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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #728ECE it is the complementary color #8D7131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #728ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #728ECE shade: #778EC9, #88A0DC, #99B2EF, #AAC4FF and #BBD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #728ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #728ECE shade: #728ECE, #617CBB, #506AA8, #3F5895 and #2E4682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #728ECE shade: #738ECD, #7376CD, #8873CD, #A173CD and #B973CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #728ECE shade: #738ECD, #7376CD and #7373CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #728ECE shade matches the following richer shades: #738ECD, #6488DD, #5482EC and #457DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #728ECE shade: #738ECD, #8294BE, #919AAF, #A1A0A0 and #B0A690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #728ECE shade: #73C0CD, #73A8CD, #7390CD, #7377CD and #8673CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #728ECE shade: #3E60B0, #5476C3, #738ECD, #91A7D8 and #B0BFE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #728ECE shade: #728ECE, #C373CD and #B4CD73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #728ECE shade: #728ECE, #CD7390 and #90CD73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #728ECE shade: #728ECE, #C373CD, #CDB173 and #7DCD73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #728ECE shade: #728ECE, #CD73BD, #CDB173 and #73CD83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 31 / 0 / 19

HEX #728ECE

RGB 114 142 206

HSL 221.74, 0.48%, 0.63%

LAB 59.32, 7.04, -36.09

 

Complementary color

CMYK 0 / 20 / 65 / 45

HEX #8D7131

RGB 141 113 49

HSL 41.74, 0.48%, 0.37%

LAB 49.12, 3.44, 38.79

 

CMYK 41 / 29 / 0 / 21

HEX #778EC9

RGB 119 142 201

HSL 223.17, 0.43%, 0.63%

LAB 59.42, 6.9, -33.11

 

CMYK 38 / 27 / 0 / 14

HEX #88A0DC

RGB 136 160 220

HSL 222.86, 0.55%, 0.7%

LAB 66.17, 6.38, -33.13

 

CMYK 36 / 26 / 0 / 6

HEX #99B2EF

RGB 153 178 239

HSL 222.56, 0.73%, 0.77%

LAB 72.79, 5.93, -33.19

 

CMYK 33 / 23 / 0 / 0

HEX #AAC4FF

RGB 170 196 255

HSL 221.65, 1%, 0.83%

LAB 79.18, 4.78, -31.84

 

CMYK 27 / 16 / 0 / 0

HEX #BBD6FF

RGB 187 214 255

HSL 216.18, 1%, 0.87%

LAB 84.93, -0.06, -22.96

 

CMYK 45 / 31 / 0 / 19

HEX #728ECE

RGB 114 142 206

HSL 221.74, 0.48%, 0.63%

LAB 59.32, 7.04, -36.09

 

CMYK 48 / 34 / 0 / 27

HEX #617CBB

RGB 97 124 187

HSL 222, 0.4%, 0.56%

LAB 52.45, 7.75, -36.15

 

CMYK 52 / 37 / 0 / 34

HEX #506AA8

RGB 80 106 168

HSL 222.27, 0.35%, 0.49%

LAB 45.42, 8.63, -36.26

 

CMYK 58 / 41 / 0 / 42

HEX #3F5895

RGB 63 88 149

HSL 222.56, 0.41%, 0.42%

LAB 38.21, 9.74, -36.42

 

CMYK 65 / 46 / 0 / 49

HEX #2E4682

RGB 46 70 130

HSL 222.86, 0.48%, 0.35%

LAB 30.81, 11.2, -36.65

 

CMYK 44 / 31 / 0 / 20

HEX #738ECD

RGB 115 142 205

HSL 222, 0.47%, 0.63%

LAB 59.34, 7, -35.5

 

CMYK 44 / 42 / 0 / 20

HEX #7376CD

RGB 115 118 205

HSL 238, 0.47%, 0.63%

LAB 52.96, 21.26, -45.54

 

