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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E2552 it is the complementary color #91DAAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E2552. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E2552 shade: #73254D, #843760, #954973, #A65B86 and #B76D99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E2552. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E2552 shade: #6E2552, #5D133F, #4C012C, #3B0019 and #2A0006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E2552 shade: #6E2452, #6E243E, #6E242A and #6E2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E2552 shade: #6E2452, #6E2466, #63246E, #4F246E and #3B246E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E2552 shade matches the following richer shades: #6E2452, #7A1955, #860D58 and #92015A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E2552 shade: #6E2452, #62304F, #563C4C, #4B484A and #3F5447

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E2552 shade: #63246E, #6E2466, #6E2452, #6E243E and #6E242B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E2552 shade: #311024, #4F1A3B, #6E2452, #8D2F69 and #AC3980

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E2552 shade: #6E2552, #6E5024 and #246E6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E2552 shade: #6E2552, #526E24 and #24526E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E2552 shade: #6E2552, #6E5024, #246E41 and #24436E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E2552 shade: #6E2552, #6E6624, #246E41 and #242D6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 25 / 57

HEX #6E2552

RGB 110 37 82

HSL 323.01, 0.5%, 0.29%

LAB 27.43, 37.41, -10.74

 

Complementary color

CMYK 33 / 0 / 21 / 15

HEX #91DAAD

RGB 145 218 173

HSL 143.01, 0.5%, 0.71%

LAB 81.39, -32.14, 15.04

 

CMYK 0 / 68 / 33 / 55

HEX #73254D

RGB 115 37 77

HSL 329.23, 0.51%, 0.3%

LAB 28.12, 38.31, -6.29

 

CMYK 0 / 58 / 27 / 48

HEX #843760

RGB 132 55 96

HSL 328.05, 0.41%, 0.37%

LAB 34.97, 37.88, -8.06

 

CMYK 0 / 51 / 23 / 42

HEX #954973

RGB 149 73 115

HSL 326.84, 0.34%, 0.44%

LAB 41.83, 37.17, -9.38

 

CMYK 0 / 45 / 19 / 35

HEX #A65B86

RGB 166 91 134

HSL 325.6, 0.3%, 0.5%

LAB 48.65, 36.36, -10.42

 

CMYK 0 / 40 / 16 / 28

HEX #B76D99

RGB 183 109 153

HSL 324.32, 0.34%, 0.57%

LAB 55.38, 35.54, -11.29

 

CMYK 0 / 66 / 25 / 57

HEX #6E2552

RGB 110 37 82

HSL 323.01, 0.5%, 0.29%

LAB 27.43, 37.41, -10.74

 

CMYK 0 / 80 / 32 / 64

HEX #5D133F

RGB 93 19 63

HSL 324.32, 0.66%, 0.22%

LAB 20.64, 37.13, -8.51

 

CMYK 0 / 99 / 42 / 70

HEX #4C012C

RGB 76 1 44

HSL 325.6, 0.97%, 0.15%

LAB 14.06, 35.92, -5.3

 

CMYK 0 / 100 / 58 / 77

HEX #3B0019

RGB 59 0 25

HSL 334.58, 1%, 0.12%

LAB 8.99, 29.83, 1.09

 

CMYK 0 / 100 / 86 / 84

HEX #2A0006

RGB 42 0 6

HSL 351.43, 1%, 0.08%

LAB 4.57, 20.47, 4.76

 

CMYK 0 / 67 / 25 / 57

HEX #6E2452

RGB 110 36 82

HSL 322.7, 0.51%, 0.29%

LAB 27.26, 37.87, -11

 

CMYK 0 / 67 / 44 / 57

HEX #6E243E

RGB 110 36 62

HSL 338.92, 0.51%, 0.29%

LAB 26.52, 35.22, 1.26

 

CMYK 0 / 67 / 62 / 57

HEX #6E242A

RGB 110 36 42

HSL 355.14, 0.51%, 0.29%

LAB 25.99, 33.26, 13.99

 

CMYK 0 / 67 / 67 / 57

HEX #6E2424

RGB 110 36 36

HSL 0, 0.51%, 0.29%

LAB 25.87, 32.81, 17.82

 

CMYK 0 / 67 / 25 / 57

HEX #6E2452

RGB 110 36 82

HSL 322.7, 0.51%, 0.29%

LAB 27.26, 37.87, -11

 

CMYK 0 / 67 / 7 / 57

HEX #6E2466

RGB 110 36 102

HSL 306.49, 0.51%, 0.29%

LAB 28.21, 41.15, -22.61

 

CMYK 10 / 67 / 0 / 57

HEX #63246E

RGB 99 36 110

HSL 291.08, 0.51%, 0.29%

LAB 26.85, 39.7, -30.04

 

CMYK 28 / 67 / 0 / 57

HEX #4F246E

RGB 79 36 110

HSL 274.86, 0.51%, 0.29%

LAB 23.84, 34.53, -35.03

 

CMYK 46 / 67 / 0 / 57

HEX #3B246E

RGB 59 36 110

HSL 258.65, 0.51%, 0.29%

LAB 21.27, 29.75, -39.3

 

CMYK 0 / 67 / 25 / 57

HEX #6E2452

RGB 110 36 82

HSL 322.7, 0.51%, 0.29%

LAB 27.26, 37.87, -11

 

CMYK 0 / 80 / 30 / 52

HEX #7A1955

RGB 122 25 85

HSL 322.89, 0.66%, 0.29%

LAB 28.08, 46.13, -11.52

 

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

CMYK 0 / 99 / 38 / 43

HEX #92015A

RGB 146 1 90

HSL 323.17, 0.99%, 0.29%

LAB 31.51, 57.44, -9.14

 

