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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FD8EB it is the complementary color #902714. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FD8EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FD8EB shade: #74D8E6, #85EAF9, #96FCFF, #A7FFFF and #B8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FD8EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FD8EB shade: #6FD8EB, #5EC6D8, #4DB4C5, #3CA2B2 and #2B909F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FD8EB shade: #6FD8EB, #6FB6EB, #6F95EB, #6F74EB and #8C6FEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FD8EB shade: #6FD8EB, #6FB6EB, #6F95EB, #6F74EB and #6F6FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FD8EB shade matches the following richer shades: #6FD8EB and #62E1F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FD8EB shade: #6FD8EB, #7CCFDE, #89C6D1, #96BCC3 and #A4B3B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FD8EB shade: #6FEBBB, #6FEBDC, #6FD8EB, #6FB7EB and #6F96EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FD8EB shade: #26C4E1, #4BCEE6, #6FD8EB, #93E2F0 and #B7EBF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FD8EB shade: #6FD8EB, #9A6FEB and #EBCC6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FD8EB shade: #6FD8EB, #EB6FD8 and #D8EB6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FD8EB shade: #6FD8EB, #9A6FEB, #EB816F and #C0EB6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FD8EB shade: #6FD8EB, #C06FEB, #EB816F and #9AEB6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

Complementary color

CMYK 0 / 73 / 86 / 44

HEX #902714

RGB 144 39 20

HSL 9.19, 0.76%, 0.32%

LAB 32.77, 43.06, 36.73

 

CMYK 50 / 6 / 0 / 10

HEX #74D8E6

RGB 116 216 230

HSL 187.37, 0.7%, 0.68%

LAB 81.04, -25.58, -15.93

 

CMYK 47 / 6 / 0 / 2

HEX #85EAF9

RGB 133 234 249

HSL 187.76, 0.91%, 0.75%

LAB 87.33, -25.72, -16.45

 

CMYK 41 / 1 / 0 / 0

HEX #96FCFF

RGB 150 252 255

HSL 181.71, 1%, 0.79%

LAB 93.16, -29, -10.79

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

CMYK 56 / 8 / 0 / 15

HEX #5EC6D8

RGB 94 198 216

HSL 188.85, 0.61%, 0.61%

LAB 74.65, -24.98, -18.12

 

CMYK 61 / 9 / 0 / 23

HEX #4DB4C5

RGB 77 180 197

HSL 188.5, 0.51%, 0.54%

LAB 68.21, -24.58, -17.55

 

CMYK 66 / 9 / 0 / 30

HEX #3CA2B2

RGB 60 162 178

HSL 188.14, 0.5%, 0.47%

LAB 61.67, -24.01, -16.93

 

CMYK 73 / 9 / 0 / 38

HEX #2B909F

RGB 43 144 159

HSL 187.76, 0.57%, 0.4%

LAB 55.03, -23.22, -16.24

 

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

CMYK 53 / 23 / 0 / 8

HEX #6FB6EB

RGB 111 182 235

HSL 205.65, 0.76%, 0.68%

LAB 71.44, -7.66, -33.28

 

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

CMYK 53 / 51 / 0 / 8

HEX #6F74EB

RGB 111 116 235

HSL 237.58, 0.76%, 0.68%

LAB 53.89, 30.65, -60.99

 

CMYK 40 / 53 / 0 / 8

HEX #8C6FEB

RGB 140 111 235

HSL 254.03, 0.76%, 0.68%

LAB 55.01, 39.91, -59.06

 

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

CMYK 53 / 23 / 0 / 8

HEX #6FB6EB

RGB 111 182 235

HSL 205.65, 0.76%, 0.68%

LAB 71.44, -7.66, -33.28

 

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

CMYK 53 / 51 / 0 / 8

HEX #6F74EB

RGB 111 116 235

HSL 237.58, 0.76%, 0.68%

LAB 53.89, 30.65, -60.99

 

CMYK 53 / 53 / 0 / 8

HEX #6F6FEB

RGB 111 111 235

HSL 240, 0.76%, 0.68%

LAB 52.67, 33.64, -62.95

 

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

CMYK 60 / 9 / 0 / 3

HEX #62E1F8

RGB 98 225 248

HSL 189.2, 0.91%, 0.68%

LAB 83.56, -28.48, -21.73

 

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

CMYK 44 / 7 / 0 / 13

HEX #7CCFDE

RGB 124 207 222

HSL 189.18, 0.6%, 0.68%

LAB 78.57, -21.39, -15.33

 

