 57 121

HSL 336.15, 0.69%, 0.54%

LAB 50.93, 65.82, 1.69

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 0 / 16 / 82 / 36

HEX #A3891E

RGB 163 137 30

HSL 48.27, 0.69%, 0.38%

LAB 57.82, -0.92, 56.03

 

CMYK 82 / 16 / 0 / 36

HEX #1E89A3

RGB 30 137 163

HSL 191.73, 0.69%, 0.38%

LAB 52.74, -19.7, -22.07

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 49 / 0 / 82 / 36

HEX #53A31E

RGB 83 163 30

HSL 96.09, 0.69%, 0.38%

LAB 60, -46.45, 55.93

 

CMYK 82 / 49 / 0 / 36

HEX #1E53A3

RGB 30 83 163

HSL 216.09, 0.69%, 0.38%

LAB 36.19, 12.96, -48.15

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 0 / 16 / 82 / 36

HEX #A3891E

RGB 163 137 30

HSL 48.27, 0.69%, 0.38%

LAB 57.82, -0.92, 56.03

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 82 / 66 / 0 / 36

HEX #1E38A3

RGB 30 56 163

HSL 228.27, 0.69%, 0.38%

LAB 28.77, 31.15, -60.22

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 8 / 0 / 82 / 36

HEX #96A31E

RGB 150 163 30

HSL 65.86, 0.69%, 0.38%

LAB 63.98, -20.53, 60.99

 

CMYK 82 / 0 / 33 / 36

HEX #1EA36E

RGB 30 163 110

HSL 156.09, 0.69%, 0.38%

LAB 59.52, -46.9, 18.04

 

CMYK 74 / 82 / 0 / 36

HEX #2B1EA3

RGB 43 30 163

HSL 245.86, 0.69%, 0.38%

LAB 23.96, 47.55, -68.13

 

Description

Color code: HEX #A31E53 | qconv.com Color code: HEX #A31E53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 30 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 30 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 49 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 49% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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