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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FB5DD it is the complementary color #904A22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FB5DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FB5DD shade: #74B5D8, #85C7EB, #96D9FE, #A7EBFF and #B8FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FB5DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FB5DD shade: #6FB5DD, #5EA3CA, #4D91B7, #3C7FA4 and #2B6D91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FB5DD shade: #6EB4DD, #6E96DD, #6E79DD, #816EDD and #9F6EDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FB5DD shade: #6EB4DD, #6E96DD, #6E79DD and #6E6EDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FB5DD shade matches the following richer shades: #6EB4DD, #5FB8EB and #51BCF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FB5DD shade: #6EB4DD, #7CB0CE, #8BACC0, #99A9B1 and #A8A5A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FB5DD shade: #6EDDC8, #6ED3DD, #6EB6DD, #6E98DD and #6E7BDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FB5DD shade: #2F91C9, #4CA3D5, #6EB4DD, #8FC5E4 and #B1D7EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FB5DD shade: #6FB5DD, #AB6EDD and #DDD76E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FB5DD shade: #6FB5DD, #DD6EB6 and #B6DD6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FB5DD shade: #6FB5DD, #AB6EDD, #DD956E and #A0DD6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FB5DD shade: #6FB5DD, #CC6EDD, #DD956E and #7FDD6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 18 / 0 / 13

HEX #6FB5DD

RGB 111 181 221

HSL 201.82, 0.62%, 0.65%

LAB 70.63, -11.19, -26.91

 

Complementary color

CMYK 0 / 49 / 76 / 44

HEX #904A22

RGB 144 74 34

HSL 21.82, 0.62%, 0.35%

LAB 39.48, 26.4, 36.11

 

CMYK 46 / 16 / 0 / 15

HEX #74B5D8

RGB 116 181 216

HSL 201, 0.56%, 0.65%

LAB 70.68, -11.44, -24.08

 

CMYK 43 / 15 / 0 / 8

HEX #85C7EB

RGB 133 199 235

HSL 201.18, 0.72%, 0.72%

LAB 77.18, -11.68, -24.38

 

CMYK 41 / 15 / 0 / 0

HEX #96D9FE

RGB 150 217 254

HSL 201.35, 0.98%, 0.79%

LAB 83.58, -11.87, -24.68

 

CMYK 35 / 8 / 0 / 0

HEX #A7EBFF

RGB 167 235 255

HSL 193.64, 1%, 0.83%

LAB 89.32, -16.43, -16.44

 

CMYK 28 / 1 / 0 / 0

HEX #B8FDFF

RGB 184 253 255

HSL 181.69, 1%, 0.86%

LAB 95.02, -20.75, -7.85

 

CMYK 50 / 18 / 0 / 13

HEX #6FB5DD

RGB 111 181 221

HSL 201.82, 0.62%, 0.65%

LAB 70.63, -11.19, -26.91

 

CMYK 53 / 19 / 0 / 21

HEX #5EA3CA

RGB 94 163 202

HSL 201.67, 0.5%, 0.58%

LAB 64.03, -10.79, -26.64

 

CMYK 58 / 21 / 0 / 28

HEX #4D91B7

RGB 77 145 183

HSL 201.51, 0.42%, 0.51%

LAB 57.32, -10.27, -26.36

 

CMYK 63 / 23 / 0 / 36

HEX #3C7FA4

RGB 60 127 164

HSL 201.35, 0.46%, 0.44%

LAB 50.48, -9.57, -26.08

 

CMYK 70 / 25 / 0 / 43

HEX #2B6D91

RGB 43 109 145

HSL 201.18, 0.54%, 0.37%

LAB 43.5, -8.62, -25.77

 

CMYK 50 / 19 / 0 / 13

HEX #6EB4DD

RGB 110 180 221

HSL 202.16, 0.62%, 0.65%

LAB 70.3, -10.88, -27.42

 

CMYK 50 / 32 / 0 / 13

HEX #6E96DD

RGB 110 150 221

HSL 218.38, 0.62%, 0.65%

LAB 61.95, 5.89, -40.37

 

