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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #860D58 it is the complementary color #79F2A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #860D58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #860D58 shade: #8B0D53, #9C1F66, #AD3179, #BE438C and #CF559F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #860D58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #860D58 shade: #860D58, #750045, #640032, #53001F and #42000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #860D58 shade: #860D58, #860D37, #860D17 and #860D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #860D58 shade: #860D58, #860D79, #730D86, #520D86 and #310D86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #860D58 shade matches the following richer shades: #860D58 and #92015B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #860D58 shade: #860D58, #7A1955, #6E2552, #62314F and #563D4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #860D58 shade: #720D86, #860D7A, #860D5A, #860D39 and #860D19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #860D58 shade: #3B0527, #61093F, #860D58, #AC1171 and #D11489

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #860D58 shade: #860D58, #86520D and #0D8682

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #860D58 shade: #860D58, #5A860D and #0D5A86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #860D58 shade: #860D58, #86520D, #0D8639 and #0D4186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #860D58 shade: #860D58, #86760D, #0D8639 and #0D1D86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

Complementary color

CMYK 50 / 0 / 31 / 5

HEX #79F2A7

RGB 121 242 167

HSL 142.81, 0.82%, 0.71%

LAB 87.17, -50.41, 26

 

CMYK 0 / 91 / 40 / 45

HEX #8B0D53

RGB 139 13 83

HSL 326.67, 0.83%, 0.3%

LAB 30.4, 53.25, -6.36

 

CMYK 0 / 80 / 35 / 39

HEX #9C1F66

RGB 156 31 102

HSL 325.92, 0.67%, 0.37%

LAB 36, 55.35, -9.91

 

CMYK 0 / 72 / 30 / 32

HEX #AD3179

RGB 173 49 121

HSL 325.16, 0.56%, 0.44%

LAB 41.94, 56.24, -12.54

 

CMYK 0 / 65 / 26 / 25

HEX #BE438C

RGB 190 67 140

HSL 324.39, 0.49%, 0.5%

LAB 48.08, 56.4, -14.53

 

CMYK 0 / 59 / 23 / 19

HEX #CF559F

RGB 207 85 159

HSL 323.61, 0.56%, 0.57%

LAB 54.31, 56.14, -16.1

 

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

CMYK 0 / 100 / 41 / 54

HEX #750045

RGB 117 0 69

HSL 324.62, 1%, 0.23%

LAB 24.36, 48.85, -6.52

 

CMYK 0 / 100 / 50 / 61

HEX #640032

RGB 100 0 50

HSL 330, 1%, 0.2%

LAB 19.8, 42.89, -0.49

 

CMYK 0 / 100 / 63 / 67

HEX #53001F

RGB 83 0 31

HSL 337.59, 1%, 0.16%

LAB 15.16, 36.89, 6.11

 

CMYK 0 / 100 / 82 / 74

HEX #42000C

RGB 66 0 12

HSL 349.09, 1%, 0.13%

LAB 10.44, 30.91, 11.51

 

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

CMYK 0 / 90 / 59 / 47

HEX #860D37

RGB 134 13 55

HSL 339.17, 0.82%, 0.29%

LAB 28.46, 49.51, 9.41

 

CMYK 0 / 90 / 83 / 47

HEX #860D17

RGB 134 13 23

HSL 355.04, 0.82%, 0.29%

LAB 27.89, 47.86, 29.71

 

CMYK 0 / 90 / 90 / 47

HEX #860D0D

RGB 134 13 13

HSL 0, 0.82%, 0.29%

LAB 27.81, 47.6, 35.2

 

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

CMYK 0 / 90 / 10 / 47

HEX #860D79

RGB 134 13 121

HSL 306.45, 0.82%, 0.29%

LAB 31.2, 56.96, -29.76

 

CMYK 14 / 90 / 0 / 47

HEX #730D86

RGB 115 13 134

HSL 290.58, 0.82%, 0.29%

LAB 28.52, 55.52, -42.42

 

CMYK 39 / 90 / 0 / 47

HEX #520D86

RGB 82 13 134

HSL 274.21, 0.82%, 0.29%

LAB 23.01, 50.31, -51.63

 

CMYK 63 / 90 / 0 / 47

HEX #310D86

RGB 49 13 134

HSL 257.85, 0.82%, 0.29%

LAB 18.64, 46.57, -58.99

 

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

CMYK 0 / 99 / 38 / 43

HEX #92015B

RGB 146 1 91

HSL 322.76, 0.99%, 0.29%

LAB 31.55, 57.54, -9.74

 

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

CMYK 0 / 80 / 30 / 52

HEX #7A1955

RGB 122 25 85

HSL 322.89, 0.66%, 0.29%

LAB 28.08, 46.13, -11.52

 

