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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7335A5 it is the complementary color #8CCA5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7335A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7335A5 shade: #7835A0, #8947B3, #9A59C6, #AB6BD9 and #BC7DEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7335A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7335A5 shade: #7335A5, #622392, #51117F, #40006C and #2F0059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7335A5 shade: #7335A5, #9135A5, #A5359B, #A5357D and #A5355E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7335A5 shade: #7335A5, #5535A5, #3735A5 and #3535A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7335A5 shade matches the following richer shades: #7335A5, #7523B7, #7712C9 and #7900DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7335A5 shade: #7335A5, #714793, #6F5982, #6D6A70 and #6C7C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7335A5 shade: #3735A5, #5535A5, #7335A5, #9135A5 and #A5359C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7335A5 shade: #482167, #5D2B86, #7335A5, #8942C1 and #9C61CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7335A5 shade: #7335A5, #A53551 and #35A546

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7335A5 shade: #7335A5, #A57335 and #35A573

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7335A5 shade: #7335A5, #A53551, #68A535 and #35A589

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7335A5 shade: #7335A5, #A53B35, #68A535 and #359FA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 68 / 0 / 35

HEX #7335A5

RGB 115 53 165

HSL 273.21, 0.51%, 0.43%

LAB 35.81, 47.71, -49.64

 

Complementary color

CMYK 31 / 0 / 55 / 21

HEX #8CCA5A

RGB 140 202 90

HSL 93.21, 0.51%, 0.57%

LAB 75.17, -38.82, 48.95

 

CMYK 25 / 67 / 0 / 37

HEX #7835A0

RGB 120 53 160

HSL 277.57, 0.5%, 0.42%

LAB 36.13, 47.66, -46.07

 

CMYK 23 / 60 / 0 / 30

HEX #8947B3

RGB 137 71 179

HSL 276.67, 0.43%, 0.49%

LAB 42.88, 47.05, -46.43

 

CMYK 22 / 55 / 0 / 22

HEX #9A59C6

RGB 154 89 198

HSL 275.78, 0.49%, 0.56%

LAB 49.61, 46.27, -46.64

 

CMYK 21 / 51 / 0 / 15

HEX #AB6BD9

RGB 171 107 217

HSL 274.91, 0.59%, 0.64%

LAB 56.27, 45.42, -46.76

 

CMYK 20 / 47 / 0 / 7

HEX #BC7DEC

RGB 188 125 236

HSL 274.05, 0.74%, 0.71%

LAB 62.86, 44.57, -46.84

 

CMYK 30 / 68 / 0 / 35

HEX #7335A5

RGB 115 53 165

HSL 273.21, 0.51%, 0.43%

LAB 35.81, 47.71, -49.64

 

CMYK 33 / 76 / 0 / 43

HEX #622392

RGB 98 35 146

HSL 274.05, 0.61%, 0.35%

LAB 29.09, 48.01, -49.07

 

CMYK 36 / 87 / 0 / 50

HEX #51117F

RGB 81 17 127

HSL 274.91, 0.76%, 0.28%

LAB 22.59, 47.39, -47.9

 

CMYK 41 / 100 / 0 / 58

HEX #40006C

RGB 64 0 108

HSL 275.56, 1%, 0.21%

LAB 16.37, 45.57, -45.98

 

CMYK 47 / 100 / 0 / 65

HEX #2F0059

RGB 47 0 89

HSL 271.69, 1%, 0.17%

LAB 11.45, 39.25, -41.53

 

CMYK 30 / 68 / 0 / 35

HEX #7335A5

RGB 115 53 165

HSL 273.21, 0.51%, 0.43%

LAB 35.81, 47.71, -49.64

 

CMYK 12 / 68 / 0 / 35

HEX #9135A5

RGB 145 53 165

HSL 289.29, 0.51%, 0.43%

LAB 40.05, 54.5, -42.59

 

