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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72DD3B it is the complementary color #8D22C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72DD3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72DD3B shade: #77DD36, #88EF49, #99FF5C, #AAFF6F and #BBFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72DD3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72DD3B shade: #72DD3B, #61CB28, #50B915, #3FA702 and #2E9500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72DD3B shade: #72DC3B, #9DDC3B, #C9DC3B, #DCC43B and #DC993B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72DD3B shade: #72DC3B, #47DC3B, #3BDC5C, #3BDC87 and #3BDCB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72DD3B shade matches the following richer shades: #72DC3B and #6CEF29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72DD3B shade: #72DC3B, #78CA4E, #7EB761, #84A473 and #8A9286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72DD3B shade: #C9DC3B, #9EDC3B, #74DC3B, #49DC3B and #3BDC59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72DD3B shade: #4CA81D, #5CCB23, #72DC3B, #8BE25E and #A4E882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72DD3B shade: #72DD3B, #3BDCC4 and #DC3BB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72DD3B shade: #72DD3B, #3B74DC and #DC3B74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72DD3B shade: #72DD3B, #3BDCC4, #A43BDC and #DC3B54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72DD3B shade: #72DD3B, #3BC4DC, #A43BDC and #DC543B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 73 / 13

HEX #72DD3B

RGB 114 221 59

HSL 99.63, 0.7%, 0.55%

LAB 79.39, -57.67, 65.73

 

Complementary color

CMYK 28 / 83 / 0 / 23

HEX #8D22C4

RGB 141 34 196

HSL 279.63, 0.7%, 0.45%

LAB 39.23, 66.69, -62.28

 

CMYK 46 / 0 / 76 / 13

HEX #77DD36

RGB 119 221 54

HSL 96.65, 0.71%, 0.54%

LAB 79.56, -56.5, 67.6

 

CMYK 43 / 0 / 69 / 6

HEX #88EF49

RGB 136 239 73

HSL 97.23, 0.84%, 0.61%

LAB 85.73, -56.98, 67.5

 

CMYK 40 / 0 / 64 / 0

HEX #99FF5C

RGB 153 255 92

HSL 97.55, 1%, 0.68%

LAB 91.26, -56.5, 66.33

 

CMYK 33 / 0 / 56 / 0

HEX #AAFF6F

RGB 170 255 111

HSL 95.42, 1%, 0.72%

LAB 92.23, -49.32, 59.71

 

CMYK 27 / 0 / 49 / 0

HEX #BBFF82

RGB 187 255 130

HSL 92.64, 1%, 0.75%

LAB 93.32, -41.61, 52.67

 

CMYK 48 / 0 / 73 / 13

HEX #72DD3B

RGB 114 221 59

HSL 99.63, 0.7%, 0.55%

LAB 79.39, -57.67, 65.73

 

CMYK 52 / 0 / 80 / 20

HEX #61CB28

RGB 97 203 40

HSL 99.02, 0.67%, 0.48%

LAB 73.16, -56.97, 65.43

 

CMYK 57 / 0 / 89 / 27

HEX #50B915

RGB 80 185 21

HSL 98.41, 0.8%, 0.4%

LAB 66.87, -55.92, 64.11

 

CMYK 62 / 0 / 99 / 35

HEX #3FA702

RGB 63 167 2

HSL 97.82, 0.98%, 0.33%

LAB 60.51, -54.42, 61.47

 

CMYK 69 / 0 / 100 / 42

HEX #2E9500

RGB 46 149 0

HSL 101.48, 1%, 0.29%

LAB 54.11, -52.23, 56.47

 

CMYK 48 / 0 / 73 / 14

HEX #72DC3B

RGB 114 220 59

HSL 99.5, 0.7%, 0.55%

LAB 79.09, -57.3, 65.43

 

CMYK 29 / 0 / 73 / 14

HEX #9DDC3B

RGB 157 220 59

HSL 83.48, 0.7%, 0.55%

LAB 81.11, -42.99, 68.1

 

