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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7073AC it is the complementary color #8F8C53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7073AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7073AC shade: #7573A7, #8685BA, #9797CD, #A8A9E0 and #B9BBF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7073AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7073AC shade: #7073AC, #5F6199, #4E4F86, #3D3D73 and #2C2B60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7073AC shade: #7073AD, #7D70AD, #8E70AD, #9E70AD and #AD70AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7073AC shade: #7073AD and #7070AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7073AC shade matches the following richer shades: #7073AD, #5E63BF, #4C52D1, #3A42E3 and #2732F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7073AC shade: #7073AD, #82839A, #949488, #A6A476 and #B9B464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7073AC shade: #7093AD, #7083AD, #7073AD, #7D70AD and #8D70AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7073AC shade: #4A4C80, #595C9B, #7073AD, #8A8DBC and #A4A6CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7073AC shade: #7073AC, #AD70A4 and #8BAD70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7073AC shade: #7073AC, #AD7073 and #73AD70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7073AC shade: #7073AC, #AD70A4, #ADAA70 and #70AD79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7073AC shade: #7073AC, #AD7091, #ADAA70 and #70AD8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 33 / 0 / 33

HEX #7073AC

RGB 112 115 172

HSL 237, 0.27%, 0.56%

LAB 50.32, 12.83, -30.75

 

Complementary color

CMYK 0 / 2 / 42 / 44

HEX #8F8C53

RGB 143 140 83

HSL 57, 0.27%, 0.44%

LAB 57.29, -7.67, 30.8

 

CMYK 30 / 31 / 0 / 35

HEX #7573A7

RGB 117 115 167

HSL 242.31, 0.23%, 0.55%

LAB 50.49, 12.97, -27.54

 

CMYK 28 / 28 / 0 / 27

HEX #8685BA

RGB 134 133 186

HSL 241.13, 0.28%, 0.63%

LAB 57.45, 12.41, -27.58

 

CMYK 26 / 26 / 0 / 20

HEX #9797CD

RGB 151 151 205

HSL 240, 0.35%, 0.7%

LAB 64.26, 11.92, -27.67

 

CMYK 25 / 25 / 0 / 12

HEX #A8A9E0

RGB 168 169 224

HSL 238.93, 0.47%, 0.77%

LAB 70.93, 11.49, -27.8

 

CMYK 24 / 23 / 0 / 5

HEX #B9BBF3

RGB 185 187 243

HSL 237.93, 0.71%, 0.84%

LAB 77.48, 11.09, -27.95

 

CMYK 35 / 33 / 0 / 33

HEX #7073AC

RGB 112 115 172

HSL 237, 0.27%, 0.56%

LAB 50.32, 12.83, -30.75

 

CMYK 38 / 37 / 0 / 40

HEX #5F6199

RGB 95 97 153

HSL 237.93, 0.23%, 0.49%

LAB 43.19, 13.54, -30.82

 

CMYK 42 / 41 / 0 / 47

HEX #4E4F86

RGB 78 79 134

HSL 238.93, 0.26%, 0.42%

LAB 35.85, 14.41, -30.97

 

CMYK 47 / 47 / 0 / 55

HEX #3D3D73

RGB 61 61 115

HSL 240, 0.31%, 0.35%

LAB 28.29, 15.5, -31.2

 

CMYK 54 / 55 / 0 / 62

HEX #2C2B60

RGB 44 43 96

HSL 241.13, 0.38%, 0.27%

LAB 20.47, 16.92, -31.53

 

CMYK 35 / 34 / 0 / 32

HEX #7073AD

RGB 112 115 173

HSL 237.05, 0.27%, 0.56%

LAB 50.36, 13.1, -31.26

 

CMYK 28 / 35 / 0 / 32

HEX #7D70AD

RGB 125 112 173

HSL 252.79, 0.27%, 0.56%

LAB 50.65, 18.77, -30.73

 

