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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #714C49 it is the complementary color #8EB3B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #714C49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #714C49 shade: #764C44, #875E57, #98706A, #A9827D and #BA9490

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #714C49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #714C49 shade: #714C49, #603A36, #4F2823, #3E1610 and #2D0400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #714C49 shade: #6F4A47 and #6F4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #714C49 shade: #6F4A47, #6F5547, #6F6047, #6F6B47 and #696F47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #714C49 shade matches the following richer shades: #6F4A47, #7E3E38, #8D3129, #9C241B and #AB180C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #714C49 shade: #6F4A47, #615756, #526365, #437074 and #347D83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #714C49 shade: #6F475A, #6F474F, #6F4A47, #6F5547 and #6F5F47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #714C49 shade: #3D2927, #563937, #6F4A47, #895B57 and #9F6E6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #714C49 shade: #714C49, #656F47 and #47556F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #714C49 shade: #714C49, #476F4A and #4A476F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #714C49 shade: #714C49, #656F47, #476D6F and #52476F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #714C49 shade: #714C49, #596F47, #476D6F and #5E476F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 35 / 56

HEX #714C49

RGB 113 76 73

HSL 4.5, 0.22%, 0.36%

LAB 36.29, 15.25, 8.13

 

Complementary color

CMYK 22 / 2 / 0 / 29

HEX #8EB3B6

RGB 142 179 182

HSL 184.5, 0.22%, 0.64%

LAB 70.43, -11.74, -5.65

 

CMYK 0 / 36 / 42 / 54

HEX #764C44

RGB 118 76 68

HSL 9.6, 0.27%, 0.36%

LAB 36.81, 16.75, 12.08

 

CMYK 0 / 30 / 36 / 47

HEX #875E57

RGB 135 94 87

HSL 8.75, 0.22%, 0.44%

LAB 44.01, 15.77, 10.71

 

CMYK 0 / 26 / 30 / 40

HEX #98706A

RGB 152 112 106

HSL 7.83, 0.18%, 0.51%

LAB 51.04, 14.94, 9.53

 

CMYK 0 / 23 / 26 / 34

HEX #A9827D

RGB 169 130 125

HSL 6.82, 0.2%, 0.58%

LAB 57.92, 14.24, 8.48

 

CMYK 0 / 20 / 23 / 27

HEX #BA9490

RGB 186 148 144

HSL 5.71, 0.23%, 0.65%

LAB 64.67, 13.62, 7.53

 

CMYK 0 / 33 / 35 / 56

HEX #714C49

RGB 113 76 73

HSL 4.5, 0.22%, 0.36%

LAB 36.29, 15.25, 8.13

 

CMYK 0 / 40 / 44 / 62

HEX #603A36

RGB 96 58 54

HSL 5.71, 0.28%, 0.29%

LAB 28.85, 16.3, 9.55

 

CMYK 0 / 49 / 56 / 69

HEX #4F2823

RGB 79 40 35

HSL 6.82, 0.39%, 0.22%

LAB 21.21, 17.58, 11.38

 

CMYK 0 / 65 / 74 / 76

HEX #3E1610

RGB 62 22 16

HSL 7.83, 0.59%, 0.15%

LAB 13.44, 19.1, 13.44

 

CMYK 0 / 91 / 100 / 82

HEX #2D0400

RGB 45 4 0

HSL 5.33, 1%, 0.09%

LAB 5.82, 19.9, 9.11

 

CMYK 0 / 33 / 36 / 56

HEX #6F4A47

RGB 111 74 71

HSL 4.5, 0.22%, 0.36%

LAB 35.46, 15.33, 8.18

 

CMYK 0 / 36 / 36 / 56

HEX #6F4747

RGB 111 71 71

HSL 0, 0.22%, 0.36%

LAB 34.68, 17.16, 7.09

 

CMYK 0 / 33 / 36 / 56

HEX #6F4A47

RGB 111 74 71

HSL 4.5, 0.22%, 0.36%

LAB 35.46, 15.33, 8.18

 

CMYK 0 / 23 / 36 / 56

HEX #6F5547

RGB 111 85 71

HSL 21, 0.22%, 0.36%

LAB 38.43, 8.61, 12.31

 

CMYK 0 / 14 / 36 / 56

HEX #6F6047

RGB 111 96 71

HSL 37.5, 0.22%, 0.36%

LAB 41.53, 1.98, 16.52

 

CMYK 0 / 4 / 36 / 56

HEX #6F6B47

RGB 111 107 71

HSL 54, 0.22%, 0.36%

LAB 44.73, -4.48, 20.77

 

CMYK 5 / 0 / 36 / 56

HEX #696F47

RGB 105 111 71

HSL 69, 0.22%, 0.36%

LAB 45.4, -9.37, 21.55

 

CMYK 0 / 33 / 36 / 56

HEX #6F4A47

RGB 111 74 71

HSL 4.5, 0.22%, 0.36%

LAB 35.46, 15.33, 8.18

 

CMYK 0 / 51 / 56 / 51

HEX #7E3E38

RGB 126 62 56

HSL 5.14, 0.38%, 0.36%

LAB 34.33, 27.03, 16.44

 

CMYK 0 / 65 / 71 / 45

HEX #8D3129

RGB 141 49 41

HSL 4.8, 0.55%, 0.36%

LAB 34.02, 38.54, 25.92

 

CMYK 0 / 77 / 83 / 39

HEX #9C241B

RGB 156 36 27

HSL 4.19, 0.7%, 0.36%

LAB 34.82, 48.35, 35.8

 

CMYK 0 / 86 / 93 / 33

HEX #AB180C

RGB 171 24 12

HSL 4.53, 0.87%, 0.36%

LAB 36.63, 55.91, 45.69

 