CMYK 9 / 0 / 73 / 14

HEX #C9DC3B

RGB 201 220 59

HSL 67.08, 0.7%, 0.55%

LAB 83.92, -25.82, 71.78

 

CMYK 0 / 11 / 73 / 14

HEX #DCC43B

RGB 220 196 59

HSL 51.06, 0.7%, 0.55%

LAB 79.05, -5.94, 67.67

 

CMYK 0 / 30 / 73 / 14

HEX #DC993B

RGB 220 153 59

HSL 35.03, 0.7%, 0.55%

LAB 68.25, 16.76, 57.07

 

CMYK 48 / 0 / 73 / 14

HEX #72DC3B

RGB 114 220 59

HSL 99.5, 0.7%, 0.55%

LAB 79.09, -57.3, 65.43

 

CMYK 68 / 0 / 73 / 14

HEX #47DC3B

RGB 71 220 59

HSL 115.53, 0.7%, 0.55%

LAB 77.78, -67.7, 63.69

 

CMYK 73 / 0 / 58 / 14

HEX #3BDC5C

RGB 59 220 92

HSL 132.3, 0.7%, 0.55%

LAB 77.81, -66.48, 50.4

 

CMYK 73 / 0 / 39 / 14

HEX #3BDC87

RGB 59 220 135

HSL 148.32, 0.7%, 0.55%

LAB 78.38, -59.82, 30.25

 

CMYK 73 / 0 / 19 / 14

HEX #3BDCB2

RGB 59 220 178

HSL 164.35, 0.7%, 0.55%

LAB 79.23, -50.63, 8.94

 

CMYK 48 / 0 / 73 / 14

HEX #72DC3B

RGB 114 220 59

HSL 99.5, 0.7%, 0.55%

LAB 79.09, -57.3, 65.43

 

CMYK 55 / 0 / 83 / 6

HEX #6CEF29

RGB 108 239 41

HSL 99.7, 0.86%, 0.55%

LAB 84.53, -66.74, 75.64

 

CMYK 48 / 0 / 73 / 14

HEX #72DC3B

RGB 114 220 59

HSL 99.5, 0.7%, 0.55%

LAB 79.09, -57.3, 65.43

 

CMYK 41 / 0 / 61 / 21

HEX #78CA4E

RGB 120 202 78

HSL 99.68, 0.54%, 0.55%

LAB 74.05, -46.81, 52.79

 

CMYK 31 / 0 / 47 / 28

HEX #7EB761

RGB 126 183 97

HSL 99.77, 0.37%, 0.55%

LAB 68.87, -34.34, 37.78

 

CMYK 20 / 0 / 30 / 36

HEX #84A473

RGB 132 164 115

HSL 99.18, 0.21%, 0.55%

LAB 63.91, -20.35, 21.92

 

CMYK 5 / 0 / 8 / 43

HEX #8A9286

RGB 138 146 134

HSL 100, 0.05%, 0.55%

LAB 59.6, -5.24, 5.36

 

CMYK 9 / 0 / 73 / 14

HEX #C9DC3B

RGB 201 220 59

HSL 67.08, 0.7%, 0.55%

LAB 83.92, -25.82, 71.78

 

CMYK 28 / 0 / 73 / 14

HEX #9EDC3B

RGB 158 220 59

HSL 83.11, 0.7%, 0.55%

LAB 81.17, -42.62, 68.17

 

CMYK 47 / 0 / 73 / 14

HEX #74DC3B

RGB 116 220 59

HSL 98.76, 0.7%, 0.55%

LAB 79.17, -56.71, 65.53

 

CMYK 67 / 0 / 73 / 14

HEX #49DC3B

RGB 73 220 59

HSL 114.78, 0.7%, 0.55%

LAB 77.83, -67.32, 63.75

 