CMYK 18 / 35 / 0 / 32

HEX #8E70AD

RGB 142 112 173

HSL 269.51, 0.27%, 0.56%

LAB 52.24, 24.05, -28.14

 

CMYK 9 / 35 / 0 / 32

HEX #9E70AD

RGB 158 112 173

HSL 285.25, 0.27%, 0.56%

LAB 53.89, 29.18, -25.44

 

CMYK 0 / 35 / 1 / 32

HEX #AD70AB

RGB 173 112 171

HSL 301.97, 0.27%, 0.56%

LAB 55.5, 33.69, -21.68

 

CMYK 35 / 34 / 0 / 32

HEX #7073AD

RGB 112 115 173

HSL 237.05, 0.27%, 0.56%

LAB 50.36, 13.1, -31.26

 

CMYK 35 / 35 / 0 / 32

HEX #7070AD

RGB 112 112 173

HSL 240, 0.27%, 0.56%

LAB 49.56, 14.92, -32.52

 

CMYK 35 / 34 / 0 / 32

HEX #7073AD

RGB 112 115 173

HSL 237.05, 0.27%, 0.56%

LAB 50.36, 13.1, -31.26

 

CMYK 51 / 48 / 0 / 25

HEX #5E63BF

RGB 94 99 191

HSL 236.91, 0.43%, 0.56%

LAB 45.72, 23.62, -49.13

 

CMYK 64 / 61 / 0 / 18

HEX #4C52D1

RGB 76 82 209

HSL 237.29, 0.59%, 0.56%

LAB 41.49, 36.67, -66.42

 

CMYK 74 / 71 / 0 / 11

HEX #3A42E3

RGB 58 66 227

HSL 237.16, 0.75%, 0.56%

LAB 38.45, 50.07, -81.76

 

CMYK 84 / 80 / 0 / 4

HEX #2732F5

RGB 39 50 245

HSL 236.8, 0.91%, 0.56%

LAB 36.57, 62.98, -95.11

 

CMYK 35 / 34 / 0 / 32

HEX #7073AD

RGB 112 115 173

HSL 237.05, 0.27%, 0.56%

LAB 50.36, 13.1, -31.26

 

CMYK 16 / 15 / 0 / 40

HEX #82839A

RGB 130 131 154

HSL 237.5, 0.11%, 0.56%

LAB 55.39, 4.55, -12.4

 

CMYK 0 / 0 / 8 / 42

HEX #949488

RGB 148 148 136

HSL 60, 0.05%, 0.56%

LAB 61, -2.23, 6.34

HEX #949488

CMYK 0 / 1 / 29 / 35

HEX #A6A476

RGB 166 164 118

HSL 57.5, 0.21%, 0.56%

LAB 66.49, -6.76, 24.2

HEX #A6A476

CMYK 0 / 3 / 46 / 27

HEX #B9B464

RGB 185 180 100

HSL 56.47, 0.38%, 0.56%

LAB 72.15, -9.58, 41.22

HEX #B9B464

CMYK 35 / 15 / 0 / 32

HEX #7093AD

RGB 112 147 173

HSL 205.57, 0.27%, 0.56%

LAB 59.28, -5.58, -17.52

 

CMYK 35 / 24 / 0 / 32

HEX #7083AD

RGB 112 131 173

HSL 221.31, 0.27%, 0.56%

LAB 54.76, 3.59, -24.44

 

CMYK 35 / 34 / 0 / 32

HEX #7073AD

RGB 112 115 173

HSL 237.05, 0.27%, 0.56%

LAB 50.36, 13.1, -31.26

 

CMYK 28 / 35 / 0 / 32

HEX #7D70AD

RGB 125 112 173

HSL 252.79, 0.27%, 0.56%

LAB 50.65, 18.77, -30.73

 

CMYK 18 / 35 / 0 / 32

HEX #8D70AD

RGB 141 112 173

HSL 268.52, 0.27%, 0.56%

LAB 52.14, 23.73, -28.3

 

