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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73499C it is the complementary color #8CB663. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73499C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73499C shade: #784997, #895BAA, #9A6DBD, #AB7FD0 and #BC91E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73499C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73499C shade: #73499C, #623789, #512576, #401363 and #2F0150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73499C shade: #73499C, #89499C, #9C4998, #9C4982 and #9C496B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73499C shade: #73499C, #5C499C and #49499C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73499C shade matches the following richer shades: #73499C, #7336AE, #7324C1 and #7311D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73499C shade: #73499C, #735C89, #726E76, #728164 and #729351

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73499C shade: #494C9C, #5C499C, #72499C, #88499C and #9C4999

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73499C shade: #492F63, #5E3C80, #73499C, #875CB2 and #9C78BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73499C shade: #73499C, #9C4962 and #499C51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73499C shade: #73499C, #9C7249 and #499C72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73499C shade: #73499C, #9C4962, #729C49 and #499C83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73499C shade: #73499C, #9C4949, #729C49 and #499C9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 53 / 0 / 39

HEX #73499C

RGB 115 73 156

HSL 270.36, 0.36%, 0.45%

LAB 39.26, 34.71, -38.69

 

Complementary color

CMYK 23 / 0 / 46 / 29

HEX #8CB663

RGB 140 182 99

HSL 90.36, 0.36%, 0.55%

LAB 69.42, -28.54, 37.63

 

CMYK 21 / 52 / 0 / 41

HEX #784997

RGB 120 73 151

HSL 276.15, 0.35%, 0.44%

LAB 39.57, 34.91, -35.16

 

CMYK 19 / 46 / 0 / 33

HEX #895BAA

RGB 137 91 170

HSL 274.94, 0.32%, 0.51%

LAB 46.58, 34.02, -35.27

 

CMYK 19 / 42 / 0 / 26

HEX #9A6DBD

RGB 154 109 189

HSL 273.75, 0.38%, 0.58%

LAB 53.47, 33.16, -35.35

 

CMYK 18 / 39 / 0 / 18

HEX #AB7FD0

RGB 171 127 208

HSL 272.59, 0.46%, 0.66%

LAB 60.24, 32.37, -35.45

 

CMYK 17 / 36 / 0 / 11

HEX #BC91E3

RGB 188 145 227

HSL 271.46, 0.59%, 0.73%

LAB 66.89, 31.63, -35.55

 

CMYK 26 / 53 / 0 / 39

HEX #73499C

RGB 115 73 156

HSL 270.36, 0.36%, 0.45%

LAB 39.26, 34.71, -38.69

 

CMYK 28 / 60 / 0 / 46

HEX #623789

RGB 98 55 137

HSL 271.46, 0.43%, 0.38%

LAB 32.11, 35.68, -38.64

 

CMYK 31 / 69 / 0 / 54

HEX #512576

RGB 81 37 118

HSL 272.59, 0.52%, 0.3%

LAB 24.89, 36.52, -38.44

 

CMYK 35 / 81 / 0 / 61

HEX #401363

RGB 64 19 99

HSL 273.75, 0.68%, 0.23%

LAB 17.72, 36.85, -37.85

 

CMYK 41 / 99 / 0 / 69

HEX #2F0150

RGB 47 1 80

HSL 274.94, 0.98%, 0.16%

LAB 10.6, 36.62, -36.79

 

CMYK 26 / 53 / 0 / 39

HEX #73499C

RGB 115 73 156

HSL 270.36, 0.36%, 0.45%

LAB 39.26, 34.71, -38.69

 

CMYK 12 / 53 / 0 / 39

HEX #89499C

RGB 137 73 156

HSL 286.27, 0.36%, 0.45%

LAB 41.97, 40.91, -34.22

 

CMYK 0 / 53 / 3 / 39

HEX #9C4998

RGB 156 73 152

HSL 302.89, 0.36%, 0.45%

LAB 44.38, 45.63, -27.87

 

CMYK 0 / 53 / 17 / 39

HEX #9C4982

RGB 156 73 130

HSL 318.8, 0.36%, 0.45%

LAB 43.43, 41.85, -16.05

 

CMYK 0 / 53 / 31 / 39

HEX #9C496B

RGB 156 73 107

HSL 335.42, 0.36%, 0.45%

LAB 42.6, 38.45, -3.19

 

CMYK 26 / 53 / 0 / 39

HEX #73499C

RGB 115 73 156

HSL 270.36, 0.36%, 0.45%

LAB 39.26, 34.71, -38.69

 

CMYK 41 / 53 / 0 / 39

HEX #5C499C

RGB 92 73 156

HSL 253.73, 0.36%, 0.45%

LAB 36.82, 28.6, -42.73

 

CMYK 53 / 53 / 0 / 39

HEX #49499C

RGB 73 73 156

HSL 240, 0.36%, 0.45%

LAB 35.17, 24.08, -45.47

 

CMYK 26 / 53 / 0 / 39

HEX #73499C

RGB 115 73 156

HSL 270.36, 0.36%, 0.45%

LAB 39.26, 34.71, -38.69

 

CMYK 34 / 69 / 0 / 32

HEX #7336AE

RGB 115 54 174

HSL 270.5, 0.53%, 0.45%

LAB 36.63, 49.4, -53.69

 

CMYK 40 / 81 / 0 / 24

HEX #7324C1

RGB 115 36 193

HSL 270.19, 0.69%, 0.45%

LAB 35.51, 61.47, -66.74

 

CMYK 45 / 92 / 0 / 17

HEX #7311D3

RGB 115 17 211

HSL 270.31, 0.85%, 0.45%

LAB 35.5, 70.53, -77.26

 

