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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F7394 it is the complementary color #908C6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F7394. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F7394 shade: #74738F, #8585A2, #9697B5, #A7A9C8 and #B8BBDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F7394. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F7394 shade: #6F7394, #5E6181, #4D4F6E, #3C3D5B and #2B2B48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F7394 shade: #6F7394, #756F94, #7F6F94, #896F94 and #936F94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F7394 shade: #6F7394 and #6F6F94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F7394 shade matches the following richer shades: #6F7394, #5B63A9, #4653BD, #3243D1 and #1E33E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F7394 shade: #6F7394, #838380, #97936C, #ABA258 and #C0B243

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F7394 shade: #6F8794, #6F7D94, #6F7394, #746F94 and #7E6F94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F7394 shade: #4B4E66, #5D607D, #6F7394, #878AA6 and #9EA1B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F7394 shade: #6F7394, #946F91 and #82946F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F7394 shade: #6F7394, #946F73 and #73946F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F7394 shade: #6F7394, #946F91, #94906F and #6F9472

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F7394 shade: #6F7394, #946F86, #94906F and #6F947D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 22 / 0 / 42

HEX #6F7394

RGB 111 115 148

HSL 233.51, 0.15%, 0.51%

LAB 49.23, 6.15, -18.4

 

Complementary color

CMYK 0 / 3 / 26 / 44

HEX #908C6B

RGB 144 140 107

HSL 53.51, 0.15%, 0.49%

LAB 57.8, -4.12, 18.21

 

CMYK 19 / 20 / 0 / 44

HEX #74738F

RGB 116 115 143

HSL 242.14, 0.11%, 0.51%

LAB 49.44, 6.58, -15.08

 

CMYK 18 / 18 / 0 / 36

HEX #8585A2

RGB 133 133 162

HSL 240, 0.13%, 0.58%

LAB 56.46, 6.25, -15.38

 

CMYK 17 / 17 / 0 / 29

HEX #9697B5

RGB 150 151 181

HSL 238.06, 0.17%, 0.65%

LAB 63.3, 5.95, -15.69

 

CMYK 17 / 16 / 0 / 22

HEX #A7A9C8

RGB 167 169 200

HSL 236.36, 0.23%, 0.72%

LAB 70.01, 5.68, -16.02

 

CMYK 16 / 15 / 0 / 14

HEX #B8BBDB

RGB 184 187 219

HSL 234.86, 0.33%, 0.79%

LAB 76.59, 5.42, -16.35

 

CMYK 25 / 22 / 0 / 42

HEX #6F7394

RGB 111 115 148

HSL 233.51, 0.15%, 0.51%

LAB 49.23, 6.15, -18.4

 

CMYK 27 / 25 / 0 / 49

HEX #5E6181

RGB 94 97 129

HSL 234.86, 0.16%, 0.44%

LAB 42.02, 6.55, -18.22

 

CMYK 30 / 28 / 0 / 57

HEX #4D4F6E

RGB 77 79 110

HSL 236.36, 0.18%, 0.37%

LAB 34.59, 7.02, -18.09

 

CMYK 34 / 33 / 0 / 64

HEX #3C3D5B

RGB 60 61 91

HSL 238.06, 0.21%, 0.3%

LAB 26.89, 7.6, -18.03

 

CMYK 40 / 40 / 0 / 72

HEX #2B2B48

RGB 43 43 72

HSL 240, 0.25%, 0.23%

LAB 18.84, 8.37, -18.07

 

CMYK 25 / 22 / 0 / 42

HEX #6F7394

RGB 111 115 148

HSL 233.51, 0.15%, 0.51%

LAB 49.23, 6.15, -18.4

 

CMYK 21 / 25 / 0 / 42

HEX #756F94

RGB 117 111 148

HSL 249.73, 0.15%, 0.51%

LAB 48.62, 10.52, -19.28

 

CMYK 14 / 25 / 0 / 42

HEX #7F6F94

RGB 127 111 148

HSL 265.95, 0.15%, 0.51%

LAB 49.52, 13.9, -17.83

 

CMYK 7 / 25 / 0 / 42

HEX #896F94

RGB 137 111 148

HSL 282.16, 0.15%, 0.51%

LAB 50.48, 17.36, -16.27

 

CMYK 1 / 25 / 0 / 42

HEX #936F94

RGB 147 111 148

HSL 298.38, 0.15%, 0.51%

LAB 51.51, 20.88, -14.62

 

CMYK 25 / 22 / 0 / 42

HEX #6F7394

RGB 111 115 148

HSL 233.51, 0.15%, 0.51%

LAB 49.23, 6.15, -18.4

 

CMYK 25 / 25 / 0 / 42

HEX #6F6F94

RGB 111 111 148

HSL 240, 0.15%, 0.51%

LAB 48.12, 8.54, -20.1

 

CMYK 25 / 22 / 0 / 42

HEX #6F7394

RGB 111 115 148

HSL 233.51, 0.15%, 0.51%

LAB 49.23, 6.15, -18.4

 

CMYK 46 / 41 / 0 / 34

HEX #5B63A9

RGB 91 99 169

HSL 233.85, 0.31%, 0.51%

LAB 44.25, 16.02, -38.64

 

CMYK 63 / 56 / 0 / 26

HEX #4653BD

RGB 70 83 189

HSL 233.45, 0.47%, 0.51%

LAB 39.85, 28.27, -57.5

 

CMYK 76 / 68 / 0 / 18

HEX #3243D1

RGB 50 67 209

HSL 233.58, 0.63%, 0.51%

LAB 36.55, 42.68, -74.58

 

CMYK 87 / 78 / 0 / 10

HEX #1E33E5

RGB 30 51 229

HSL 233.67, 0.79%, 0.51%

LAB 34.6, 57.17, -89.3

 