CMYK 73 / 0 / 60 / 14

HEX #3BDC59

RGB 59 220 89

HSL 131.18, 0.7%, 0.55%

LAB 77.78, -66.84, 51.7

 

CMYK 55 / 0 / 83 / 34

HEX #4CA81D

RGB 76 168 29

HSL 99.71, 0.71%, 0.39%

LAB 61.33, -50.5, 57.33

 

CMYK 55 / 0 / 83 / 20

HEX #5CCB23

RGB 92 203 35

HSL 99.64, 0.71%, 0.47%

LAB 72.96, -58.58, 66.51

 

CMYK 48 / 0 / 73 / 14

HEX #72DC3B

RGB 114 220 59

HSL 99.5, 0.7%, 0.55%

LAB 79.09, -57.3, 65.43

 

CMYK 38 / 0 / 58 / 11

HEX #8BE25E

RGB 139 226 94

HSL 99.55, 0.69%, 0.63%

LAB 82.21, -49.06, 55.26

 

CMYK 29 / 0 / 44 / 9

HEX #A4E882

RGB 164 232 130

HSL 100, 0.69%, 0.71%

LAB 85.61, -39.28, 42.85

 

CMYK 48 / 0 / 73 / 13

HEX #72DD3B

RGB 114 221 59

HSL 99.63, 0.7%, 0.55%

LAB 79.39, -57.67, 65.73

 

CMYK 73 / 0 / 11 / 14

HEX #3BDCC4

RGB 59 220 196

HSL 171.06, 0.7%, 0.55%

LAB 79.67, -46.11, 0

 

CMYK 0 / 73 / 18 / 14

HEX #DC3BB4

RGB 220 59 180

HSL 314.91, 0.7%, 0.55%

LAB 53.64, 72.37, -29.22

 

CMYK 48 / 0 / 73 / 13

HEX #72DD3B

RGB 114 221 59

HSL 99.63, 0.7%, 0.55%

LAB 79.39, -57.67, 65.73

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 0 / 73 / 47 / 14

HEX #DC3B74

RGB 220 59 116

HSL 338.76, 0.7%, 0.55%

LAB 51.39, 65.28, 5.41

 

CMYK 48 / 0 / 73 / 13

HEX #72DD3B

RGB 114 221 59

HSL 99.63, 0.7%, 0.55%

LAB 79.39, -57.67, 65.73

 

CMYK 73 / 0 / 11 / 14

HEX #3BDCC4

RGB 59 220 196

HSL 171.06, 0.7%, 0.55%

LAB 79.67, -46.11, 0

 

CMYK 25 / 73 / 0 / 14

HEX #A43BDC

RGB 164 59 220

HSL 279.13, 0.7%, 0.55%

LAB 47.22, 67.14, -63.01

 

CMYK 0 / 73 / 62 / 14

HEX #DC3B54

RGB 220 59 84

HSL 350.68, 0.7%, 0.55%

LAB 50.67, 62.92, 23.73

 

CMYK 48 / 0 / 73 / 13

HEX #72DD3B

RGB 114 221 59

HSL 99.63, 0.7%, 0.55%

LAB 79.39, -57.67, 65.73

 

CMYK 73 / 11 / 0 / 14

HEX #3BC4DC

RGB 59 196 220

HSL 188.94, 0.7%, 0.55%

LAB 73.27, -28.25, -22.47

 

CMYK 25 / 73 / 0 / 14

HEX #A43BDC

RGB 164 59 220

HSL 279.13, 0.7%, 0.55%

LAB 47.22, 67.14, -63.01

 

CMYK 0 / 62 / 73 / 14

HEX #DC543B

RGB 220 84 59

HSL 9.32, 0.7%, 0.55%

LAB 53.89, 51.85, 41.96

 

Description

Color code: HEX #72DD3B | qconv.com Color code: HEX #72DD3B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 221 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 221 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 73 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 73% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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