CMYK 0 / 67 / 25 / 57

HEX #6E2452

RGB 110 36 82

HSL 322.7, 0.51%, 0.29%

LAB 27.26, 37.87, -11

 

CMYK 0 / 51 / 19 / 62

HEX #62304F

RGB 98 48 79

HSL 322.8, 0.34%, 0.29%

LAB 27.5, 26.99, -8.83

 

CMYK 0 / 30 / 12 / 66

HEX #563C4C

RGB 86 60 76

HSL 323.08, 0.18%, 0.29%

LAB 28.73, 14.36, -5.19

 

CMYK 0 / 4 / 1 / 71

HEX #4B484A

RGB 75 72 74

HSL 320, 0.02%, 0.29%

LAB 30.94, 1.68, -0.75

 

CMYK 25 / 0 / 15 / 67

HEX #3F5447

RGB 63 84 71

HSL 142.86, 0.14%, 0.29%

LAB 33.67, -11.15, 4.99

 

CMYK 10 / 67 / 0 / 57

HEX #63246E

RGB 99 36 110

HSL 291.08, 0.51%, 0.29%

LAB 26.85, 39.7, -30.04

 

CMYK 0 / 67 / 7 / 57

HEX #6E2466

RGB 110 36 102

HSL 306.49, 0.51%, 0.29%

LAB 28.21, 41.15, -22.61

 

CMYK 0 / 67 / 25 / 57

HEX #6E2452

RGB 110 36 82

HSL 322.7, 0.51%, 0.29%

LAB 27.26, 37.87, -11

 

CMYK 0 / 67 / 44 / 57

HEX #6E243E

RGB 110 36 62

HSL 338.92, 0.51%, 0.29%

LAB 26.52, 35.22, 1.26

 

CMYK 0 / 67 / 61 / 57

HEX #6E242B

RGB 110 36 43

HSL 354.32, 0.51%, 0.29%

LAB 26.01, 33.34, 13.35

 

CMYK 0 / 67 / 27 / 81

HEX #311024

RGB 49 16 36

HSL 323.64, 0.51%, 0.13%

LAB 10.19, 19.65, -5.77

 

CMYK 0 / 67 / 25 / 69

HEX #4F1A3B

RGB 79 26 59

HSL 322.64, 0.5%, 0.21%

LAB 18.87, 28.99, -8.67

 

CMYK 0 / 67 / 25 / 57

HEX #6E2452

RGB 110 36 82

HSL 322.7, 0.51%, 0.29%

LAB 27.26, 37.87, -11

 

CMYK 0 / 67 / 26 / 45

HEX #8D2F69

RGB 141 47 105

HSL 322.98, 0.5%, 0.37%

LAB 35.43, 45.79, -12.94

 

CMYK 0 / 67 / 26 / 33

HEX #AC3980

RGB 172 57 128

HSL 322.96, 0.5%, 0.45%

LAB 43.15, 53.78, -15.03

 

CMYK 0 / 66 / 25 / 57

HEX #6E2552

RGB 110 37 82

HSL 323.01, 0.5%, 0.29%

LAB 27.43, 37.41, -10.74

 

CMYK 0 / 27 / 67 / 57

HEX #6E5024

RGB 110 80 36

HSL 35.68, 0.51%, 0.29%

LAB 36.33, 7.44, 30.26

 

CMYK 67 / 0 / 1 / 57

HEX #246E6D

RGB 36 110 109

HSL 179.19, 0.51%, 0.29%

LAB 42.2, -22.44, -6.13

 

CMYK 0 / 66 / 25 / 57

HEX #6E2552

RGB 110 37 82

HSL 323.01, 0.5%, 0.29%

LAB 27.43, 37.41, -10.74

 

CMYK 25 / 0 / 67 / 57

HEX #526E24

RGB 82 110 36

HSL 82.7, 0.51%, 0.29%

LAB 42.87, -22.75, 36.73

 

CMYK 67 / 25 / 0 / 57

HEX #24526E

RGB 36 82 110

HSL 202.7, 0.51%, 0.29%

LAB 33, -6.1, -20.76

 

CMYK 0 / 66 / 25 / 57

HEX #6E2552

RGB 110 37 82

HSL 323.01, 0.5%, 0.29%

LAB 27.43, 37.41, -10.74

 

CMYK 0 / 27 / 67 / 57

HEX #6E5024

RGB 110 80 36

HSL 35.68, 0.51%, 0.29%

LAB 36.33, 7.44, 30.26

 

CMYK 67 / 0 / 41 / 57

HEX #246E41

RGB 36 110 65

HSL 143.51, 0.51%, 0.29%

LAB 41.07, -33.87, 18.59

 

CMYK 67 / 39 / 0 / 57

HEX #24436E

RGB 36 67 110

HSL 214.86, 0.51%, 0.29%

LAB 28.15, 3.65, -28.35

 

CMYK 0 / 66 / 25 / 57

HEX #6E2552

RGB 110 37 82

HSL 323.01, 0.5%, 0.29%

LAB 27.43, 37.41, -10.74

 

CMYK 0 / 7 / 67 / 57

HEX #6E6624

RGB 110 102 36

HSL 53.51, 0.51%, 0.29%

LAB 42.68, -5.63, 37.21

 

CMYK 67 / 0 / 41 / 57

HEX #246E41

RGB 36 110 65

HSL 143.51, 0.51%, 0.29%

LAB 41.07, -33.87, 18.59

 

CMYK 67 / 59 / 0 / 57

HEX #242D6E

RGB 36 45 110

HSL 232.7, 0.51%, 0.29%

LAB 21.5, 18.99, -39.03

 

Description

Color code: HEX #6E2552 | qconv.com Color code: HEX #6E2552 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 37 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 37 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 25 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 25% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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