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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73ABFC it is the complementary color #8C5403. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73ABFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73ABFC shade: #78ABF7, #89BDFF, #9ACFFF, #ABE1FF and #BCF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73ABFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73ABFC shade: #73ABFC, #6299E9, #5187D6, #4075C3 and #2F63B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73ABFC shade: #73ABFC, #7386FC, #8473FC, #A973FC and #CE73FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73ABFC shade: #73ABFC, #7386FC and #7373FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73ABFC shade matches the following richer shades: #73ABFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73ABFC shade: #73ABFC, #7EADF0, #8AAFE5, #95B1D9 and #A1B3CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73ABFC shade: #73F5FC, #73D0FC, #73ACFC, #7387FC and #8373FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73ABFC shade: #227AFA, #4A92FB, #73ABFC, #9BC3FC and #C3DBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73ABFC shade: #73ABFC, #DE73FC and #E3FC73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73ABFC shade: #73ABFC, #FC73AC and #ACFC73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73ABFC shade: #73ABFC, #DE73FC, #FCC373 and #90FC73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73ABFC shade: #73ABFC, #FC73F0, #FCC373 and #73FC7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 32 / 0 / 1

HEX #73ABFC

RGB 115 171 252

HSL 215.47, 0.96%, 0.72%

LAB 69.33, 4.41, -45.8

 

Complementary color

CMYK 0 / 40 / 98 / 45

HEX #8C5403

RGB 140 84 3

HSL 35.47, 0.96%, 0.28%

LAB 41.09, 17.98, 48.95

 

CMYK 51 / 31 / 0 / 3

HEX #78ABF7

RGB 120 171 247

HSL 215.91, 0.89%, 0.72%

LAB 69.35, 3.96, -43.03

 

CMYK 46 / 26 / 0 / 0

HEX #89BDFF

RGB 137 189 255

HSL 213.56, 1%, 0.77%

LAB 75.41, 0.15, -37.83

 

CMYK 40 / 19 / 0 / 0

HEX #9ACFFF

RGB 154 207 255

HSL 208.51, 1%, 0.8%

LAB 81.14, -5.37, -28.93

 

CMYK 33 / 12 / 0 / 0

HEX #ABE1FF

RGB 171 225 255

HSL 201.43, 1%, 0.84%

LAB 86.86, -10.28, -20.12

 

CMYK 26 / 5 / 0 / 0

HEX #BCF3FF

RGB 188 243 255

HSL 190.75, 1%, 0.87%

LAB 92.58, -14.69, -11.45

 

CMYK 54 / 32 / 0 / 1

HEX #73ABFC

RGB 115 171 252

HSL 215.47, 0.96%, 0.72%

LAB 69.33, 4.41, -45.8

 

CMYK 58 / 34 / 0 / 9

HEX #6299E9

RGB 98 153 233

HSL 215.56, 0.75%, 0.65%

LAB 62.73, 5.33, -45.84

 

CMYK 62 / 37 / 0 / 16

HEX #5187D6

RGB 81 135 214

HSL 215.64, 0.62%, 0.58%

LAB 56.02, 6.45, -45.91

 

CMYK 67 / 40 / 0 / 24

HEX #4075C3

RGB 64 117 195

HSL 215.73, 0.52%, 0.51%

LAB 49.19, 7.84, -45.99

 

CMYK 73 / 44 / 0 / 31

HEX #2F63B0

RGB 47 99 176

HSL 215.81, 0.58%, 0.44%

LAB 42.25, 9.61, -46.08

 

CMYK 54 / 32 / 0 / 1

HEX #73ABFC

RGB 115 171 252

HSL 215.47, 0.96%, 0.72%

LAB 69.33, 4.41, -45.8

 

CMYK 54 / 47 / 0 / 1

HEX #7386FC

RGB 115 134 252

HSL 231.68, 0.96%, 0.72%

LAB 59.64, 25.98, -61.17

 

CMYK 48 / 54 / 0 / 1

HEX #8473FC

RGB 132 115 252

HSL 247.45, 0.96%, 0.72%

LAB 56.28, 40.63, -66.49

 

CMYK 33 / 54 / 0 / 1

HEX #A973FC

RGB 169 115 252

HSL 263.65, 0.96%, 0.72%

LAB 59.64, 48.86, -60.92

 

CMYK 18 / 54 / 0 / 1

HEX #CE73FC

RGB 206 115 252

HSL 279.85, 0.96%, 0.72%

LAB 63.68, 57.89, -54.24

 

CMYK 54 / 32 / 0 / 1

HEX #73ABFC

RGB 115 171 252

HSL 215.47, 0.96%, 0.72%

LAB 69.33, 4.41, -45.8

 

CMYK 54 / 47 / 0 / 1

HEX #7386FC

RGB 115 134 252

HSL 231.68, 0.96%, 0.72%

LAB 59.64, 25.98, -61.17

 

CMYK 54 / 54 / 0 / 1

HEX #7373FC

RGB 115 115 252

HSL 240, 0.96%, 0.72%

LAB 55, 37.27, -68.62

 

CMYK 54 / 32 / 0 / 1

HEX #73ABFC

RGB 115 171 252

HSL 215.47, 0.96%, 0.72%

LAB 69.33, 4.41, -45.8

 

CMYK 54 / 32 / 0 / 1

HEX #73ABFC

RGB 115 171 252

HSL 215.47, 0.96%, 0.72%

LAB 69.33, 4.41, -45.8

 