CMYK 50 / 45 / 0 / 13

HEX #6E79DD

RGB 110 121 221

HSL 234.05, 0.62%, 0.65%

LAB 54.25, 23.1, -52.56

 

CMYK 42 / 50 / 0 / 13

HEX #816EDD

RGB 129 110 221

HSL 250.27, 0.62%, 0.65%

LAB 52.99, 34.04, -54.49

 

CMYK 28 / 50 / 0 / 13

HEX #9F6EDD

RGB 159 110 221

HSL 266.49, 0.62%, 0.65%

LAB 55.83, 41.54, -49.79

 

CMYK 50 / 19 / 0 / 13

HEX #6EB4DD

RGB 110 180 221

HSL 202.16, 0.62%, 0.65%

LAB 70.3, -10.88, -27.42

 

CMYK 50 / 32 / 0 / 13

HEX #6E96DD

RGB 110 150 221

HSL 218.38, 0.62%, 0.65%

LAB 61.95, 5.89, -40.37

 

CMYK 50 / 45 / 0 / 13

HEX #6E79DD

RGB 110 121 221

HSL 234.05, 0.62%, 0.65%

LAB 54.25, 23.1, -52.56

 

CMYK 50 / 50 / 0 / 13

HEX #6E6EDD

RGB 110 110 221

HSL 240, 0.62%, 0.65%

LAB 51.48, 29.73, -56.99

 

CMYK 50 / 19 / 0 / 13

HEX #6EB4DD

RGB 110 180 221

HSL 202.16, 0.62%, 0.65%

LAB 70.3, -10.88, -27.42

 

CMYK 60 / 22 / 0 / 8

HEX #5FB8EB

RGB 95 184 235

HSL 201.86, 0.78%, 0.65%

LAB 71.36, -11.94, -33.46

 

CMYK 67 / 24 / 0 / 2

HEX #51BCF9

RGB 81 188 249

HSL 201.79, 0.93%, 0.65%

LAB 72.6, -12.02, -39.15

 

CMYK 50 / 19 / 0 / 13

HEX #6EB4DD

RGB 110 180 221

HSL 202.16, 0.62%, 0.65%

LAB 70.3, -10.88, -27.42

 

CMYK 40 / 15 / 0 / 19

HEX #7CB0CE

RGB 124 176 206

HSL 201.95, 0.46%, 0.65%

LAB 69.32, -9.46, -20.63

 

CMYK 28 / 10 / 0 / 25

HEX #8BACC0

RGB 139 172 192

HSL 202.64, 0.3%, 0.65%

LAB 68.61, -6.59, -13.91

 

CMYK 14 / 5 / 0 / 31

HEX #99A9B1

RGB 153 169 177

HSL 200, 0.13%, 0.65%

LAB 68.26, -3.91, -6.02

 

CMYK 0 / 2 / 3 / 34

HEX #A8A5A3

RGB 168 165 163

HSL 24, 0.03%, 0.65%

LAB 67.93, 0.71, 1.41

 

CMYK 50 / 0 / 10 / 13

HEX #6EDDC8

RGB 110 221 200

HSL 168.65, 0.62%, 0.65%

LAB 81.4, -36.85, 0.56

 

CMYK 50 / 5 / 0 / 13

HEX #6ED3DD

RGB 110 211 221

HSL 185.41, 0.62%, 0.65%

LAB 79.11, -26.8, -14.04

 

CMYK 50 / 18 / 0 / 13

HEX #6EB6DD

RGB 110 182 221

HSL 201.08, 0.62%, 0.65%

LAB 70.86, -11.95, -26.55

 

CMYK 50 / 31 / 0 / 13

HEX #6E98DD

RGB 110 152 221

HSL 217.3, 0.62%, 0.65%

LAB 62.5, 4.73, -39.52

 

CMYK 50 / 44 / 0 / 13

HEX #6E7BDD

RGB 110 123 221

HSL 232.97, 0.62%, 0.65%

LAB 54.76, 21.89, -51.74

 