CMYK 0 / 68 / 6 / 35

HEX #A5359B

RGB 165 53 155

HSL 305.36, 0.51%, 0.43%

LAB 42.63, 57.53, -32.31

 

CMYK 0 / 68 / 24 / 35

HEX #A5357D

RGB 165 53 125

HSL 321.43, 0.51%, 0.43%

LAB 41.26, 53.01, -16.18

 

CMYK 0 / 68 / 43 / 35

HEX #A5355E

RGB 165 53 94

HSL 338.04, 0.51%, 0.43%

LAB 40.17, 49.27, 1.52

 

CMYK 30 / 68 / 0 / 35

HEX #7335A5

RGB 115 53 165

HSL 273.21, 0.51%, 0.43%

LAB 35.81, 47.71, -49.64

 

CMYK 48 / 68 / 0 / 35

HEX #5535A5

RGB 85 53 165

HSL 257.14, 0.51%, 0.43%

LAB 32.24, 41.56, -55.58

 

CMYK 67 / 68 / 0 / 35

HEX #3735A5

RGB 55 53 165

HSL 241.07, 0.51%, 0.43%

LAB 29.6, 36.62, -60.01

 

CMYK 68 / 68 / 0 / 35

HEX #3535A5

RGB 53 53 165

HSL 240, 0.51%, 0.43%

LAB 29.46, 36.35, -60.24

 

CMYK 30 / 68 / 0 / 35

HEX #7335A5

RGB 115 53 165

HSL 273.21, 0.51%, 0.43%

LAB 35.81, 47.71, -49.64

 

CMYK 36 / 81 / 0 / 28

HEX #7523B7

RGB 117 35 183

HSL 273.24, 0.68%, 0.43%

LAB 34.81, 59.83, -61.98

 

CMYK 41 / 91 / 0 / 21

HEX #7712C9

RGB 119 18 201

HSL 273.11, 0.84%, 0.43%

LAB 35.15, 68.61, -72.01

 

CMYK 44 / 100 / 0 / 15

HEX #7900DA

RGB 121 0 218

HSL 273.3, 1%, 0.43%

LAB 36.23, 74.93, -80.07

 

CMYK 30 / 68 / 0 / 35

HEX #7335A5

RGB 115 53 165

HSL 273.21, 0.51%, 0.43%

LAB 35.81, 47.71, -49.64

 

CMYK 23 / 52 / 0 / 42

HEX #714793

RGB 113 71 147

HSL 273.16, 0.35%, 0.43%

LAB 38.06, 33.08, -35.17

 

CMYK 15 / 32 / 0 / 49

HEX #6F5982

RGB 111 89 130

HSL 272.2, 0.19%, 0.43%

LAB 41.43, 17.49, -19.6

 

CMYK 3 / 5 / 0 / 56

HEX #6D6A70

RGB 109 106 112

HSL 270, 0.03%, 0.43%

LAB 45.26, 2.4, -2.94

 

CMYK 13 / 0 / 24 / 51

HEX #6C7C5E

RGB 108 124 94

HSL 92, 0.14%, 0.43%

LAB 49.99, -11.79, 14.47

 

CMYK 67 / 68 / 0 / 35

HEX #3735A5

RGB 55 53 165

HSL 241.07, 0.51%, 0.43%

LAB 29.6, 36.62, -60.01

 

CMYK 48 / 68 / 0 / 35

HEX #5535A5

RGB 85 53 165

HSL 257.14, 0.51%, 0.43%

LAB 32.24, 41.56, -55.58

 

CMYK 30 / 68 / 0 / 35

HEX #7335A5

RGB 115 53 165

HSL 273.21, 0.51%, 0.43%

LAB 35.81, 47.71, -49.64

 

CMYK 12 / 68 / 0 / 35

HEX #9135A5

RGB 145 53 165

HSL 289.29, 0.51%, 0.43%

LAB 40.05, 54.5, -42.59

 

