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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #728D15 it is the complementary color #8D72EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #728D15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #728D15 shade: #778D10, #889F23, #99B136, #AAC349 and #BBD55C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #728D15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #728D15 shade: #728D15, #617B02, #506900, #3F5700 and #2E4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #728D15 shade: #728D15, #8D8815, #8D6815, #8D4715 and #8D2615

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #728D15 shade: #728D15, #528D15, #318D15, #158D19 and #158D39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #728D15 shade matches the following richer shades: #728D15 and #7A9B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #728D15 shade: #728D15, #6B8022, #64732F, #5D663C and #55594A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #728D15 shade: #8D6715, #8D8715, #738D15, #538D15 and #338D15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #728D15 shade: #38460A, #556A0F, #728D15, #8FB11A and #ACD51F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #728D15 shade: #728D15, #158D47 and #77158D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #728D15 shade: #728D15, #15738D and #8D1573

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #728D15 shade: #728D15, #158D47, #2F158D and #8D155B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #728D15 shade: #728D15, #158D6B, #2F158D and #8D1537

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 85 / 45

HEX #728D15

RGB 114 141 21

HSL 73.5, 0.74%, 0.32%

LAB 54.74, -25.44, 54.33

 

Complementary color

CMYK 40 / 51 / 0 / 8

HEX #8D72EA

RGB 141 114 234

HSL 253.5, 0.74%, 0.68%

LAB 55.72, 38.15, -57.35

 

CMYK 16 / 0 / 89 / 45

HEX #778D10

RGB 119 141 16

HSL 70.56, 0.8%, 0.31%

LAB 55.08, -23.43, 55.94

 

CMYK 14 / 0 / 78 / 38

HEX #889F23

RGB 136 159 35

HSL 71.13, 0.64%, 0.38%

LAB 61.79, -24.36, 57.15

 

CMYK 14 / 0 / 69 / 31

HEX #99B136

RGB 153 177 54

HSL 71.71, 0.53%, 0.45%

LAB 68.38, -25.06, 57.2

 

CMYK 13 / 0 / 63 / 24

HEX #AAC349

RGB 170 195 73

HSL 72.3, 0.5%, 0.53%

LAB 74.86, -25.59, 56.65

 

CMYK 12 / 0 / 57 / 16

HEX #BBD55C

RGB 187 213 92

HSL 72.89, 0.59%, 0.6%

LAB 81.25, -26, 55.79

 

CMYK 19 / 0 / 85 / 45

HEX #728D15

RGB 114 141 21

HSL 73.5, 0.74%, 0.32%

LAB 54.74, -25.44, 54.33

 

CMYK 21 / 0 / 98 / 52

HEX #617B02

RGB 97 123 2

HSL 72.89, 0.97%, 0.25%

LAB 47.89, -24.41, 52.21

 

CMYK 24 / 0 / 100 / 59

HEX #506900

RGB 80 105 0

HSL 74.29, 1%, 0.21%

LAB 40.91, -22.94, 46.81

 

CMYK 28 / 0 / 100 / 66

HEX #3F5700

RGB 63 87 0

HSL 76.55, 1%, 0.17%

LAB 33.72, -21.4, 40.82

 

CMYK 33 / 0 / 100 / 73

HEX #2E4500

RGB 46 69 0

HSL 80, 1%, 0.14%

LAB 26.27, -19.81, 34.38

 

CMYK 19 / 0 / 85 / 45

HEX #728D15

RGB 114 141 21

HSL 73.5, 0.74%, 0.32%

LAB 54.74, -25.44, 54.33

 

CMYK 0 / 4 / 85 / 45

HEX #8D8815

RGB 141 136 21

HSL 57.5, 0.74%, 0.32%

LAB 55.41, -10.77, 55.74

 

CMYK 0 / 26 / 85 / 45

HEX #8D6815

RGB 141 104 21

HSL 41.5, 0.74%, 0.32%

LAB 46.47, 7.22, 48.14

 

CMYK 0 / 50 / 85 / 45

HEX #8D4715

RGB 141 71 21

HSL 25, 0.74%, 0.32%

LAB 38.24, 26.26, 40.94

 

CMYK 0 / 73 / 85 / 45

HEX #8D2615

RGB 141 38 21

HSL 8.5, 0.74%, 0.32%

LAB 32.04, 42.45, 35.34

 

CMYK 19 / 0 / 85 / 45

HEX #728D15

RGB 114 141 21

HSL 73.5, 0.74%, 0.32%

LAB 54.74, -25.44, 54.33

 

CMYK 42 / 0 / 85 / 45

HEX #528D15

RGB 82 141 21

HSL 89.5, 0.74%, 0.32%

LAB 52.84, -38.18, 51.92

 

CMYK 65 / 0 / 85 / 45

HEX #318D15

RGB 49 141 21

HSL 106, 0.74%, 0.32%

LAB 51.56, -48.09, 50.29

 

CMYK 85 / 0 / 82 / 45

HEX #158D19

RGB 21 141 25

HSL 122, 0.74%, 0.32%

LAB 51.01, -52.73, 48.43

 

CMYK 85 / 0 / 60 / 45

HEX #158D39

RGB 21 141 57

HSL 138, 0.74%, 0.32%

LAB 51.27, -49.5, 35.57

 

CMYK 19 / 0 / 85 / 45

HEX #728D15

RGB 114 141 21

HSL 73.5, 0.74%, 0.32%

LAB 54.74, -25.44, 54.33

 

CMYK 21 / 0 / 95 / 39

HEX #7A9B08

RGB 122 155 8

HSL 73.47, 0.9%, 0.32%

LAB 59.52, -29.18, 61

 