CMYK 26 / 53 / 0 / 39

HEX #73499C

RGB 115 73 156

HSL 270.36, 0.36%, 0.45%

LAB 39.26, 34.71, -38.69

 

CMYK 16 / 33 / 0 / 46

HEX #735C89

RGB 115 92 137

HSL 270.67, 0.2%, 0.45%

LAB 42.92, 18.69, -21.5

 

CMYK 3 / 7 / 0 / 54

HEX #726E76

RGB 114 110 118

HSL 270, 0.04%, 0.45%

LAB 47.02, 3.18, -3.89

 

CMYK 12 / 0 / 22 / 49

HEX #728164

RGB 114 129 100

HSL 91.03, 0.13%, 0.45%

LAB 52.06, -11.15, 13.93

 

CMYK 22 / 0 / 45 / 42

HEX #729351

RGB 114 147 81

HSL 90, 0.29%, 0.45%

LAB 57.11, -23.52, 31.18

 

CMYK 53 / 51 / 0 / 39

HEX #494C9C

RGB 73 76 156

HSL 237.83, 0.36%, 0.45%

LAB 35.96, 22.14, -44.2

 

CMYK 41 / 53 / 0 / 39

HEX #5C499C

RGB 92 73 156

HSL 253.73, 0.36%, 0.45%

LAB 36.82, 28.6, -42.73

 

CMYK 27 / 53 / 0 / 39

HEX #72499C

RGB 114 73 156

HSL 269.64, 0.36%, 0.45%

LAB 39.14, 34.44, -38.88

 

CMYK 13 / 53 / 0 / 39

HEX #88499C

RGB 136 73 156

HSL 285.54, 0.36%, 0.45%

LAB 41.84, 40.63, -34.43

 

CMYK 0 / 53 / 2 / 39

HEX #9C4999

RGB 156 73 153

HSL 302.17, 0.36%, 0.45%

LAB 44.42, 45.82, -28.4

 

CMYK 26 / 53 / 0 / 61

HEX #492F63

RGB 73 47 99

HSL 270, 0.36%, 0.29%

LAB 24.8, 23.42, -26.41

 

CMYK 27 / 53 / 0 / 50

HEX #5E3C80

RGB 94 60 128

HSL 270, 0.36%, 0.37%

LAB 32.19, 29.33, -32.96

 

CMYK 26 / 53 / 0 / 39

HEX #73499C

RGB 115 73 156

HSL 270.36, 0.36%, 0.45%

LAB 39.26, 34.71, -38.69

 

CMYK 24 / 48 / 0 / 30

HEX #875CB2

RGB 135 92 178

HSL 270, 0.36%, 0.53%

LAB 47, 34.77, -39.31

 

CMYK 18 / 37 / 0 / 25

HEX #9C78BF

RGB 156 120 191

HSL 270.42, 0.36%, 0.61%

LAB 56.35, 27.94, -31.99

 

CMYK 26 / 53 / 0 / 39

HEX #73499C

RGB 115 73 156

HSL 270.36, 0.36%, 0.45%

LAB 39.26, 34.71, -38.69

 

CMYK 0 / 53 / 37 / 39

HEX #9C4962

RGB 156 73 98

HSL 341.93, 0.36%, 0.45%

LAB 42.33, 37.28, 1.97

 

CMYK 53 / 0 / 48 / 39

HEX #499C51

RGB 73 156 81

HSL 125.78, 0.36%, 0.45%

LAB 57.83, -41.48, 31.65

 

CMYK 26 / 53 / 0 / 39

HEX #73499C

RGB 115 73 156

HSL 270.36, 0.36%, 0.45%

LAB 39.26, 34.71, -38.69

 

CMYK 0 / 27 / 53 / 39

HEX #9C7249

RGB 156 114 73

HSL 29.64, 0.36%, 0.45%

LAB 51.36, 11.58, 29.09

 

CMYK 53 / 0 / 27 / 39

HEX #499C72

RGB 73 156 114

HSL 149.64, 0.36%, 0.45%

LAB 58.42, -35.4, 14.46

 

CMYK 26 / 53 / 0 / 39

HEX #73499C

RGB 115 73 156

HSL 270.36, 0.36%, 0.45%

LAB 39.26, 34.71, -38.69

 

CMYK 0 / 53 / 37 / 39

HEX #9C4962

RGB 156 73 98

HSL 341.93, 0.36%, 0.45%

LAB 42.33, 37.28, 1.97

 

CMYK 27 / 0 / 53 / 39

HEX #729C49

RGB 114 156 73

HSL 90.36, 0.36%, 0.45%

LAB 59.74, -28.92, 38.52

 

CMYK 53 / 0 / 16 / 39

HEX #499C83

RGB 73 156 131

HSL 161.93, 0.36%, 0.45%

LAB 58.82, -31.52, 5.45

 

CMYK 26 / 53 / 0 / 39

HEX #73499C

RGB 115 73 156

HSL 270.36, 0.36%, 0.45%

LAB 39.26, 34.71, -38.69

 

CMYK 0 / 53 / 53 / 39

HEX #9C4949

RGB 156 73 73

HSL 0, 0.36%, 0.45%

LAB 41.71, 34.58, 16.55

 

CMYK 27 / 0 / 53 / 39

HEX #729C49

RGB 114 156 73

HSL 90.36, 0.36%, 0.45%

LAB 59.74, -28.92, 38.52

 

CMYK 53 / 0 / 0 / 39

HEX #499C9C

RGB 73 156 156

HSL 180, 0.36%, 0.45%

LAB 59.52, -25, -7.69

 

Description

Color code: HEX #73499C | qconv.com Color code: HEX #73499C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 73 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 73 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 53 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 53% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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