CMYK 0 / 68 / 5 / 35

HEX #A5359C

RGB 165 53 156

HSL 304.82, 0.51%, 0.43%

LAB 42.68, 57.69, -32.83

 

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

CMYK 31 / 68 / 0 / 47

HEX #5D2B86

RGB 93 43 134

HSL 272.97, 0.51%, 0.35%

LAB 28.84, 40.23, -42.07

 

CMYK 30 / 68 / 0 / 35

HEX #7335A5

RGB 115 53 165

HSL 273.21, 0.51%, 0.43%

LAB 35.81, 47.71, -49.64

 

CMYK 29 / 66 / 0 / 24

HEX #8942C1

RGB 137 66 193

HSL 273.54, 0.51%, 0.51%

LAB 42.86, 52.77, -54.67

 

CMYK 23 / 52 / 0 / 20

HEX #9C61CB

RGB 156 97 203

HSL 273.4, 0.5%, 0.59%

LAB 51.76, 43.64, -46.07

 

CMYK 30 / 68 / 0 / 35

HEX #7335A5

RGB 115 53 165

HSL 273.21, 0.51%, 0.43%

LAB 35.81, 47.71, -49.64

 

CMYK 0 / 68 / 51 / 35

HEX #A53551

RGB 165 53 81

HSL 345, 0.51%, 0.43%

LAB 39.81, 48.01, 9.2

 

CMYK 68 / 0 / 58 / 35

HEX #35A546

RGB 53 165 70

HSL 129.11, 0.51%, 0.43%

LAB 59.99, -51.29, 39.66

 

CMYK 30 / 68 / 0 / 35

HEX #7335A5

RGB 115 53 165

HSL 273.21, 0.51%, 0.43%

LAB 35.81, 47.71, -49.64

 

CMYK 0 / 30 / 68 / 35

HEX #A57335

RGB 165 115 53

HSL 33.21, 0.51%, 0.43%

LAB 52.42, 13.44, 41.21

 

CMYK 68 / 0 / 30 / 35

HEX #35A573

RGB 53 165 115

HSL 153.21, 0.51%, 0.43%

LAB 60.7, -43.37, 16.96

 

CMYK 30 / 68 / 0 / 35

HEX #7335A5

RGB 115 53 165

HSL 273.21, 0.51%, 0.43%

LAB 35.81, 47.71, -49.64

 

CMYK 0 / 68 / 51 / 35

HEX #A53551

RGB 165 53 81

HSL 345, 0.51%, 0.43%

LAB 39.81, 48.01, 9.2

 

CMYK 37 / 0 / 68 / 35

HEX #68A535

RGB 104 165 53

HSL 92.68, 0.51%, 0.43%

LAB 61.75, -38.69, 49.81

 

CMYK 68 / 0 / 17 / 35

HEX #35A589

RGB 53 165 137

HSL 165, 0.51%, 0.43%

LAB 61.2, -38.16, 5.42

 

CMYK 30 / 68 / 0 / 35

HEX #7335A5

RGB 115 53 165

HSL 273.21, 0.51%, 0.43%

LAB 35.81, 47.71, -49.64

 

CMYK 0 / 64 / 68 / 35

HEX #A53B35

RGB 165 59 53

HSL 3.21, 0.51%, 0.43%

LAB 40.22, 43.33, 27.12

 

CMYK 37 / 0 / 68 / 35

HEX #68A535

RGB 104 165 53

HSL 92.68, 0.51%, 0.43%

LAB 61.75, -38.69, 49.81

 

CMYK 68 / 4 / 0 / 35

HEX #359FA5

RGB 53 159 165

HSL 183.21, 0.51%, 0.43%

LAB 60.13, -27.53, -11.94

 

Description

Color code: HEX #7335A5 | qconv.com Color code: HEX #7335A5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 53 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 53 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 68 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 68% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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