CMYK 19 / 0 / 85 / 45

HEX #728D15

RGB 114 141 21

HSL 73.5, 0.74%, 0.32%

LAB 54.74, -25.44, 54.33

 

CMYK 16 / 0 / 73 / 50

HEX #6B8022

RGB 107 128 34

HSL 73.4, 0.58%, 0.32%

LAB 50.31, -21.31, 45.81

 

CMYK 13 / 0 / 59 / 55

HEX #64732F

RGB 100 115 47

HSL 73.24, 0.42%, 0.32%

LAB 45.87, -16.57, 35.1

 

CMYK 9 / 0 / 41 / 60

HEX #5D663C

RGB 93 102 60

HSL 72.86, 0.26%, 0.32%

LAB 41.46, -11.01, 22.59

 

CMYK 4 / 0 / 17 / 65

HEX #55594A

RGB 85 89 74

HSL 76, 0.09%, 0.32%

LAB 37.06, -4.63, 8.15

 

CMYK 0 / 27 / 85 / 45

HEX #8D6715

RGB 141 103 21

HSL 41, 0.74%, 0.32%

LAB 46.2, 7.8, 47.9

 

CMYK 0 / 4 / 85 / 45

HEX #8D8715

RGB 141 135 21

HSL 57, 0.74%, 0.32%

LAB 55.12, -10.23, 55.5

 

CMYK 18 / 0 / 85 / 45

HEX #738D15

RGB 115 141 21

HSL 73, 0.74%, 0.32%

LAB 54.81, -25.01, 54.41

 

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

CMYK 64 / 0 / 85 / 45

HEX #338D15

RGB 51 141 21

HSL 105, 0.74%, 0.32%

LAB 51.62, -47.61, 50.37

 

CMYK 20 / 0 / 86 / 73

HEX #38460A

RGB 56 70 10

HSL 74, 0.75%, 0.16%

LAB 27.42, -15.04, 31.69

 

CMYK 20 / 0 / 86 / 58

HEX #556A0F

RGB 85 106 15

HSL 73.85, 0.75%, 0.24%

LAB 41.65, -20.7, 43.73

 

CMYK 19 / 0 / 85 / 45

HEX #728D15

RGB 114 141 21

HSL 73.5, 0.74%, 0.32%

LAB 54.74, -25.44, 54.33

 

CMYK 19 / 0 / 85 / 31

HEX #8FB11A

RGB 143 177 26

HSL 73.51, 0.74%, 0.4%

LAB 67.55, -30.47, 64.88

 

CMYK 19 / 0 / 85 / 16

HEX #ACD51F

RGB 172 213 31

HSL 73.52, 0.75%, 0.48%

LAB 79.87, -35.29, 74.97

 

CMYK 19 / 0 / 85 / 45

HEX #728D15

RGB 114 141 21

HSL 73.5, 0.74%, 0.32%

LAB 54.74, -25.44, 54.33

 

CMYK 85 / 0 / 50 / 45

HEX #158D47

RGB 21 141 71

HSL 145, 0.74%, 0.32%

LAB 51.46, -47.3, 28.61

 

CMYK 16 / 85 / 0 / 45

HEX #77158D

RGB 119 21 141

HSL 289, 0.74%, 0.32%

LAB 30.35, 55.7, -43.78

 

CMYK 19 / 0 / 85 / 45

HEX #728D15

RGB 114 141 21

HSL 73.5, 0.74%, 0.32%

LAB 54.74, -25.44, 54.33

 

CMYK 85 / 18 / 0 / 45

HEX #15738D

RGB 21 115 141

HSL 193, 0.74%, 0.32%

LAB 44.72, -16.26, -21.54

 

CMYK 0 / 85 / 18 / 45

HEX #8D1573

RGB 141 21 115

HSL 313, 0.74%, 0.32%

LAB 32.78, 55.96, -23.37

 

CMYK 19 / 0 / 85 / 45

HEX #728D15

RGB 114 141 21

HSL 73.5, 0.74%, 0.32%

LAB 54.74, -25.44, 54.33

 

CMYK 85 / 0 / 50 / 45

HEX #158D47

RGB 21 141 71

HSL 145, 0.74%, 0.32%

LAB 51.46, -47.3, 28.61

 

CMYK 67 / 85 / 0 / 45

HEX #2F158D

RGB 47 21 141

HSL 253, 0.74%, 0.32%

LAB 20.3, 45.34, -60.64

 

CMYK 0 / 85 / 35 / 45

HEX #8D155B

RGB 141 21 91

HSL 325, 0.74%, 0.32%

LAB 31.7, 52.93, -9.61

 

CMYK 19 / 0 / 85 / 45

HEX #728D15

RGB 114 141 21

HSL 73.5, 0.74%, 0.32%

LAB 54.74, -25.44, 54.33

 

CMYK 85 / 0 / 24 / 45

HEX #158D6B

RGB 21 141 107

HSL 163, 0.74%, 0.32%

LAB 52.14, -39.53, 9.45

 

CMYK 67 / 85 / 0 / 45

HEX #2F158D

RGB 47 21 141

HSL 253, 0.74%, 0.32%

LAB 20.3, 45.34, -60.64

 

CMYK 0 / 85 / 61 / 45

HEX #8D1537

RGB 141 21 55

HSL 343, 0.74%, 0.32%

LAB 30.58, 49.65, 12.55

 

Description

Color code: HEX #728D15 | qconv.com Color code: HEX #728D15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 141 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 141 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 85 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 85% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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