CMYK 34 / 44 / 0 / 20

HEX #8873CD

RGB 136 115 205

HSL 254, 0.47%, 0.63%

LAB 53.92, 28.51, -43.91

 

CMYK 21 / 44 / 0 / 20

HEX #A173CD

RGB 161 115 205

HSL 270.67, 0.47%, 0.63%

LAB 56.33, 35.5, -39.94

 

CMYK 10 / 44 / 0 / 20

HEX #B973CD

RGB 185 115 205

HSL 286.67, 0.47%, 0.63%

LAB 58.96, 42.5, -35.64

 

CMYK 44 / 31 / 0 / 20

HEX #738ECD

RGB 115 142 205

HSL 222, 0.47%, 0.63%

LAB 59.34, 7, -35.5

 

CMYK 44 / 42 / 0 / 20

HEX #7376CD

RGB 115 118 205

HSL 238, 0.47%, 0.63%

LAB 52.96, 21.26, -45.54

 

CMYK 44 / 44 / 0 / 20

HEX #7373CD

RGB 115 115 205

HSL 240, 0.47%, 0.63%

LAB 52.19, 23.07, -46.76

 

CMYK 44 / 31 / 0 / 20

HEX #738ECD

RGB 115 142 205

HSL 222, 0.47%, 0.63%

LAB 59.34, 7, -35.5

 

CMYK 55 / 38 / 0 / 13

HEX #6488DD

RGB 100 136 221

HSL 222.15, 0.64%, 0.63%

LAB 57.6, 11.91, -47.28

 

CMYK 64 / 45 / 0 / 7

HEX #5482EC

RGB 84 130 236

HSL 221.84, 0.8%, 0.63%

LAB 55.99, 17.47, -58.25

 

CMYK 73 / 50 / 0 / 2

HEX #457DFB

RGB 69 125 251

HSL 221.54, 0.96%, 0.63%

LAB 54.97, 23.6, -68.25

 

CMYK 44 / 31 / 0 / 20

HEX #738ECD

RGB 115 142 205

HSL 222, 0.47%, 0.63%

LAB 59.34, 7, -35.5

 

CMYK 32 / 22 / 0 / 25

HEX #8294BE

RGB 130 148 190

HSL 222, 0.32%, 0.63%

LAB 61.35, 3.57, -23.88

 

CMYK 17 / 12 / 0 / 31

HEX #919AAF

RGB 145 154 175

HSL 222, 0.16%, 0.63%

LAB 63.53, 1.27, -12.02

 

CMYK 0 / 1 / 1 / 37

HEX #A1A0A0

RGB 161 160 160

HSL 0, 0.01%, 0.63%

LAB 65.95, 0.36, 0.12

 

CMYK 0 / 6 / 18 / 31

HEX #B0A690

RGB 176 166 144

HSL 41.25, 0.17%, 0.63%

LAB 68.4, -0.11, 12.69

 

CMYK 44 / 6 / 0 / 20

HEX #73C0CD

RGB 115 192 205

HSL 188.67, 0.47%, 0.63%

LAB 73.38, -20.39, -13.98

 

CMYK 44 / 18 / 0 / 20

HEX #73A8CD

RGB 115 168 205

HSL 204.67, 0.47%, 0.63%

LAB 66.56, -7.71, -24.33

 

CMYK 44 / 30 / 0 / 20

HEX #7390CD

RGB 115 144 205

HSL 220.67, 0.47%, 0.63%

LAB 59.89, 5.84, -34.65

 

CMYK 44 / 42 / 0 / 20

HEX #7377CD

RGB 115 119 205

HSL 237.33, 0.47%, 0.63%

LAB 53.22, 20.66, -45.13

 

CMYK 35 / 44 / 0 / 20

HEX #8673CD

RGB 134 115 205

HSL 252.67, 0.47%, 0.63%

LAB 53.75, 27.97, -44.2

 