CMYK 34 / 5 / 0 / 18

HEX #89C6D1

RGB 137 198 209

HSL 189.17, 0.44%, 0.68%

LAB 76.26, -16.77, -11.73

 

CMYK 23 / 4 / 0 / 24

HEX #96BCC3

RGB 150 188 195

HSL 189.33, 0.27%, 0.68%

LAB 73.8, -11.09, -7.72

 

CMYK 10 / 2 / 0 / 29

HEX #A4B3B6

RGB 164 179 182

HSL 190, 0.11%, 0.68%

LAB 71.9, -4.58, -3.32

 

CMYK 53 / 0 / 20 / 8

HEX #6FEBBB

RGB 111 235 187

HSL 156.77, 0.76%, 0.68%

LAB 85.19, -45.8, 12.86

 

CMYK 53 / 0 / 6 / 8

HEX #6FEBDC

RGB 111 235 220

HSL 172.74, 0.76%, 0.68%

LAB 85.99, -38.19, -3.29

 

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

CMYK 53 / 22 / 0 / 8

HEX #6FB7EB

RGB 111 183 235

HSL 205.16, 0.76%, 0.68%

LAB 71.72, -8.21, -32.85

 

CMYK 53 / 36 / 0 / 8

HEX #6F96EB

RGB 111 150 235

HSL 221.13, 0.76%, 0.68%

LAB 62.67, 10.4, -47

 

CMYK 83 / 13 / 0 / 12

HEX #26C4E1

RGB 38 196 225

HSL 189.3, 0.76%, 0.52%

LAB 73.11, -28.7, -25.46

 

CMYK 67 / 10 / 0 / 10

HEX #4BCEE6

RGB 75 206 230

HSL 189.29, 0.76%, 0.6%

LAB 76.89, -28.04, -22.32

 

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

CMYK 39 / 6 / 0 / 6

HEX #93E2F0

RGB 147 226 240

HSL 189.03, 0.76%, 0.76%

LAB 85.45, -20.72, -14.48

 

CMYK 25 / 4 / 0 / 4

HEX #B7EBF5

RGB 183 235 245

HSL 189.68, 0.76%, 0.84%

LAB 89.89, -14.31, -10.27

 

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

CMYK 34 / 53 / 0 / 8

HEX #9A6FEB

RGB 154 111 235

HSL 260.81, 0.76%, 0.68%

LAB 56.32, 43.21, -56.88

 

CMYK 0 / 13 / 53 / 8

HEX #EBCC6F

RGB 235 204 111

HSL 45, 0.76%, 0.68%

LAB 82.91, -0.49, 49.87

 

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

CMYK 0 / 53 / 8 / 8

HEX #EB6FD8

RGB 235 111 216

HSL 309.19, 0.76%, 0.68%

LAB 64.95, 60.89, -32.02

 

CMYK 8 / 0 / 53 / 8

HEX #D8EB6F

RGB 216 235 111

HSL 69.19, 0.76%, 0.68%

LAB 89.47, -23.57, 57.23

 

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

CMYK 34 / 53 / 0 / 8

HEX #9A6FEB

RGB 154 111 235

HSL 260.81, 0.76%, 0.68%

LAB 56.32, 43.21, -56.88

 

CMYK 0 / 45 / 53 / 8

HEX #EB816F

RGB 235 129 111

HSL 8.71, 0.76%, 0.68%

LAB 65.37, 38.93, 27.88

 

CMYK 18 / 0 / 53 / 8

HEX #C0EB6F

RGB 192 235 111

HSL 80.81, 0.76%, 0.68%

LAB 87.86, -32.74, 54.94

 

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

CMYK 18 / 53 / 0 / 8

HEX #C06FEB

RGB 192 111 235

HSL 279.19, 0.76%, 0.68%

LAB 60.4, 52.77, -50.14

 

CMYK 0 / 45 / 53 / 8

HEX #EB816F

RGB 235 129 111

HSL 8.71, 0.76%, 0.68%

LAB 65.37, 38.93, 27.88

 

CMYK 34 / 0 / 53 / 8

HEX #9AEB6F

RGB 154 235 111

HSL 99.19, 0.76%, 0.68%

LAB 85.72, -46.17, 51.89

 

Description

Color code: HEX #6FD8EB | qconv.com Color code: HEX #6FD8EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 216 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 216 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 8 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 8% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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