CMYK 77 / 28 / 0 / 21

HEX #2F91C9

RGB 47 145 201

HSL 201.82, 0.62%, 0.49%

LAB 57.15, -9.03, -36.89

 

CMYK 64 / 23 / 0 / 16

HEX #4CA3D5

RGB 76 163 213

HSL 201.9, 0.62%, 0.57%

LAB 63.78, -10.85, -33.19

 

CMYK 50 / 19 / 0 / 13

HEX #6EB4DD

RGB 110 180 221

HSL 202.16, 0.62%, 0.65%

LAB 70.3, -10.88, -27.42

 

CMYK 37 / 14 / 0 / 11

HEX #8FC5E4

RGB 143 197 228

HSL 201.88, 0.61%, 0.73%

LAB 76.9, -9.9, -20.98

 

CMYK 25 / 9 / 0 / 7

HEX #B1D7EC

RGB 177 215 236

HSL 201.36, 0.61%, 0.81%

LAB 83.97, -7.84, -14.41

 

CMYK 50 / 18 / 0 / 13

HEX #6FB5DD

RGB 111 181 221

HSL 201.82, 0.62%, 0.65%

LAB 70.63, -11.19, -26.91

 

CMYK 23 / 50 / 0 / 13

HEX #AB6EDD

RGB 171 110 221

HSL 272.97, 0.62%, 0.65%

LAB 57.1, 44.71, -47.69

 

CMYK 0 / 3 / 50 / 13

HEX #DDD76E

RGB 221 215 110

HSL 56.76, 0.62%, 0.65%

LAB 84.53, -11.86, 51.99

 

CMYK 50 / 18 / 0 / 13

HEX #6FB5DD

RGB 111 181 221

HSL 201.82, 0.62%, 0.65%

LAB 70.63, -11.19, -26.91

 

CMYK 0 / 50 / 18 / 13

HEX #DD6EB6

RGB 221 110 182

HSL 321.08, 0.62%, 0.65%

LAB 61.57, 51.97, -18.18

 

CMYK 18 / 0 / 50 / 13

HEX #B6DD6E

RGB 182 221 110

HSL 81.08, 0.62%, 0.65%

LAB 83.33, -30.07, 49.87

 

CMYK 50 / 18 / 0 / 13

HEX #6FB5DD

RGB 111 181 221

HSL 201.82, 0.62%, 0.65%

LAB 70.63, -11.19, -26.91

 

CMYK 23 / 50 / 0 / 13

HEX #AB6EDD

RGB 171 110 221

HSL 272.97, 0.62%, 0.65%

LAB 57.1, 44.71, -47.69

 

CMYK 0 / 33 / 50 / 13

HEX #DD956E

RGB 221 149 110

HSL 21.08, 0.62%, 0.65%

LAB 68.02, 22.83, 31.55

 

CMYK 28 / 0 / 50 / 13

HEX #A0DD6E

RGB 160 221 110

HSL 92.97, 0.62%, 0.65%

LAB 82.01, -38.11, 47.97

 

CMYK 50 / 18 / 0 / 13

HEX #6FB5DD

RGB 111 181 221

HSL 201.82, 0.62%, 0.65%

LAB 70.63, -11.19, -26.91

 

CMYK 8 / 50 / 0 / 13

HEX #CC6EDD

RGB 204 110 221

HSL 290.81, 0.62%, 0.65%

LAB 60.97, 53.65, -41.34

 

CMYK 0 / 33 / 50 / 13

HEX #DD956E

RGB 221 149 110

HSL 21.08, 0.62%, 0.65%

LAB 68.02, 22.83, 31.55

 

CMYK 43 / 0 / 50 / 13

HEX #7FDD6E

RGB 127 221 110

HSL 110.81, 0.62%, 0.65%

LAB 80.38, -48.95, 45.61

 

Description

Color code: HEX #6FB5DD | qconv.com Color code: HEX #6FB5DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 181 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 181 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 18 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 18% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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