CMYK 0 / 66 / 25 / 57

HEX #6E2552

RGB 110 37 82

HSL 323.01, 0.5%, 0.29%

LAB 27.43, 37.41, -10.74

 

CMYK 0 / 50 / 19 / 62

HEX #62314F

RGB 98 49 79

HSL 323.27, 0.33%, 0.29%

LAB 27.73, 26.41, -8.49

 

CMYK 0 / 29 / 10 / 66

HEX #563D4D

RGB 86 61 77

HSL 321.6, 0.17%, 0.29%

LAB 29.04, 13.92, -5.38

 

CMYK 15 / 90 / 0 / 47

HEX #720D86

RGB 114 13 134

HSL 290.08, 0.82%, 0.29%

LAB 28.34, 55.34, -42.71

 

CMYK 0 / 90 / 9 / 47

HEX #860D7A

RGB 134 13 122

HSL 305.95, 0.82%, 0.29%

LAB 31.26, 57.11, -30.3

 

CMYK 0 / 90 / 33 / 47

HEX #860D5A

RGB 134 13 90

HSL 321.82, 0.82%, 0.29%

LAB 29.65, 52.81, -12.2

 

CMYK 0 / 90 / 57 / 47

HEX #860D39

RGB 134 13 57

HSL 338.18, 0.82%, 0.29%

LAB 28.52, 49.65, 8.13

 

CMYK 0 / 90 / 81 / 47

HEX #860D19

RGB 134 13 25

HSL 354.05, 0.82%, 0.29%

LAB 27.92, 47.93, 28.51

 

CMYK 0 / 92 / 34 / 77

HEX #3B0527

RGB 59 5 39

HSL 322.22, 0.84%, 0.13%

LAB 10.44, 29.03, -7.45

 

CMYK 0 / 91 / 35 / 62

HEX #61093F

RGB 97 9 63

HSL 323.18, 0.83%, 0.21%

LAB 20.42, 41.25, -8.76

 

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

CMYK 0 / 90 / 34 / 33

HEX #AC1171

RGB 172 17 113

HSL 322.84, 0.82%, 0.37%

LAB 38.49, 63.49, -12.81

 

CMYK 0 / 90 / 34 / 18

HEX #D11489

RGB 209 20 137

HSL 322.86, 0.83%, 0.45%

LAB 46.79, 73.74, -14.35

 

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

CMYK 0 / 39 / 90 / 47

HEX #86520D

RGB 134 82 13

HSL 34.21, 0.82%, 0.29%

LAB 39.8, 16.57, 44.81

 

CMYK 90 / 0 / 3 / 47

HEX #0D8682

RGB 13 134 130

HSL 178.02, 0.82%, 0.29%

LAB 50.39, -30.41, -6.46

 

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

CMYK 33 / 0 / 90 / 47

HEX #5A860D

RGB 90 134 13

HSL 81.82, 0.82%, 0.29%

LAB 50.98, -32.33, 52.37

 

CMYK 90 / 33 / 0 / 47

HEX #0D5A86

RGB 13 90 134

HSL 201.82, 0.82%, 0.29%

LAB 36.21, -4.79, -30.6

 

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

CMYK 0 / 39 / 90 / 47

HEX #86520D

RGB 134 82 13

HSL 34.21, 0.82%, 0.29%

LAB 39.8, 16.57, 44.81

 

CMYK 90 / 0 / 57 / 47

HEX #0D8639

RGB 13 134 57

HSL 141.82, 0.82%, 0.29%

LAB 48.8, -47.84, 32.61

 

CMYK 90 / 51 / 0 / 47

HEX #0D4186

RGB 13 65 134

HSL 214.21, 0.82%, 0.29%

LAB 28.35, 11.83, -43.16

 

CMYK 0 / 90 / 34 / 47

HEX #860D58

RGB 134 13 88

HSL 322.81, 0.82%, 0.29%

LAB 29.57, 52.58, -11.02

 

CMYK 0 / 12 / 90 / 47

HEX #86760D

RGB 134 118 13

HSL 52.07, 0.82%, 0.29%

LAB 49.56, -4.33, 52.62

 

CMYK 90 / 0 / 57 / 47

HEX #0D8639

RGB 13 134 57

HSL 141.82, 0.82%, 0.29%

LAB 48.8, -47.84, 32.61

 

CMYK 90 / 78 / 0 / 47

HEX #0D1D86

RGB 13 29 134

HSL 232.07, 0.82%, 0.29%

LAB 18.74, 36.46, -58.9

 

Description

Color code: HEX #860D58 | qconv.com Color code: HEX #860D58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 13 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 13 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 34 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 34% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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