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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 149 235 it is the complementary color RGB 144 106 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 149 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 149 235 shade: RGB 116 149 230, RGB 133 167 249, RGB 150 185 255, RGB 167 203 255 and RGB 184 221 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 149 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 149 235 shade: RGB 111 149 235, RGB 94 131 216, RGB 77 113 197, RGB 60 95 178 and RGB 43 77 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 149 235 shade: RGB 111 149 235, RGB 111 115 235, RGB 140 111 235, RGB 173 111 235 and RGB 207 111 235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 149 235 shade: RGB 111 149 235, RGB 111 115 235 and RGB 111 111 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 149 235 shade matches the following richer shades: RGB 111 149 235 and RGB 98 144 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 149 235 shade: RGB 111 149 235, RGB 124 154 222, RGB 137 159 209, RGB 150 164 195 and RGB 164 169 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 149 235 shade: RGB 111 216 235, RGB 111 183 235, RGB 111 150 235, RGB 111 117 235 and RGB 138 111 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 149 235 shade: RGB 38 96 225, RGB 75 122 230, RGB 111 149 235, RGB 147 176 240 and RGB 183 202 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 149 235 shade: RGB 111 149 235, RGB 220 111 235 and RGB 200 235 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 149 235 shade: RGB 111 149 235, RGB 235 111 150 and RGB 150 235 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 149 235 shade: RGB 111 149 235, RGB 220 111 235, RGB 235 196 111 and RGB 125 235 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 149 235 shade: RGB 111 149 235, RGB 235 111 212, RGB 235 196 111 and RGB 111 235 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

Complementary color

CMYK 0 / 26 / 86 / 44

HEX #906A14

RGB 144 106 20

HSL 41.61, 0.76%, 0.32%

LAB 47.35, 7.44, 49.35

 

CMYK 50 / 35 / 0 / 10

HEX #7495E6

RGB 116 149 230

HSL 222.63, 0.7%, 0.68%

LAB 62.44, 10.57, -44.57

 

CMYK 47 / 33 / 0 / 2

HEX #85A7F9

RGB 133 167 249

HSL 222.41, 0.91%, 0.75%

LAB 69.09, 9.78, -44.48

 

CMYK 41 / 27 / 0 / 0

HEX #96B9FF

RGB 150 185 255

HSL 220, 1%, 0.79%

LAB 75.08, 5.53, -38.29

 

CMYK 35 / 20 / 0 / 0

HEX #A7CBFF

RGB 167 203 255

HSL 215.45, 1%, 0.83%

LAB 80.82, 0.19, -29.34

 

CMYK 28 / 13 / 0 / 0

HEX #B8DDFF

RGB 184 221 255

HSL 208.73, 1%, 0.86%

LAB 86.57, -4.59, -20.5

 

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

CMYK 56 / 39 / 0 / 15

HEX #5E83D8

RGB 94 131 216

HSL 221.8, 0.61%, 0.61%

LAB 55.65, 12.04, -47.57

 

CMYK 61 / 43 / 0 / 23

HEX #4D71C5

RGB 77 113 197

HSL 222, 0.51%, 0.54%

LAB 48.78, 13.34, -47.76

 

CMYK 66 / 47 / 0 / 30

HEX #3C5FB2

RGB 60 95 178

HSL 222.2, 0.5%, 0.47%

LAB 41.78, 14.95, -47.98

 

CMYK 73 / 52 / 0 / 38

HEX #2B4D9F

RGB 43 77 159

HSL 222.41, 0.57%, 0.4%

LAB 34.65, 17, -48.21

 

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

CMYK 53 / 51 / 0 / 8

HEX #6F73EB

RGB 111 115 235

HSL 238.06, 0.76%, 0.68%

LAB 53.64, 31.25, -61.38

 

CMYK 40 / 53 / 0 / 8

HEX #8C6FEB

RGB 140 111 235

HSL 254.03, 0.76%, 0.68%

LAB 55.01, 39.91, -59.06

 

CMYK 26 / 53 / 0 / 8

HEX #AD6FEB

RGB 173 111 235

HSL 270, 0.76%, 0.68%

LAB 58.27, 47.91, -53.65

 

CMYK 12 / 53 / 0 / 8

HEX #CF6FEB

RGB 207 111 235

HSL 286.45, 0.76%, 0.68%

LAB 62.2, 56.68, -47.19

 

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

CMYK 53 / 51 / 0 / 8

HEX #6F73EB

RGB 111 115 235

HSL 238.06, 0.76%, 0.68%

LAB 53.64, 31.25, -61.38

 

CMYK 53 / 53 / 0 / 8

HEX #6F6FEB

RGB 111 111 235

HSL 240, 0.76%, 0.68%

LAB 52.67, 33.64, -62.95

 