CMYK 42 / 41 / 0 / 50

HEX #4A4C80

RGB 74 76 128

HSL 237.78, 0.27%, 0.4%

LAB 34.36, 13.36, -29.65

 

CMYK 43 / 41 / 0 / 39

HEX #595C9B

RGB 89 92 155

HSL 237.27, 0.27%, 0.48%

LAB 41.45, 15.59, -34.79

 

CMYK 35 / 34 / 0 / 32

HEX #7073AD

RGB 112 115 173

HSL 237.05, 0.27%, 0.56%

LAB 50.36, 13.1, -31.26

 

CMYK 27 / 25 / 0 / 26

HEX #8A8DBC

RGB 138 141 188

HSL 236.4, 0.27%, 0.64%

LAB 59.96, 9.5, -24.82

 

CMYK 19 / 18 / 0 / 20

HEX #A4A6CB

RGB 164 166 203

HSL 236.92, 0.27%, 0.72%

LAB 69.1, 7.05, -19.08

 

CMYK 35 / 33 / 0 / 33

HEX #7073AC

RGB 112 115 172

HSL 237, 0.27%, 0.56%

LAB 50.32, 12.83, -30.75

 

CMYK 0 / 35 / 5 / 32

HEX #AD70A4

RGB 173 112 164

HSL 308.85, 0.27%, 0.56%

LAB 55.23, 32.38, -18.03

 

CMYK 20 / 0 / 35 / 32

HEX #8BAD70

RGB 139 173 112

HSL 93.44, 0.27%, 0.56%

LAB 66.93, -22.76, 27.66

 

CMYK 35 / 33 / 0 / 33

HEX #7073AC

RGB 112 115 172

HSL 237, 0.27%, 0.56%

LAB 50.32, 12.83, -30.75

 

CMYK 0 / 35 / 34 / 32

HEX #AD7073

RGB 173 112 115

HSL 357.05, 0.27%, 0.56%

LAB 53.72, 24.57, 8.38

 

CMYK 34 / 0 / 35 / 32

HEX #73AD70

RGB 115 173 112

HSL 117.05, 0.27%, 0.56%

LAB 65.52, -31.27, 25.52

 

CMYK 35 / 33 / 0 / 33

HEX #7073AC

RGB 112 115 172

HSL 237, 0.27%, 0.56%

LAB 50.32, 12.83, -30.75

 

CMYK 0 / 35 / 5 / 32

HEX #AD70A4

RGB 173 112 164

HSL 308.85, 0.27%, 0.56%

LAB 55.23, 32.38, -18.03

 

CMYK 0 / 2 / 35 / 32

HEX #ADAA70

RGB 173 170 112

HSL 57.05, 0.27%, 0.56%

LAB 68.61, -7.91, 30.33

 

CMYK 35 / 0 / 30 / 32

HEX #70AD79

RGB 112 173 121

HSL 128.85, 0.27%, 0.56%

LAB 65.52, -30.71, 20.65

 

CMYK 35 / 33 / 0 / 33

HEX #7073AC

RGB 112 115 172

HSL 237, 0.27%, 0.56%

LAB 50.32, 12.83, -30.75

 

CMYK 0 / 35 / 16 / 32

HEX #AD7091

RGB 173 112 145

HSL 327.54, 0.27%, 0.56%

LAB 54.57, 29.05, -7.96

 

CMYK 0 / 2 / 35 / 32

HEX #ADAA70

RGB 173 170 112

HSL 57.05, 0.27%, 0.56%

LAB 68.61, -7.91, 30.33

 

CMYK 35 / 0 / 20 / 32

HEX #70AD8B

RGB 112 173 139

HSL 146.56, 0.27%, 0.56%

LAB 65.9, -27.26, 11.31

 

Description

Color code: HEX #7073AC | qconv.com Color code: HEX #7073AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 115 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 115 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 33 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 33% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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