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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #706422 it is the complementary color #8F9BDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #706422. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #706422 shade: #75641D, #867630, #978843, #A89A56 and #B9AC69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #706422. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #706422 shade: #706422, #5F520F, #4E4000, #3D2E00 and #2C1C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #706422 shade: #716522, #714F22, #713A22, #712522 and #712222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #706422 shade: #716522, #687122, #527122, #3D7122 and #287122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #706422 shade matches the following richer shades: #716522, #7D6D16 and #89750A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #706422 shade: #716522, #655C2E, #59543A, #4D4C46 and #414352

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #706422 shade: #713A22, #714F22, #716422, #697122 and #547122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #706422 shade: #322C0F, #514819, #716522, #90812C and #B09D36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #706422 shade: #706422, #227125 and #442271

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #706422 shade: #706422, #227164 and #642271

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #706422 shade: #706422, #227125, #222F71 and #71226E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #706422 shade: #706422, #22713C, #222F71 and #712257

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 70 / 56

HEX #706422

RGB 112 100 34

HSL 50.77, 0.53%, 0.29%

LAB 42.27, -3.66, 37.78

 

Complementary color

CMYK 35 / 30 / 0 / 13

HEX #8F9BDD

RGB 143 155 221

HSL 230.77, 0.53%, 0.71%

LAB 65.36, 11.41, -34.9

 

CMYK 0 / 15 / 75 / 54

HEX #75641D

RGB 117 100 29

HSL 48.41, 0.6%, 0.29%

LAB 42.74, -1.56, 40.67

 

CMYK 0 / 12 / 64 / 47

HEX #867630

RGB 134 118 48

HSL 48.84, 0.47%, 0.36%

LAB 49.78, -2.71, 39.81

 

CMYK 0 / 10 / 56 / 41

HEX #978843

RGB 151 136 67

HSL 49.29, 0.39%, 0.43%

LAB 56.68, -3.59, 38.61

 

CMYK 0 / 8 / 49 / 34

HEX #A89A56

RGB 168 154 86

HSL 49.76, 0.32%, 0.5%

LAB 63.43, -4.29, 37.34

 

CMYK 0 / 7 / 43 / 27

HEX #B9AC69

RGB 185 172 105

HSL 50.25, 0.36%, 0.57%

LAB 70.06, -4.86, 36.07

 

CMYK 0 / 11 / 70 / 56

HEX #706422

RGB 112 100 34

HSL 50.77, 0.53%, 0.29%

LAB 42.27, -3.66, 37.78

 

CMYK 0 / 14 / 84 / 63

HEX #5F520F

RGB 95 82 15

HSL 50.25, 0.73%, 0.22%

LAB 35.01, -2.37, 38.15

 

CMYK 0 / 18 / 100 / 69

HEX #4E4000

RGB 78 64 0

HSL 49.23, 1%, 0.15%

LAB 27.54, -0.62, 36.63

 

CMYK 0 / 25 / 100 / 76

HEX #3D2E00

RGB 61 46 0

HSL 45.25, 1%, 0.12%

LAB 19.83, 1.84, 28.24

 

CMYK 0 / 36 / 100 / 83

HEX #2C1C00

RGB 44 28 0

HSL 38.18, 1%, 0.09%

LAB 11.73, 4.6, 17.55

 

CMYK 0 / 11 / 70 / 56

HEX #716522

RGB 113 101 34

HSL 50.89, 0.54%, 0.29%

LAB 42.66, -3.76, 38.22

 

CMYK 0 / 30 / 70 / 56

HEX #714F22

RGB 113 79 34

HSL 34.18, 0.54%, 0.29%

LAB 36.4, 9.35, 31.52

 

CMYK 0 / 49 / 70 / 56

HEX #713A22

RGB 113 58 34

HSL 18.23, 0.54%, 0.29%

LAB 31, 21.98, 25.4

 

CMYK 0 / 67 / 70 / 56

HEX #712522

RGB 113 37 34

HSL 2.28, 0.54%, 0.29%

LAB 26.59, 33.34, 20.14

 

CMYK 0 / 70 / 70 / 56

HEX #712222

RGB 113 34 34

HSL 0, 0.54%, 0.29%

LAB 26.07, 34.74, 19.5

 

CMYK 0 / 11 / 70 / 56

HEX #716522

RGB 113 101 34

HSL 50.89, 0.54%, 0.29%

LAB 42.66, -3.76, 38.22

 

CMYK 8 / 0 / 70 / 56

HEX #687122

RGB 104 113 34

HSL 66.84, 0.54%, 0.29%

LAB 45.45, -14.73, 40.85

 

CMYK 27 / 0 / 70 / 56

HEX #527122

RGB 82 113 34

HSL 83.54, 0.54%, 0.29%

LAB 43.83, -24.43, 38.65

 

CMYK 46 / 0 / 70 / 56

HEX #3D7122

RGB 61 113 34

HSL 99.49, 0.54%, 0.29%

LAB 42.64, -32.56, 37.04

 

CMYK 65 / 0 / 70 / 56

HEX #287122

RGB 40 113 34

HSL 115.44, 0.54%, 0.29%

LAB 41.81, -38.91, 35.9

 

CMYK 0 / 11 / 70 / 56

HEX #716522

RGB 113 101 34

HSL 50.89, 0.54%, 0.29%

LAB 42.66, -3.76, 38.22

 

CMYK 0 / 13 / 82 / 51

HEX #7D6D16

RGB 125 109 22

HSL 50.68, 0.7%, 0.29%

LAB 46.12, -3.24, 46.82

 