CMYK 48 / 28 / 0 / 6

HEX #7EADF0

RGB 126 173 240

HSL 215.26, 0.79%, 0.72%

LAB 69.9, 2.14, -38.33

 

CMYK 40 / 24 / 0 / 10

HEX #8AAFE5

RGB 138 175 229

HSL 215.6, 0.64%, 0.72%

LAB 70.68, 0.94, -31.08

 

CMYK 31 / 18 / 0 / 15

HEX #95B1D9

RGB 149 177 217

HSL 215.29, 0.47%, 0.72%

LAB 71.45, -0.25, -23.29

 

CMYK 21 / 13 / 0 / 20

HEX #A1B3CD

RGB 161 179 205

HSL 215.45, 0.31%, 0.72%

LAB 72.38, -0.6, -15.23

 

CMYK 54 / 3 / 0 / 1

HEX #73F5FC

RGB 115 245 252

HSL 183.07, 0.96%, 0.72%

LAB 89.85, -33.88, -14.3

 

CMYK 54 / 17 / 0 / 1

HEX #73D0FC

RGB 115 208 252

HSL 199.27, 0.96%, 0.72%

LAB 79.49, -15.66, -30.01

 

CMYK 54 / 32 / 0 / 1

HEX #73ACFC

RGB 115 172 252

HSL 215.04, 0.96%, 0.72%

LAB 69.6, 3.84, -45.37

 

CMYK 54 / 46 / 0 / 1

HEX #7387FC

RGB 115 135 252

HSL 231.24, 0.96%, 0.72%

LAB 59.89, 25.39, -60.76

 

CMYK 48 / 54 / 0 / 1

HEX #8373FC

RGB 131 115 252

HSL 247.01, 0.96%, 0.72%

LAB 56.2, 40.42, -66.63

 

CMYK 86 / 51 / 0 / 2

HEX #227AFA

RGB 34 122 250

HSL 215.56, 0.96%, 0.56%

LAB 53.13, 21.87, -70.72

 

CMYK 71 / 42 / 0 / 2

HEX #4A92FB

RGB 74 146 251

HSL 215.59, 0.96%, 0.64%

LAB 60.76, 11.5, -58.93

 

CMYK 54 / 32 / 0 / 1

HEX #73ABFC

RGB 115 171 252

HSL 215.47, 0.96%, 0.72%

LAB 69.33, 4.41, -45.8

 

CMYK 38 / 23 / 0 / 1

HEX #9BC3FC

RGB 155 195 252

HSL 215.26, 0.94%, 0.8%

LAB 77.89, 0.54, -32.31

 

CMYK 23 / 13 / 0 / 1

HEX #C3DBFD

RGB 195 219 253

HSL 215.17, 0.94%, 0.88%

LAB 86.68, -0.8, -19.21

 

CMYK 54 / 32 / 0 / 1

HEX #73ABFC

RGB 115 171 252

HSL 215.47, 0.96%, 0.72%

LAB 69.33, 4.41, -45.8

 

CMYK 12 / 54 / 0 / 1

HEX #DE73FC

RGB 222 115 252

HSL 286.86, 0.96%, 0.72%

LAB 65.61, 61.91, -51.06

 

CMYK 10 / 0 / 54 / 1

HEX #E3FC73

RGB 227 252 115

HSL 70.95, 0.96%, 0.72%

LAB 94.82, -27.03, 61.83

 

CMYK 54 / 32 / 0 / 1

HEX #73ABFC

RGB 115 171 252

HSL 215.47, 0.96%, 0.72%

LAB 69.33, 4.41, -45.8

 

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

CMYK 32 / 0 / 54 / 1

HEX #ACFC73

RGB 172 252 115

HSL 95.04, 0.96%, 0.72%

LAB 91.52, -46.99, 57.15

 

CMYK 54 / 32 / 0 / 1

HEX #73ABFC

RGB 115 171 252

HSL 215.47, 0.96%, 0.72%

LAB 69.33, 4.41, -45.8

 

CMYK 12 / 54 / 0 / 1

HEX #DE73FC

RGB 222 115 252

HSL 286.86, 0.96%, 0.72%

LAB 65.61, 61.91, -51.06

 

CMYK 0 / 23 / 54 / 1

HEX #FCC373

RGB 252 195 115

HSL 35.04, 0.96%, 0.72%

LAB 82.36, 11.42, 47.64

 

CMYK 43 / 0 / 54 / 1

HEX #90FC73

RGB 144 252 115

HSL 107.3, 0.96%, 0.72%

LAB 90.22, -55.84, 55.3

 

CMYK 54 / 32 / 0 / 1

HEX #73ABFC

RGB 115 171 252

HSL 215.47, 0.96%, 0.72%

LAB 69.33, 4.41, -45.8

 

CMYK 0 / 54 / 5 / 1

HEX #FC73F0

RGB 252 115 240

HSL 305.26, 0.96%, 0.72%

LAB 68.93, 67.56, -38.97

 

CMYK 0 / 23 / 54 / 1

HEX #FCC373

RGB 252 195 115

HSL 35.04, 0.96%, 0.72%

LAB 82.36, 11.42, 47.64

 

CMYK 54 / 0 / 50 / 1

HEX #73FC7E

RGB 115 252 126

HSL 124.82, 0.96%, 0.72%

LAB 89.29, -62.26, 48.88

 

Description

Color code: HEX #73ABFC | qconv.com Color code: HEX #73ABFC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 171 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 171 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 32 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 32% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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