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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7185E4 it is the complementary color #8E7A1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7185E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7185E4 shade: #7685DF, #8797F2, #98A9FF, #A9BBFF and #BACDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7185E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7185E4 shade: #7185E4, #6073D1, #4F61BE, #3E4FAB and #2D3D98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7185E4 shade: #7185E4, #7C71E4, #9B71E4, #BA71E4 and #D971E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7185E4 shade: #7185E4 and #7171E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7185E4 shade matches the following richer shades: #7185E4 and #647CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7185E4 shade: #7185E4, #7F8ED6, #8C97C8, #9AA0BB and #A8A9AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7185E4 shade: #71C3E4, #71A5E4, #7186E4, #7B71E4 and #9971E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7185E4 shade: #2C49D6, #4E67DD, #7185E4, #94A3EA and #B6C1F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7185E4 shade: #7185E4, #E471E2 and #B4E471

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7185E4 shade: #7185E4, #E47186 and #86E471

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7185E4 shade: #7185E4, #E471E2, #E4CF71 and #71E473

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7185E4 shade: #7185E4, #E471BF, #E4CF71 and #71E495

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 42 / 0 / 11

HEX #7185E4

RGB 113 133 228

HSL 229.57, 0.68%, 0.67%

LAB 57.93, 18.72, -50.61

 

Complementary color

CMYK 0 / 14 / 81 / 44

HEX #8E7A1B

RGB 142 122 27

HSL 49.57, 0.68%, 0.33%

LAB 51.55, -2.39, 50.63

 

CMYK 47 / 40 / 0 / 13

HEX #7685DF

RGB 118 133 223

HSL 231.43, 0.62%, 0.67%

LAB 57.99, 18.36, -47.7

 

CMYK 44 / 38 / 0 / 5

HEX #8797F2

RGB 135 151 242

HSL 231.03, 0.8%, 0.74%

LAB 64.72, 17.43, -47.51

 

CMYK 40 / 34 / 0 / 0

HEX #98A9FF

RGB 152 169 255

HSL 230.1, 1%, 0.8%

LAB 71.06, 14.99, -44.56

 

CMYK 34 / 27 / 0 / 0

HEX #A9BBFF

RGB 169 187 255

HSL 227.44, 1%, 0.83%

LAB 76.8, 9.43, -35.53

 

CMYK 27 / 20 / 0 / 0

HEX #BACDFF

RGB 186 205 255

HSL 223.48, 1%, 0.86%

LAB 82.55, 4.44, -26.59

 

CMYK 50 / 42 / 0 / 11

HEX #7185E4

RGB 113 133 228

HSL 229.57, 0.68%, 0.67%

LAB 57.93, 18.72, -50.61

 

CMYK 54 / 45 / 0 / 18

HEX #6073D1

RGB 96 115 209

HSL 229.91, 0.55%, 0.6%

LAB 51.1, 19.93, -50.86

 

CMYK 58 / 49 / 0 / 25

HEX #4F61BE

RGB 79 97 190

HSL 230.27, 0.46%, 0.53%

LAB 44.13, 21.38, -51.16

 

CMYK 64 / 54 / 0 / 33

HEX #3E4FAB

RGB 62 79 171

HSL 230.64, 0.47%, 0.46%

LAB 37.03, 23.16, -51.48

 

CMYK 70 / 60 / 0 / 40

HEX #2D3D98

RGB 45 61 152

HSL 231.03, 0.54%, 0.39%

LAB 29.82, 25.38, -51.79

 

CMYK 50 / 42 / 0 / 11

HEX #7185E4

RGB 113 133 228

HSL 229.57, 0.68%, 0.67%

LAB 57.93, 18.72, -50.61

 

CMYK 46 / 50 / 0 / 11

HEX #7C71E4

RGB 124 113 228

HSL 245.74, 0.68%, 0.67%

LAB 53.7, 33.12, -57.31

 

CMYK 32 / 50 / 0 / 11

HEX #9B71E4

RGB 155 113 228

HSL 261.91, 0.68%, 0.67%

LAB 56.47, 40.57, -52.74

 

CMYK 18 / 50 / 0 / 11

HEX #BA71E4

RGB 186 113 228

HSL 278.09, 0.68%, 0.67%

LAB 59.75, 48.66, -47.31

 

CMYK 5 / 50 / 0 / 11

HEX #D971E4

RGB 217 113 228

HSL 294.26, 0.68%, 0.67%

LAB 63.48, 57.04, -41.19

 

CMYK 50 / 42 / 0 / 11

HEX #7185E4

RGB 113 133 228

HSL 229.57, 0.68%, 0.67%

LAB 57.93, 18.72, -50.61

 

CMYK 50 / 50 / 0 / 11

HEX #7171E4

RGB 113 113 228

HSL 240, 0.68%, 0.67%

LAB 52.86, 30.71, -58.7

 

CMYK 50 / 42 / 0 / 11

HEX #7185E4

RGB 113 133 228

HSL 229.57, 0.68%, 0.67%

LAB 57.93, 18.72, -50.61

 

CMYK 59 / 49 / 0 / 5

HEX #647CF1

RGB 100 124 241

HSL 229.79, 0.83%, 0.67%

LAB 55.56, 25.59, -61.68

 

CMYK 50 / 42 / 0 / 11

HEX #7185E4

RGB 113 133 228

HSL 229.57, 0.68%, 0.67%

LAB 57.93, 18.72, -50.61

 