CMYK 0 / 15 / 93 / 46

HEX #89750A

RGB 137 117 10

HSL 50.55, 0.86%, 0.29%

LAB 49.57, -2.41, 53.38

 

CMYK 0 / 11 / 70 / 56

HEX #716522

RGB 113 101 34

HSL 50.89, 0.54%, 0.29%

LAB 42.66, -3.76, 38.22

 

CMYK 0 / 9 / 54 / 60

HEX #655C2E

RGB 101 92 46

HSL 50.18, 0.37%, 0.29%

LAB 38.93, -3.21, 27.54

 

CMYK 0 / 6 / 35 / 65

HEX #59543A

RGB 89 84 58

HSL 50.32, 0.21%, 0.29%

LAB 35.54, -2.53, 15.97

 

CMYK 0 / 1 / 9 / 70

HEX #4D4C46

RGB 77 76 70

HSL 51.43, 0.05%, 0.29%

LAB 32.23, -0.84, 3.71

 

CMYK 21 / 18 / 0 / 68

HEX #414352

RGB 65 67 82

HSL 232.94, 0.12%, 0.29%

LAB 28.77, 2.87, -9.26

 

CMYK 0 / 49 / 70 / 56

HEX #713A22

RGB 113 58 34

HSL 18.23, 0.54%, 0.29%

LAB 31, 21.98, 25.4

 

CMYK 0 / 30 / 70 / 56

HEX #714F22

RGB 113 79 34

HSL 34.18, 0.54%, 0.29%

LAB 36.4, 9.35, 31.52

 

CMYK 0 / 12 / 70 / 56

HEX #716422

RGB 113 100 34

HSL 50.13, 0.54%, 0.29%

LAB 42.37, -3.18, 37.92

 

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

CMYK 26 / 0 / 70 / 56

HEX #547122

RGB 84 113 34

HSL 82.03, 0.54%, 0.29%

LAB 43.96, -23.59, 38.83

 

CMYK 0 / 12 / 70 / 80

HEX #322C0F

RGB 50 44 15

HSL 49.71, 0.54%, 0.13%

LAB 17.98, -1.8, 19.33

 

CMYK 0 / 11 / 69 / 68

HEX #514819

RGB 81 72 25

HSL 50.36, 0.53%, 0.21%

LAB 30.53, -2.74, 28.76

 

CMYK 0 / 11 / 70 / 56

HEX #716522

RGB 113 101 34

HSL 50.89, 0.54%, 0.29%

LAB 42.66, -3.76, 38.22

 

CMYK 0 / 10 / 69 / 44

HEX #90812C

RGB 144 129 44

HSL 51, 0.53%, 0.37%

LAB 53.83, -4.54, 46.24

 

CMYK 0 / 11 / 69 / 31

HEX #B09D36

RGB 176 157 54

HSL 50.66, 0.53%, 0.45%

LAB 64.65, -4.85, 54.04

 

CMYK 0 / 11 / 70 / 56

HEX #706422

RGB 112 100 34

HSL 50.77, 0.53%, 0.29%

LAB 42.27, -3.66, 37.78

 

CMYK 70 / 0 / 67 / 56

HEX #227125

RGB 34 113 37

HSL 122.28, 0.54%, 0.29%

LAB 41.66, -39.98, 34.3

 

CMYK 40 / 70 / 0 / 56

HEX #442271

RGB 68 34 113

HSL 265.82, 0.54%, 0.29%

LAB 22.18, 33.82, -39.71

 

CMYK 0 / 11 / 70 / 56

HEX #706422

RGB 112 100 34

HSL 50.77, 0.53%, 0.29%

LAB 42.27, -3.66, 37.78

 

CMYK 70 / 0 / 12 / 56

HEX #227164

RGB 34 113 100

HSL 170.13, 0.54%, 0.29%

LAB 42.87, -26.99, 0.28

 

CMYK 12 / 70 / 0 / 56

HEX #642271

RGB 100 34 113

HSL 290.13, 0.54%, 0.29%

LAB 26.86, 41.51, -31.93

 

CMYK 0 / 11 / 70 / 56

HEX #706422

RGB 112 100 34

HSL 50.77, 0.53%, 0.29%

LAB 42.27, -3.66, 37.78

 

CMYK 70 / 0 / 67 / 56

HEX #227125

RGB 34 113 37

HSL 122.28, 0.54%, 0.29%

LAB 41.66, -39.98, 34.3

 

CMYK 70 / 58 / 0 / 56

HEX #222F71

RGB 34 47 113

HSL 230.13, 0.54%, 0.29%

LAB 22.18, 18.39, -39.86

 

CMYK 0 / 70 / 3 / 56

HEX #71226E

RGB 113 34 110

HSL 302.28, 0.54%, 0.29%

LAB 28.85, 44.25, -26.72

 

CMYK 0 / 11 / 70 / 56

HEX #706422

RGB 112 100 34

HSL 50.77, 0.53%, 0.29%

LAB 42.27, -3.66, 37.78

 

CMYK 70 / 0 / 47 / 56

HEX #22713C

RGB 34 113 60

HSL 139.75, 0.54%, 0.29%

LAB 41.96, -36.53, 22.61

 

CMYK 70 / 58 / 0 / 56

HEX #222F71

RGB 34 47 113

HSL 230.13, 0.54%, 0.29%

LAB 22.18, 18.39, -39.86

 

CMYK 0 / 70 / 23 / 56

HEX #712257

RGB 113 34 87

HSL 319.75, 0.54%, 0.29%

LAB 27.69, 40.44, -13.59

 

Description

Color code: HEX #706422 | qconv.com Color code: HEX #706422 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 100 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 100 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 70 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 70% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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