CMYK 0 / 33 / 36 / 56

HEX #6F4A47

RGB 111 74 71

HSL 4.5, 0.22%, 0.36%

LAB 35.46, 15.33, 8.18

 

CMYK 0 / 10 / 11 / 62

HEX #615756

RGB 97 87 86

HSL 5.45, 0.06%, 0.36%

LAB 37.9, 3.87, 2.05

 

CMYK 19 / 2 / 0 / 60

HEX #526365

RGB 82 99 101

HSL 186.32, 0.1%, 0.36%

LAB 40.67, -5.94, -3.29

 

CMYK 42 / 3 / 0 / 55

HEX #437074

RGB 67 112 116

HSL 184.9, 0.27%, 0.36%

LAB 44.29, -14.31, -7.1

 

CMYK 60 / 5 / 0 / 49

HEX #347D83

RGB 52 125 131

HSL 184.56, 0.43%, 0.36%

LAB 48.31, -20.58, -10.08

 

CMYK 0 / 36 / 19 / 56

HEX #6F475A

RGB 111 71 90

HSL 331.5, 0.22%, 0.36%

LAB 35.25, 20.18, -4.15

 

CMYK 0 / 36 / 29 / 56

HEX #6F474F

RGB 111 71 79

HSL 348, 0.22%, 0.36%

LAB 34.9, 18.35, 2.32

 

CMYK 0 / 33 / 36 / 56

HEX #6F4A47

RGB 111 74 71

HSL 4.5, 0.22%, 0.36%

LAB 35.46, 15.33, 8.18

 

CMYK 0 / 23 / 36 / 56

HEX #6F5547

RGB 111 85 71

HSL 21, 0.22%, 0.36%

LAB 38.43, 8.61, 12.31

 

CMYK 0 / 14 / 36 / 56

HEX #6F5F47

RGB 111 95 71

HSL 36, 0.22%, 0.36%

LAB 41.25, 2.58, 16.14

 

CMYK 0 / 33 / 36 / 76

HEX #3D2927

RGB 61 41 39

HSL 5.45, 0.22%, 0.2%

LAB 18.9, 9.02, 5.03

 

CMYK 0 / 34 / 36 / 66

HEX #563937

RGB 86 57 55

HSL 3.87, 0.22%, 0.28%

LAB 27.24, 12.59, 6.46

 

CMYK 0 / 33 / 36 / 56

HEX #6F4A47

RGB 111 74 71

HSL 4.5, 0.22%, 0.36%

LAB 35.46, 15.33, 8.18

 

CMYK 0 / 34 / 36 / 46

HEX #895B57

RGB 137 91 87

HSL 4.8, 0.22%, 0.44%

LAB 43.49, 18.37, 10.02

 

CMYK 0 / 31 / 33 / 38

HEX #9F6E6A

RGB 159 110 106

HSL 4.53, 0.22%, 0.52%

LAB 51.34, 18.93, 10.07

 

CMYK 0 / 33 / 35 / 56

HEX #714C49

RGB 113 76 73

HSL 4.5, 0.22%, 0.36%

LAB 36.29, 15.25, 8.13

 

CMYK 9 / 0 / 36 / 56

HEX #656F47

RGB 101 111 71

HSL 75, 0.22%, 0.36%

LAB 45.07, -11.08, 21.05

 

CMYK 36 / 23 / 0 / 56

HEX #47556F

RGB 71 85 111

HSL 219, 0.22%, 0.36%

LAB 35.95, 1.54, -16.65

 

CMYK 0 / 33 / 35 / 56

HEX #714C49

RGB 113 76 73

HSL 4.5, 0.22%, 0.36%

LAB 36.29, 15.25, 8.13

 

CMYK 36 / 0 / 33 / 56

HEX #476F4A

RGB 71 111 74

HSL 124.5, 0.22%, 0.36%

LAB 43.07, -22.4, 16.28

 

CMYK 33 / 36 / 0 / 56

HEX #4A476F

RGB 74 71 111

HSL 244.5, 0.22%, 0.36%

LAB 32.06, 11.5, -22.67

 

CMYK 0 / 33 / 35 / 56

HEX #714C49

RGB 113 76 73

HSL 4.5, 0.22%, 0.36%

LAB 36.29, 15.25, 8.13

 

CMYK 9 / 0 / 36 / 56

HEX #656F47

RGB 101 111 71

HSL 75, 0.22%, 0.36%

LAB 45.07, -11.08, 21.05

 

CMYK 36 / 2 / 0 / 56

HEX #476D6F

RGB 71 109 111

HSL 183, 0.22%, 0.36%

LAB 43.4, -12.83, -5.4

 

CMYK 26 / 36 / 0 / 56

HEX #52476F

RGB 82 71 111

HSL 256.5, 0.22%, 0.36%

LAB 32.81, 14.12, -21.44

 

CMYK 0 / 33 / 35 / 56

HEX #714C49

RGB 113 76 73

HSL 4.5, 0.22%, 0.36%

LAB 36.29, 15.25, 8.13

 

CMYK 20 / 0 / 36 / 56

HEX #596F47

RGB 89 111 71

HSL 93, 0.22%, 0.36%

LAB 44.16, -16.07, 19.69

 

CMYK 36 / 2 / 0 / 56

HEX #476D6F

RGB 71 109 111

HSL 183, 0.22%, 0.36%

LAB 43.4, -12.83, -5.4

 

CMYK 15 / 36 / 0 / 56

HEX #5E476F

RGB 94 71 111

HSL 274.5, 0.22%, 0.36%

LAB 34.05, 18.22, -19.41

 

Description

Color code: HEX #714C49 | qconv.com Color code: HEX #714C49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 76 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 76 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 35 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 35% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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