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

CMYK 60 / 42 / 0 / 3

HEX #6290F8

RGB 98 144 248

HSL 221.6, 0.91%, 0.68%

LAB 61.06, 15.5, -56.74

 

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

CMYK 44 / 31 / 0 / 13

HEX #7C9ADE

RGB 124 154 222

HSL 221.63, 0.6%, 0.68%

LAB 63.89, 7.24, -37.83

 

CMYK 34 / 24 / 0 / 18

HEX #899FD1

RGB 137 159 209

HSL 221.67, 0.44%, 0.68%

LAB 65.53, 4.3, -28.02

 

CMYK 23 / 16 / 0 / 24

HEX #96A4C3

RGB 150 164 195

HSL 221.33, 0.27%, 0.68%

LAB 67.26, 1.9, -17.53

 

CMYK 10 / 7 / 0 / 29

HEX #A4A9B6

RGB 164 169 182

HSL 223.33, 0.11%, 0.68%

LAB 69.22, 0.84, -7.28

 

CMYK 53 / 8 / 0 / 8

HEX #6FD8EB

RGB 111 216 235

HSL 189.19, 0.76%, 0.68%

LAB 81.01, -25.28, -18.65

 

CMYK 53 / 22 / 0 / 8

HEX #6FB7EB

RGB 111 183 235

HSL 205.16, 0.76%, 0.68%

LAB 71.72, -8.21, -32.85

 

CMYK 53 / 36 / 0 / 8

HEX #6F96EB

RGB 111 150 235

HSL 221.13, 0.76%, 0.68%

LAB 62.67, 10.4, -47

 

CMYK 53 / 50 / 0 / 8

HEX #6F75EB

RGB 111 117 235

HSL 237.1, 0.76%, 0.68%

LAB 54.13, 30.05, -60.59

 

CMYK 41 / 53 / 0 / 8

HEX #8A6FEB

RGB 138 111 235

HSL 253.06, 0.76%, 0.68%

LAB 54.83, 39.45, -59.35

 

CMYK 83 / 57 / 0 / 12

HEX #2660E1

RGB 38 96 225

HSL 221.39, 0.76%, 0.52%

LAB 44.54, 29.2, -70.67

 

CMYK 67 / 47 / 0 / 10

HEX #4B7AE6

RGB 75 122 230

HSL 221.81, 0.76%, 0.6%

LAB 53.09, 18.86, -59.58

 

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

CMYK 39 / 27 / 0 / 6

HEX #93B0F0

RGB 147 176 240

HSL 221.29, 0.76%, 0.76%

LAB 71.92, 5.71, -35.1

 

CMYK 25 / 18 / 0 / 4

HEX #B7CAF5

RGB 183 202 245

HSL 221.61, 0.76%, 0.84%

LAB 81.24, 2.84, -23.29

 

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

CMYK 6 / 53 / 0 / 8

HEX #DC6FEB

RGB 220 111 235

HSL 292.74, 0.76%, 0.68%

LAB 63.82, 60.09, -44.52

 

CMYK 15 / 0 / 53 / 8

HEX #C8EB6F

RGB 200 235 111

HSL 76.94, 0.76%, 0.68%

LAB 88.37, -29.73, 55.67

 

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

CMYK 0 / 53 / 36 / 8

HEX #EB6F96

RGB 235 111 150

HSL 341.13, 0.76%, 0.68%

LAB 62.7, 51.75, 2.05

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

CMYK 6 / 53 / 0 / 8

HEX #DC6FEB

RGB 220 111 235

HSL 292.74, 0.76%, 0.68%

LAB 63.82, 60.09, -44.52

 

CMYK 0 / 17 / 53 / 8

HEX #EBC46F

RGB 235 196 111

HSL 41.13, 0.76%, 0.68%

LAB 80.9, 3.66, 47.45

 

CMYK 47 / 0 / 53 / 8

HEX #7DEB6F

RGB 125 235 111

HSL 113.23, 0.76%, 0.68%

LAB 84.44, -55.05, 50.05

 

CMYK 53 / 37 / 0 / 8

HEX #6F95EB

RGB 111 149 235

HSL 221.61, 0.76%, 0.68%

LAB 62.4, 10.98, -47.42

 

CMYK 0 / 53 / 10 / 8

HEX #EB6FD4

RGB 235 111 212

HSL 311.13, 0.76%, 0.68%

LAB 64.79, 60.25, -30.03

 

CMYK 0 / 17 / 53 / 8

HEX #EBC46F

RGB 235 196 111

HSL 41.13, 0.76%, 0.68%

LAB 80.9, 3.66, 47.45

 

CMYK 53 / 0 / 43 / 8

HEX #6FEB86

RGB 111 235 134

HSL 131.13, 0.76%, 0.68%

LAB 84.23, -55.59, 38.65

 

Description

Color code: RGB 111 149 235 | qconv.com Color code: RGB 111 149 235 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 149 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 149 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 37 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 37% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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