CMYK 41 / 34 / 0 / 16

HEX #7F8ED6

RGB 127 142 214

HSL 229.66, 0.51%, 0.67%

LAB 60.53, 12.69, -38.63

 

CMYK 30 / 25 / 0 / 22

HEX #8C97C8

RGB 140 151 200

HSL 229, 0.35%, 0.67%

LAB 63.24, 7.38, -26.51

 

CMYK 18 / 14 / 0 / 27

HEX #9AA0BB

RGB 154 160 187

HSL 229.09, 0.2%, 0.67%

LAB 66.21, 3.56, -14.63

 

CMYK 3 / 2 / 0 / 32

HEX #A8A9AD

RGB 168 169 173

HSL 228, 0.03%, 0.67%

LAB 69.27, 0.42, -2.19

 

CMYK 50 / 14 / 0 / 11

HEX #71C3E4

RGB 113 195 228

HSL 197.22, 0.68%, 0.67%

LAB 74.91, -16.16, -24.15

 

CMYK 50 / 28 / 0 / 11

HEX #71A5E4

RGB 113 165 228

HSL 212.87, 0.68%, 0.67%

LAB 66.54, 0.11, -37.07

 

CMYK 50 / 41 / 0 / 11

HEX #7186E4

RGB 113 134 228

HSL 229.04, 0.68%, 0.67%

LAB 58.19, 18.12, -50.2

 

CMYK 46 / 50 / 0 / 11

HEX #7B71E4

RGB 123 113 228

HSL 245.22, 0.68%, 0.67%

LAB 53.62, 32.89, -57.44

 

CMYK 33 / 50 / 0 / 11

HEX #9971E4

RGB 153 113 228

HSL 260.87, 0.68%, 0.67%

LAB 56.27, 40.07, -53.06

 

CMYK 79 / 66 / 0 / 16

HEX #2C49D6

RGB 44 73 214

HSL 229.76, 0.67%, 0.51%

LAB 38.12, 40.24, -74.88

 

CMYK 65 / 53 / 0 / 13

HEX #4E67DD

RGB 78 103 221

HSL 229.51, 0.68%, 0.59%

LAB 47.68, 28.01, -63.23

 

CMYK 50 / 42 / 0 / 11

HEX #7185E4

RGB 113 133 228

HSL 229.57, 0.68%, 0.67%

LAB 57.93, 18.72, -50.61

 

CMYK 37 / 30 / 0 / 8

HEX #94A3EA

RGB 148 163 234

HSL 229.53, 0.67%, 0.75%

LAB 68.34, 11.68, -37.4

 

CMYK 24 / 20 / 0 / 5

HEX #B6C1F1

RGB 182 193 241

HSL 228.81, 0.68%, 0.83%

LAB 78.72, 6.47, -25

 

CMYK 50 / 42 / 0 / 11

HEX #7185E4

RGB 113 133 228

HSL 229.57, 0.68%, 0.67%

LAB 57.93, 18.72, -50.61

 

CMYK 0 / 50 / 1 / 11

HEX #E471E2

RGB 228 113 226

HSL 301.04, 0.68%, 0.67%

LAB 64.8, 59.69, -37.91

 

CMYK 21 / 0 / 50 / 11

HEX #B4E471

RGB 180 228 113

HSL 85.04, 0.68%, 0.67%

LAB 85.19, -33.77, 50.67

 

CMYK 50 / 42 / 0 / 11

HEX #7185E4

RGB 113 133 228

HSL 229.57, 0.68%, 0.67%

LAB 57.93, 18.72, -50.61

 

CMYK 0 / 50 / 41 / 11

HEX #E47186

RGB 228 113 134

HSL 349.04, 0.68%, 0.67%

LAB 61.68, 46.64, 9.65

 

CMYK 41 / 0 / 50 / 11

HEX #86E471

RGB 134 228 113

HSL 109.04, 0.68%, 0.67%

LAB 82.78, -49.35, 47.18

 

CMYK 50 / 42 / 0 / 11

HEX #7185E4

RGB 113 133 228

HSL 229.57, 0.68%, 0.67%

LAB 57.93, 18.72, -50.61

 

CMYK 0 / 50 / 1 / 11

HEX #E471E2

RGB 228 113 226

HSL 301.04, 0.68%, 0.67%

LAB 64.8, 59.69, -37.91

 

CMYK 0 / 9 / 50 / 11

HEX #E4CF71

RGB 228 207 113

HSL 49.04, 0.68%, 0.67%

LAB 83.08, -4.71, 48.96

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

CMYK 50 / 42 / 0 / 11

HEX #7185E4

RGB 113 133 228

HSL 229.57, 0.68%, 0.67%

LAB 57.93, 18.72, -50.61

 

CMYK 0 / 50 / 16 / 11

HEX #E471BF

RGB 228 113 191

HSL 319.3, 0.68%, 0.67%

LAB 63.4, 54.01, -20.42

 

CMYK 0 / 9 / 50 / 11

HEX #E4CF71

RGB 228 207 113

HSL 49.04, 0.68%, 0.67%

LAB 83.08, -4.71, 48.96

 

CMYK 50 / 0 / 35 / 11

HEX #71E495

RGB 113 228 149

HSL 138.78, 0.68%, 0.67%

LAB 82.47, -49.81, 28.8

 

Description

Color code: HEX #7185E4 | qconv.com Color code: HEX #7185E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 133 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 133 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 42 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 42% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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