CMYK 65 / 45 / 0 / 31

HEX #3E60B0

RGB 62 96 176

HSL 222.11, 0.48%, 0.47%

LAB 42.04, 13.93, -46.39

 

CMYK 57 / 39 / 0 / 24

HEX #5476C3

RGB 84 118 195

HSL 221.62, 0.48%, 0.55%

LAB 50.43, 10.98, -43.97

 

CMYK 44 / 31 / 0 / 20

HEX #738ECD

RGB 115 142 205

HSL 222, 0.47%, 0.63%

LAB 59.34, 7, -35.5

 

CMYK 33 / 23 / 0 / 15

HEX #91A7D8

RGB 145 167 216

HSL 221.41, 0.48%, 0.71%

LAB 68.47, 3.89, -27.32

 

CMYK 22 / 16 / 0 / 11

HEX #B0BFE3

RGB 176 191 227

HSL 222.35, 0.48%, 0.79%

LAB 77.3, 2.53, -19.65

 

CMYK 45 / 31 / 0 / 19

HEX #728ECE

RGB 114 142 206

HSL 221.74, 0.48%, 0.63%

LAB 59.32, 7.04, -36.09

 

CMYK 5 / 44 / 0 / 20

HEX #C373CD

RGB 195 115 205

HSL 293.33, 0.47%, 0.63%

LAB 60.13, 45.46, -33.72

 

CMYK 12 / 0 / 44 / 20

HEX #B4CD73

RGB 180 205 115

HSL 76.67, 0.47%, 0.63%

LAB 78.81, -22.62, 41.9

 

CMYK 45 / 31 / 0 / 19

HEX #728ECE

RGB 114 142 206

HSL 221.74, 0.48%, 0.63%

LAB 59.32, 7.04, -36.09

 

CMYK 0 / 44 / 30 / 20

HEX #CD7390

RGB 205 115 144

HSL 340.67, 0.47%, 0.63%

LAB 59.21, 38.73, -0.08

 

CMYK 30 / 0 / 44 / 20

HEX #90CD73

RGB 144 205 115

HSL 100.67, 0.47%, 0.63%

LAB 76.58, -35.84, 38.61

 

CMYK 45 / 31 / 0 / 19

HEX #728ECE

RGB 114 142 206

HSL 221.74, 0.48%, 0.63%

LAB 59.32, 7.04, -36.09

 

CMYK 5 / 44 / 0 / 20

HEX #C373CD

RGB 195 115 205

HSL 293.33, 0.47%, 0.63%

LAB 60.13, 45.46, -33.72

 

CMYK 0 / 14 / 44 / 20

HEX #CDB173

RGB 205 177 115

HSL 41.33, 0.47%, 0.63%

LAB 73.33, 1.75, 35.39

 

CMYK 39 / 0 / 44 / 20

HEX #7DCD73

RGB 125 205 115

HSL 113.33, 0.47%, 0.63%

LAB 75.61, -42.11, 37.19

 

CMYK 45 / 31 / 0 / 19

HEX #728ECE

RGB 114 142 206

HSL 221.74, 0.48%, 0.63%

LAB 59.32, 7.04, -36.09

 

CMYK 0 / 44 / 8 / 20

HEX #CD73BD

RGB 205 115 189

HSL 310.67, 0.47%, 0.63%

LAB 60.71, 45.6, -23.67

 

CMYK 0 / 14 / 44 / 20

HEX #CDB173

RGB 205 177 115

HSL 41.33, 0.47%, 0.63%

LAB 73.33, 1.75, 35.39

 

CMYK 44 / 0 / 36 / 20

HEX #73CD83

RGB 115 205 131

HSL 130.67, 0.47%, 0.63%

LAB 75.42, -42.63, 28.67

 

Description

Color code: HEX #728ECE | qconv.com Color code: HEX #728ECE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 142 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 142 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 31 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 31% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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