CMYK 25 / 22 / 0 / 42

HEX #6F7394

RGB 111 115 148

HSL 233.51, 0.15%, 0.51%

LAB 49.23, 6.15, -18.4

 

CMYK 0 / 0 / 2 / 49

HEX #838380

RGB 131 131 128

HSL 60, 0.01%, 0.51%

LAB 54.68, -0.58, 1.61

 

CMYK 0 / 3 / 28 / 41

HEX #97936C

RGB 151 147 108

HSL 54.42, 0.17%, 0.51%

LAB 60.36, -4.98, 21.23

 

CMYK 0 / 5 / 49 / 33

HEX #ABA258

RGB 171 162 88

HSL 53.49, 0.33%, 0.51%

LAB 65.91, -7.12, 39.4

 

CMYK 0 / 7 / 65 / 25

HEX #C0B243

RGB 192 178 67

HSL 53.28, 0.5%, 0.51%

LAB 71.86, -8.21, 56.51

 

CMYK 25 / 9 / 0 / 42

HEX #6F8794

RGB 111 135 148

HSL 201.08, 0.15%, 0.51%

LAB 54.91, -5.49, -9.79

 

CMYK 25 / 16 / 0 / 42

HEX #6F7D94

RGB 111 125 148

HSL 217.3, 0.15%, 0.51%

LAB 52.05, 0.25, -14.11

 

CMYK 25 / 22 / 0 / 42

HEX #6F7394

RGB 111 115 148

HSL 233.51, 0.15%, 0.51%

LAB 49.23, 6.15, -18.4

 

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

CMYK 15 / 25 / 0 / 42

HEX #7E6F94

RGB 126 111 148

HSL 264.32, 0.15%, 0.51%

LAB 49.43, 13.56, -17.98

 

CMYK 26 / 24 / 0 / 60

HEX #4B4E66

RGB 75 78 102

HSL 233.33, 0.15%, 0.35%

LAB 33.78, 4.77, -14.32

 

CMYK 26 / 23 / 0 / 51

HEX #5D607D

RGB 93 96 125

HSL 234.38, 0.15%, 0.43%

LAB 41.49, 5.78, -16.61

 

CMYK 25 / 22 / 0 / 42

HEX #6F7394

RGB 111 115 148

HSL 233.51, 0.15%, 0.51%

LAB 49.23, 6.15, -18.4

 

CMYK 19 / 17 / 0 / 35

HEX #878AA6

RGB 135 138 166

HSL 234.19, 0.15%, 0.59%

LAB 58.11, 4.96, -15.15

 

CMYK 14 / 12 / 0 / 28

HEX #9EA1B7

RGB 158 161 183

HSL 232.8, 0.15%, 0.67%

LAB 66.66, 3.44, -11.71

 

CMYK 25 / 22 / 0 / 42

HEX #6F7394

RGB 111 115 148

HSL 233.51, 0.15%, 0.51%

LAB 49.23, 6.15, -18.4

 

CMYK 0 / 25 / 2 / 42

HEX #946F91

RGB 148 111 145

HSL 304.86, 0.15%, 0.51%

LAB 51.51, 20.64, -12.85

 

CMYK 12 / 0 / 25 / 42

HEX #82946F

RGB 130 148 111

HSL 89.19, 0.15%, 0.51%

LAB 59.04, -13.4, 17.48

 

CMYK 25 / 22 / 0 / 42

HEX #6F7394

RGB 111 115 148

HSL 233.51, 0.15%, 0.51%

LAB 49.23, 6.15, -18.4

 

CMYK 0 / 25 / 22 / 42

HEX #946F73

RGB 148 111 115

HSL 353.51, 0.15%, 0.51%

LAB 50.57, 15.28, 3.49

 

CMYK 22 / 0 / 25 / 42

HEX #73946F

RGB 115 148 111

HSL 113.51, 0.15%, 0.51%

LAB 58.01, -19.02, 15.9

 

CMYK 25 / 22 / 0 / 42

HEX #6F7394

RGB 111 115 148

HSL 233.51, 0.15%, 0.51%

LAB 49.23, 6.15, -18.4

 

CMYK 0 / 25 / 2 / 42

HEX #946F91

RGB 148 111 145

HSL 304.86, 0.15%, 0.51%

LAB 51.51, 20.64, -12.85

 

CMYK 0 / 3 / 25 / 42

HEX #94906F

RGB 148 144 111

HSL 53.51, 0.15%, 0.51%

LAB 59.33, -4.12, 18.11

 

CMYK 25 / 0 / 23 / 42

HEX #6F9472

RGB 111 148 114

HSL 124.86, 0.15%, 0.51%

LAB 57.82, -19.9, 13.91

 

CMYK 25 / 22 / 0 / 42

HEX #6F7394

RGB 111 115 148

HSL 233.51, 0.15%, 0.51%

LAB 49.23, 6.15, -18.4

 

CMYK 0 / 25 / 9 / 42

HEX #946F86

RGB 148 111 134

HSL 322.7, 0.15%, 0.51%

LAB 51.14, 18.55, -6.92

 

CMYK 0 / 3 / 25 / 42

HEX #94906F

RGB 148 144 111

HSL 53.51, 0.15%, 0.51%

LAB 59.33, -4.12, 18.11

 

CMYK 25 / 0 / 16 / 42

HEX #6F947D

RGB 111 148 125

HSL 142.7, 0.15%, 0.51%

LAB 58.07, -17.75, 8.04

 

Description

Color code: HEX #6F7394 | qconv.com Color code: HEX #6F7394 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 115 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 115 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 22 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 22% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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